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Dante's inferno analysis
Dante's inferno analysis
Dante's inferno analysis
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Comparing Dante's Inferno and the Movie, What Dreams May Come
The movie's opening scene gives allusions to Dante's own life and his brief courtship with Beatrice. Chris (Robin Williams) begins, "When I was young, I met this beautiful girl on a lake," just as Dante had met Beatrice when he was young. This lake just happens to be on the boarder of Switzerland and Italy, Dante's native country. Anna, Chris' love, finds him sitting on a hillside overlooking that lake, and that scene will become a major focus for the rest of the movie. They believe that they are soul mates, and unlike Dante and Beatrice, Chris and Anna marry and have two children.
Set in modern times, a series of mortal tragedies unlocks a series of immortal adventures. As teenagers, the children die in a car crash, and Chris dies four years later. Anna is stricken by grief for the rest of her life because she feels that the deaths were her fault. As soon as Chris dies, an image begins to explain to Chris what his new situation is. Chris doesn't believe he is dead. Chris recognizes this image as Albert, a doctor he studied under during Med. school. As a guiding light on earth, he has chosen Albert to be helpful after death. Albert (Cuba Gooding Jr.) explains to him that whenever Chris stays on Earth trying to be close to Anna, he hurts her even more. During the movie, flashbacks to their time on earth occur frequently, and while Chris is freshly dead, a painting that his wife had made is shown. This painting looks to me like two figures standing before the Dark Wood of Error. Chris enters his private heaven, which Albert explains is a dream conjured up by the deceased's imagination. In this case, it's the painting Anna drew of the spot they met at in Italy. ...
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...cing eternal danger for himself. Freud stays outside (as far as human reason can go), and Chris goes in and sees Anna (who isn't a tree even though she commits suicide). He eventually makes Anna recognize him, and of course their love is stronger than anything (blah, blah, blah), and they end up in heaven- a paradise- if you will- and live happily ever after with their kids and their Dalmatian. The Dalmatian seems like it could be an allusion to the leopard, the symbol of the fraudulent and Malicious, but he's a good dog in the movie. Also, Anna's red scarf is often flying around the heaven in a whirlwind. It's red, so it could symbolize lovers like Paolo and Francesca, but in a positive way, or it could allude to the banner chased by the opportunists, but I doubt it. It symbolizes love, and Chris' inability to grasp a hold of Anna while she still lived- I think.
In one, a specimen-creating brute robs a pelican child’s life and her guardian trying to bring her back to life. In the other, a prince learns the value of his frog-turned-princess and sets out on a quest to find her. Joy Williams’s Baba Iaga and the Pelican Child and Alexander Afanasev’s The Frog Princess are both critical facets of the fairy tale genre. While initially it may seem that Williams preserved no elements from Afanasev’s tale, upon a closer glance, it is evident that the two tales’ similarities outnumber their differences. By incorporating a generous portion of the original story into his, Williams’s version brings forth an innovative arrangement of classic and new. As a result, William’s tale introduces features to the tale that mirror everyday life lessons while simultaneously maintaining qualities that are reflective of the definitional aspects of the fairy tale genre.
Irene encounters Hecate the Dark Moon in her first two visits to her grandmother. This image of the grandmother is reinforced in two ways in Irene's encounter with her. First, her physical description matches the dark aspect, "she was dressed in black velvet with thick white heavy-looking lace about it; and on the black dress her hair shone like silver"(MacDonald, 13). Silver is the metal associated with the moon (Jobes 119). In addition, as Hecate is one of the caretakers of children (Stapleton, 89) and in the second scene with the grandmother, while she is still Hecate, she heals Irene's injured thumb. However, there is a much more subtle way in which the grandmother is developed as being Hecate. Since Hecate is the moon before, "she has risen and after she has set," (Jobes 1120) then the dark aspect of the grandmother in her first two scenes demonstrates that Irene is still in the dark period before her major transformation, before being brought into full illumination.
The first example of symbolism we encounter is in the first chapter and comes in the form of dreams. When Amabelle and Sebastian open up to one another it is through their shared experiences, which are most usually, their dreams. They are able to be the most themselves when they are not in real life experiences, though it sounds like an oxymoron, the juxtapose between dreams and reality says a great deal about the characters. Dreams are essentially escapes from reality, and when Amabelle and Sebastian share their dreams with one another it serves as an escape. It becomes clear that they share the desire to escape, but escape from what exactly, their pasts, presence, or futures? This implication of escape prepares readers for the escapes made by the lovers near the end of the story. On page 2 Amabelle says of her nocturnal escapes, "It's either be in a nightmare or be nowhere at all. Or otherwise simply float inside these remembrances, grieving for who I was, and even more for what I've become." This quotation implies that that even her life has become a nightmare. Readers can infer that a good night's sleep would be Amabelle's only chance of escape. Her nightmares are destroying her life, and her life...
For centuries humans have been drawing parallels to help explain or understand different concepts. These parallels, or allegories, tell a simple story and their purpose is to use another point of view to help guide individuals into the correct line of thought. “The only stable element in a literary work is its words, which if one knows the language in which it is written, have a meaning. The significance of that meaning is what may be called allegory.”(Bloomfield) As Bloomfield stated, it is only how we interpret the words in an allegory that matters, each person can interpreted it in a slightly different way and allegories are most often personalized by a reader. Dante’s Inferno allegory is present throughout the entire poem. From the dark wood to the depths of Dante’s hell he presents the different crimes committed in life as they could be punished in death.
In “The Company of Wolves” Carter employs conventions of gender construction and didacticism, which help establish a fairy tale space (Koske 323). Carter presents a world in which fairy tale notions of gender are upheld. In her paper, “In Olden Times, When Wishing was Having: Classic and Contemporary Fairy Tales”, Joyce Carol Oates explains that the girls and women in fairy tales “are the uncontested property of men”. Carter alludes to this male dominated reality in her tale (99). When the girl, Carter’s Red Riding Hood, insists on venturing into the woods, the narrator says that “[h]er father might forbid her, if he were home, but he is away in the forest, gathering wood, and her mother cannot deny her” (1224). There is perhaps no gendered element to a parent preventing his child from wandering into the wilderness, b...
...n” is a great example of an old myth or tale reconstructed and adapted for a modern audience in a new medium. It is a progression on one hand in its use of modern language, setting, and style but it is also the product of the old myths in that it is essentially the same on the thematic level. In addition, the level of self-awareness on the part of the narrator and, by extension, the author marks it out as an illustration of the very notion of evolutionary changes of myths and fairy tales. Adaptation is the solution to the fairy tale, and fairy tales have been endlessly changing themselves throughout history and, by some strange transforming or enchanting power endlessly staying the same.”
There are more clues and subtle hints that reinforce these statements, most correlating to her mental illness and self-perception. The statements made through the use of said symbolism turns this story into an interesting viewpoint of a psychological breakdown.
One of the most interesting things about fairytales is how the author has borrowed ideas from ancient myths and legends and kept them alive in their writings. The Princess and the Goblin is one of these fairytales. In writing this novel, George MacDonald has incorporated much of the folk tradition in his characters and plot. Specifically, his concept of goblins seem to be drawn from the tradition of dwarfs, gnomes, and kobolds of Germanic myth and the fairies, or elves, of Celtic myth.
During the Divine Comedy, Dante is placed back on the path to salvation after help from supernatural aids. Dante was turned on to the wrong path and Beatrice, Dante’s past lover, needed to show him what would happen if he continued on the wrong path. Dante is being taken through the three different parts of the afterlife: The Inferno, Purgatory, and Paradise. Dante changes in his faith, and ideas of faith in these places, by the lessons from the guides and the tough situations.
While I read Dante’s Inferno, I caught myself reading an underlying message. It wasn’t about the Christian faith, or the soul’s road to salvation. It was Dante’s own political views. While the book may have been written for the religious message, I believe that Dante added his take on politics as well. I believe Dante uses religious principles to punish his political opponents.
The Middle Ages spawned a revolutionary arc in religious activity. Having welcomed Christianity, and taking roots from Greek and Roman spirituality, the arts had evolved alongside divine beliefs. Dante Alighieri’s Divine Comedy explored the realms of Christianity, which included Hell (Inferno), Purgatory (Purgatorio), and Heaven (Paradiso), with the fictitious account of Dante himself traveling to each individual place. As such, his masterpiece had become a wonder of the literature world. Alongside it, the artistic visions of Donatello and Brunelleschi had held Greek and Roman beliefs in high regards as a majority of their architecture, sculptures, and other artistic aspects had derived directly from those ancient beliefs. Finally, music had
Similar to the above conversation, one must take these tales with a grain of salt, and keep in mind the time period in which they were written. For the purpose of this paper, the focus will only be on what the tale is striving to teach those who read it. Similar to Lurie’s opinion on “The Light Princess,” readers of “Sleeping Beauty” may come away from the story thinking the best was to grow up or be helped is to fall in love; let the man (prince) solve the problem (Lurie 360). This thought is further echoed by Martin Hallett and Barbara Karasek, the authors of “Folk and Fairy Tales,” as they describe the story “as a metaphor for growing up: the heroine falls asleep as a naïve girl and awakens as a mature young woman on the threshold of marriage”
The two works of literature that will be talked about are Dante’s Inferno and the Song of Roland. There are many similarities and differences between these two works of literature that focus on the Christian God.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradiso. Dante presents these principles in Inferno where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell the degrees of sin get progressively worse as do the severity of punishment. With that in mind, one can look at Inferno as a handbook on what not to do during a lifetime in order to avoid Hell. In the book, Dante creates a moral lifestyle that one must follow in order to live a morally good, Catholic
The author’s message is given through use of put meaning behind the chrysanthemums in the story making them symbols for anamplitude of different meanings.