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Types of lies essay
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Often in life, people’s ideas of want versus need are muddled. One’s want for something can be so strong that they go as far as to use lies and manipulation… They ignore all consequences of their actions as long as there is a mere chance to possibly acquire what they yearn for. In the works, Cyrano de Bergerac (1897) by Edmond Rostand, Animal Farm (1945) by George Orwell, and Tangled (2010) directed by Byron Howard and Nathan Greno, characters are shown to be deceitful in order to accomplish their wishes. As Rostand spins the story of Cyrano de Bergerac, both Cyrano, a brave, poetic man, as well as Comte de Guiche, a powerful and lustrous nobleman, carry out grand fabrications. Regarding De Guiche, he marries the cardinal’s niece in order …show more content…
to bring himself to a state of power, despite his love for her being an utter lie.
Then he falls in love and forces Vicomte de Valvert into his devious plan to elope with the gorgeous orphan, Roxane. Having been already married as well as being unable to win over Lady Roxane, he requests that his gay friend Valvert lie to her, asking for her love, then hand her off to him so that they may go forth in doing sensual actions. Pertaining to Cyrano, Rostand’s play practically revolves arounds the lies which Cyrano tells. This heroic-like figure is also is in love with Roxane. Although he is her cousin, this fact oddly is not what is stopping him from earning her love. Instead, it is the protuberance smack in the middle of his face. With this, he resorts to taking advantage of the strikingly handsome new baron, Christian de Neuvillette, which Roxane has …show more content…
fallen head over heels for. Cyrano acts as though he wants to help Christian, but in reality, he is hiding his love for his cousin behind this baron’s good looks. Gradually, in helping Christian construct letters to Roxane, she then falls for what is referred to as “Christian’s soul.” By this means, Christian finally comes to a realization, believing that Cyrano was simply using him. With this, Cyrano had the power to gain his cousin’s heart by simply telling her that he wrote those letters with every ounce of his heart. In the allegory Animal Farm, lies and corruption bring the pig, Napoleon, to possess tyrannical power.
His power comes into play once their former leader passes away and the the spontaneous rebellion of the farm animals drive their humans off the estate. From this event, him as well as another pig, Snowball, take charge. He drives Snowball out to gain full control of the farm, informing the rest that he is actually a traitor. The rest of the livestock is too dim-witted to recognize this as a lie, and so are kept vigorously working on end in fear that Snowball will come back seeking havoc. He proceeds to ensure that he has all the animals in the grooves of his hooves by having Moses the raven spread the thought of Sugarcandy Mountain, the place that is supposed to grant happiness in the afterlife if life was spent doing hard work. The numerous lies Napoleon tells allow him to command the farm animals at his every
whim. In the Disney movie Tangled, the queen of Corona contracts a sickness when pregnant; only when she eats a magical flower is she cured. She later gives birth to Rapunzel who retains the flower’s magical properties. Not long after birth, Rapunzel is kidnapped by Gothel. For eighteen years, Gothel claims to be her mother, keeps her in a tower, and deceives Rapunzel with false illustrations of the outside world. She does this in order to keep Rapunzel’s power all to herself so that she remains ageless. Another character known to take advantage of Rapunzel is a thief that goes by the name of Flynn Rider. After stealing the royal crown, he runs into the woods and comes across Rapunzel’s tower where he is locked up. Rapunzel hides the crown from him. In exchange for his freedom and the crown, he claims to be willing to take her to see the kingdom when really, he had initial motives of ditching her. Both characters are exposed as manipulators. Throughout these works and throughout life, may it be the cost of lives, eighteen long years, or the dignity given up to hide behind another, people will stop at nothing to get what they want, especially when it comes to power.
Superficial passion revolves around outward beauty, but true love is always found in the heart. In Cyrano de Bergerac, Edmond Rostand conveys this truth beautifully. This play follows Cyrano in his quest for love from Roxanne, believing she could not love him due to his oversized nose. Little do they know that she does not truly love the handsome Christian, but rather Cyrano, the master of words.
“Everything has beauty, but not everyone sees it.” (Confucius) Cyrano’s insecurity of his nose effects his relationship with Roxane. In Edmond Rostand’s play Cyrano De Bergerac, Cyrano’s insecure and eloquent self-perception results in Cyrano’s companionship & loving in his relationship with both Christian & Roxane. Cyrano’s level of eloquence helps him combat the insults of his nose. Cyrano is a poetic, witty, & eloquent man who is insecure & has trouble showing his true feelings for Roxane .Cyrano and Christian work together to win Roxane’s heart, and at the end Cyrano allows love to kill him, even after Roxane discovers & reciprocates his feelings.
Appeal to emotions, individualism, and intellectual achievement were three important elements of Romanticism. This essay will explore the degree to which Cyrano de Bergerac exemplifies these elements of Romanticism.
Society tends to misjudge people base on their appearances instead of their personality. This can be seen in the play Cyrano De Bergerac by Edmond Rostand. In which Roxane represents that vile aspect of society. Roxane is attracted to Christian based on his looks, and under minds Cyrano because of his appearance. Society misjudgment of people cause oppression on an individual and it is from oppression and misjudgment f character that causes self consciousness to be born. Cyrano exhibits this self consciousness by helping Christian. Such oppression or self conscious aids to form magnificent characteristics attributes such as the ones portrayed by Cyrano throughout the novel. After all of its societies misjudgment that causes Cyrano to be the character that he is.
Few words can be more humorous, or more upsetting, than a well thought out and witty phrase. The only skill that matches Cyrano’s skill with a sword, is his skill with his tongue. With a wit unmatched by any poet, Cyrano made enemies wherever he went, simply by out-smarting all who came against him. In the first act of the play, Cyrano crashes a performance of the well-known actor Montfluery. After many insults, Cyrano heaps upon them by saying, “I would never venture out in public with a soiled conscience, a tarnished honor, or scruples grimy and dull. I do not adorn myself with gems and ribbons, like you. Instead, I decorate myself with truth, independence, and a clean soul.”
Cyrano De Bergerac has had an enormous, revolting nose ever since birth. Cyrano is an idealist who fights against the harsh reality of ordinary life. He feels that love is based too much by looks and appearance and thinks that no one will ever love him because of his appearance. Because of this, Cyrano alienates himself from society and lives in a world where love exists without appearance. Throughout the book, Rostand uses the motifs platonic love and beauty to highlight the idea that idealism requires nobility, integrity, courage, and self-sacrifice.
One of Cyrano’s most significant traits as a friend was his loyalty. He would always look out for friends in their time of need, which makes the audience feel sympathetic towards him. Because Cyrano is such a loyal friend, the audience feels angry with Roxane for manipulating him, and taking advantage of his loyalty. An example of Cyrano’s loyalty was when Ragueneau’s wife was having an affair with a musketeer, Cyrano confronted her, “Make sure you do./I like your husband, and I don’t intend/To see him made a fool of./Is that clear?”(II.iv.115-118). He stood up for his dear friend, and did not want him be made a joke of. I believe this is important because it shows that he is not only loyal to his friend, but also caring and has strong moral principles. What Lise was doing was wrong, and the author put this part in to emphasize the reader’s sympathy for Cyrano. Later when Ragueneau’s wife left him, Cyrano did not hesitate to support Ragueneau by talking him out of killing himself and providing him with a proper job. Furthermore, as everyone must be aware of, Cyrano was in love with Roxane. But because he was such a trustworthy friend, he agreed to protect Christian...
The theme of this play is inner beauty and outer beauty. In the beginning of Cyrano de Bergerac, it seems like the theme focuses heavily on outer beauty. As you continue to read on, the play actually puts more emphasis in inner beauty. Symbolism is very important in this play. The letters written by Cyrano symbolizes Cyrano’s inner beauty because what you write comes from your soul which is shaped by your personality. Cyrano’s nose symbolizes his ugliness and his insecurity. Because Cyrano knows Roxane would never consider him because of his nose, he decides to help Christian since Cyrano believes he can help Christian win Roxane’s heart. “
Does power always corrupt it’s holder? Can you live a good life without the power to control your decisions? Should one person’s idea of a good society decide what a utopian society is? Power, the good life and utopia are all unachievable without being in perfect balance. Animal Farm, written by George Orwell, follows the lives of an animal society overthrowing humans and attempting to construct a good society, that allows everyone to live their good life, while still keeping power in balance. Similarly The Truman Show directed by Peter Weir, a film revolving around a young man Truman, and his life being aired to the rest of the world without him being aware, supports extremely similar ideas about societies struggling to live in the perfect
While reading Cyrano de Bergerac, I found myself often wondering whether or not Cyrano had led a happy life. Actually, I never once wondered that, but that is irrelevant, because Cyrano’s happiness is the focus of this essay. Was he happy? Truth be told, I cannot say for sure. If we look upon his life, it would seem that he was a bit of a martyr, always sacrificing his happiness for the sake of others. This is probably the case, but I do not believe that he led his life with his happiness as any sort of goal. That will be a defining case in my argument. What I really believe is that he simply did not care about his happiness. In that sense, he did not so much sacrifice it, as he annexed and divided it when he saw fit. To a further extent, this apathy towards himself probably came from a low self-worth, almost certainly spawned not from his elephantine nose, but the fair maiden Roxanne. Finally, the nose itself, the very icon of de Bergerac, was probably not the problem that Cyrano believed it to be. All of this, however obscure it may seem, is crucial to the question posed of me now.
This is not fate nor coincidence. In complete control of his life, Cyrano is arrogant, deceptive, and hesitant in his actions; this ultimately leads to the great tragedy. As a result, we conclude that Cyrano has technically jeopardized himself. If Cyrano had not been so stubborn when he refused to be under De Guiche’s patronage, had not been so generous to feign the love letters for Christian, and had he not been so hesitatant when he deciding to confess his love to Roxane, the tragedy could become a romantic love story with a sweet ending. Again, Cyrano must hold all the responsibility for his actions and he must recognize that only he is to blame for this tragedy.
Like all books, Animal Farm the book, is different from Animal Farm the movie. One of the reasons is the characters. Some of the characters that were in the book were not in the movie. Those were characters like Mr. Whymper, Clover, and Mollie. In the movie, Jessie, the dog that was only mentioned in the first chapter, replaced Clover. Jessie narrated the story, was the main character, and was in the story the entire time.
The story begins with the Marquise de Merteuil corresponding with Vicomte de Valmont regarding a luscious new act of ‘revenge’, as she describes it, against the Comte de Gercourt. The young Cecile de Volanges has just come home from the convent and her marriage to Gercourt has been arranged. However, before he can wed the innocent child, Merteuil proposes Valmont ‘educate’ her, thus spoiling Gercourt’s fancy for untarnished convent girls. Valmont is uninterested in such an easy seduction and is far more aroused by the thought of lulling The Presidente’ de Tourvel, the very epitome of virtue, into submission. And so the tale unfolds.
In the beginning of the novel when Napoleon and Snowball begin to talk about what Animalism is and what would the commandments be, they encounter the problem of having Moses spreading lies and false hope to all the other animals. “‘Up there, comrades,’ he would say solemnly, pointing to the sky with his large beak—‘up there, just on the other side of that dark cloud that you can see—there it lies, Sugarcandy Mountain, that happy country where we poor animals shall rest forever from our labors!’” (27). We see how Moses talks about a place called Sugar Candy Mountain, where the animals will have a place to retire to, were they don't have to work and were they will not suffer from hunger. The pigs find Moses highly annoying, since Napoleons and Snowballs wanted all the animals to think that Animal Farm was the ultimate paradise and there was nothing to look forward to aside from working. The pigs expel Moses from the farm, just as religion was banned from Russia early in the Communist era. During the time of the Rebellion, Moses flees from the farm and disappears to thin air for years without leaving a trace. He later returns after the Battle of the Windmill and begins spreading the myth of Sugar Candy Mountain again to all the animals. The odd part is that Napoleon keeps insisting that Moses stories are lies, but Napoleon lets him stay in the farm and contrary to all the other animals, Moses does not work, but he receives an allowance of beer a day. The conditions of the animals in the farm were getting worse by the minute, so in an ultimate decision the pigs allowed Moses to stay because his tales offered the animals some type of hope, somewhere they could strive to get to. In other words, a way to control the masses, a way everyone would continue to work and to trust Napoleon’s way of
Most directly one would say that Animal Farm is an allegory of Stalinism, growing out from the Russian Revolution in 1917. Because it is cast as an animal fable it gives the reader/viewer, some distance from the specific political events. The use of the fable form helps one to examine the certain elements of human nature which can produce a Stalin and enable him to seize power. Orwell, does however, set his fable in familiar events of current history.