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Character and characterization in king oedipus
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Oedipus the king character analysis
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Creon's Metamorphosis in Antigone, Oedipus the King, and Oedipus at Colonus
Temptation is ever present in our society and always has been throughout human history. When a person gives into temptation, this is seen as a sign of weakness. Usually, after a person has given into temptation once, that person will find each successive temptation easier and easier to give in to. Before realizing it, this person has changed into a completely false, morally lacking being. Over the course of Sophocles' three plays Antigone, Oedipus the King, and Oedipus at Colonus, Creon gradually changes from a moral, just king into a morally corrupt and deceptive character.
In the opening of the first Theban play, Oedipus the King, Creon is a neutral character. He informs Oedipus that the city of Thebes is suffering from a great sickness, and he even goes to Apollo to acquire information as to how this plague may be stopped. Oedipus proclaims Creon's trustworthy nature when he states "I sent Creon,/ my wife's own brother, to Delphi- / Apollo the Prophet's oracle-to learn /
what I might do or say to save our city" (Lines 81-84). Oedipus later relies on Creon to arrange a meeting with Teirisias, the blind prophet who sees all things and is usually found within the city limits of Thebes.
Later on in the play Oedipus accuses Creon of conspiring with Tiresias against Oedipus' kingship. It is at this point in the play where Creon serves as the voice of reason and logic. Dodging Oedipus' insane accusations, Creon derives at many logical, unarguable explanations in his defense. Creon argues,
Who in his right mind would rather rule
And live in anxiety than sleep in peace?
Particularly ...
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... Ode on Man in Sophocles' Antigone." In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Herodotus. The Histories. Translated by Aubrey de Selincourt. England: Penguin Books, 1972.
Jaeger, Werner. "Sophocles' Mastery of Character Development." In Readings on Sophocles, edited by Don Nardo. San Diego, CA: Greenhaven Press, 1997.
Segal, Charles. Oedipus at Colonus: Tragic Heroism and the Limits of Knowledge. New York: Twayne Publishers, 1993.
"Sophocles" In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984.
Sophocles. Oedipus Rex. Transl. by F. Storr.
http://etext.lib.virginia.edu/etcbin/browse-mixed new?tag=public&images=images/modeng&data=/texts/english/modeng/parsed&part=0&id=SopOedi
Segal, Charles Paul. "Sophocles' Praise of Man and the Conflicts of the Antigone." In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Segal, Charles Paul. "Sophocles' Praise of Man and the Conflicts of the Antigone." In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Sophocles. "Antigone." The Norton Anthology of World Masterpieces. Ed. Knox and Mack. New York: Norton, 1995.
In Oedipus, he wanted nothing more than to help Oedipus rid the city of whatever plague the gods were hurling at them. Creon goes to Apollo's shrine to find out why the gods are angry and then brings Tiresias to help Creon see what has the gods angry. Oedipus does not want to believe the truths Tiresias is telling him and falsely accuses Creon of plotting against him to become king of Thebes. Creon is so hurt by this that he tells the chorus, "This accusation against me by our ruler Oedipus, It's outrageous. (514)" By the end of the play, Creon tells Oedipus that "I'm always as good as my word; I don't speak before I think(1520)."
In Oedipus the King (OK) , the audience is introduced to a Creon who seems to put loyalty to the king above all. He sympathizes with the tragic plight of King Oedipus and asserts no apparent ambition himself. His attitude toward the king is one of yielding and fulfilling reverence. Creon's notion of justice in OK stems directly from the divine. That which the gods have decreed must become law. It pains Creon to have Oedipus exiled, but he must do so as the gods have willed it. Creon's respect for divinity and prophecy seems to be his defining trait in OK. His attitude is one of unquestioning reverence.
Benardete, Seth. "Sophocles' Oedipus Tyrannus." In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Sophocles. "Oedipus the King." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 1902.
“Sophocles” In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984.
Murray, Robert D. Jr. "Thought and Structure in Sophoclean Tragedy", in Sophocles, A Collection of Critical Essays, Woodward, Thomas, editor,
Sophocles. "Antigone." Pike, Ana M. Acosta and David L. Antigone. Ed. Joseph Terry. Trans. Dudley Fitts and Robert Fitzgerald. 2nd Edition. Upper Saddle River: Pearson Education, Inc, 2014. 474-488.
Jaeger, Werner. “Sophocles’ Mastery of Character Development.” In Readings on Sophocles, edited by Don Nardo. San Diego, CA: Greenhaven Press, 1997.
As protagonist, Oedipus is at the center of the story. The dialogue, action and motivation revolve about the characters in the story (Abrams 32-33). Werner Jaeger in “Sophocles’ Mastery of Character Development” pays the dramatist Sophocles the very highest compliment with regard to character development:
Creon convinces Oedipus to call upon the prophet Lord Tiresias. He knows everything there is to know and Creon knew that he would be able to help figure out who murdered Laius. Oedipus hears what Lord Tiresias has to say about the matter and he does not like it at all. Oedipus thinks that Creon “put the prophet up to spreading lies” (188). This puts Creon in a very sticky situation with Oedipus.
we be sure? We can only be sure when we begin with the simplest, most
artificial and works out how they can be of use be it good or bad to