The literary works known as Dracula and The Metamorphosis written by Bram Stoker and Franz Kafka expresses unique values of community through the actions of Van Helsing and Gregor’s father, Mr. Samsa. Stokers horror novel portrays Van Helsing as a daring monster hunter along with a team of misfits trying to track down an ancient evil known as Dracula, who he believes to be the greatest threat to mankind. In Kafka’s novel, we are introuduced to Mr. Samsa, who playing an indifferent father and somewhat troubled by the physical transformation that his son undergoes which results in him turning in a vile creature and posing a negative impact on him and the rest of the family. Although Kafka’s and Stoker’s depiction of Mr. Samsa and Van Helsing …show more content…
Samsa and Van Helsing realize the devastating effects that their respective “villains” can have on their family and friends. From the beginning of Kafkas novel, he addresses the fact that the one of the many reasons Mr. Samsa hesitations to accept Gregor was due to how his wife would handle it. “His mother, by the way, quite soon wanted to visit Gregor herself, but his father and sister kept from doing so with common-sense arguments, to which Gregor listened attentively” (117). Although this may seem to alienate Gregor in a particular sense, Kafka is using it to demonstrates the use of community in protecting one from something that can cause them great grief or harm. Similar to Mr. Samsa behavior, Van Helsing’s character understands the dangerous that awaits everyone if Dracula is unleased on the world. After Mina Harker and other protagonists of the story discover the true identity and motives of Dracula, she asks Van Helsing, “But why need we seek him further, when he is gone away from us” (269)? Van Helsing hastily replied, “Because my dear, dear Madam Mina, now more than ever must we find him even if we have to follow him to the jaws of hell” (269)! Van Helsing’s make a proposal that all of those that was in some way affected by Dracula to take up arms in order to destroy the immortal fiend. This is a major theme throughout his novel which revolves around community coming together in their darkest hour to stand united against something willing to destroy their …show more content…
Samsa has his own selfish reasons. Kafka presents Gregor’s father as a very uncaring and self-absorbed person with no need for a community outside of his immediate family unless it benefits him financially. As a man stripped of his dignity by the community that implored him, Mr. Samsa apathetic nature is at the forefront of Kafka’s novel. Once introduced into the story, Mr. Samsa attitude towards Gregor shows a representation of his fundamental principles about the value of community and this is expressed throughout the story as Kafka shows the need to isolate a father from his son. After Gregor’s metamorphosis into a vile vermin; his family all reacted different. Gregor’s mother was more shocked then anyone, his sister was hesitant but vowed to watch after him but the father wanted nothing to do with him. Following Mrs. Samsa panic attack after seeing Gregor as a big bug, his father quickly came to his mother defense and “gave him a truly liberating kick, and he was thrown, bleeding profusely, far into his room” (106). With this description, Kafka presents the loss of community that Gregor experiences as Mr. Gregor’s opposition poses a road block between him and his family in turn showing his reflection of being rejected by society after his failed business
Throughout The Metamorphosis, Franz Kafka shuns Gregor. At first glance, Gregor’s transformation creates the only isolation. As the story evolves, the Samsa family’s segregation begins to play a larger role. Through intuitive actions, each family member isolates themselves. The Samsa’s accommodate the renters generously, in order to win communal approval. Failing the renters positions the Samsa’s lower in society than they previously were. Not only do the Samsa’s isolate themselves, they are also secluded from society. Many instances allow the Samsa’s severance from society to shine through Gregor’s isolation.
Gregor Samsa, a hard working salesman providing for his family in need, has sacrifice his own freedom for the sake of the survival of his family. As a provider, his family is expecting him to work, be successful, and bring home the wealth. Although Gregor doesn’t enjoy his tedious job in the slightest, he still agrees to do it. This is more influenced by his father’s debt rather than his own morals. “If it weren’t for my parents, I would have quit long ago, I would have gone to the boss and told him off” (Kafka 2). This shows that he is a frustrated individual. Gregor is someone who would likely hold in his own personal feelings to preserve the family name. A night of nightmares later, Gregor awakes to see his many little legs flailing about. He isn’t initially shocked by this horrid transformation and however terrible it looks to him, his primary focus is how is he going to get to work? In spite of everything, he is still in the mindset of working no matter what the cost. After all, he doesn’t want to lose the tr...
The Metamorphosis by Franz Kafka is the story of Gregor Samsa, his turning into a bug, and his ultimate death. In the beginning of the novel Gregor wakes up as a bug and struggles to become used to his new body. Gregor is locked in his room and late for work; he is the only one who works in his family, so it is important that he shows up and earns money to pay off his parents debts. His office manager shows up wondering where he has been and everyone is shocked to see Gregor’s transformation when he finally makes his way out of his room. Upon seeing him, his father shoves him forcefully back into the room, scraping Gregor’s back. Grete, Gregor’s sister, is his primary caretaker throughout the book and she makes certain he is receiving the food he wants and is the only one to clean his room for him. Gregor’s mother and father do not pay much attention to him at all throughout the book. The mother occasionally checks on him, but can barely stand the sight of him. Eventually, Grete starts working and stops taking care of him too, leaving Gregor all by himself. Betrayal is evident in The Metamorphosis and contributes to
But everyone’s family bonding is quite different. As far as Kafka novella, this family state has lack of communication and feelings. However, when it comes to financial support, the Samsa family depends on Gregor. Sadly, while the oldest child is the family breadwinner, he is better yet the most divided one. But overall, he would rather have his family live a better life than having them worry about anything.
Mr. Samsa, Gregor’s father, whose failed business has cast him into a lifestyle of weakness and despair, reacts very distinctively to the metamorphosis. At first, Mr. Samsa, after his initial shock, seems to be the least affected by Gregor’s nauseating state. It seems that Mr. Samsa feels that he must protect the rest of his family from this abomination living in his flat. Unlike his mother and sister, Gregor’s father no longer recognizes Gregor as his son. This is made clear when Mr. Samsa attacks Gregor by pelting him with apples; the catalyst that ultimately led to the death of Gregor.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
...be destroyed so easily, why cannot another?" and "Who, when, and where will be the next victim?" Thus, by establishing Gregor Samsa as a symbol of the Jewish Race, Kafka uses "The Metamorphosis" as a social critique of the treatment of the Jews in early twentieth-century Europe and raises timeless, complex, and haunting questions about the horrible atrocities of which the human race is capable.
In Franz Kafka’s The Metamorphosis, the transformation of the character Gregor from a man to one of the most hated insects, a vermin, may seem exaggerated and ridiculous, becoming more so over the course of the story the action builds and the emotions and ideas of the characters in the story begin to change and become more prominent. Kafka’s intention, however, is to expose and explore the impoverishment of human psychology with respect to the ways in which changes in one’s circumstances and conditions reshape notions people have of the way they believe in justice and mercy which will be explore further in this analysis of Gregor Samsa.
Gregor’s family and how they treat him reflects the way that Kafka interacted with his family. The similarities between Kafka’s family and Gregor’s family can be seen in their name. Kafka’s friend remarks, “The hero of the story is called Samsa, it sounds like a cryptogram for Kafka” (Kennedy and Gioia 299). Kafka’s family was middle-class, and his father was a businessman. They had servants and maids just like Gregor’s family. Kafka was the eldest out of six children, and was very close to his sisters. This is seen ...
People want their family to love and support them during times of need, but if they are unable to develop this bond with their family members, they tend to feel alone and depressed. In the novel The Metamorphosis by Franz Kafka, Kafka describes the theme of alienation and its negative effect on people and their relationships with the people around them. This theme can be shown through Gregor Samsa, the main character in The Metamorphosis. After Gregor’s metamorphosis, or transformation, he is turned from a human being into a giant bug which makes him more and more distant from the people in his life. The alienation that Gregor experiences results in his eventual downfall, which could and would happen to anyone else who becomes estranged from the people around them. Gregor’s alienation and its effect on his relationship with his family can be shown through his lack of willing interaction with his family members due to his inability to communicate to them, the huge burden he puts on the family after his metamorphosis, and his family’s hope to get rid of him because he is not who he was before.
Bram Stoker wrote his infamous novel, Dracula, during the turn of the century in 1897, and the Victorian era novel is heavily influenced by the time in which it was written. Francis Ford Coppola’s Dracula is influenced by the period in which it was produced, and it diverges from the novel in the sexualisation of women, the humanization of Dracula, the representation of friendship, and the depiction of science. Dracula is a classic story that can represent the current era’s fears and desires. Although the story changes in Coppola’s Dracula, in comparison to the original, it is not the first time Dracula has been adapted according to the era, and it will not be the last.
Dracula, as it was written by Bram Stoker, presents to us possibly the most infamous monster in all of literature. Count Dracula, as a fictional character, has come to symbolize the periphery between the majority and being an outsider to that group. Dracula’s appeal throughout the years and genres no doubt stems from his sense of romanticism and monster. Reader’s no doubt are attracted to his “bad-boy” sensibilities, which provide an attraction into the novel. Looking first at his appearance, personality, and behaviour at the beginning of the novel, we can easily see Dracula’s blurred outsider status, as he occupies the boundaries of human and monster. Related to this is Dracula’s geographic sense of outsider. For all intents and purposes, Dracula is an immigrant to England, thus placing him further into the realm of outsider. To look at Bram Stoker’s Dracula as solely a monster in the most violent sense of his actions would to be look at a sole aspect of his character, and so we must look at how he interacts with the outside world to genuinely understand him.
...ally becomes so meager he starves to death. Upon hearing the news of Gregor's death, the family does not show sadness, but instead, relief. "Well... now we can thank God!" (Kafka 55). Gregor's father felt relief from the economic burden of supporting his son. Even though the exact story told in Kafka's The Metamorphosis could not occur outside the domain of fantasy, it represents the real course of events of a worker being abandoned by his employer and family, after becoming unable to work and support them financially. Examining the novella from a Marxist perspective, the underlying theme of the story shows a conflict between proletariat and bourgeoisie. Economics replace everything else in a capitalistic society, a citizen who is unable to labor and earn wages is quickly abandoned. The result of this abandonment is often, as it was in Gregor Samsa's case, death.
Over the years people have given new out looks on the original vampire, Dracula. He was a tall non-attractive looking man who would never come out during the day. Hollywood however has made new vampire stories such as Twilight, True Blood, and The Vampire Diaries/The Originals that have new ideas of a vampire. These novels/books all have differences, but some still have key characteristics of the original vampire.
In The Metamorphosis Kafka illustrates a grotesque story of a working salesman, Gregor Samsa, waking up one day to discover that his body resembles a bug. Through jarring, almost unrealistic narration, Kafka opens up the readers to a view of Gregor’s futile and disappointing life as a human bug. By captivating the reader with this imaginary world Kafka is able to introduce the idea that Gregor’s bug body resembles his human life. From the use of improbable symbolism Kafka provokes the reader to believe that Gregor turning into a bug is realistic and more authentic compared to his unauthentic life as a human.