In the poem Beowulf and the novel Grendel by John Gardner, the audience is introduced to a set of characters that fall into conflict with each other. The conflict within the works bring out the differences and similarities both characters portray. Through characterization, both authors show that life experiences can alter one’s true identity whether is be good or evil.
In both works, the authors distinctively developed the characters Beowulf and Grendel to show what they have been through and how it affects their true colors. In Beowulf, the audience automatically sees his strengths when the guard mentions that he has not “seen a mightier man-at-arms on this earth” (Beowulf 247-248). Beowulf’s clout in the town shapes him to be the great warrior
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he is. On the other hand, also in the poem, Grendel is made out to be the “Ruiner of Meadhalls [and] Wrecker of Kings” (Gardner 80).
The poem favors Beowulf off the back when mentioning that the towns people describe him as “the man whose name was known for courage” (Beowulf 340). However, Grendel does not understand the glory behind Beowulf. Instead, he sees himself as “more noble” than Beowulf is (Gardner 6). Grendel’s comparison to Beowulf outlines his feelings towards the human race. Because of Grendel’s horrible encounters with humans, he chooses to “resist the world” which he believes is the best way to go about what he has endured (Gardner 28). Grendel then goes to seek help from the dragon who makes “something much deeper” become his reality (Gardner 75). The dragon warns Grendel about the human actions and encourages him to be a monster by mentioning that Grendel is “the brute existent by which they learn to define …show more content…
themselves” (Gardner 73). Likewise, Beowulf is also one step ahead and determined to “fulfill the [] purpose [and] prove [himself] with a proud deed” (Beowulf 636-638). Beowulf is asked of a favor from a friend of his, after doing so, he returns “bolstered in the blood of the enemies” (Beowulf 419). The completion of the favor proves Beowulf’s identity as a hero of his town. The readers can clearly see that Beowulf is the good and Grendel is the evil.
Although the novel is from Grendel’s point of view, his malicious intent still prevails against his innocence. As Grendel ponders on the past, he mentions that he “should have captured him, teased him, tormented him, made a fool of him” (Gardner 146). These evil thoughts are what cause the reader to think Grendel is “a fiend out of hell” (Beowulf 100). His willingness to do harm shows how he is the evil within society. The community shuns Grendel but puts Beowulf on a pedals stool in both works. Over the course of his ruling, the people believed that Beowulf “was one good King” especially since he was willing “’to perform to the uttermost [of] what [the] people wanted’” (Beowulf 11; 634-636). In difference to Beowulf, Grendel shows ownership of who is when “some evil inside [him] pushed out into the trees” (Gardner 54). Grendel stating this makes clear the difference between Beowulf and himself. Because of what Grendel thought was unnatural, “an evil idea came over [him] – so evil it made [him] shiver” (Gardner 83-84). The ways of the people have influenced Grendel’s horrendous thoughts. On the other hand, Beowulf’s goal in both works is to eliminate “the ultimate evil” and save the people of the town (Gardner 132-133). Because Beowulf is so determined to do this job, the people love and uplift him. However, the ultimate goal of Grendel is to “raised [an] attack [on] Beowulf” “and wrestle [] him”
which is why he is looked down upon (Beowulf 744-748; 1269). Through development of characters and opposite spectrums, both authors show that life experiences can force one’s true identity to stand out.
Rudd cites various sections of the poem, describing Grendel as a “night-monster of the border lands” (Rudd 3), and the translation of the poem says that Grendel was, “...Conceived by a pair of those monsters born Of Cain, murderous creatures banished By God…” (Raffel 42). Rudd also gives evidence for Grendel being seen as demonic, and reasons that Grendel attacks the Danes out of “...not mere thirst for gore, as we might suspect… but rather… envy of the Danes’ happiness- and envy was a chief characteristic of the medieval devil.” (Ruud 5). He then ties this devilish persona to Grendel’s humanistic aspects, stating Grendel has a heathen soul, and therefore he must be human. Ruud also notes, however, that there are critics who question the validity of portraying Grendel as this three-sided figure, asking questions such as, “How can Grendel be a devil when he has a physical body? How can he be a man when he is so manifestly bestial?” (Ruud 7). Ruud believes that the original poet of Beowulf is doing this for effect rather than consistency, but a more reasonable explanation that encompasses all three characteristics is that Grendel represents the evil in
In both works, Beowulf and Grendel, Grendel himself is generally given the same connotations. He is given kennings, called names, referred to as the evil spawn of Cain, and even viewed as a monster; but why? Why in both books is he a wicked, horrible, person who is harshly excluded from everyone? After stumbling upon John Gardner's book, it was halfway expected that some excuse would be made for Grendel; that he wasn't really the inexorable monster the thanes in Beowulf portrayed him as. But all it really did was make him worse. What is the message we are being sent about Grendel?
Grendel, written by John Gardner, is a novel based off the early epic poem, Beowulf. Gardner tells the tale in the perspective of the monster, Grendel, who is struggling to understand the purpose of life and his place in the world. In Gardner’s novel, Grendel terrorizes the kingdom of Hrothgar for 12 years, killing men in the night relentlessly. With the descriptions of battles and heroic deeds, Gardener conveys to the reader, the ideals of Anglo-Saxon heroes as courageous, self-righteous, humble, and loyal beings that are humanly flawless. The book Grendel tears down all these fundamental ideologies of Anglo-Saxon heroism by giving Grendel the monster a nihilist perspective that makes heroism sound stupid and meaningless.
Throughout John Gardner’s Grendel, and Seamus Heaney’s Beowulf, many events and situations make it clear that the stories talk about the same character. Throughout Beowulf, Grendel is seen as a demon that lacks any real motive for his crimes, by the end of Grendel the this side of his is shown after his transformation from innocents to evil. The one key trait that can be seen throughout both Grendel and Beowulf is irrationality. This trait of irrationality is caused in the stories by many of the same reasons as in real life. In John Gardner’s Grendel and Seamus Heaney’s Beowulf, Grendel’s constant perception fluctuations reinforce the themes of irrationality that cause him to act the way he does.
In both John Gardner’s Grendel, and the poem Beowulf, there are significant differences between characters, and the way they are portrayed in each of the tellings. The interpretation of a hero is usually altered in order to fit the audience, such as, Saddam Hussein in America is made out to be this monster whereas, in his home country Iraq, he is looked at as a hero and idolized by some. In each telling, Grendel and Beowulf have many similarities in how they are described in each writing, but each character is also shown in a different light in each of the writings.
He does not act like the blood hungry beast he is seen as in Beowulf. In
There are many similarities and differences between the movie "Beowulf and Grendel", to the poem. Major differences between the movie and the poem would be Grendel himself. In the poem, he is described as an evil monster born from two demons. In the movie, Grendel is actually human, but known as a troll to the warriors and Danes. The poem doesn’t give the background of Grendel or show how the Danes killed his father and the possible reason of his revenge, like in the movie. If the witch, Selma, was not included in the storyline of the movie, the audience would not have known key information that she was used to show from more flashbacks. The witch gives more of an idea about Grendel’s past life that could have been the possibility to reasons for his actions. Some major similarities are the battles. Both epics include the battles between Beowulf and Grendel, as well as Beowulf and Grendel’s mother. The end results are the same, leading to their death, but the journey and process to the two tales are different.
While the monsters of the poem are the antagonists of the poem, the author still manages to make the reader feel traces of sympathy for them. Grendel’s human depiction, exile and misery tugs at the heart of readers and indeed shows a genuine side to the figure, while Grendel’s mother and the dragon are sympathetic mainly because they were provoked into being attacked over things they both had a deep affection for. Their actions make us question whether they are as evil as they seem.
...slaying Grendel’s family and a dragon. Needed by the Geats and the Danes, Beowulf is central to the poem, however it is impossible for him not to be an outsider when he is superior to every single character in every single aspect.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
John Gardner’s Grendel is the retelling of the heroic epic poem Beowulf; however, the viewpoint has shifted. Grendel is told from the viewpoint of one of Beowulf’s antagonists and the titular character of Gardner’s work—Grendel. In Grendel, Gardner humanizes Grendel by emphasizing parallels between Grendel’s life and human life. Through Gardner’s reflection of human feelings, human development, and human flaws in Grendel, this seemingly antagonistic, monstrous character becomes understood and made “human.”
In the epic poem Beowulf, the monster Grendel is depicted as a villainous beast with an unquenchable thirst for human flesh and blood. Grendel, written by John Gardner, though, offers a more nuanced depiction of the beast by describing the events in Beowulf through Grendel's narration. Throughout the story, Grendel adopts various romantic characteristics and beliefs including isolation, individualism, and mysticism. These romantic characteristics, though, foster Grendel's murderous intentions and in turn gives him an anti-hero persona. Nearing the end of the novel, his romantic antihero trends transforms his life into a never ending limbo.
Grendal, a descendant of Cain, is one of the main antagonist of the poem Beowulf. He lives under an inherited curse and is denied God’s presence. Throughout the story Grendal causes enormous grief and fear to the people of Herot. After so much pain and agony the king of Herot, Hrothgar, sends for the protagonist of the poem, Beowulf. He is a Geat and the epic hero of the poem. The wide variety of distinctions between Grendal and Beowulf is what develops the climax of the composition. Beowulf kills Grendal, so he is honored by the people of Herot for his heroic act. Since Grendal and Beowulf play opposite roles in the poem, Beowulf, they let the reader know how contrasting characters can develop the plot of the story.
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms the perceived terrible evil fiend who is Grendel into a lonely but intelligent outcast who bears a striking resemblance to his human adversaries. In Grendel, John Gardner portrays Grendel as an intelligent being capable of rational thought as well as displaying outbursts of emotion. He portrays Grendel as a hurt individual and as a victim of oppression ostracized from civilization. The author of Beowulf portrays Grendel as the typical monster archetype as compared to John Gardner’s representation of Grendel as an outcast archetype.
One aspect that was the most apparent was the fact that he was such an outcast. In Beowulf, Grendel was “…living down in the darkness, growl[ing] in pain…” because he knew that he did not belong with the Danes and other human beings at all (Raffel 6). Similarly, in Grendel, as interested as he was with the humans and their way of life, he still found himself “…back[ing] away till the honeysweet lure of the harp no longer mocked [him]” (Gardner 4). Grendel was constantly distancing himself from the human beings because he knew he did not belong and they were not willing to give him the gift of acceptance into their group. However, this outlook carried through with Grendel between the two stories to portray just how monstrous and estranged he