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Essay describing king william
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Having read the play “A Streetcar named Desire” by Tennessee Williams and watched the film “Blue Jasmine” directed by Woody Allen, I believe that Williams ‘ character Blanche deserves more sympathy than Allen’s character Jasmine. “A Streetcar Named Desire” and “Blue Jasmine” similarly tell the story of a socialite who faces an epic downfall in life. Woody Allen’s film manages to parallel Tennessee’s original “A Streetcar Named Desire” whilst adding a modern twist and subtle adaptations. Despite the similar experiences of the two characters, Blanche faces shame, embarrassment, and guilt to a greater extent compared to Jasmine and therefore is more deserving of our sympathy. Blanche and Jasmine face similar situations such as massive financial loss and heartbreak, which resulted in, shared experiences and feelings of embarrassment, shame, and guilt. Blanche and Jasmine both face a drastic change in lifestyle (financially and reputational). However, a very …show more content…
evident difference can be seen between the two characters; Jasmine is more focused on achieving wealth and socialite status, whereas Blanche retains a more emotional, personal need. The main reason I feel more sympathy for Blanche is because she is so emotionally vulnerable and is faced with an instigator such as Stanley. Throughout the play, Stanley is skeptical and untrusting towards Blanche. As a result he digs deep into Blanches past to confront her and her fake persona. Stanley confronts Blanche about her lies and previous relationships and makes sure that everyone knows it, especially Mitch, Blanche’ s new love interest. Mitch quickly rejects Blanche and states that she is too dirty to bring in a house with his mother, which furthermore contributes to Blanches mental instability. The friction between Blanche and Stanley aggressively picks at Blanche’s fragile state and her need for a caring companion. Eventually the tension climaxes between the two, and Stanley rapes Blanche, in which her previous lies result in a ‘ The boy who cried wolf’ scenario. Stella refuses to believe Blanche’s accusations against Stanley stating: “I couldn’t believe her story and go on living with Stanley”(Williams, 165). The play ends sadly with Blanche being admitted to a mental hospital and Stella staying with Stanley. Blanche is so hungry to be loved and protected and in a desperate attempt to rekindle the relationship between herself and Mitch, she even states so: “I think it was panic, just panic, that drove me from one to another, hunting for some protection” (Williams, 146). Despite the company of her sister, Stella, Blanche was alone, trying to protect herself with false personas and fibs. Jasmine, on the other hand, cared about wealth. When presented with seemingly suitable bachelors, Jasmine rejected them as a result of unmet financial standards. The film reveals that when Jasmine was younger, she gave up her education to marry Hal (a very wealth man), which paralleled to her newer relationship with Dwight (another very wealthy man). Jasmine used wealthy men to feed her materialist and luxurious needs and so when she ended up alone in the end, I found it hard to feel sympathetic. Another important factor that really drives my sympathy for Blanche more Jasmine is Blanche’s rape.
Jasmine didn’t face the same sexual assault that Blanche encountered with Stanley. Personally, as women, sexual assault and abuse awareness is common recurrence in everyday life and I feel that women, especially in today’s world, have so much knowledge on how to protect yourself, and when you see that women, even with so much knowledge, are still sexually assaulted it’s terrifying. Although Blanche is character in a 1947 play, she really ignites the realization that she is no more or less likely to face sexual assault than I am, or anyone I know, whether or not it’s 1947 or 2015. I also feel that it is easier to sympathize with Blanche because she had to experience a horrible thing such as sexual assault and was admitted to a mental institution by her own sister. Compared to Jasmine, whom just ended up alone on a bench, Blanche got the short end of the stick in life and I would say, deserves more of our
sympathy.
The bildungsroman ‘The Catcher in the Rye’ by J.D Salinger and the play ‘A Streetcar Named Desire’ by Tennessee Williams are both post-World War Two narratives which incorporate protagonists that challenge contemporary American attitudes. Blanche DuBois and Holden Caufield are quintessential examples of characters who subvert societal expectations, impositions and hegemony of America in the late 1940s and early 50s, the author and playwright have the plot revolve around these characters and their itinerant lifestyles as they literally and socially move from one milieu to another. Both Salinger and Williams use a plethora of literary devices such as symbolism, juxtaposition and imagery whether it is visual, auditory or olfactory to highlight
Comparing A Streetcar Named Desire and Cat on a Hot Tin Roof In the game of life, a man is given the option to bluff, raise, or fold. He is dealt a hand created by the consequences of his choices or by outside forces beyond his control. It is a never ending cycle: choices made create more choices. Using diverse, complex characters simmering with passion and often a contradiction within themselves, Tennessee Williams examines the link between past and present created by man's choices in "A Streetcar Named Desire" and "Cat on a Hot Tin Roof. "
In this paper it will be shown that the functionalists are correct. Functionalists argue that Blanche's self-concept, which she believes is a traditional upper class woman, eventually leads to her mental and emotional breakdown. Feminists argue Blanche is sent off to a mental hospital to hush up Stanley's crime of rape, not because of any illness. Although there is some value to the feminist interpretation, it contains several weaknesses. The following review of some aspects of the plot will reveal some of those weaknesses.
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
This statement also emphasises much of Blanche’s own views on sorrow and explains how it has affected her life since she has made the comment from personal experience. To conclude, Tennessee Williams’ dramatic use of death and dying is an overarching theme in ‘A Streetcar Named Desire,’ from which everything about Blanche’s character has formed from. Without the death of Allan, Blanche would not have resorted to prostitution and the brief affairs with strangers, also the deaths of her family have driven Blanche to Stella’s where she is “not wanted” and “ashamed to be”. Therefore these dramatic deaths have lead to the past which comes back to haunt
Our lives are consumed by the past. The past of what we once did, what we once accomplished, and what we once could call our own. As we look back on these past memories we seldom realize the impact these events have on our present lives. The loss of a past love mars are future relationships, the loss of our family influences the choices we make today, and the loss of our dignity can confuse the life we live in the present. These losses or deaths require healing from which you need to recover. The effects of not healing can cause devastation as apparent in the play A Streetcar Named Desire. The theme of A Streetcar Named Desire is death. We encounter this idea first with the death of Blanche and Stella's relationship as sisters. Blanche and Stella had a life together once in Bel Reve and when Stella decided to move on in her life and leave, Blanche never could forgive her. This apparent in the scene when Blanche first arrives in New Orleans and meets Stella at the bowling alley. Stella and Blanche sit down for a drink and we immediately see Blanche's animosity towards Stella. Blanche blames Stella for abandoning her at Bel Reve, leaving Blanche to handle the division of the estate after their parents die. As result of Stella's lack of support, we see Blanche become dependent on alcohol and lose her mental state. Blanche comes to be a a terrible reck through out the play as we learn of the details of her life at Bel Reve. Her loss of the entire estate and her struggle to get through an affair with a seventeen year old student. This baggage that Blanche carries on her shoulders nips at Stella through out eventually causing the demise of her relationship. As Blanche's visit goes on with Stella, the nips become too great and with the help of Stanley, Stella has Blanche committed to a mental hospital, thus symbolizing the death of the realtionship they once had. The next death we encounter in the film is the death of Stella and Stanley's marriage. Our first view of Stanley is of an eccentric man, but decent husband who cares deeply for his wife. However, as as Blanche's visit wears on, we come to see the true Stanley, violent and abusive.
This essay will describe whether or not Blanches’ unfortunate eventual mental collapse was due to her being a victim of the society she went to seek comfort in, or if she was solely or at least partly responsible. The factors and issues that will be discussed include, Blanches’ deceitful behaviour and romantic delusions which may have lead to her eventual downfall, the role Stanley ended up playing with his relentless investigations of her past and the continuous revelations of it, the part society and ‘new America’ played in stifling her desires and throwing her into a world she could not relate to or abide by.
Blanche, in particular, is much more of an anachronism than Stella, who has, for the most part, adapted to the environment of Stanley Kowalski. Finally, both Stella and Blanche are or have been married. It is in their respective marriages that we can begin to trace the profound differences between these two sisters. Where Blanche's marriage, to a man whom she dearly loved (Miller 43), proved catastrophic to her, Stella's marriage seems to be fulfilling her as a woman. Blanche's marriage to a young homosexual, and the subsequent tragedy that resulted from her discovery of her husband's degeneracy and her inability to help him, has been responsible for much of the perversity in her life.
Blanche wanted their love, but each of their individual flaws sunk her deeper into a hole. The people around Blanche were unwilling to change and develop an open-minded way of dealing with her situation. Blanche needed kindness and affection, but nobody was able to give it to her when she needed it the most.
...es and thinks that her hopes will not be destroyed. Thirdly, Blanche thinks that strangers are the ones who will rescue her; instead they want her for sex. Fourthly, Blanche believes that the ones who love her are trying to imprison her and make her work like a maid imprisoned by them. Fifthly, Blanche’s superiority in social status was an obscure in her way of having a good social life. Last but not least, Blanche symbolizes the road she chose in life- desire and fantasy- which led her to her final downfall.
Tennessee Williams gives insight into three ordinary lives in his play, “A Streetcar Named Desire” which is set in the mid-1930’s in New Orleans. The main characters in the play are Blanche, Stanley, and Stella. All three of these characters suffer from personalities that differentiate each of them to great extremes. Because of these dramatic contrarieties in attitudes, there are mounting conflicts between the characters throughout the play. The principal conflict lies between Blanche and Stanley, due to their conflicting ideals of happiness and the way things “ought to be”.
One cant imagine how it must feel to lose the ones they love and hold dear, but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faces pain.
Tennessee Williams explores in his play” A Streetcar Named Desire”, suggests the main protagonist, Blanche, who has ruins her reputation due to her adversity. She is kick out of Laurel. She have no choice, but to move to her sister’s house. This place can allow her to create a new identity and new life. However when Blanche is revealed , it cause her to choose to live in her own fantasy world , because she cannot face the harsh reality. The Play” A Streetcar Named Desire”, by Tennessee Williams illustrates that sensitive people may succumb to fantasy to survive when they faced adversity, ,which forsake their identity to find an acceptable existence.
A Streetcar Named Desire is an intricate web of complex themes and conflicted characters. Set in the pivotal years immediately following World War II, Tennessee Williams infuses Blanche and Stanley with the symbols of opposing class and differing attitudes towards sex and love, then steps back as the power struggle between them ensues. Yet there are no clear cut lines of good vs. evil, no character is neither completely good nor bad, because the main characters, (especially Blanche), are so torn by conflicting and contradictory desires and needs. As such, the play has no clear victor, everyone loses something, and this fact is what gives the play its tragic cast. In a larger sense, Blanche and Stanley, individual characters as well as symbols for opposing classes, historical periods, and ways of life, struggle and find a new balance of power, not because of ideological rights and wrongs, but as a matter of historical inevitability. Interestingly, Williams finalizes the resolution of this struggle on the most base level possible. In Scene Ten, Stanley subdues Blanche, and all that she stands for, in the same way men have been subduing women for centuries. Yet, though shocking, this is not out of keeping with the themes of the play for, in all matters of power, force is its ultimate manifestation. And Blanche is not completely unwilling, she has her own desires that draw her to Stanley, like a moth to the light, a light she avoids, even hates, yet yearns for.
During scene one, the audience is introduced to Blanche as Stella's sister, who is going to stay with her for a while. Blanch tries her best to act normal and hide her emotion from her sister, but breaks down at the end of scene one explaining to Stella how their old home, the Belle Reve, was "lost." It is inferred that the home had to be sold to cover the massive funeral expenses due to the many deaths of members of the Dubois family. As Blanche whines to her sister, "All of those deaths! The parade to the graveyard! Father, mother! Margaret, that dreadful way!" (21). The audience sees this poor aging woman, who has lost so many close to her, and now her home where she grew up. How could anyone look at her, and not feel the pain and suffering that she has to deal with by herself? Williams wants the audience to see what this woman has been through and why she is acting the way she is. Blanche's first love was also taken from her. It seems that everyone she loves is dead except for her sister. Death plays a crucial role in Blanche's depression and other mental irregularities. While these circumstances are probably enough for the audience to feel sympathy for Blanche, Williams takes it a step further when we see Blanche's...