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Critical analysis of the death of a salesman
Critical death of a salesman
Summary conclusion and recommendation of death of a salesman
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A Tragic Destiny
Tragedies depict catastrophic storylines that tug and pull at one’s heart. They leave us with lessons for own lifetimes and give us glimpses of our pasts. That is to say, death is witnessed by many in this world making it one of the most widely relatable concepts. Evidently, that is why most think that what comprise tragedies are deaths. Death occurs in both Sophocles’ Oedipus the King and Arthur Miller’s Death of a Salesman and yet in each play the author portrays a different understanding of a tragic hero. Miller’s Willy Loman is a failing salesman who’s past and longtime aspirations haunt his mind. Eventually, these flawed expectations drive Loman to his downfall. Whereas, Oedipus’ hubris and pre-determined destiny cause
Willy’s own paranoia about life stems mostly from his unacceptance of his older son, Biff, as seen when Willy is speaking to him, “Not finding yourself at the age of thirty-four is a disgrace!”(Loman 16) Willy imagined his son to be a huge success in the sales business but much to his obvious dislike that never happened. The main character continues to push his son to become what he envisions and refuses to embrace his son for who he really is. Willy’s familial relationships would be better if he surpasses his prideful stereotype of who he thinks his son, Biff, should live up to be. Another example of Willy Loman’s unwillingness to change his ways is declining Charley’s offers to employ him, “I got a job, I told you that” (Loman 43). Willy’s own dream of supporting his family is selfishly getting in the way of what is truly happening: his job is not keeping his family out of financial crisis. Willy’s refusal to take Charley’s job offers only bury him deeper in the hole and goes to prove his obstinate determination in achieving his dreams despite his current situation. For these reasons, Willy is not as much of a tragic hero as Oedipus because he has the opportunity to change and prevent his own
Set ages apart, Arthur Miller’s Death of a Salesman and Sophocles’ Oedipus Rex provide different perspectives on the topic of tragedy and what is defined as a tragic hero. Although Oedipus would be thought of as better representing the tragic hero archetype due to tradition and time period, the modern tragic hero of Oedipus Rex is more of a dismal one. Through analysis of their respective hamartias, it is exemplified that the New York businessman with his humble story proves to be more thought provoking than the King of Thebes and his melancholic tale. **By incorporating a more relatable character and plot, Arthur Miller lends help to making Willy Lowman spiral toward his own downfall while building more emotion and response from the audience than with Oedipus. When Oedipus learns of his awful actions, this invokes shock and desperation.
Willy Loman’s character is capable of making errors. He believes he is a very successful salesman and well liked. He also thinks that the company likes what he is doing. He once said, “I’m the New England man. I am vital in New England” (Miller pg. 32) Because of his false belief about his success Howard fired him. After he got fired charley offered him a job, but he refuses to accept, because he is too proud and jealous to work for Charley. His actions were wrong because at no time was a successful salesman. He is not a powerful character. Willy lives in his fantasies where he is the man. Who goes out to another place and comes out rich, he is love by everyone and admired by his family. In real life, he is lazy and does not live up to his own ideals. “As Aristotle explains, a tragic hero must be one of noble character and must fall from power and happiness.”(Www.ccd.rightchoice.org/lit115/poetics.html) but Willy neither has a noble characteristic nor does he fall from power because he does not have a position of power.
The tradition of the tragedy, the renowned form of drama based on human suffering that invokes an accompanying catharsis, has principally become a discontinued art. Plays that evoke the sense of tragedy-the creations of Sophocles, Euripides, and William Shakespeare-have not been recreated often, nor recently due to its complex nature. The complexity of the tragedy is due to the plot being the soul of the play, while the character is only secondary. While the soul of the play is the plot, according to Aristotle, the tragic hero is still immensely important because of the need to have a medium of suffering, who tries to reverse his situation once he discovers an important fact, and the sudden downturn in the hero’s fortunes. Arthur Miller’s Death of a Salesman is the modern tragedy of a common man named Willy Loman, who, like Oedipus from Oedipus Rex by Sophocles, exhibits some qualities of a tragic hero. However, the character Willy Loman should not be considered a full-on tragic hero because, he although bears a comparable tragic flaw in his willingness to sacrifice everything to maintain his own personal dignity, he is unlike a true tragic hero, like Oedipus, because he was in full control of his fate where Oedipus was not.
At the beginning of the play it is evident that he cannot determine the realities of life, and so he repeatedly contradicts himself to establish that his conclusion is correct and opinion accepted. These numerous contradictions demonstrate that Willy is perturbed of the possibility that negative judgements may come from others. Willy strongly believes that “personality always wins” and tells his sons that they should “be liked and (they) will never want”. In one of Willy’s flashbacks he recalls the time when his sons and him were outside cleaning their Chevy. Willy informs Biff and Happy the success of his business trips and how everyone residing in Boston adores him. He mentions that due to the admiration of people he does not even have to wait in lines. He ultimately teaches his sons that being liked by others is the way to fulfilling one’s life and removing your worries. These ideals, that one does not need to work for success, demonstrate Willy’s deluded belief of achieving a prosperous life from the admiration and acceptance of others. This ultimately proves to be a false ideology during his funeral, when an insufficient amount of people arrive. Willy constantly attempts to obtain other’s acceptance through his false tales that depict him as a strong, successful man. In the past, he attempts to lie to his wife, Linda, about the amount of wealth he has attained during his
In Death of a Salesman and Oedipus Rex, pride plays an integral part to the development of the plot. In each play, the hamartia for both Willy and Oedipus is pride, along with other minor things. Willy’s and Oedipus’ sense of self-worth seems to come from their pride, however misguided it may seem. Pride is the hamarita which connects Willy and Oedipus, in which case pride causes them to live in their past and prevents them from seeing the present, resulting in their tragic ending. For Oedipus, pride causes him to search for the truth in his hidden past, inadvertently causing him to be the instrument of his own downfall. Willy’s pride causes him to live in an unrealistic past, preventing him from seeing what he currently has instead of what he doesn’t, leading to a vain death. Lastly, the sense of pride exhibited by Willy and Oedipus and how it affects their past extends on to the ones closest to them. For Willy, his pride and past is forced onto his sons, and to some extent their mother, while for Oedipus his search for truth in the past leads to the undoing of his own wife and mother. Pride deludes the way Oedipus and Willy see their past, affecting how their current life is, leading to their tragic end. C.S. Lewis stated “A proud man is always looking down on thing...as long as you are looking down you cannot see something that is above you” (Lewis), and so for Oedipus and Willy they are unable to see what their life as it is for pride is always causing them to look down and in the past.
Throughout time, humans experience many positive and negative life experiences. These experiences can be categorized under various themes, ranging from; love even onto betrayal, and through these themes human emotions and experiences can be studied. “Hamlet,” by William Shakespeare, and “Death of a Salesman,” by Arthur Miller, are two well written plays, displaying a both very tragic and thematic approach. Although, they take place in two very different time periods, under two very different circumstances they share a common effect. Hamlet’s tragic story takes place in the royal castle Elsinore, Denmark, while the Loman’s story takes place in Brooklyn, Manhattan, and Boston in the late 1940s.
The ancient Greeks were fond believers of Fate. Fate, defined according to Webster’s, is “the principle or determining cause or will by which things in general are believed to come to be as they are or events to happen as the do.” The Greeks take on Fate was slightly modified. They believed that the gods determined Fate: “…fate, to which in a mysterious way the gods themselves were subject, was an impersonal force decreeing ultimate things only, and unconcerned with day by day affairs.” It was thought that these gods worked in subtle ways; this accounts for character flaws (called harmatia in Greek). Ancient Greeks thought the gods would alter a person’s character, in order for that person to suffer (or gain from) the appropriate outcome. Such was the case in Oedipus’s story.
After much defeat Willy reflected on his life and said that he was of more value dead than alive (Miller 2173). Many arguments have been made about Willy's character; is Willy truly tragic or plainly pathetic? Considering all the factors of Willy's life that weighed upon him, the reader should determine that this low man was, indeed, tragic. Aristotle analyzed drama to form a definition of tragedy. Aristotle considered “Oedipus the King” the perfect tragedy, so he modeled his definition after the play.
Throughout the play, Willy can be seen as a failure. When he looks back on all his past decisions, he can only blame himself for his failures as a father, provider, and as a salesman (Abbotson 43). Slowly, Willy unintentionally reveals to us his moral limitations that frustrates him which hold him back from achieving the good father figure and a successful business man, showing us a sense of failure (Moss 46). For instance, even though Willy wants so badly to be successful, he wants to bring back the love and respect that he has lost from his family, showing us that in the process of wanting to be successful he failed to keep his family in mind (Centola On-line). This can be shown when Willy is talking to Ben and he says, “He’ll call you a coward…and a damned fool” (Miller 100-101). Willy responds in a frightful manner because he doesn’t want his family, es...
Arthur Miller's, "Death of a Salesman," shows the development and structure that leads up to the suicide of a tragic hero, Willy Loman. The author describes how an American dreamer can lose his self-worth by many negative situations that occur throughout his life. The structure and complications are essential because it describes how a man can lose his way when depression takes over.
Willy Loman equates success as a human being with success in the business world. When Willy was a young man, he heard of a salesman who could "pick up his phone and call the buyers, and without ever leaving his room, at the age of eighty-four, make his living." (81) This salesman is Willy's inspiration; someday to be so respected and so well known that he can still provide for his family, even at an old age. Of course, Willy is no good at being a salesman because his heart isn't in it. The only time Willy puts his heart into anything is when he works with his hands, and his son, Biff, comes to realize this. "There's more of him in that front stoop than in all the sales he ever made." (138) Willy never comes to the realization that it is not being a salesman that he cares about, but rather being well known and, perhaps more importan...
Willy’s hubris makes him feel extremely proud of what he has, when in reality he has no satisfaction with anything in his life. Willy Loman’s sons did not reach his expectations, as a father, but he still continued to brag about Biff and Happy in front of Bernard. Willy Loman caused the reader to empathize with him because before his tragic death he did everything he could for his family. Empathy, Hubris, and Willy Loman’s tragic flow all lead him to his death that distends from the beginning. He is unable to face reality and realize that he’s not successful in life or at his job; he remains living in a world where he thinks he’s greater than everybody else because he’s a salesman.
Willy Loman is a 60 year old senile salesman who desperately wants to be a successful salesman; however, his ideas about the ways in which one goes about achieving this are very much misguided, just as his morals are. He believes that popularity and good looks are the key to achieving the American dream, rather than hard work and dedication. He not only lives his entire life by this code, but instills his delusional beliefs in his two sons Biff and Happy. As a result, his sons experience similar failures in their adult lives. Willy led a life of illusion, lies and regret which not only ruined his life, but gad a negative impact on the lives of family as well.
Willy's search to find his mistakes of his life failed because, even though he found out what happened to Biff, he did not search for the right thing: his identity. Willy found out that his affair made Biff envision his father as a fake and phony, but he did not realize that a salesman was not the right job for him. When Willy died, no one came to his funeral (Act II. Scene I). This just showed that Willy was not the man he thought he was. He thought he was a great salesman with an unlimited amount of friends, but, when he died, no one was at his funeral but his family (Act II. Scene I). It showed that Willy was just a simple craftsman, who only needed attention and love from his family, and did not need fame or to be well-known ("Arthur Miller and Others," 311-314)
The Dictionary defines a tragedy as “any literary composition, as a novel, dealing with a somber theme carried to a tragic conclusion”. I would have to expand to say that I believe a tragedy is more of a dignified style of writing that seriously expresses sorrowful or terrible events as they relate to the sometimes heroic individual (the protagonist) of a story. Tragedy as a whole seems to probe the role of mankind in the universe. It plays to the questions of humanity, such as will mankind forever be torn between the forces of good and evil? It also poses the question, is the cause of suffering outside of ourselves, as in fate, or in the evil designs of our enemies, or even the work of the gods? If not, then is it internal? Do we bring suffering upon ourselves through arrogance, self-preservation, or the tendency view ourselves with grandiose illusions?