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Treatment of nature in poetry
Comparisons between london by william blake and composed upon westminster bridge by william wordsworth
William blake's views on religion
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Recommended: Treatment of nature in poetry
Compare London by William Blake and Composed upon Westminster Bridge,
September 3rd 1802 by William Wordsworth.
As a part of my coursework for GCSE English, I will be comparing two
poems written about London in nineteenth century. The two poems I have
chosen to write about are: 'London' by William Blake and 'Composed
upon Westminster Bridge, September 3rd 1802' by William Wordsworth.
Both poems give their own, different accounts of London at around the
same period. One is written with a happy and joyous mood and the other
a completely opposite one - a dull and grim mood, which is given by
Blake.
Starting with William Blake's background as a poet, I researched that
he had a very eventful lifetime, which perhaps influenced his poems.
For example, Blake was very religious. He lived by the bible and based
some of his paintings (as Blake was also an artist) of the book of
Revelation, such as his work "The Red Dragon and the Woman of the
Sun". It is also said that he had been visited by angels at a point in
his life. Is this to prove that he was somewhat deranged or is it his
imagination? Blake's poem 'London' describes a London where everything
has rules or boundaries. We can see this where Blake tells us of the
'charter'd street' and the 'chartered Thames'. We can see the connection
of this stanza and the fact that rules were pinning every body down, with
the word chartered. Chartered means something is on the map, almost as if
it is owned, owned by the king, perhaps. Blake is communicating the
fact that there is a stamp of ownership on everything from a small
street to the constricted Thames, which being natural, makes the point
more forcefully. It affects the way people live, work and play -
people ...
... middle of paper ...
...). Not forgetting, finally the fact that there are
still prostitutes (Blake) in the city. Furthermore, London is
expanding out to the natural part of England, the rural area, where
all the fields that Wordsworth is talking about are being consumed by
the wave of concrete and tarmac of the modern city of London as we
know it today. Additionally, the smog that Blake describes in his poem
is not present anymore - of course there is the pollution from the
cars of today, so we could assume that to be a connection to Blake's
description. That is why I feel the London as we know it today fits in
with Blake's portrayal as well as Wordsworth's, but in the end, the
reason that London is such a beautiful city (in my point of view) is
because there is an effort to save some greenery in the city, to
balance the conurbation in aspects of both human and natural elements.
Flannery O'Connor’s story, "The Enduring Chill." focuses on Asbury, a young man who fancies himself as a writer but who is convinced he is going to die young. Right from the very start we have the feeling that, as in the other stories, Christ/God is present through the figure of the sun:
The Bible contains many stories of people having an encounter with angels. An encounter alludes to an unexpected meeting. The word “angel” is a transliteration from the Hebrew word “mal’ak” in the Old Testament (Strong’s H4397) and the Greek word “angelos” in the New Testament (Strong’s G32). Both words mean “messenger” and describes one who executes the plan and will of the person whom they serve.
all the details of the city that often fly over the heads of most and recreates
called the New Paris, or the modern capital of Europe. The streets , buildings and the services
The setting is London in 1854, which is very different to anything we know today. Johnson’s description of this time and place makes it seem like a whole other world from the here and now....
revengeand one of secrecy. He was not driven by an anger at his ownsin, but
While, Aidan. "Modernism vs Urban Renaissance: Negotiating Post-war Heritage in English City Centres." Urban Studies, Vol. 43, No. 13, 2006: 2399–2419.
know exactly why he killed himself or why he had to do the favor for
KEVIN and FATE are just two examples, the turbulence and unrest of its participants being expressed in a physical manner on London streets. The city can be regarded as both a grounding point and a reflection of the
Close your eyes and sit back in your recliner. Let the cool breeze refresh you as you relax in your hardwood floored den and sip your English tea. Now picture London. What kind of an image comes to mind? Perhaps the sophisticated languages of its inhabitants or just the aura of properness that encompasses typical visions of the great city of London. I am not writing to deny the eloquence of London, I am instead writing to challenge the notion of sophistication that many of us hold true to London. Could a city of such brilliance and royalty ever fester with the day to day problems that we witness daily in our own country? I argue, yes.
The. Bryant, Julius. Finest prospects : three historic houses, a study of London topography. London : English Heritage, Iveah Bequest, Kenwood. 1986.
The first important element he brings into evidence, which clearly establishes his state of mind, has to do with his motive for killing his wife, and the understanding he has of that action. “'They asked me at the trial what and how I killed her. Fools! I am a snob! They thought I killed her with a knife, on the 5th of October.
It must be by his death: and, for my part, I know no personal cause to spurn at him. But for the general public. " II.i.10-12
He comes before us, dark and grand, with a light upon him from the sun where he was born.
The Daffodils and Upon Westminster Bridge Both " The Daffodils" and " Upon Westminster Bridge" were written around the turn of the 19th century in Georgian times to illustrate William Wordsworth's view of the Natural World. " Upon Westminster Bridge" illustrates the poet's view on the city of London. Wordsworth is able to appreciate and see the magnificence in a normal bustling city. He is in awe at the scenic beauty of the morning sun, radiating from London's great architectural marvels. To give the sense of calm he uses the adjectives silent, smokeless to underline that it is early in the morning and London is beautiful because the factories are sleeping, there is no pollution and the city is not dirty.