FADE IN:
EXT.RESTAURANT PATIO-Afternoon
Beautiful outside location with happy couples at the other tables while waiters busly around. Brings a sense of admiration with the cheery music playing until we see a girl sitting alone at a table. Her arms are crossed and she stares at the empty chair across from her while gripping a phone in one of her hands. Possibly tapping on her arm or table as she’s high strung at the moment. This is their favorite place and they would always meet up for dates,but now it’s going to be a place for confrontation. MARIA is there waiting and we can clearly see she’s upset as she occasionally glances at her phone for the time.
Johnathan(Distant)
Maria!
JOHNATHAN has arrived and speed walks over to table and gives
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I haven’t texted anyone since last week when I lost it. Have you’ve just been reading all my messages this entire time?
Maria
Just tell me, who is it? I don’t even care about your excuse I just want to know who pulled you into this.
Johnathan
Maria, it’s not simple. I can’t-
She SLAMS the phone onto the table, cutting his sentence off.
Maria (Yelling)
You can’t? Well, I can’t keep acting like everything is okay when you’re doing these kinds of things behind my back!
A dramatic musical sting gives another dun dun DUN at this development. People at the tables nearby are starting to notice the commotion and the previous waiter who was coming with menus has quickly turned back. Johnathan hurries to stabilize the situation.
Johnathan
Please calm down! Maria I swear I would never hurt you like that.
Maria
Calm down? How can I calm down when my boyfriend is cheating on me?! You’re chatting up with some anonymous person for almost 3 weeks without telling me and I’m over exaggerating?
She covers her face with both her hands and gives a distressed groan on the verge of tears before Johnathan moves the phone to the side and grabs one of her hands to clasp as he begs for forgiveness.
Johnathan
Tell me what I can do to convince you otherwise, I’ll do
Two people could be living two very different lifestyles, yet they could be very similar in the way they act and react in the same situation. Charlotte from “The Metaphor” by Budge Wilson and the Mother character from “Borders” by Thomas King live very different lives but the way they deal with the problems they are faced with is very similar. Both protagonists have to deal with trying to be forced to be something they are not by society and their families, but Charlotte from “The Metaphor” has been challenged by her strenuous home, she must face her organized mother and orderly home; the Mother from “Borders” must stand up for what she believes in and fight for what she wants.
In The Stranger by Albert Camus, for the majority of the novel, the protagonist, Meursault, is an emotionless character who has no real relationships. He did not ever take time to visit his mother, and he helps a man beat a woman up. Meursault did not make these choices because he is evil. He behaves this way because he only does things that he wants to do, because he is a nihilist who thinks human existence has no meaning, so he should live in the way that is best for him. But in Chapter Five of Part Two, Meursault changes when he lets all of his inner emotions out, allowing him to see that doing what he wants, and not conforming to what society wants is his purpose, rather than a way to pass time before an inevitable death. Finding this purpose
“Books and movies are like apples and oranges. They both are fruit, but taste completely different” said, one of the famous authors, Stephen King. Exactly, as stated, all people have different tastes; somebody would prefer to read a book rather watch a movie, somebody would prefer other way round. “The Hunger Games” is a perfect example of story, when the book and the movie are equally breathtaking and unforgettable. Suzanne Collins, the famous American writer, released the first novel of the trilogy “The Hunger Games” in 2008. The story about young women Katniss Everdeen, who fights with the fortune to just stay alive, became popular; therefore, the film director Gary Ross presented a film adaptation of “The Hunger Games” in 2012. By comparing and contrasting supporting characters, perspective, and love theme, it is clear that the movie, “The Hunger Games” (Gary Ross, 2008) has serious flaws; however, they do not ruin the overall picture.
In response to the works of writing I’ve read in chapters 19-26, each poem has a subject matter relating to the title of the chapter. Each chapter has its own theme brought into the works, but each piece of writing I’ve read told its own spin of the subject creating it’s own theme. In the paragraphs below, I will compare and contrast the difference between the themes they all portray. I’ve chosen to limit myself to only poems, because I feel that the little that is said makes it easier for me to grasp an image to what is being said and also helps to build the story more in my mind.
“You bang on my door, like a knock-knock joke that I'm scared to hear the punch line to, because the who somehow always turns out to be you, and it's always nothing new. We've been through the same old Sing-a-long song and lap dance before.” These are the opening lyrics to Let Me Go by Shane Koyczan, a song that brought light to a dark place inside of me, and may very well have saved my life. I first heard this song when I was in the middle of a deep depression my sophomore year of high school, and it helped to drag me from the depths and show me the light. Being the middle child I had to find some way to distinguish myself from my siblings, and for a long time I was defined by my illness; I get chronic migraines. After we started to get my migraines under control I was then defined by my smarts; I always studied the most, got the best grades, and all of my teachers loved me. As I got older most of my friends started experimenting with drugs and alcohol; I wanted nothing to do with any of that stuff because I had seen firsthand the way my father’s alcoholism and drug addiction tore apart my parent’s marriage; therefore my friends and I started to drift apart.
"Don't you see now, Ally? You must learn to let things go. For a wound to heal, you mustn't touch it. Or else it will get infected."
After climbing the tree Scho found a place where several supple branches were knit to make a dangerous chair, and sat there with his head coming out of the leaves into the sunlight. He could see the other two boys down below, the ball going back and forth between them as if they were bowling on the grass, and Glennie’s crew-cut head looking like a sea urchin.
Exploring fictional texts with different national settings provides a comprehensive insight into how relationships developed with other individuals in a community can alter a person’s sense of identity. Khaled Hosseini’s And the Mountains Echoed (2013) and Toni Morrison’s The Bluest Eye (1970) are texts that present cynical portrayals of relationships amongst various groups within a society. The protagonists of both texts, Pari and Pecola, as well as other central characters are used as vehicles to express how adversity faced by individuals can negatively affect familial and interpersonal relationships, especially in association with notions of abandonment, ethnicity and beauty.
In today’s day and age, Christians possess a biblical perspective and opinions of the origin of the universe. In the Christian faith, the belief is that God formed the earth and He did it in a matter of six days. The book of Genesis breaks down the creation. The communication gap widens and such reactionary creationist views are labeled as ‘folk science.’ The scriptures and the gospel are consequently dismissed as meaningless” (Greene, 2006). It is awful that many non-believers of the Christian faith allow themselves to be pushed away from the Word of God and the Creator because of the young-earth claims. For those who love science, they find it completely ridiculous. There are many people who see Chiristianity as unscientific and therefore reject any of its claims because they allow their finite minds to be deceived.
...ok who actually sounds like they give a fuck about my abouts! Oh that's brand new! For two months you put me through hell! Well you know what I'm going to find Shizuo on my own and I don't need your help!" you yelled back. The male hissed loudly "If you even think about leaving me, I'll slice very pressure point in your body!" he said smirking. You growled, "I don't care anymore. Anything is better than being with you! You are the fucking epitome of my miserable life and then you walk around here like your so damn god who loves all his humans when in real life your just some want to be 25 year old man who claims to be 21 and stalks people until they call the cops on your sorry no good ass!" you said standing up, getting up into his face. The male was quiet for a bit opening his mouth to speak but you cute him off.
Does it remain possible to create six, female characters from a monologue written for a man? This is a challenge, which we took upon ourselves when working on Mark Ravenhills product. I will discuss further, how I worked through this task, when applying practitioners such as Bertolt Brecht and also Konstantin Stanislavski. When beginning to work on the text I was most apprehensive, this became evident early on in the rehearsal process, as we were challenging ourselves in creating convincing lifelike characters. An additional challenge that we came across was enabling the piece to look as though it had been written for a cast of six diverse females.
."I just want to stop the bleeding," Mitsuru coaxes, and to her relief she's rewarded with a tiny nod as her answer. She carefully presses the folded handkerchief against the cut and presses down on it with her palm, wincing in sympathy for how it must hurt.
In the movie, Confessions of a Brazilian Call Girl, a young girl named Racquel struggles to be accepted among her family and peers. It is distinctive that there is a rivalry between herself and her older brother, who happens to have a successful career, whereas Racquel is still in high school. At school, Racquel seems to be naïve, which leads to a classmate forcing himself on her. As a result, she fights back; but only to go back to her parents’ home, in which she discovers a provocative picture of herself on the internet her classmate managed to put online. Furthermore, this incident reinforced her insecurities; and lead her to seek something her parents could not give her: love and attention.
Jeonghan looks at him for a full second as he breaks. “I can’t take it anymore, Jisoo!” he sobs.
I'm honestly surprised and impressed that you came to talk to me. I don't know what Brian told you, but I bare no ill-will towards you. These past few days have been very confusing for me, you come on TS3 and suddenly there is drama between us, or at least people say there is. I've done nothing except, stay in my room and spend time with my boyfriend. I can't say care enough about what you're doing for me to be the "source of the drama". Everything that I know about you has been pointed out to me by other people, especially with in these past few days.