In the short story “Recitatif” written by Toni Morrison, two little girls have both been placed in an orphanage even though they both still have parents. There is an emphasis on personality rather than physical appearance, which helps to contrast their similar situations with their individual outlooks, and plays a significant role in how the author presents the story. The interpretation of this short story is left mostly up to indirect characterization and inference. The true nature of both the girls’ mothers is never clearly stated, but rather implied based on what each of the characters says and does. Twyla and Roberta are the only children at the orphanage who still have their parents. The readers are told that Twyla's mother “likes to dance all night” and it is never directly said but the reader can conjecture that she is a stripper, or something of that nature (Morrison 132). The characters races are also never stated. Roberta’s mother is “sick” and the text later states …show more content…
she was raised in an institution, which can imply she is suffering from a mental illness. In the exposition of the story when Twyla first finds out she is getting a roommate of Roberta’s race, her mother tells her that “they never wash their hair and they smelled funny”(Morrison 131). This could lead the reader to assume a racist stereotype of African Americans. As a result of the indirect characterization of this story, the readers have to assume the characteristics of the characters based on their actions.
Both Twyla and Roberta are round characters since they are complex, have underlying traits, and grow throughout the story as they make their way through the stages of life. They both have been neglected by their parents, which forces them to become independent at such a young age; this is shown at the beginning of the story. As the girls get older, the reader can identify how their circumstances affect their transition into adulthood. Twyla learns from her mother’s mistakes, and has married a wonderful man and is a loving mother to her son, whereas Roberta has let her hardships get the best of her. When she sees Twyla for the first time in a while she says “We're on our way to the coast. He’s got an appointment with Hendrix”, it can be surmised that Hendrix symbolizes her rebellion towards society and living a cookie cutter life (Morrison
137). Since they are both round characters, at the start of this short story, Twyla and Roberta are almost indistinguishable since they are at a young and impressionable age, and have fallen into the same circumstance. As the story develops and the two girls grow up, the reader can distinguish the two characters as they develop into individualized adults. When Roberta says “Maybe I am different now, Twyla. But you’re not. You're the same little state kid,” she emphasizes Twyla's emotional state rather than physical (Morrison 144). Twyla and Roberta act as foil characters to each other in order to highlight the qualities in each other. The style of characterization plays a significant role in how the story is told as well as what the reader takes away from the story. Without directly stating physical characteristics of the characters, the reader is forced to focus on the emotional characteristics of them and how they evolve throughout the story and become their own people.
The Orphan Train is a compelling story about a young girl, Molly Ayer, and an older woman, Vivian Daly. These two live two completely different yet similar lives. This book goes back and forth between the point of views of Molly and Vivian. Molly is seventeen and lives with her foster parents, Ralph and Dina, in Spruce Harbor, Maine. Vivian is a ninety-one year old widow from Ireland who moved to the United States at a young age. Molly soon gets into trouble with the law and has to do community service. Molly’s boyfriend, Jack, gets his mom to get her some service to do. Jack’s mom allows her to help Vivian clean out her attic. While Molly is getting her hours completed, Vivian explains her past to her. Vivian tells her about all the good times and bad in her life. She tells her about how she had to take a train, the orphan train, all around the country after her family died in a fire. She told her about all the families she stayed with and all the friends she made along the way, especially about Dutchy. Dutchy is a boy she met on the orphan train and lost contact with for numerous years, but then found each other again and got married and pregnant. Sadly, Dutchy died when he was away in the army shortly after Vivian got pregnant. When Vivian had her child, she decided to give her up for adoption. Molly and Vivian grew very close throughout the time they spent together. Molly knows that Dina, her foster mother, is not very fond of her and tells her to leave. Having no place to go, Vivian let her stay at her house.
Once again, Roberta and Twyla meet at and uppity grocery store; Roberta has climbed up the social ladder and tries to play nice. However, when Twyla brings up Maggie, Roberta tells a different story than what Twyla remembers and then tries to defend her past behavior towards Twyla by saying “‘You know how everything was (141).’” Roberta’s defense mechanism by blaming the times shows the reader just how prevalent instilled racism is between the two. Likewise, the plot reaches a climax when the women meet a third time at their children’s schools during integration. The two begin a full-on picket war with one another because Twyla catches Roberta protesting the integration of schools and when confronted, believes she is doing nothing wrong. Tensions rise when the two mirror the phrase “’I wonder what made me think you were different (143).’” This admission to social and racial differences expresses the theme of the story and opens one another’s eyes to what has really happened between the
The story also focuses in on Ruth Younger the wife of Walter Lee, it shows the place she holds in the house and the position she holds to her husband. Walter looks at Ruth as though he is her superior; he only goes to her for help when he wants to sweet talk his mama into giving him the money. Mama on the other hand holds power over her son and doesn’t allow him to treat her or any women like the way he tries to with Ruth. Women in this story show progress in women equality, but when reading you can tell there isn’t much hope and support in their fight. For example Beneatha is going to college to become a doctor and she is often doubted in succeeding all due to the fact that she is black African American woman, her going to college in general was odd in most people’s eyes at the time “a waste of money” they would say, at least that’s what her brother would say. Another example where Beneatha is degraded is when she’s with her boyfriend George Murchison whom merely just looks at her as arm
Despite the connection between the girls, Twyla still feels alienated by the others in the shelter. “Nobody else wanted to play with us because we weren’t real orphans with beautiful dead parents in the sky” (10). The status of “real” versus “non-real” orphan becomes surrogate racism in the shelter. The value of this new classification of the girls is elucidated by the lack of distinct race between Twyla and Roberta, as they become united in the condition of living parents. Their race falls second to whatever else is used to alienate
Toni Morrison’s “Recitatif” and A.S. Byatt’s “The Thing in the Forest” are both focused on the intersections of childhood trauma, memory, and guilt, as well as how someone’s childhood can affect them through life. Each has its own idea of what effect the guilt might have on a person and how it can affect different people in different ways. “Recitatif” and “The Thing in the Forest” both revolve around the guilt and confusion that adults face when reflecting upon their childhood and wondering if their recollections are entirely accurate; however, one focuses on the difference it makes in otherwise parallel lives and the other focuses on the parallel it makes in otherwise different lives.
Within every story or poem, there is always an interpretation made by the reader, whether right or wrong. In doing so, one must thoughtfully analyze all aspects of the story in order to make the most accurate assessment based on the literary elements the author has used. Compared and contrasted within the two short stories, “Girl” by Jamaica Kincaid, and John Updike’s “A&P,” the literary elements character and theme are made evident. These two elements are prominent in each of the differing stories yet similarities are found through each by studying the elements. The girls’ innocence and naivety as characters act as passages to show something superior, oppression in society shown towards women that is not equally shown towards men.
It all began in and around the year 1919. Sula Peace, the daughter of Rekus who died when she was 3years old and Hannah, was a young and lonely girl of wild dreams. Sula was born in the same year as Nel, 1910. Sula was a heavy brown color and had large eyes with a birthmark that resembled a stemmed rose to some and many varied things to others. Nel Wright, the daughter of Helene and Wiley, was and unimaginative girl living in a very strict and manipulated life. Nel was lighter in color than Sula and could have passed for white if she had been a few shades lighter she. A trip to visit her dying great-grandmother in the south had a profound effect on Nel’s life. In many ways the trip made her realize her selfness and look at things around her in a different light, eventually sowing the seeds that initiated the friendship between herself and Sula. The two girls met each other at Garfield Primary School after knowing each other at a distance for over five years. Nel’s mother had told her that she could not interact with Sula because of Sula’s mother sooty ways. The intense and sudden friendship between them which was to last many years was originally cultivated my Nel. The period in history and the mentality of the people in their immediate surroundings played an impressive part in the formulation of the friendship between Sula and Nel. When they first met at school, it was as if they were always destined to be friends.
...en-year-old girl”. She has now changed mentally into “someone much older”. The loss of her beloved brother means “nothing [will] ever be the same again, for her, for her family, for her brother”. She is losing her “happy” character, and now has a “viole[nt]” personality, that “[is] new to her”. A child losing its family causes a loss of innocence.
This leaves it up to us to figure it out for ourselves. The next example of how race influences our characters is very telling. When Twyla’s mother and Roberta’s mother meet, we see not only race influencing the characters but, how the parents can pass it down to the next generation. This takes place when the mothers come to the orphanage for chapel and Twyla describes to the reader Roberta’s mother being “bigger than any man and on her chest was the biggest cross I’d ever seen” (205).
Children are common group of people who are generally mislabeled by society. In the short story “Charles’’ by Shirley Jackson and ‘’The Open Window” by Saki showed examples of the labeling of children. In “Charles” the concept of parents labeling their children as being pure and sincere was shown. As in “The Open Window” by Saki “used the notion that girls were the most truthful sex and gives her a name that suggests truthfulness to make her tale less suspect.”(Wilson 178). According to Welsh “Because the fantasy is so bizarre and inventive and totally unexpected from a fifteen-year-old girl, the reader is momentarily duped.”(03). This showed that even we as the readers were a victim of misleading labels of society.
Lily and Rosaleen arrive on the outskirts of Tiburon, after a combination of hitchhiking and walking, hungry and tired. As Lily shopped in a convenience store for lunch, she noticed a jar of honey with the picture of the same black Mary as her mother’s picture. The store clerk points them in the right direction and they end up at the Botwright's house. As she is conversing with August Botwright, Lily notices something peculiar. As she lies on her cot she thinks to herself; “T. Ray did not think colored women were smart.
The narrator, Twyla, begins by recalling the time she spent with her friend, Roberta, at the St. Bonaventure orphanage. From the beginning of the story, the only fact that is confirmed by the author is that Twyla and Roberta are of a different race, saying, “they looked like salt and pepper” (Morrison, 2254). They were eight-years old. In the beginning of the story, Twyla says, “My mother danced all night and Roberta’s was sick.” This line sets the tone of the story from the start. This quote begins to separate the two girls i...
In the story “Two Kinds”, the author, Amy Tan, intends to make reader think of the meaning behind the story. She doesn’t speak out as an analyzer to illustrate what is the real problem between her and her mother. Instead, she uses her own point of view as a narrator to state what she has experienced and what she feels in her mind all along the story. She has not judged what is right or wrong based on her opinion. Instead of giving instruction of how to solve a family issue, the author chooses to write a narrative diary containing her true feeling toward events during her childhood, which offers reader not only a clear account, but insight on how the narrator feels frustrated due to failing her mother’s expectations which leads to a large conflict between the narrator and her mother.
Having inherited the myth of ugliness and unworthiness, the characters throughout the story, with the exception of the MacTeer family, will not only allow this to happen, but will instill this in their children to be passed on to the next generation. Beauty precedes love, the grownups seem to say, and only a few possess beauty, so they remain unloved and unworthy. Throughout the novel, the convictions of sons and daughters are the same as their fathers and mothers. Their failures and accomplishments are transferred to their children and to future generations.
The speaker reflects on the teenage girl’s childhood as she recalls the girl played with “dolls that did pee-pee” (2). This childish description allows the speaker to explain the innocence of the little girl. As a result, the reader immediately feels connected to this cute and innocent young girl. However, the speaker’s diction evolves as the girl grew into a teenager as she proclaims: “She was healthy, tested intelligent, / possessed strong arms and back, / abundant sexual drive and manual dexterity” (7-9). The speaker applies polished language to illustrate the teen. This causes the reader not only to see the girl as an adult, but also to begin to grasp the importance of her situation. The speaker expresses what the bullies told this girl as she explains: “She was advised to play coy, / exhorted to come on hearty” (12-13). The sophisticated diction shifts towards the girl’s oppressors and their cruel demands of her. Because of this, the reader is aware of the extent of the girl’s abuse. The speaker utilizes an intriguing simile as she announces: “Her good nature wore out / like a fan belt” (15-16). The maturity of the speaker’s word choice becomes evident as she uses a simile a young reader would not understand. This keeps the mature reader focused and allows him to fully understand the somberness of this poem. The speaker concludes the poem as she depicts the teenage girl’s appearance at her funeral: “In the casket displayed on satin she lay / with the undertaker’s cosmetics painted on” (19-20). The speaker elects not to describe the dead girl in an unclear and ingenuous manner. Rather, she is very clear and