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What are the roots of the blues music
History of the blues
The blues music history
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Blues is such an interesting genre of music because of it’s range of possibilities that the artist have. In the beginnings of blues in New Orleans, there were multiple variations of beats played in the songs, but eventually the standard blues songs would fit into a 12 beat frame. I specifically use the word ‘fit’ because there is so much emotion and heart that is played out in the blues. In the earlier half of blues popularity, the songs seemed to be a yell for help from these black men with sorrowful tones and soft but slow rhythms. This would make sense because of the time they have lived in unequal segregation with little to no means to live.
The blues is very diverse, so diverse that in fact two blues songs could have absolutely no similarities, yet still share the same category. This plays into the individuality of each performer and how their unique life experiences is played out in songs. Songs that are centered around sadness, joy, pity, anguish, love, and desire. With such wide range, the blues then spread from rural areas to the urban cities which would then change culture of the blues. The vocals of the blues became secondary and the instruments would substitute/ portray the voices, becoming the centerpiece to the music. I found that this worked well with especially slow mournful songs, because the instrument would take the speed of the lyrics into account.
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The top blues performers would use the “white man’s” instruments like the trumpet and clarinet, however many black people, which where the only people who would initially here the music, could not afford those instruments. They instead created their own instruments which where the kazoo, the jug (which mimics the base), and the washboard(which would mimic the drums). This shows me that music truly comes from the individual and not just the instrument that creates such beautiful
Blues music emerged as an African American music genre derived from spiritual and work songs at the end of the 19th century and became increasingly popular across cultures in America. The Blues is the parent to modern day genre’s like jazz, rhythm and blue and even rock and roll, it uses a call-and-response pattern. While Blues songs frequently expressed individual emotions and problems, such as lost love, they were also used to express despair at social injustice. Even though Blues singing was started by men, it became increasing popular among women, creating one of the first feminist movements. Ma Rainey, a pioneer in women’s
As time progressed, music had to continue to evolve to keep up with the ever-changing styles. Blues slowly began to morph into Rock and Roll to engage people of a new era. While many changes occurred in creating Rock and Roll, it continued to carry undertones of the Blues. This can be heard while comparing Son House’s, “Walking Blues” and Elvis Presley’s, “Blue Moon of Kentucky.” These two songs show many similarities, while also having their own identities.
On the surface a discussion of the "blues" may seem a bit high-minded. How seriously can one take works entitled "Aggravatin Papa," "Need a Little Sugar in my Bowl," "Gimme a Pigfoot and a Bottle of Beer, "when placed next to a work of such literary boldness as Cane; a work that William Braithwhite gushingly refers to as "a book of gold and bronze, of dusk and flame, of ecstasy and pain, and Jean Toomer is a bright morning star of a new day of the race in literature" (Baker 16). A closer examination of both forms reveal startling similarities in theme, structure and content and that most important attribute - spirit.
Blues has played an extreme role in todays’ music. The music genre of blues, helps us express ourselves in which you can feel it from the ubiquitous in the jazz to the blues scale and the specific chord progressions. To start off, the blues is musically originated by African Americans in the deep South of the United States. Growing up in a southern household, I was used to listening to a variety music, but blues was always most listened to. Every time I listen to blues, the lyrics often deal with personal adversity, and it goes far beyond pity.
“My Papa 's Waltz”, by Theodore Roethke shows how important a young boys connection to his father really is. Every image in this poem shows overwhelming joy for the boy, whether it be spending time with the father or a late night wrestling session with each other. “Sonny’s blues”, by James Baldwin shows an untold brotherly love throughout each others lives. No matter how difficult the situation may be or how many fights they have, at the end of the day they both truly care about each other. The similarities with their love on both stories show that they always hang onto each other through thick and thin, both showing they cannot live in this world without each other. The differences with love on each other’s story shows a father-and-son bond,
In both “Sonny’s Blues” and “The Weary Blues”, music serves as a form of catharsis; in “SB” Sonny is able to escape his troubled life, and in “WB” the Negro man expresses his sadness about his difficult life. The portrayal of music differs in that it’s more of a joyful presence in “SB” but a grim and depressing one in “WB”.
Rhythm and Blues also known as R&B has become one of the most identifiable art-forms of the 20th Century, with an enormous influence on the development of both the sound and attitude of modern music. The history of R&B series of box sets investigates the accidental synthesis of Jazz, Gospel, Blues, Ragtime, Latin, Country and Pop into a definable from of Black music. The hardship of segregation caused by the Jim Crow laws caused a cultural revolution within Afro-American society. In the 1900s, as a method of self-expression in the southern states, the Blues gradually became a form of public entertainment in juke joints and dance halls picking up new rhythm along the way. In 1910, nearly five million African Americans left the south for the
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
For Stanley, the blues tell the stories of the African-American community. Some of the stories talk about the harshness of their lives, but they also talk about the good times they had. [People] play the blues to get rid of the blues not to get them." (Lamb, 1). When people play or even listen to the blues, they are letting all of their worries go. They are not worrying about their job, the bills, or their kids. They are just trying to enjoy the moment when the blues are playing. The blues are some people's release from the stresses of their lives.
Musicologists have dated the ‘birth’ of blues to be around 1890 as a West African tradition involving blue indigo in which mourners at ceremonies would wear blue dyed attires to resemble their suffering . Although, blues derived from times of slavery, the Prohibition Era (1920’s), World War Two (1939-1945), and during the Vietnam War (predominantly 1960’s to 1970’s), it has been a continuously evolved form of music in America, in which the similarities have always remained; melancholy and protest.
Blues was usually raw and improvised. Also it was simpler, easier to play. Blues pieces don 't change harmonies (chords) all that often, sometimes only three chords in a piece. However with ragtime it changes harmonies every few beats, less catchy and more difficult to execute. Ragtime also is more mechanical, favoring harmonic orthodoxy and “meticulous precision” (Monk). The meter for blues is what we refer to has the twelve bar blues. The line form for that is usually AABA. This form can be traced back to the African call-and response form, which is still evident in jazz. An example of AABA pattern would be Robert Johnson’s “Cross Road Blues which is does an amazing job at playing. Ragtime had multiple forms and themes, that were a little more complex. In Cy Seymour’s “Holy Moses” Rag it features a AA BB A CC DD
In the years after slavery, the blues developed and expanded just as the bluesmen could spread it from place to place. It has a long history and stemmed during times of slavery which means it has to be this world for at least 200 years. And because of the blues, there are lots of best artists come out at that time,what African American black women like Ma Rainey, Bessie Smith. Alberta Hunter could perform on stage, amazed their new American audience who were stunned by this soulful new genre. These good artists make the blues spray all over the world, let people enjoy this kind of music, and open a new gene music.
Guitars were used because they had a broad range of notes, they were portable, affordable, and they were permitted by slave owners at that time. The slave owners didn't permit drums because they thought the drums could be used to signal to each other. There were many beginning Blues musicians but only a few had their songs written, published, or recorded.
In the formally standardized, instrumentally accompanied form of “city blues”(as opposed the formally unstandardized and earlier “country blues”), the blues was to become one of the two major foundations of 1920s jazz (the other being rags). City blues tended to be strophic songs with a text typically based on two-lin...