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Cormac McCarthy’s The Road intensely reflects on the importance of relationships as a survival tactic and the struggle to exist as a good person in an immoral world. The relationship between the father and the boy is heavily amplified as the father tries to give his son an understanding of the world he was born into. The father abandons his retelling of history or the past to his son. He struggles to decide if he wants his son to intellectually understand the world or rather survive in it? Their relationship can be compared and contrasted to Rick and Carl from The Walking Dead; both father/son groups relate to being the “good guys” in the new world. However, Rick has full-on moral discussions with Carl, while the father in The Road tends to …show more content…
Studies show that “gender disparity came close to disappearing by the 1990s for human characters, with a ration of 0.9 to 1 for child characters and 1.2 for adult characters” (The Guardian). In The Walking Dead, the female characters are not represented as weaklings but rather equal fighters with the male characters. They are never left behind, but instead travel on the missions with the group. As an example, Carol saves the lives of the entire survival group from a cannibalistic group located at “Terminus” by setting the place on fire, making her a female heroine. Michonne is one of the group’s strongest fighters. She is armed with a katana and survived the apocalypse on her own until she found the group. The characters in The Road would be expected to be nothing like the characters in these examples; they are temporary characters with few details given about their lives. In “Undoing Gender,” Judith Butler states, “If gender is a kind of doing, an incessant activity performed in part, without one’s knowing and without one’s willing, it is not for that reason automatic or mechanical.” However, the approach towards women in The Road is in fact automatic and mechanical. The female characters are displayed negatively and are indicated as the lesser gender. It is automatically assumed that they are unimportant due to the lack of them in the novel. Former children’s laureate Anne Fine claims “It’s not only an absence of female characters which is a problem in books, but it’s how the women are represented when they do appear” (The Guardian). Modern post apocalyptic fiction strays away from that and follows the belief that Judith Butler explains in her essay. The minimal amount of female characters along with their negative connotation makes reading The Road difficult for a modern audience. Women are now mostly represented as equals and The Road does not give a fair presentation of the
In Cormac McCarthy’s The Road, the author makes various references to the Bible and to religion. Those references also can be compared on how they have changed the way of humans in real life. Along with how the boy maintains his innocence throughout this whole book even when he witnessed events that could’ve changed him. The man tried to the best of his abilities to preserve the innocence of the boy. Through all of the obstacles that they both faced, the man managed to keep the boy safe and even in his last moments he was sure that he taught his boy how to tell when people were good.
When the man and boy meet people on the road, the boy has sympathy for them, but his father is more concerned with keeping them both alive. The boy is able to get his father to show kindness to the strangers (McCarthy), however reluctantly the kindness is given. The boy’s main concern is to be a good guy. Being the good guy is one of the major reasons the boy has for continuing down the road with his father. He does not see there is much of a point to life if he is not helping other people. The boy wants to be sure he and his father help people and continue to carry the fire. The boy is the man’s strength and therefore courage, but the man does not know how the boy worries about him how the boy’s will to live depends so much on his
Cormac McCarthy manifests his novel, The Road, in a post-apocalyptic world on the east coast of the once famous America. The novel tells the simple tale of a man and a boy who must journey forward to find a way to survive in the wastelands. However, when analyzed with the techniques shown in Thomas Foster’s How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines, The Road’s complex structure in unveiled. The once simple journey transforms into a quest filled with exploitive vampires and meaningful conversations with food. The novel explores the depths of heart and strengthens the end with the parallel of the return of Jesus Christ. The concepts complete the novel as a whole and brings an interesting
The role of a father could be a difficult task when raising a son. The ideal relationship between father and son perhaps may be; the father sets the rules and the son obeys them respectfully. However it is quite difficult to balance a healthy relationship between father and son, because of what a father expects from his son. For instance in the narratives, “Death of a Salesman,” and “Fences” both Willy and Troy are fathers who have a difficult time in earning respect from their sons, and being a role model for them. Between, “Death of a Salesman,” and “Fences,” both protagonists, Willy and Troy both depict the role of a father in distinctive ways; however, in their struggle, Willy is the more sympathetic of the two.
The Road, a post-apocalyptic, survival skills fiction book written by Cormac McCarthy and published in 2006 is part of the Oprah Winfrey book club. During an interview with Oprah, McCarthy answered questions about The Road that he had never been asked before because pervious to the interview he had never been interviewed. Oprah asked what inspired the heart breaking book; it turns out that McCarthy wrote the book after taking a vacation with his son John. While on the vacation he imagined the world fifty years later and seen fire in the distant hills. After the book was finished, McCarthy dedicated it to his son, John. Throughout the book McCarthy included things that he knows he and his son would do and conversations that he thinks they may have had. (Cormac). Some question if the book is worth reading for college course writing classes because of the amount of common writing “rule breaks”. After reading and doing assignments to go along with The Road, I strongly believe that the novel should be required for more college courses such as Writing and Rhetoric II. McCarthy wrote the book in a way to force readers to get out of their comfort zones; the book has a great storyline; so doing the assignments are fairly easy, and embedded in the book are several brilliant survival tactics.
In The Road McCarthy establishes a post-apocalyptic world in which the majority of population are cannibals. It is established that the public (majority) is hazardous to the two protagonist of the novel. The father and son are forced to kill or be killed. By thrusting the father and son into a world with their actions are predicated by the actions of the public, McCarthy is attempting to illustrate the significant influence one’s environment has on an individual. When the father and son are together in seclusion McCarthy showcases maturity in each of the characters. The conversations they have become more philosophical.
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
However, well beneath the surface of the plotline, the viewer can also find himself or herself looking at a struggle for survival that is greatly affected by the roles of genders. Collins asks many questions regarding this; such as “If young girls do not see themselves reflected in media, will this diminish their sense of importance and self-esteem? Will boys conclude that women and girls are unimportant, as well? Will girls lack role models? Will adult women feel disenfranchised? Does the under-representation of women constrict societal perspectives and information in important ways?” (Collins). If Becky had not followed the standard gender role that the frame of time presented itself, she may have seen herself surviving the endeavor, despite almost no chance of her doing so. It is one of those things that today’s society may be glad to have moved past, because there is no reason for anyone to lose their life because they rely so heavily on the opposite
In Cormac McCarthy’s The Road, the author makes various references to the Bible and to religion. Those references also can be compared on how they have changed the way of humans in real life. Along with how the boy maintains his innocence throughout this whole book even when he witnessed events that could’ve changed him. The man tried to the best of his abilities to preserve the innocence of the boy. Through all of the obstacles that they both faced, the man managed to keep the boy safe and even in his last moments he was sure that he taught his boy how to tell when people were good.
Cormac McCarthy’s post-apocalyptic novel The Road displays different concepts of nuclear and non-nuclear families throughout the novel. In The Road the reader is introduced to different types of individuals and non-nuclear families and how they succeed in a post-apocalyptic world. Nuclear families are what many consider to be a traditional family, consisting of a mother, father, and children while non-nuclear families are families that are considered untraditional. However, when a traditional family is introduced the reader sees the failures of nuclear families rather than their success while non-nuclear families appear to be more likely to succeed in the sense of survival. Incidents
Even under completely new circumstances, in a world reshaped by a zombie apocalypse, sexism and gender roles prevail. In the novel, World War Z, by Max Brooks, specifically the chapter “Parnell Air National Guard Base, Tennessee” highlights the main character, Christina Eliopolis, as a strong, admirable survivor of the tragic zombie apocalypse, but during her interview she is depicted as weak and discreditable due to her gender. Society’s conventional ideas of gender roles install hyper-masculine expectations towards men and in turn permits men to treat women as inferior, ultimately pitting women against each other and insecure about their gender.
In the Novel The Road, by Cormac McCarthy, survival becomes the biggest quest to life. The novel is set to be as a scene of isolation and banishment from people and places. The author uses the hidden woods as a set of isolation for the characters, in which creates the suspense of traveling to an unspecified destination near the shore. Cormac McCarthy creates a novel on the depth of an imaginative journey, which leads to a road of intensity and despair. The journey to move forward in an apocalyptic world transforms both of the main characters father and son tremendously as time progress. In particular, the boys’ isolation takes him from hope to torment, making him become fearful and imaginative. The images indicate that McCarthy’s post apocalyptic novel relies on images, particular verbal choices, and truthful evidence to how isolation affected the son emotionally and physically.
“He would have grown to admire the woman I’ve become: cooking, writing, chopping wood, staring into the fire.” ( Poem at Thirty Nine lines 41-45). Walker describes herself cutting firewood and looking at a fire. The firewood symbolizes her being able to do the same activities as men and the fire is opposition. A majority of people believe that men and women are on different levels and should not be compared, for men are able to do more than women. Walker does more than just put her female characters on the same level as the males, she has them excel past the expectations. Her female characters are distinguished and impactful similar to her ancestors. Explain/transition. Alice Walker, like her characters, rises up to the challenge and demonstrates her ability to take a simple sentence and make it a philosophy. Annihilating gender roles, she displays how incredibly influential women can be as individuals in her texts although not all of her female characters are dominant
The Walking Dead, a television show about surviving in the zombie world, is based on the comic book with the same name created by Robert Kirkman. In this show Rick Grimes, a sheriff's deputy, awakes from his coma and finds himself in a hospital. He soon discovers that while he was in a coma the world had become infected, turning humans into flesh-eating zombies later called Walkers by the characters. As Rick sets out to find his family he encounters many other survivors such as Glenn, Daryl, Carl, Maggie, Carol, Sasha, Hershel, Beth, and Michonne, among many others who have died along the way. Rick and the survivors have been through a lot throughout the show, such as having to move from place to place to avoid being eating by walkers. After walking a longs way, they finally find shelter in an old prison where they now live. Although The Walking Dead shows a lot violence, it sends many positive messages to the viewers that teach them about survival, religion and betray and how each of these can be beneficial in the real world
At first the relationship between a father and his son can be perceived as a simple companionship. However, this bond can potentially evolve into more of a dynamic fitting relationship. In The Road The Man and his son have to depend on one another because they each hold a piece of each other. The Man holds his sons sense of adulthood while the son posses his father’s innocence. This reliance between the father and son create a relationship where they need each other in order to stay alive. “The boy was all that stood between him and death.” (McCarthy 29) It is evident that without a reason to live, in this case his son, The Man has no motivation to continue living his life. It essentially proves how the boy needs his father to love and protect him, while the father needs the boy to fuel ...