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Love in Shakespeare
Shakespeare's types of love
Love in Shakespeare
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Shakespeare and the author of Tristan and Iseult display a vastly different role of love potions in relation to the concept of love in their works. When a love potion is added to the plot of the two writings one can see how it inherently displays the irrational state of love that can come as a side effect of sudden infatuation. In a Midnight Summers Dream, Shakespeare writes the love potion into his plot in a relatively humorous way, while the author of Tristan and Iseult, reflects the conception of love through pain and tragedy. The two authors highlight the irrationality of love, though with different intentions. The ways in which the love potions are utilized in the plots of the two stories indicates several differences about the authors …show more content…
The love potion is a symbol of the erratic and bizarre/inexplicable behavior that can come from sudden love. The love of Titania and Bottom under the potion, is an example of how Shakespeare places hilarity in the notion that reason and love do not coincide. Despite never haven seen each other prior to this first exchange, Titania tells Bottom, who is literally an ass that, “On the first view to say, to swear, I love thee” (Act 2, Scene 2, 68). The potion has made her lose sight of her senses and fall in love with someone that in any other situation she would have never considered. Later in the story, Shakespeare a comparison made between lunatics, lovers and poets, in that they all believe that true happiness can come from someone or something, and that alone makes them mad. The latter idea is shown when Lysander and Demetrius want to fight each other to see who will get to be with Helena, despite the fact that prior to the potion they hadn’t given her the time of day and now they are ready to sacrifice their friendship for her …show more content…
There is this notion by the author, that when love is real it can transcend all boundaries furthermore, love, even if its forbidden as in the case of Tristan and Iseult is always worthwhile. The love between the two is in contrast to Shakespeare’s notion of love which cannot transcend physical qualities such as looks. The author of Tristan and Iseult, writes about a love between two characters that involved the loving of the soul versus the love of a body. Although the two stories show a contradiction in how love can be perceived, the two authors in their own ways reflect on the tragic disease like irrationality that can spur from love. Shakespeare exhibits love as a disease, something that plagues the senses of people to look beyond beauty, reason etc. While the author of Tristan and Iseult doesn 't allude to love being a sickness, the actions that the two characters take part in show how the power of love can lead an individual to do crazy things, such as kill, betray and commit
Every action made in A Midsummer Night’s Dream revolves around the idea of love. It is a concept which few people can understand because of the extremity a person can go through to go after their love. “Lovers and madmen have such seething brains, such shaping fantasies that apprehend more than cool reason ever comprehends.” Lovers see the world in a way which everyday people cannot comprehend. The idea of love leads to them making irrational choices which may seem
The Loss of Magic Throughout A Midsummer Night’s Dream by William Shakespeare, there are multiple analyses that one can follow in order to reach a conclusion about the overall meaning of the play. These conclusions are reached through analyzing the play’s setting, characterization, and tone. However, when one watches the production A Midsummer Night’s Dream directed by Michael Hoffman, a completely different approach is taken on these aspects, leading to a vastly different analysis of the work. Though there are many similarities between the original written play A Midsummer Night’s Dream by William Shakespeare and the on-screen production of the aforementioned play which was directed by Michael Hoffman, there are differences in setting and
In this play, A Midsummer Night’s Dream, true love plays a huge role in the play. Several relationships begin with true love such as Hermia and Lysander’s and Hypolyta and Thesus’ but some that did not begin with true love, end with true love such as Helena and Demetrius’. Helena and Demetrius, in my perspective, were meant to love each other so that everyone may be able to love each other in harmony. The love potion was only the push Demetrius needed so that he could be happy forever.
All in all, Shakespeare’s writing depicts the complexities in situations regarding love; each scene of the play brings forth tension and obstacles for each lover, but the use of personification and metaphor, especially with Theseus’ extended metaphor, shows the theme of love’s difficulty to exemplify the ability to overcome obstacles.
Love is ironic. It can take you anywhere in the world unexpectedly, and turn you into a person that you never were. However, love is also two-faced, having both a negative and positive view. It is what drives you to the point where you do not know who you are anymore. In Shakespeare's story, The Tragedy of Romeo and Juliet, Shakespeare perceives love with the personalities and actions of the characters, Romeo and Juliet. Both Romeo and Juliet are characterized as immature and irrational due to their "love." In addition, both characters fail to realize the reality of life and go towards the path of adolescence. Even though Romeo and Juliet are doomed at the end of the journey of "love," their demise was caused by their rash and silly decisions because their belief of everlasting love blinds them from reality and shapes their lives into an unstoppable time bomb.
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
The modern concept of love owes a great deal to the Humanist tradition of the Renaissance. The humanists focused on perfection and exaltation of this life as opposed to the afterlife. In Tristan and Iseult the seeds of Renaissance love are present in the Middle Ages. To the modern eye, it is a mystery how the period of the Middle Ages produced the seeds of the diametrically opposite Renaissance. Yet it is necessary to understand this transformation if one is to fully comprehend the forces that helped produce the modern consciousness. Courtly Love is a transitional concept that emerged in the Middle Ages. It is transitional because it emerged early and acknowledges God as the creator of love, yet it concentrates on the lovers themselves. The tale of Tristan and Iseult is one of the oldest tales that exhibits courtly love. The Love of Tristan and Iseult, as a metaphor for courtly love, is pivotal to the transition from the Middle Ages' focus on community and afterlife to the Renaissance focus on the individual and earthly happiness.
Love, lust and infatuation all beguile the senses of the characters in this dreamy and whimsical work of Shakespeare, and leads them to act in outlandish ways, which throughly amuses the reader. True love does prevail in the end for Hermia and Lysander, and the initial charm of infatuation ends up proving to have happy consequence for Helena and Demetrius as well. Even when at first the reader thinks that, in theory, the effects the potion will wear off and Lysander will once again reject Helena, Oberon places a blessings on all the couples that they should live happily ever after.
What is love? Love is the pinnacle of all emotions, it is the epicenter for life, what is the point of living if there is no love, ironically love is the cause of many a down fall. William Shakespeare has single handedly captured and embraced this necessary feeling and has allowed us to view in on it through the characters in his two masterpieces, Othello and King Lear. Three different kinds of loves explored in both Othello and King Lear, sharing both similarities and differences are a love for a significant other, the love a father holds to his children, and the love a daughter holds for her father. By looking at the outcomes of these loves one may draw a sense of loves negative and positive effects, and how the different traits of loves play into the outcomes in the fate of Shakespeare's characters. Through the analysis of love in these two plays one will become a more knowledgeable student of literature.
Love plays a very significant role in this Shakespearian comedy, as it is the driving force of the play: Hermia and Lysander’s forbidden love and their choice to flee Athens is what sets the plot into motion. Love is also what drives many of the characters, and through readers’ perspectives, their actions may seem strange, even comical to us: from Helena pursuing Demetrius and risking her reputation, to fairy queen Titania falling in love with Bottom. However, all these things are done out of love. In conclusion, A Midsummer Night’s Dream displays the blindness of love and how it greatly contradicts with reason.
Shakespeare’s Romeo and Juliet is a play commonly viewed and known as a true love story; however, after analyzing several hints portrayed by the protagonists, it is evident that Shakespeare did not intend to make Romeo and Juliet seem like a true love story but a criticism of how superficial society’s view on love is.
In the play “Romeo and Juliet”, Shakespeare shows that love has power to control one’s actions, feelings, and the relationship itself through the bond between a destined couple. The passion between the pair grew strong enough to have the capability to do these mighty things. The predestined newlyweds are brought down a rocky road of obstacles learning love’s strength and the meaning of love.
The overriding theme of the play "A Midsummer Night's Dream" by William Shakespeare deals with the nature of love. Though true love seems to be held up as an ideal, false love is mostly what we are shown. Underneath his frantic comedy, Shakespeare seems to be asking the questions all lovers ask in the midst of their confusion: How do we know when love is real? How can we trust ourselves that love is real when we are so easily swayed by passion and romantic conventions? Some readers may sense bitterness behind the comedy, but will probably also recognize the truth behind Shakespeare's satire. Often, love leads us down blind alleys and makes us do things we regret later. The lovers within the scene, especially the men, are made to seem rather shallow. They change the objects of their affections, all the time swearing eternal love to one or the other. In this scene Shakespeare presents the idea that both false love and true love can prevail..
Love is an essential human desire. Once it is caught, dramatic, unexpected changes in ones life occur. Protecting the people one loves is a natural instinct that cannot be controlled. William Shakespeare demonstrates this in Twelfth Night through the relationship between Antonio and Sebastian. Furthermore, Viola continues to ensure the happiness of Orsino is met even if that means sacrificing the happiness of herself. Also, love is evident when one pays attention to, and dedicates himself to the small details in other peoples lives. William Shakespeare demonstrates in Twelfth Night the nature of true love through loyal friendship, bold romance and secretive love.
The use of a love-potion to complicate things in the play might have been a representation of intense love, and the fact that one would immediately fall in love with the first thing one lays their eyes on,