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Religious and supernatural elements in Anglo Saxon writings
Anglo-saxon literature research prompt
Crucifixion essays
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Although The Dream of the Rood and Caedmon’s Hymn stand alone as great pieces of Anglo-Saxon literature, closer analysis of the similarities in each poem reveals the blending of Christian and pagan values to subconsciously indoctrinate the people of early England for the eventual mass conversion of the entire island itself. The focus will largely be on the structure of these two works as well as the motivation behind each piece of literature. The structure of these pieces are displayed in a specific, purposeful way to enable them to be more appealing and familiar to early Anglo-Saxon England. Another aspect of this essay will be the underlying themes in each tale and what greater purpose they serve in the church’s plan to convert the island. Both of these works present several themes on the surface, however, a critical analysis reveals several hidden themes that perpetuate the agenda of the early church in England. Another theme we often see in early English works has been the influence of the supernatural, though these works transform the supernatural into miraculous events for the good of humanity. Each of these works transform, or blend the traditional pagan values …show more content…
of the time into Christian models for behavior and this essay will analyze the way each trait either pagan or Christian expresses itself in the literature. Throughout this journal Tampierova analyzes the blend of Christian and pagan values within The Dream of the Rood. Germanic and Celtic tradition was the main religious influence on early English people and this aspect is examined throughout the journal. She then states that a tree is the most widespread religious symbol ever and was an important symbol of early English religion as early English people referred to it as axis Mundi. Within this she states the two extremes the tree represents life and death as it later becomes the cross. This symbolically represents the death or transformation of the Germanic/Celtic religion as the tree is transformed into the cross; symbolic of Christ and Christianity. Another aspect the author notes lies within the title “The dream,” dreams and visions had important implications in Germanic and Celtic religions as they were believed to foretell the future, thus the author has strategically chosen this format in which to best introduce the idea. This source is extremely useful as it displays the characteristics of early Germanic and Celtic religions to reveal the strategy the author used to create an extremely influential and powerful work. This source fits excellently into my chosen topic as it effectively outlines the reflection of many of the ideas of early English peoples while intertwining the Christian ideas to ultimately promote the story of Christ. Within this journal Thomas discusses the importance the symbol of the cross with The Dream of the Rood.
He also details the role of the cross in the crucifixion of Christ and the paradox the rood faces in the execution of its creator. Thomas also notes the fate of the rood which is adorned after Christ rises. He also creates an excellent visual image of what early Anglo-Saxon soldiers might see during battle and compares this to the descriptions the rood gives during and after the execution of Christ. This source is useful because it presents an outstanding comparison between Anglo-Saxon society and the passion of Christ. This article fits well with my selected topic because it enables me to outline an analysis of medieval battle and the experience of Christ during the days leading to his
crucifixion. This journal places Caedmon’s hymn at the centerpiece of early English Christian literature by referring to it as the bible of early English Christian writings. During this journal Orchard discusses the background and life of Bede as well as what we know about Caedmon’s early life. This article is extremely helpful because it details the author’s life in addition to his motives for creating this piece of literature. Orchard also notes that while the church had a large influence on Bede several of his opponents proposed other virtues may have motivated him such as fame and recognition. This journal is important because it presents Bede and his work in an impartial light which illuminates the essence of Caedmon’s hymn allowing us to trace the line where pagan and Christian values cross.
Davies, C. S. L. ‘Popular Religion and the Pilgrimage of Grace’ in Order and Disorder in Early Modern England, eds. Anthony Fletcher and John Stevenson (1985).
It will be the contention of this paper that much of Tolkien's unique vision was directly shaped by recurring images in the Catholic culture which shaped JRRT, and which are not shared by non-Catholics generally. The expression of these images in Lord of the Rings will then concern us.
- - - The New Penguin Atlas of Medieval History. London, England, Penguin Books, no publication
with the intent of widespread entertainment, elements of comedy and other aspects of entertaining film can, at times, cloud the message and content of the documentary. An anti-war advocate, Terry Jones’ presentation of matter so closely related to strong personal sentiments can also introduce a degree of bias in the presentation and approach taken to analyzing the events detailed in the series. However, the documentary incorporates the input and analysis of several highly-regarded medieval historians, including Jonathan Riley-Smith, Suheil Zakkar, Fikret Isiltan, David Lazenby, and Christopher Tyerman. This group of historians, all highly esteemed individuals in the field, are able to offer a balanced and likely unbiased account of what they believe to be true about the
In the engraving, Knight, Death, and Devil, it appears that the hero (the Knight) is gaining a moral victory over death. The Knight has often been interpreted as Erasmus’s sturdy Christian soldier who scoffs at death and the devil as he goes about God’s work in his journey through life. The conception of the ‘Christian soldier’ embodies and ideal of manly virtue which the traditional instincts of the Germanic race, German mysticism and Northern versions of Renaissance ideals all contributed to form.
...ourneys, these men go in as an average man of the time, face a challenge that the Church thought a man of the day might experience, and come out purified and learned, as a man of those periods should behave. These stories are examples of how a life should be lived and the challenges that one may encounter. While the frames of these narratives change from fictitious to realistic according to the flow of Christianity-based, Northeastern literature, they each are pictures of the mentality of their times. As time progressed, so did the mentalities, which were heavily influenced by Christianity. This is evident in the slow removal of pagan beliefs in the supernatural monsters like dragons and giants into the more realistic literary frames. While all have their differences due to changing times, the hero's journey as a model for the everyday man is clear in these poems.
Hyams, Paul. "Medieval Sourcebook: The Strange Story Of Thomas Of Elderfield." www.fordham.edu. N.p., n.d. Web. 7 Dec 2013. .
In the poem The Song of Roland, the author relates the spectacular fight between King Charlemagne’s army, the Franks, and the Muslim Saracens. The poem tells a story of blood, death, loyalty and honor. Around 1095, the year in which the First Crusade was initiated, we find the first extant version of this great French epic. While there is truth deeply rooted in the poem, much was emphasized and embellished to attract followers in the crusades. Despite appearing as propaganda, the author succeeded in assembling thousands of volunteers for the launch of the crusades. In The Song of Roland, the author created the poem to gather troops through Roland’s character, the Good vs. Evil theme, and the theme of loyalty.
The oldest epic poem of the Anglo-Saxon period is the tale of good and evil. The crusade of heaven and hell, the bloody war that waged between our hero Beowulf and the infamous Grendel and his mother. But there seem to be two sides to this heroic and yet tragic story of these troubled and arrogant souls.
The Chronicles of Narnia are veritably the most popular writings of C.S. Lewis. They are known as children’s fantasy literature, and have found favor in older students and adults alike, even many Christian theologians enjoy these stories from Lewis; for there are many spiritual truths that one can gleam from them, if familiar with the Bible. However, having said this, it is noteworthy to say that Lewis did not scribe these Chronicles for allegorical didactics of the Christian faith, but wrote them in such a well-knit fashion that young readers might understand Christian doctrine through captivating fantasy and thus gain an appreciation for it. With this in mind, and in the interest of this assignment, the purpose of this paper is an attempt to analyze one of the many doctrines of the Christian faith from The Lion, The Witch, And, The Wardrobe (LWW), namely, temptation and how Lewis illustrates it through an individual character, Edmund.
Hengel, Martin. Crucifixion: In the Ancient World and the Folly of the Message of the Cross. Translated by John Bowden. Philadelphia: Fortress Press, 1977.
In the 14th century, war, and violence were prevalent. The Canterbury Tales were written during the Hundred Years War, when the Catholic Church was dealing with the Western schism, and “Against the darkest period of his life…” (Bloom 14). The story is centered on a group of thirty pilgrims who are traveling to the shrine of St. Thomas at Canterbury (Bloom 14). The pilgrims are all focused on a theme which is backed by the story’s underlying tone of religion.
Langford, Larry L. “Adam and the subversion of paradise.” Studies in English Literature, 1500-1900, 34: 1 (1994): 119-135.
Living in a period of important religious and cultural flux, John Milton's poetry reflects the many influences he found both in history and in the contemporary world. With a vast knowledge of literature from the classical world of Greek and Roman culture, Milton often looked back to more ancient times as a means of enriching his works. At other times, however, he relies on his strong Christian beliefs for creating spiritually compelling themes and deeply religious imagery. Despite the seemingly conflicting nature of these two polarized sources of inspiration, Milton somehow found a way of bridging the gap between a pagan and a Christian world, often weaving them together into one overpowering story. The pastoral elegy Lycidas, written after the death of a fellow student at Cambridge, exemplifies this mastery over ancient and contemporary traditions in its transition from a pagan to a Christian context. Opening the poem in a setting rich with mythological figures and scenery, then deliberately moving into a distinctly Christian setting, Milton touches upon two personally relevant issues: poetry and Christian redemption. In this way, Lycidas both addresses the subject of being a poet in a life doomed by death and at the same time shows the triumphant glory of a Christian life, one in which even the demise of the poet himself holds brighter promises of eternal heavenly joy.
As dreams and wishes are made countlessly, only a handful of them come true without work or effort being made into them. However, the mindset that dreams can true with only a wish will cause people to believe they do not need to try for their dreams to come true. In my sonnet, “Dreams”, I write about dreams are being made, however multiple people are disappointed when their aspiration do not become reality. I state how dreams linger in many minds throughout the day, however they continue to stay as dreams due to no one working at them. In my poem, “Dreams”, I use multiple forms of figurative language and the structure of the sonnet to express the idea that dreams and wishes need to be worked for in order to be granted.