Inside the Mind of a Madman
Edgar Allen Poe has a keen sense of how the human mind works, and he explores this insight in two of his short stories: “The Cask of Amontillado” and “The Tell-Tale Heart.” Poe demonstrates how the human mind can wander to dark places when clouded by obsession and guilt in “The Tell-Tale Heart,” and masterfully writes about the art of manipulation and revenge in “The Cask of Amontillado.” Both stories share dark similarities both in writing style and in plot, yet the human characteristics and motives driving each of the main characters vary. In these two stories, warped logic is ever-present as both men struggle with their conscience before, during, and after their violent crimes. Poe is able to capture the essence of madness
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In “The Cask of Amontillado,” Montresor feels a brief, fleeting feeling of guilt that he quickly pushes away from his conscience. This can be seen in his lamentation of the “dampness of the catacombs” that caused his heart to grow “sick.” This happens right after Fortunato has finally gone silent in death. Montresor goes as far as to blame his feelings on the catacombs and focuses again on revenge letting him break free from the grasp of guilt. This is juxtaposed in “The Tell-Tale Heart” as the main character reacts I quite a different way. He becomes so sick from his actions that he believes he can hear the old man’s heart beating even though he is dead. The sound becomes deafening as his subconscious becomes increasingly guilty. Finally, he can take it no longer and confesses to the police about what he’s done. One similarity between these two characters is their inability to consciously feel guilt. They both seem to find a way to blame it on something else, such as a damp catacomb or a beating heart. This exemplifies Poe’s extensive understanding of how criminals respond to their actions on a psychological
Edgar Allan Poe’s “The Cask of Amontillado,” is a short psychological thriller. The murder of Fortunato haunts Montresor so greatly that he feels the compulsion to tell the story some fifty years after the fact. He appears to be in the late stages of life desperately attempting to remove the stain of murder from his mind. That it is still so fresh and rich in specifics is proof that it has plagued him, “Perhaps the most chilling aspect of reading Poe’s ‘The Cask of Amontillado’ for the first time is not the gruesome tale that Montresor relates, but the sudden, unpredictable, understated revelation that the murder, recounted in its every lurid detail, occurred not yesterday or last week, but a full fifty years prior to the telling” (DiSanza).
One of the most famous authors in American history is Edgar Allen Poe, thanks to his intricate and unsettling short stories and poems. One of the strongest aspects of Poe’s writing style is the allure and complexity of the narrator of the story. These narrators, ranging from innocent bystanders to psychotic murderers, add depth to such a short story and really allow Poe to explore the themes of death and murder which he seems to have an unhealthy obsession towards. Furthermore, he uses these narrators to give a different perspective in each of his many works and to really unsettle the reader by what is occurring throughout the story. The narrators, whether an innocent witness of death as in "The Fall of the House of Usher" or a twisted murderer as in "The Cask of Amontillado" are used by Poe to discuss the themes of death and murder within these stories and, depending on their point of view, give a different take on such a despicable act such as murder.
Edgar Allan Poe is known for some of the most horrifying stories ever written through out time. He worked with the natural world, animals, and weather to create chilling literature. Two most notable thrillers are “The Cask of Amontillado” and “The Tell-Tale Heart”. Poe was infatuated with death, disfigurement, and dark characteristics of the world. He could mix characters, setting, theme,and mood in a way that readers are automatically drawn into reading. Both of these short stories have the same major aspects in common.
Edgar Allan Poe is one of the most celebrated literary authors of all time, known for writing very suspenseful, dramatic short stories and a poet; is considered as being a part of the American Romantic Movement, and a lesser known opinion is he is regarded as the inventor of the detective-fiction genre. Most recognized for his mystery and macabre, a journey into the dark, ghastly stories of death, deception and revenge is what makes up his reputation. The short story under analysis is a part of his latter works; “The Cask of Amontillado”, a story of revenge takes readers into the mind of the murderer.
Poe presents the narrators of "The Tell-Tale Heart" and "The Cask of Amontillado" as devious, obsessed characters. Both are overpowered by the need to consume the life of their victim. Though they use different strategies to carry out the murders in different ways, obsession is the driving force in both. It is this obsession that inspires them to design cunning strategies and carry out the executions.
The power to change is man’s greatest struggles, since a strong influence that lead them to where they are now. It is also the price and journey that both Montresor in Edgar Allan Poe’s short story “The Tell Tale Heart” and the narrator of the “The Cask of Amontillado”, another of poe’s story. In both story the narrators, both indicate that they want to get rid of an addiction they had that is driving them to madness, and in order to do so they, must do it at any cost. Both narrator clearly plan on their instincts and carefully plans out methods in which leads them to their satisfaction. These stories contain many similarities and differences in the use of tone, irony and symbolism, of the protagonist. Through these characters and their actions,
Human nature is a conglomerate perception which is the dominant liable expressed in the short story of “A Tell-Tale Heart”. Directly related, Edgar Allan Poe displays the ramifications of guilt and how it can consume oneself, as well as disclosing the nature of human defense mechanisms, all the while continuing on with displaying the labyrinth of passion and fears of humans which make a blind appearance throughout the story. A guilty conscience of one’s self is a pertinent facet of human nature that Edgar Allan Poe continually stresses throughout the story. The emotion that causes a person to choose right from wrong, good over bad is guilt, which consequently is one of the most ethically moral and methodically powerful emotion known to human nature. Throughout the story, Edgar Allan Poe displays the narrator to be rather complacent and pompous, however, the narrator establishes what one could define as apprehension and remorse after committing murder of an innocent man. It is to believe that the narrator will never confess but as his heightened senses blur the lines between real and ...
“The Cask of Amontillado” is a dark piece, much like other works of Edgar Allan Poe, and features the classic unreliable narrator, identified by himself only as Montresor. This sinister central character is a cold ruthless killer that is particularly fearsome because he views murder as a necessity and kills without remorse. Montresor is a character who personifies wickedness. Poe uses this character and his morally wrong thoughts and actions to help the reader identify with aspects of the extreme personage, allowing them to examine the less savory aspects of their own. The character of Montresor detailing the glorious murder he committed is a means of communicating to the reader that vengeance and pride are moral motivators that lead to treacherous deeds and dark thoughts.
Edgar Allen Poe’s gruesomely fascinating tale of vengeance and murder, “The Cask of Amontillado”, achieves its effect only through its usage of the first person point of view. This unusual perspective enables the reader to view the characters and conflicts through the eyes of the narrator, as he first discusses and justifies, and eventually, carries out his plans for the ruthless murder of his friend. The eerie tone and disorienting and materialistically-related setting of the story contribute to its theme of defending one’s honor and name and avenging all wrongdoings, even something so small as an insult.
Edgar Allan Poe has a style that is dark and morbid. His tone is very gloomy and obscure. The tone of “The Cask of Amontillado” is almost tame compared to the tone of “The Black Cat”, his other work we covered. The tone of that work is almost maddening. “The Cask of Amontillado” tone is very sinister and methodic. Whereas “The Black Cat”, has a pulse to a cadence and rhythm though no clear pattern is established. Poe’s style of writing seems so personal, as a reader I had to remind myself this was fiction. His first-person style of writing is so detailed and intricate it is very easy to become invested in the world he creates. “The Cask of Amontillado” and “The Black Cat” both have themes of revenge where the supposed victim is untimely
Poe writes “The Tell Tale Heart” from the perspective of the murderer of the old man. When an author creates a situation where the central character tells his own account, the overall impact of the story is heightened. The narrator, in this story, adds to the overall effect of horror by continually stressing to the reader that he or she is not mad, and tries to convince us of that fact by how carefully this brutal crime was planned and executed. The point of view helps communicate that the theme is madness to the audience because from the beginning the narrator uses repetition, onomatopoeias, similes, hyperboles, metaphors and irony.
Poe 's work as an editor, a poet, and a critic had a deep impact on American and international literature. His stories mark him as one of the originators of both horror and detective fiction. Many anthologies credit Edgar Allan Poe as the "architect" of the modern short story. Poe was the author of the two short stories “The Tell Tale Heart” and “The Cask of Amontillado”. In Edgar Allan Poe’s “The Tell Tale Heart” the narrator has an obsession fixed on the old man’s “evil” eye which leads him into madness and hate, and to killing the man he claims that he loved. The Montresor of Edgar Allan Poe’s “The Cask of Amontillado” hates his enemy Fortunato and he becomes obsessed with the thought of getting back at Fortunato, his hate becomes increasingly
Edgar Allan Poe is a famous writer in writing detective stories and horror stories. One of his horror stories, “The Cask of Amontillado” was talking about how a man took his revenge to his friend. However, to look deeply in this story, I found that this story was not just simply a horror tale about how a man gets his revenge in the safest way. Instead, it also demonstrates much irony in several areas: the title, the event, the season, the costume, the environment, the characters’ personalities, a man’s dignity and cockiness and at the end, the public order. he are
Edgar Allan Poe’s “The Cask of Amontillado” is a frightening and entertaining short story about the severe consequences that result from persistent mockery and an unforgiving heart. Poe’s excellent use of Gothicism within the story sets the perfect tone for a dark and sinister plot of murder to unfold. “The Cask of Amontillado” simply overflows with various themes and other literary elements that result from Poe’s Gothic style of writing. Of these various themes, one that tends to dominant the story as a whole is the theme of revenge, which Poe supports with his sophisticated use of direct and indirect factors, irony, and symbolism.
Poe starts out with a man, by the name of Montresor, wanting revenge on another man, named Fortunato. Most of the story takes place deep in the Montresor family catacombs. As Montresor lures Fortunato into the catacombs, he chains Fortunato up to a small hole in a wall, bricks it over, and leaves Fortunato to die. Even through the traits of anger, hatred, and revenge, as the story progresses on, Montresor, the main character in “The Cask of Amontillado”, starts to show signs of feeling guilty for wanting to murder Fortunato.