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Critics nowadays could review anything and many of which share similar reviews with one another, however, some of them vary. The two critics Stuckmann and Jahns focus on Captain America: Civil War (the movie.) They give insight on how they felt towards the movie in their own opinions without spoiling the entire movie. Stuckmann and Jahns don’t support each other face to face, however, they both portray similar perspectives while having different views on Captain America: Civil War. For example, they both give different insights on the conflict, action scenes and characters while remaining in agreement with one another. Conflict in movies are currently debated as people have similar and different opinions on the topic. Movies as of today have …show more content…
People agree or disagree with one another when it comes to loving or hating a character in a film. For example, Stuckmann and Jahns go over the Marvel Characters Spider-Man, Black Panther, Captain America and Iron-Man etc. in Captain America: Civil War, Stuckmann opinion on Spider-Man is: "In my humble opinion, this is the best incarnation of the Web-Head since Sam Raimi's Spider-Man 2." ("Web-Head" Inclining Spider-Man and how he’s great in Captain America: Civil War while referencing the movie Spider-Man 2 by Sam Raimi.) Jahns agrees with Stuckmann that Spider-Man from Captain America: Civil War is "the best on-screen Spider-Man and Peter Parker I've have seen to date." (Jahns.) They (Jahns and Stuckmann) mention how they "didn't know" (Stuckmann)/"don't know" (Jahns) who Black Panther is in the film. When they do find out, both critics state they "love" (Stuckmann) and "really like" (Jahns) Black Panther. Both critics agree with each other on Spider-Man and Black Panther. However, when they discuss Captain America and Iron-Man, they oppose each other's arguments, Stuckmann argues "you understand where they're coming from." (inclining the two characters: Iron-Man and Captain America are both understood.) Jahns agrees with Stuckmann on "you do see both sides of it" (Stating the argument of Captain America and Iron-Man.) However, Jahns mentions that both characters have "two completely different ideologies." (Referring to both sides of the arguments of Captain America and Iron-Man are different.) Jahns points by saying "if you do not flip-flop at all in this movie in your opinion on which side you stand on, you are just being unbearably stubborn." (inclining that people who stick with an argument are stubborn.) Both critics support each other thoughts and opinions towards the characters while
2. According to Sobchack, contemporary screen violence greatly differs than portrayals of violence in years past. Today, violent scenes are careless and lack significance because we as audiences have become calloused and desensitized to any acts of violence. She states that there is “no grace or benediction attached to violence. Indeed, its very intensity seems diminished” (Sobchack 432). Senseless violence, gruesome acts, and profound amounts of gore are prevalent in movies today, and because even this is not enough, it must be accompanied by loud blasts and noise, constantly moving scenes to keep audiences stimulated and large quantities of violence for viewers to enjoy what they are watching. Decades ago, it was the story that was engaging to audiences and filmmaking was an art.
2 Critics have noted that what I call "multiple interpretations" and binary oppositions are characteristic of Morrison's works.
Kerner, Aaron M.. “Irreconcilable Realities.” Film Analysis: A Norton Reader. Eds. Jeffrey Geiger and R.L. Rutsky. New York: W.W. Norton & Company, 2nd edition, 2013. 462-83.
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
I. Critics have agreed mostly when they have tried to analyze the grandmother and the Misfit.
basic charge of this criticism can be stated in the words of a recent critic,
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
...ctual roles, or adding in exciting events that revise the storyline. These changes are beneficial to producers because they engage a large audience and generate massive profits. In contrast, they do not always have a positive effect on viewers. Although they are entertaining which is an important aspect of theatre culture, they also are often misguiding. Many spectators take movies at face value, without considering that they may not exactly qualify as primary source material. Even when an historical event is fabricated to teach or enhance a moral message, it still doesn’t compensate for bending the truth. Moviegoer’s may have a positive experience and gain some skewed historical perspective, perhaps better than what they knew before the movie, but they loose out on the truth and therefore, a genuine understanding of the historical event, and its significance.
Now, reader response criticism is very different. In our text book for class it is portrayed by these three key facts:
“The typical American child will view more than 200,00 acts of violence-,” states American Acadamy of Child and Adolesecnt psychaiatry. In the centery long arguementative essay there are two points of perspective about violence in movies. One point is that violence in moves should be banned and the counter point is that it shouldnt be banned. Overall the author I beleive is more convicing is the counterpoint author claiming , “Hollywood Filmmakers should not be villainized for move violence.” The reasons why will be explained in 2 paragraphs.
This episode was a great example of James Whitlarks suggestions that some superheroes doubles may be represented as the “id” or alter ego when there is psychologically complex superheros.
The critic, using different tones of voice really exemplifies his argument about the movie and even gives him a credibility of trust to his argument and his personal character alike. Watching further into the video the critic, “Game Hero” explains to the viewer the baseline progression of the story represented in the film, showing scenes that relate to his narration. Stating “looks like everything's going good for our characters, (the) guy made a million dollar sale, Natalie, the girl was accepted as Victoria Secrets model.” While the segment in his video is not a colossal deal pertaining to the argument when comparing
With the popularity of film culture experiencing a drastic increase, a large amount of what happens on screen is mirrored in our society. Movies can evoke thoughts and emotions that shape the average man’s ideals, sometimes even stirring up propaganda that pressures governments to create new laws.
a. This line of thinking can prevent a critic from fully embracing what the text
Movies are an unbelievably important escape for many people across the world. Films can take a viewer to another place or time and since the beginning of society, performances have been a staple of cultural. Films show a perception of reality, for better or for worse. Many see films and the cultural that it is in and think that it must be a accurate depiction, which sometimes unfairly puts a stigma on a group of people or a cultural. Hollywood has been able to expand all over the world, and many think The objective of promoting American culture through Hollywood movies is to dominate the other cultural communities around the world and become the universal culture of the world.