Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Herman melville, bartleby the scrivener summary pp. 2363-2389
Herman melville, bartleby the scrivener summary pp. 2363-2389
Herman melville, bartleby the scrivener summary pp. 2363-2389
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In Herman Melville’s world-renowned tale, Moby Dick, the crew aboard the Pequod sail the seas in order to hunt, capture, and kill a mysteriously terrifying sperm whale named “Moby Dick”. For centuries, humans have used technological advances to protect their elite status in the animal kingdom, at the unfortunate expense of species ignorantly perceived as being too weak or unintelligent to fight back. Moby Dick illuminates one of the most historically cruel instances of selfishly-oriented, industrial engineering: whaling and hunting animals for sport. Humans and animals are the only living creatures with a similar state of consciousness and this cognitive interconnectedness binds the two species together in ways that can only be speculated and …show more content…
In Chapter 69, the narrator vividly describes the image of a recently captured, decapitated sperm whale bleakly floating about near the Pequod while sharks and birds feast upon its dead remains. Despite the degrading imagery of, “the air above vexed with rapacious flights of screaming fowls, whose beaks are like so many insulting poniards in the whale,” the whale has still, “not perceptibly lost anything in bulk...it is still colossal,” (257). In the spite of its crude carcass, there is still a human wonderment in regards to the indisputable massivity of the whale. However, the whale is not considered to be enormous just because of its literal size, but also because of the long-lasting effect its dead body will have on future ship encounters. It is the duty of a ship captain to avoid steering a ship into dangerous territory--the most common of which would be large rocks near the shore. In the lines, “...the whale’s unharming corpse, with trembling fingers is set down in the log-- shoals, rocks, and breakers hereabouts: beware!”, (257), the sperm whale’s carcass is often mistaken for rocks and, so, it necessarily follows that, “for years afterwards, perhaps, ships shun the place; leaping over it as silly sheep leap over a vacuum…” (257). The paragraph continues with the lines, “there’s your law of precedents; there’s your utility of traditions; there’s the story of your obstinate survival of old beliefs never bottomed on the earth…” (257), which reinforce the idea that since the sperm whale is already seen as being frightening and mysterious, its dead body ensues the same kinds of paranoid, uneasy thoughts. So, although ships
spend an unusual amount of time at the surface. It also states that the whales also
The juxtaposition of the Titanic and the environment in the first five stanzas symbolizes the opposition between man and nature, suggesting that nature overcomes man. The speaker characterizes the sea as being “deep from human vanity” (2) and deep from the “Pride of Life that planned” the Titanic. The diction of “human vanity” (2) suggests that the sea is incorruptible by men and then the speaker’s juxtaposition of vanity with “the
The title of the novel which I read is “Moby Dick”. The genre of this book is fiction and it is written in novel form. The story takes place in 1851 on the northeastern coast, mainly set in the Atlantic ocean, but also in New York City, and Pittsfield Massachusetts. It tells the story of Ishmael, the protagonist, who is seemingly lost in the world and is trying to make sense of his life. In his opinion, men who board whaling ships are choosing the alternative to suicide. Although Ishmael is the protagonist, and we don’t know as much about him as we do the other characters. A reason for his could be because he is the story’s narrator and doesn’t necessarily talk about himself as much as he talks about what is going on around him.
In Chapter 69, the narrator vividly describes the image of a recently captured, decapitated sperm whale bleakly floating about near the Pequod while sharks and birds feast upon its dead remains. Despite the degrading imagery of, “the air above vexed with rapacious flights of screaming fowls, whose beaks are like so many insulting poniards in the whale,” the whale has still, “not perceptibly lost anything in bulk...it is still colossal,” (257). In the spite of its crude carcass, there is still human wonderment in regards to the indisputable massivity of the whale. However, the whale is not considered to be enormous just because of its literal size, but also because of the long-lasting effect its dead body will have on future ship encounters. It is the duty of a ship captain to avoid steering a ship into dangerous territory--the most common of which would be large rocks near the shore. In the lines, “...the whale’s unharming corpse, with trembling fingers is set down in the log-- shoals, rocks, and breakers hereabouts: beware!”, (257), the sperm whale’s carcass is often mistaken for rocks and, so, it necessarily follows that, “for years afterwards, perhaps, ships shun the place; leaping over it as silly sheep leap over a vacuum…” (257). The paragraph continues with the lines, “there’s your law of precedents; there’s your utility of traditions; there’s the story of your obstinate survival of old beliefs never bottomed on the earth…” (257), which reinforce the idea that since the sperm whale is already seen as being frightening and mysterious, its dead body ensues the same kinds of paranoid, uneasy thoughts. So, although
The characters also are involved in the belief of the anti-transcendental philosophy. The story shows how each character acts with nature and each other. Many of the whalers must protect the boat and each other as they trek through the wild tides and horrible weather conditions. They try their hardest to fight these conditions, but sadly the narrator is the only survivor. These men exemplify the philosophy by fighting the animals; especially the whales ...
Moby Dick is one of the greatest books written in American literature but when it was first made, Herman Melville was shamed for writing it and hated. After a while Moby Dick was noticed from being a book everyone hated to one of the most popular pieces of literature now. The title Moby Dick is known by almost everyone in America. Originally Moby Dick was called The Whale that was originally published in 1851 but was changed to Moby Dick in a later date. The book starts out with a very famous line called “call me ishmael” which was the name of the main character/narrator who goes out to sea as a merchant and wants to go on a whale adventure. Captain Ahab gathers his crew to hunt down Moby Dick even though they were supposed to go to get oil
Herman Melville's Moby Dick is a book which can be read as a general metaphor for the battle between the evil powers of the Devil versus the divine powers of God and Jesus, both try to obtain the souls of mankind in order to assist in each other's destruction. In this metaphor, the Devil is shown through the person of Captain Ahab, God becomes nature, Jesus is seen as the White Whale, and the representation of mankind is the crew. The voyage of the Pequod, therefore, is a representation of a similar voyage of mankind on earth, until the death of Jesus, during the whole thing the influences of these three “supernatural forces” are connected. Thus, the basis of this idea is that in the plot of Melville's book, there are also peeks of the "plot" of the Bible.
While whaling isn’t nearly as popular today, in this time many men made, or attempted to make, a living in this industry. Despite the hard work, dangerous standards and general intimidation, shipmates were lured into the industry for the high pay. When feeling protected by a large ship, weapons and a fearless captain, it was easy to forget the power of what they were hunting. The sperm whale is the largest of all the toothed whales, with males maturing at an average size of fifty- two feet and sometimes can reach up to sixty-seven feet in length. “It’s twenty-foot-wide tail pumped up and down.” (Philbrick, 2000, 82) The domain of life that the sperm whale belongs to is the Eukaryote. This is because the sperm whale is an organism that is made up of cells that contain a nucleus as well as other structures that are enclosed by the cell membrane. The kingdom that it belongs to is the Animalia. This is because they are multi-cellular organisms. These animals contain other distinct features including; “interior digestion of f...
Benjamin Disraeli once said, “the magic of first love is the ignorance that it can never end”. In similar ways, F. Scott Fitzgerald’s novel The Great Gatsby and the film The Notebook directed by Nick Cassavetes both share a similar love story producing the idea that first love never dies. Both the novel and the film present the idea of a lower class man falling in love with a wealthy woman. Neither of the men are able to stay with the women due to disapproval. When the men finally reconnect with the women, they realize they are already in a new relationship. Although the women are in different relationships, they know they are still in love with their first love, leaving a conflict for them in the current relationship
Moby-Dick is the one American story which every individual seems to recognize. Because of its pervasiveness into our country’s collective psyche, the tale has been reproduced in film and cartoon, and references to the characters and the whale can be found in commercials, sitcoms, and music, proving the novel to still be relevant today. It is the epitome of American Romanticism because it delves into the human spirit, the force of imagination, and power of the emotions and the intellect. The novel praises and critiques the American society in sharp and unequivocal terms, while, at the same time, mirroring this mixed society through the “multinational crew of...the Pequod” (Shaw 61). Melville, through his elaborate construction of the novel, “makes the American landscape a place for epic conquest” (Lyons 462). The primary draw of this novel is the story itself: a whaling ship, headed by a monomaniac, and the pursuit of a whale, or the American dream and its attainment, making a clear “connection between Romanticism and nationalism” (Evans 9). The novel calls upon the reader’s imagination, emotions, and intellect to fully understand the journey of the story, the journey which takes the reader on a most unusual trip into the soul of mankind.
The human voyage into life is basically feeble, vulnerable, uncontrollable. Since the crew on a dangerous sea without hope are depicted as "the babes of the sea", it can be inferred that we are likely to be ignorant strangers in the universe. In addition to the danger we face, we have to also overcome the new challenges of the waves in the daily life. These waves are "most wrongfully and barbarously abrupt and tall", requiring "a new leap, and a leap." Therefore, the incessant troubles arising from human conditions often bring about unpredictable crises as "shipwrecks are apropos of nothing." The tiny "open boat", which characters desperately cling to, signifies the weak, helpless, and vulnerable conditions of human life since it is deprived of other protection due to the shipwreck. The "open boat" also accentuates the "open suggestion of hopelessness" amid the wild waves of life. The crew of the boat perceive their precarious fate as "preposterous" and "absurd" so much so that they can feel the "tragic" aspect and "coldness of the water." At this point, the question of why they are forced to be "dragged away" and to "nibble the sacred cheese of life" raises a meaningful issue over life itself. This pessimistic view of life reflects the helpless human condition as well as the limitation of human life.
In Herman Melville’s Moby Dick and Ernest Hemingway’s The Old Man and the Sea we are introduced to two individuals who share different opinions on nature and the marvelous creatures that make up the world around them. In this paper, I will explore the differences between Captain Ahab and Santiago. In Moby Dick, we are introduced to Captain Ahab and his personal quest to avenge the personal loss he suffered at the jaws of what he considered to “evil” while Ishmael recounts “ Ahab did not fall down and worship it like them; but deliriously transferring its idea to the abhorred white whale, he pitted himself, all mutilated, against it. All that most maddens and torments; all that stirs up the lees of things; all truth with malice in it; all that cracks the sinews and cakes the brain; all the subtle demonisms of life and throught; all evil, to crazy Ahab, were visibly personified and made practically assailable in Moby Dick” (Melville pg 156.) In this, he describes how Ahab’s previous encounter with the whale has tainted his opinion on the traditional values of “white” representing purity and righteousness and replaced it with the notion of the color representing evil and cruelty as though Ahab believed Moby Dick had a personal vendetta against him instead of nature simply protecting itself against a great threat.
Comparing Melville's Moby Dick as a Man's Story and Naslund's Novel, Ahab's Wife as a Woman's Story
Ishmael marvels at this site from the Pequod, and on the second day paints the picture of “Right Whales” mowing through the brit, “leaving behind them endless swaths of blue upon the yellow sea” (Melville, 1851: 305). The meadow‑like appearance of the sea is truly a realistic one, however, the comparison is embellished in such a farfetched, illusory way that Melville’s readers have no choice but to desert reason and visualize an image that most individuals have never observed. As the chapter ensues, Melville continues to illustrate the ocean through Ishmael’s perspective, where the watery expanse is anthropomorphized, to “swallow up ships and crews,” evoking the image that the monster, is perhaps not the White Whale but the ocean; an element that represents “universal cannibalism,” and an unconquerable wild beast (Melville, 1851: 307). Ishmael describes the ocean as “a savage tigress that tossing in the jungle overlays her cubs […] Panting and snorting like a mad battle steed that has lost its rider, the masterless ocean overruns the globe” (Melville, 1851: 307). This is perhaps, Ishmael’s first realization that the ocean is not what it appears and that the “loveliest shades of azure,” make one forget the feral beast that prowls in the deep. This visual juxtaposition is one of many that appear in Moby Dick,