The story “Eveline” by James Joyce and the story “The Story of An Hour” by Kate Chopin touch upon the timeless themes of love and death. “Eveline”, a story about a woman who is about to marry a man named Frank, discusses the struggle that women in the early 1900s felt between holding onto the difficult past and moving forward toward a bright future. “The Story of An Hour” is a story about an ill woman who discovers that her husband passed away, and feels a great sense of freedom from his passing. The stories are in contrast with one another in both themes, as death was symbolic of freedom in “The Story of An Hour” while it was restrictive in “Eveline”; and love was restrictive in “The Story of An Hour” while it was freeing in “Eveline”. The …show more content…
The story begins with Mrs. Mallard’s discovery that her husband has passed away. She initially feels grief in front of her friends, but retreats to her room to be alone with her thoughts. While alone, she realizes the freedom that is in front of her now that her husband has passed away. Chopin asserts, “There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature. A kind intention or a cruel intention make the act seem no less a crime” (2). Mrs. Mallard has a deep understanding of what a marriage represented for a woman of her time, and feels free when it is removed from her …show more content…
In “Eveline” the death of Eveline’s mother restricted Eveline to the same boring and difficult life that her mother had lived. If she had decided to leave her home to be with Frank, then she would have been free from it. She would have been with a man who gave her love and respect. In the end, Eveline chose to continue to live the life that she knew rather than risking happiness in the unknown. By contrast, in “The Story of An Hour”, Mrs. Mallard learns of her husband’s death and is filled with joy. She sees the freedom that his death has given her, and understands the restrictions that were placed upon her life by his love. She is so happy about this freedom, that when it is taken away from her, it actually kills her. The two stories are able to examine the complex nature of death and love, and how they can mean very different things depending upon the situation and the people who are involved in the situation. The striking similarity found within the two stories is that love is not strong enough to outweigh other factors such as freedom and guilt. The notion that love conquers all is completely lost in these stories, and thoughts of personal freedom, happiness, and responsibility take a more important role to the female characters involved. This take on love reveals the complexity of female life in the early
“Story of an Hour”, written by Kate Chopin presents a woman of the nineteenth century who is held back by societal constraints. The character, Louise Mallard, is left to believe that her husband has passed away. She quickly falls into a whirlwind of emotions as she sinks into her chair. Soon a sense of freedom overwhelms her body as she looks through the window of opportunity and times to come. She watches the world around her home run free as nature runs its course. Louise watches the blue sky as a rush of “monstrous joy” shoots through her veins (Chopin). She experiences a new sense of freedom. Although she sometimes loved her husband, his “death” breaks the chain that keeps her from experiencing a truly free life. Thoughts over times to
Both Chopin and Deneau put major emphasis on the passage of the story where Mrs. Mallard is alone in her room and makes the transition from heartbroken housewife to joyful, independent and free widower. Chopin says “There was something coming to her and she was waiting for it, fearfully. What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled
Like in many tragically true stories, it would seem Mrs. Mallard 's freedom came too late. Kate Chopin’s, “The Story of an Hour” begins by introducing Mrs. Mallard as a person afflicted with heart trouble. The story builds on this by having Mrs. Mallard’s sister Josephine and her husband Richard explain the situation in a very sensitive manner. Their efforts would prove to be in vain however as Mrs. Mallard then proceeds to emotionally break down. The news shocks Mrs. Mallard to her very core and has her at odds with how she should feel now that all was said and done. After coming to terms with her situation, fate delivers its final blow in a cruel and deceitful ploy towards Mrs. Mallards. And with that, Mrs. Mallard 's dies. In her hour of change Mrs. Mallard 's was delicate, thoughtful and excitable.
In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.
...Mallard’s death up to the reader’s own interpretation, but it seems that she is trying to secretly prove that women do not have to be dependent upon men. Chopin demonstrates throughout the literary work that women can possess joy without having a man by their side, which contradicts the beliefs of the 1800’s society. Chopin’s use of an ambiguous death and irony successfully create an entertaining story that courageously takes a stand for women’s freedom.
In Kate Chopin’s “The Story of an Hour”, it talks about marriage and a woman’s life in the 1800’s. This story illustrates the stifling nature of a woman’s role during this time through Mrs. Mallard’s reaction to her husband’s death. When Mrs. Mallard obtains news that her husband is dead, she is hurt after a brief moment and then she is delighted with the thought of freedom. This story shows how life was in the mid 1800’s and how women were treated around that time.
Chopin depicts marriage as a prison institution that confines women to life. In the story, there is no possibility of divorce and death seems to be the only way out. Evidently, since marriage is dictated by society, women do not seem bothered by their lack of freedom since they feel it is their obligation to run their homes without complaining. From the story, Mrs. Mallard does not seem perturbed by her present situation until she gets a taste of freedom after receiving the news about her husband's death. Precisely, we are told that she was beginning to recognize this thing that was approaching her, and she was striving to beat it back with her will--as powerless as her two white slender hands would have been.
Chopin displays a need for more independent women in this piece, suggesting that wronged womanhood is the simple fact that society didn’t allow them to be on the same level with men. Mrs. Mallard realizes a “possession of self-assertion which she suddenly recognized as the strongest impulse of her being.” This suggests a dying will for independence. Mrs. Mallard realizes that she can now rely upon her self for everything and it will become her number one driving factor in life. After she realizes this, Chopin says Mrs. Mallard thinks “spring days, and summer days, and all sorts of days that would be her own.” When she has days to herself, she will have no one to tell her what to do, as this line suggests her husband used to.
To start off, this short story is packed with an abundance of symbolism that further highlights the emotions that Mrs. Mallard was feeling after hearing the devastating news of her husband’s death. Although she is instantly overcome with grief upon hearing the news, there were ‘’patches of blue sky showing here and there through the clouds…” (Chopin 476). These patches of blue sky represent the plethora of opportunities that await Mrs. Mallard now that she has been given a fresh start, with total and unrestricted freedom. Shortly after, Louise begins to comprehend how her husband’s death has in turn completely changed her life for the better. In addition, Mrs. Mallard’s heart troubles also bear a symbolic significance. Her physical heart complications symbolize her discontent with her lack of freedom in her life and marriage. In contrast, when Mrs. Mallard initially realizes the liberty and independence that she now possesses, “her pulses beat fast, and the coursing blood w...
... This woman suffers a tremendous amount from the commitment of her marriage, and the death of her husband does not affect her for long. A marriage such as this seems so unbelievable, yet a reader can see the realistic elements incorporated into the story. This begs the question of how undesirable marriage was during Chopin’s life. The unhappiness felt by Mrs. Mallard seems to be very extreme, but Chopin creates a beautiful story that reflects upon the idea of marriage as an undesired relationship and bond to some women in the nineteenth century.
“The Story of an Hour” is the story of Mrs. Louise Mallard who suffers of a weak heart. This being the first we know of Mr. Mallard, she is carefully being told that her husband had just passed away in a train accident. As every good wife should, Mrs. Mallard breaks out in grief. At first, the story goes, as it should. Then Mrs. Mallard goes into her room where she begins thinking, and her first thought is that she is free. Mrs. Mallard after years of being in an unhappy marriage is finally free to do what she wants, with no one to hold her back. Yet everything is against her, when she finally accepts that her life will begin now, her husband enters his home, unscathed and well, not having known that everyone thought him dead, a...
Mallard states that she is going to live her new life independently now that Mr. Mallard is gone; she accepts her newfound freedom and believes that she is now an independent woman. Mrs. Mallard was oppressed by Mr. Mallard, and Chopin hints at this oppression: “Chopin seems to be making a comment on nineteenth-century marriages, which granted one person - the man - right to own and dominate another - the woman,” (“The Story of an Hour” 266). The men and women should be treated equally in marriage and should be free, which relates to Mrs. Mallard feeling oppressed by Mr. Mallard. She realizes that she was below her husband her whole married life: “What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being!” (Chopin 645). Her inferiority to her husband controlled her; his death allows her to start over as an independent being. Mrs. Mallard is known to have heart trouble, but readers do not understand what that trouble is until they soon find out: “Later, when we see Mrs. Mallard ‘warmed and relaxed,’ we realize that the problem with her heart is that her marriage has not allowed her to ‘live for herself,’” (Hicks 269). The readers find out that Mrs. Mallard’s mystery heart trouble dealt with her being confined by Mr. Mallard in marriage, which she soon turns away from. Mrs. Mallard’s internal struggle is caused by rushing into marriage; she did not develop herself before developing a relationship with someone else, such as Mr. Mallard: “Love is not a substitute for selfhood; indeed selfhood is love’s pre-condition,” (Ewell 273). Mrs. Mallard may have felt constrained by Mr. Mallard in her marriage because she did not know herself before. If she had known herself before the marriage, she would have known her own constraints and opinions, instead of feeling oppressed by Mr. Mallard. Mrs. Mallard accepts her freedom and independence. She decides to live
Not attempting to hide, Mrs. Mallard knows that she will weep at her husbands funeral, however she can’t help this sudden feeling of seeing, “beyond [the] bitter moment [of] procession of years to come that would belong to her absolutely” (Chopin, 16). In an unloving marriage of this time, women were trapped in their roles until they were freed by the death of their husbands. Although Mrs. Mallard claims that her husband was kind and loving, she can’t help the sudden spark of joy of her new freedom. This is her view on the release of her oppression from her roles of being a dutiful wife to her husband. Altogether, Mrs. Mallard claims that, “there would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (Chopin, 16). This is the most important of Mrs. Mallard’s thoughts, as she never officially states a specific way when her husband oppressed her. However, the audience can clearly suggest that this is a hint towards marriage in general that it suffocates both men and women. Marriage is an equal partnership in which compromise and communication become the dominant ideals to make the marriage better. It is suggested that Mrs. Mallard also oppressed her husband just as much as he did to her when she sinks into the armchair and is, “pressed down by a physical exhaustion
The first reader has a guided perspective of the text that one would expect from a person who has never studied the short story; however the reader makes some valid points which enhance what is thought to be a guided knowledge of the text. The author describes Mrs. Mallard as a woman who seems to be the "victim" of an overbearing but occasionally loving husband. Being told of her husband's death, "She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance." (This shows that she is not totally locked into marriage as most women in her time). Although "she had loved him--sometimes," she automatically does not want to accept, blindly, the situation of being controlled by her husband. The reader identified Mrs. Mallard as not being a "one-dimensional, clone-like woman having a predictable, adequate emotional response for every life condition." In fact the reader believed that Mrs. Mallard had the exact opposite response to the death her husband because finally, she recognizes the freedom she has desired for a long time and it overcomes her sorrow. "Free! Body and soul free! She kept whispering." We can see that the reader got this idea form this particular phrase in the story because it illuminates the idea of her sorrow tuning to happiness.
In “The Story of an Hour” Mrs. Mallard has a heart trouble. People think she will have a heart attack if they just tell her the truth. But after they tell her that her husband is dead, she unlike many women that with a paralyzed inability to accept its significance, she just weeps once and goes back to her own room and locks the door. But after she meditates for a while, she realizes that the death of her husband can bring her freedom. And a monstrous joy appears, she knew that there would be no powerful will bending her and she could be free no matter in body and in soul. Kate Chopin wanted to show us a long term marriage can “kill” the romance. For example, in “The Story of an Hour”, Mrs. and Mr. Mallard loved each other before they married. But after their marriage, Mrs. Mallard didn’t love Mr. Mallard anymore, maybe sometimes she did. But in most of the time, their marriage became a trap of Mrs. Mallard. She thought she lived for her husband but not herself in this marriage and she was young, with a hair and calm face before they were married, after his death, she can live for herself, this is the “freedom” that Mrs. Mallard thought of.