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Influence of jazz
Jazz musicians influenced by Louis Armstrong
Louis armstrong how he helped shape the world of jazz
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MUSIC 131
Listening Essay (Topic 2)
Lee-Yang Hsieh
5/20/2016
Bix Beiderbeck and Louis Armstrong, both legendary jazz musicians and trumpet players, had quite a different career and life. They received different levels of recognition at the time. This is not because of their style, as they both are legendary complex stylists who are great at messing with the beat, but rather the changes they bring to the world of jazz. Bix Beiderbecke defined and performed great jazz music while Louis Armstrong revolutionized jazz and innovated numerous performing techniques that led to the jazz we love today. Bix Beiderbecke was born in early 1900s, grew up in the heart of America in a German-American family. Since he was young, he had the talent to pick out while perfectly well play any tune he had come across. He was a musical boy and often listened to New Orleans music that at the time was recorded on initial Dixieland jazz band that featured Nick La Rocca who at the time, was their main trumpet player. He also listened to Louis Armstrong as well as Emmett Hardy and other popular artists at the time on Mississippi banks. He owned a classical piano at his home (Collier, p. 3). He attended piano classes and
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Louis has being the most prominent trumpet player in history. His trumpet playing techniques significantly impacted all other instrument players who came after him and emulated his techniques in all other instruments. His style and innovative perspective of jazz changed all the forthcoming jazz singers who had a lot to learn from him, including Bix who learnt a lot from Louis Armstrong. Two of his most famous hit sounds were “What a Wonderful World” as well as “Hello Dolly” among others. The emotions attached to his music is what attracted most people and led to the spread of his music. The charm present in the music was also adored and enjoyed by
John Birks, also known as “Dizzy Gillespie” was born October 21,1917. He grew up in Cheraw, South Carolina. Gillespie was the youngest of his nine siblings. Gillespie’s father was a bandleader as well as a bricklayer. His father died when he was only ten years of age. Several years after his father passed away Dizzy Gillespie became a self-taught trombone and trumpet player (“David”). His skills increased so much over time that he later learned how to play the cornet. Gillespie had a special talent for playing these instruments. He was enrolled into the Laurinburg Institute of North Carolina in 1932. The school told him that they wanted him to play for their band. During his time at the school, he practiced his instruments mostly by himself.
How much in common do you think Lorraine Jenson and John Conlan have? How many differences do you think Lorraine Jenson and John Conlan have? Well you are about to find that out. In the book The Pigman, written by Paul Zindel, there are two characters, Lorraine and John in which i am comparing and contrasting. Even though Lorraine doesn't seem like as though she has alot in common with John they can be alike and different in the littlest things possible, such as in physical appearance, in thier behavior and personality, and in their strengths and weaknesses.Just see for your self.
Louis Armstrong was known for his “hot jazz” while Bix Beiderbecke was known more for his “cool reflective” jazz style. Louis Armstrong developed a new style of jazz music that took New Orleans by storm, and many other bands decided to move to north Chicago because of it. In 1925 Louis recorded his first Hot Five records and this was the first time he developed songs under his name. Then later on he made the Hot Seven and these two records are considered some of the biggest jazz classics. These records really established Louis Armstrong’s “hot jazz” style and many people recognized that. Many people and critics also considered these records as some of the finest jazz recordings in history, solos began to emerge and that really characterized jazz. These tracks were very important because it not only expressed Louis style but it influenced a lot of the jazz world. After the tracks many people began to change from polyphony to soloists, from embellishment to improvisation, and changing from breaks to having solos and their was much more influence. Then there was Bix Beiderbecke who was known for his “cool reflective” jazz. He was known for having a unique lyric tone, he had a vibrant sound, and he and he was different from other trumpet and cornet players. These were the type of things that led to the development of what is known as “cool jazz”. Everything that he went through in his life, the sadness, his heroic side, all this led to his music style. These two had a huge impact with their type of styles, which is the reason for their success. There uniqueness is what led to their style and them being known for their type of jazz, one simply can not say that one is better than the other because they simply did not have the same
The popularity of jazz grew in the twenties, and its center changed from New Orleans to Chicago. From there it spread to Kansas City and New York. The end of WWI ushered in the Jazz Age in New York, and it came to be associated with the parties and wild behavior of the 1920’s (Verve). Music from this era is also sometimes called “The Chicago Style,” and includes artists such as Bix Beiderbecke on trumpet and Pee Wee Russel, Mezz Mezzrow, and Benny Goodman on clarinet.
The music of jazz became an important aspect of American culture in the early 20th century. The crisp syncopation of ragtime and the smooth tunes of the blues seeped into American mainstream music through dance halls and saloons and later through ballrooms. Instruments like the piano, trumpet, trombone and clarinet became important and symbolized the “swing-feel” of jazz because of their capability to syncopate and improvise precisely. With the help of the booming recording industry, musical geniuses were discovered and their talent and contributions to the emergence of jazz spread throughout the entire country. Such musicians include composer, arranger and pianist Jelly Roll Morton who heavily influenced the development of early jazz by his unique piano style, his “invention” of musical notation for jazz, and his compositions that have become the core in the jazz repertory. Because the style was new and different and so successful in drawing in large audiences, musicians around the world tried to mimic it. Furthermore, Morton’s masterpieces were the first to show notation for complicated jazz music and thus, formed the basis for standard notation in jazz compositions today.
His “hot bop” style was heard in places like the Cotton Club and the Apollo Theatre. Everyone from all over the country would come to see him. Armstrong recorded such works as I’m in the Mood for Love, and You Rascal You (http://library.thinkquest.org/26656/english/music.html). Another famous person during this era was Coleman Hawkins, a saxophone player. Hawkins is recognized as the first great saxophonist of jazz.
Several comparisons and contrasts can be made concerning the two stories, Billy Budd and Bartleby, written by Herman Melville. The setting of the two stories reveals an interesting comparison and contrast between the British Navy on the open sea, and the famous Wall Street of New York. The comparison and contrast of characters, Billy Budd, Captain Vere, and Claggart in Billy Budd, and the `narrator' and Bartleby in Bartleby, at times are very much alike, and also very different. The conflict, climax and resolution of the two Melville stories contain similarities and differences. These two stories, on the exterior, appear to be very different, and on the interior are alike, especially if trying to analyze the stories by interpreting the symbolism that Melville may be trying to reveal in his writing. This essay will analyze the similarities and differences in Billy Budd and Bartleby.
Robert Bridges and Anne Stevenson both have different versions of Eros, the god of love. While Bridges depicts Eros as an inspirational icon, Stevenson shows Eros as someone who has been bruised and abused, the opposite of a typical depiction of a reverential figure. They talk about love itself through the god Eros using their diction, imagery, and rhyme.
“His relaxed phrasing was a major change from the staccato style of the early 20’s and helped to set the stage for the Swing Era” (“Life & Legacy”). And as such a prominent artist, and in particular, jazz artist, Armstrong did not only change the perception of jazz and swing, but the views on African Americans and their culture. Armstrong and the Harlem Renaissance reflected black history and culture, and it became popular, even in white communities and clubs. Jazz as a whole genre helped further society’s views through the universal language of music, where any ethnicity could partake in it. And the revolution of jazz was lead by the stylings of Louis Armstrong. The duration of the jazz and swing era, lasting decades past the 1920s, symbolized the civil rights movement directly through the lyrics, sounds, and artists
Edward Kennedy Ellington, American jazz composer, orchestrator, bandleader, and pianist, is considered to be the greatest composer in the history of jazz music and one of the greatest musicians of the 20th century. He composed over 2000 works and performed numerous concerts during his musical career. A compilation of some of his most popular music is collected on a CD called "The Popular Duke Ellington." Ellington personally created most of the music played by his orchestra. He often wrote pieces for specific players with distinctive musical styles in his band, such as "Concerto for Cootie" (1940) for fellow musician and trumpeter, Cootie Williams. With the help of American trumpeter James "Bubber" Miley, Ellington often incorporated in his music the jungle effect.
Through his contribution to early Jazz, he had a direct hand in developing the new field of academic jazz scholarship, although it had been extensively debated on his contribution. None the less, his talent formed a popularity that was surpassed by none, even to the point that once in his career; he was more popular than the Beatles. Undoubtedly, he was the first, if not the only to present Jazz to the public as a form of art. This changed the direction of Jazz to not just leisure listening music, but a teachable and complicated
On July 6th, 1971 Louis Armstrong died of a heart attack. He was 69 years old and is recognized as the best jazz musician ever. He is buried in Flushing Cemetery in Queens New York. Louis is still known today as one of the most influential people to play in the jazz culture and will be remembered for the way he could play the trumpet. The great “Satchmo’s” legacy is positive with everyone who talks about Armstrong. No one will ever be able to play the trumpet quite like Louis and that is why he will always be known as the number one figure in jazz history.
A single artist can have a very strong impact on a whole genre of music. We have seen this time and time again through artists such as Charlie Parker, David Brubeck, John Coltrane, Art Blakey, Miles Davis, and many others. All of these artists had tremendous influences on the different eras that evolved throughout the history of Jazz. Bill Evans, an American jazz pianist, was no different. Just as Charlie Parker had started the evolution of Bebop and influenced the subsequent generations of Jazz Artists, Bill Evans has influenced Modern Jazz and the generations of artists that followed him.
Many jazz artists as we know it are quite talented. Their talents are unique in that they can translate human emotion through singing or playing their instruments. Many have the ability to reach and touch people’s souls through their amazing gifts. Although this art of turning notes and lyrics into emotional imagery may somewhat come natural, the audience must wonder where their influence comes from. For Billie Holiday, her career was highly influenced by personal experience, the effects of the Great Depression, and the racial challenges of African Americans during her time.
During the 19th century, Judaism started to diverge into different schools of thought lead by Abraham Geiger and Samson Raphael Hirsch. Geiger and Hirsch were both German Rabbis but contrasted in the ways they thought Judaism should be practiced. Abraham Geiger brought a new, modern way for intellectual Jews to practice Judaism. Geiger felt that many of the bright intellectuals were embracing secularism, which pushed Geiger to create this reformed Judaism so that Judaism can still be practiced in a modern era. However, Samson Raphael Hirsch developed modern Orthodoxy as a way of showing that Western Culture and traditional Judaism could be combined. He believed that the ideal Jew should be a believer of the divine ruler and act as an active