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Analysis of William Shakespeare
William Shakespeare’s drama brief introduction
Analysis of William Shakespeare
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Brett Colvin Research Paper Eng 104 Much Ado About Nothing In Shakespeare's comedy “Much Ado About Nothing”. There are two major characters that intertwine and interact with each other throughout the play. In this essay I will analyze these two characters by their similarities and differences and by showing who they are individually and together and how their differing personalities come together to grow and find a love. And it's these same personalities that they find themselves out of love, only after falling into it. Then again back into each other's arms! Clearly these characters have a connection between them, but their are also differences that set them apart and differences that Shakespeare will point out through the use of his …show more content…
Even though both characters proclaim that they must amend their ways and give up their pride, Beatrice's short response is full of emotion, even exclamation points, such as "Contempt, farewell!" (III.i.111). In contrast, Benedick's much longer speech shows us that he must spend more time reasoning his way into his new situation. Beatrice becomes convinced that she should requite Benedick's love simply by hearing Hero and Ursula praise Benedick, showing us that, despite her protests, Beatrice already thought highly of Benedick. Beatrice's quick acceptance of Benedick in her short little speech show us that she is very emotionally responsive. We especially see Beatrice's emotional responsiveness when she proclaims that she should love Benedick because others think he deserves it, as we see in the lines, "For others say thou dost deserve, and I / Believe it better than reportingly" (III.i.117-118).In contrast, Benedick takes a much longer time to reason through Beatrice's attributes. He must examine every merit both Claudio and Don Pedro said Beatrice has, as we see in his
Beatrice's courtship with Benedick greatly contrasts with the courtship of Hero and Claudio. Hero gladly and willingly submitted to marriage, and she accepted the role of the relatively powerless woman. In contrast Beatrice chose her submission after openly criticizing the institution of marriage.
William Shakespeare is known for his use of dramatic irony and complicated story lines. In Much Ado About Nothing, he also adds in the element of disguise to what the characters know, or what they think they know. There are multiple characters trying to ensnare others in different facades, whether it be for better or for worse. The deception and illusion in the play can either assist the characters or completely shatter the situation, but in both cases, Shakespeare advises us to infer about what we hear or see before we jump to conclusions.
Telling her gentlewomen that Benedick loves Beatrice is her secret and it just so happens that Beatrice overhears, because it was. all planned that she should overhear. In this scene, Hero is dominant. in the conversation and says whole paragraphs instead of a few words that she says sporadically throughout the play, like in Act 1 scene 1. where she only says one line in the whole scene, "My cousin means Signor Benedick of Padua. " Page 5, line 27.This is because she needs.
This can be seen during his conversation with Beatrice, after every one hears of Hero’s “infidelity”. In this scene, when Don John and Claudio were leaving, Benedick doesn’t follow them. Instead, he sticks around with Beatrice. His action in this scene is highly critical, as it shows that he considers his love for Beatrice more important than his Allegiance to his brothers, Don John and Claudio. This action is something Benedick from the beginning would never think of doing. While in the beginning, Benedick’s allegiance remained rooted to his brothers, it has now pledged allegiance to his lover, Beatrice. In this scene, Benedick is seen to have grown as a person. Instead of losing complete trust due to un-proven rumours like Don Pedro and Claudio, he is able to take in the situation more substantially. He further proves himself during his conversation with Beatrice. By telling Benedick to “Kill Claudio” (Shakespeare 4.1.288), “Beatrice asks for her newly-professed lover the utmost favor: to place his love for her above that of his long-established friendship with Claudio. The command shows that Beatrice and Benedick are now more serious than they were. Rather than jest about serious problems as they did at the play’s beginning, they are now engaged with them” (Smith 182). Although a bit reluctant in the beginning, Benedick decides to follow his lover’s orders, and challenges Claudio to a duel. From this point on, all of Benedick belongs to Beatrice, for “Love is his compass” (Horowitz 50). To Benedick, “Love is immediately the basis for decision over life itself…. [and] Benedick’s love for Beatrice must determine his [decisions]” (Horowitz 49). The fact that Benedick decided to challenge his long-time friend Claudio further proves how much he has changed as a person. To Benedick, Beatrice has now become more important than his fellow
Both of them despise marriage, are witty, and are each their own people. These, however, are not the reasons why they come together. They are brought together by their respective companions who conspire to tell each of them that the one loves the other as the two misdirected lovers listen in. In his speech directly after this, Benedick is swayed to a life that he previously would have avoided at all costs. In hearing of Beatrice’s supposed affection, he immediately changes his entire outlook on perpetual bachelorhood and pronounces a love that is not real or his own, but comes secondhand from trickery.
We notice as the first few scenes take place that there is a large amount of witty repartee going on between them. "And a good soldier to a lady, but what is he for a lord? " Beatrice says this even before Benedick has arrived; giving the impression that he sleeps around with various different women, and he will not commit to anybody. This shows his lack of maturity.
“And when I lived, I was your other wife, And when you loved, you were my other husband(Shakespeare 60).” In the beginning of the play it was overwhelming, steeped in love at first sight between Hero and Claudio, until Don John’s evil-manner took a role in ruining the love between them. And because of this a conflict developed between them, but was resolved when their vigorous love for one another overcame the conflict. In Much Ado About Nothing by William Shakespeare, Hero serves as the foil character of Claudio because of Hero’s dignified, well-mannered, eminent reputation is illuminated through Claudio’s insecure, accusing, and doubtful weakness; thereby, interminably influencing the conflict in the plot.
After Benedick is lead to believe that Beatrice is in love with him. He says, “It seems her affections have their full bent. Love me? Why it must be requited!” Here, Benedick rants with a high pitched tone, portraying his abrupt confusion about the sudden news of Beatrice’s love for him. His voice springs up an octave as he says “Love me?” thus revealing to the audience that he was questioning himself whether or not he is in love. At the end of the monologue he exclaims, “No the world must be peopled!” in a deeper and more affirmative tone, expressing his confidence in his conclusion that Beatrice was in fact in love with him. His assurance of Beatrice's love for him after so little time revealed to the audience his self confidence and his absence of humility. The last example is in the last scene of the movie, Act 5, scene 4, when Benedick asks the friar to wed Beatrice and him after Claudio and Hero finished their wedding. After calling for Beatrice in front of a crowd that had constantly seen Beatrice and Benedick insulting each other, he says “Do you not love me?” He says this in a very low pitch tone, which sounded almost monotone, thus showing to the viewers his stubbornness for his character and his trouble with revealing and admitting to his soft side that he refused to show throughout the whole
In Much Ado About Nothing Shakespeare depicts different kinds of loving relationships - romantic love, family support and loyal friendship - and shows how various characters react to love and marriage. By exploring the effects of this powerful emotion Shakespeare highlights its universal relevance, a relevance that transcends time.
At the beginning, Benedick’s attitude is negative towards women in general. He swears he will never marry, as he is very critical of women and does not trust any of them not to cheat on him. He seems to oppose with Beatrice in a competition to outwit, outsmart, and out-insult each other. Obviously he has been in some sort of past relationship with Beatrice because when he meets her at the masked ball, she describes him as a selfish pig. We can infer that Benedick has some kind of deep feelings for her because after she insults him he is hurt and says, “Will your grace command me any service to the world’s end? I will go on the slightest errand now to the Antipodes that you can devise to send me on. I will fetch you a toothpick from the furthest inch of Asia . . . do you any embassage to the pigmies, rather than hold three words’ conference with this harpy” (II.i.229–235). This blatantly means that he does not wish to talk to her.
` Benedick and Beatrice hated each other at first. In the beginning of the play Beatrice makes a statement of “...will happily go to hell with Benedick.” This proves that Beatrice does not like Benedick, more hate. There is clearly tight tension in between them, and some background hatred as well. At the beginning of the play, Benedick and Beatrice had a hateful relationship.
"Much Ado About Nothing" is a play intertwining two love stories. One story follows the romance of a young woman Hero (daughter of Leonato, governor of Messina) and a young officer Claudio. When Claudio returns from war, he realizes he's deeply in love with Hero. With the help of his commander, Don Pedro, Claudio proposes to her. The other is a less likely couple, Beatrice (Hero's cousin) and Bene*censored* (another officer). Both being witty, strong-willed and outspoken, the two seem to bare distaste for each other. However, when their friends arrange for them to overhear conversations revealing how much each is loved by the other, it doesn't take long before they declare their love for one another. Meanwhile, self...
Benedick addresses Beatrice in a close and affective manner using the forms “sweet Beatrice” and the pronouns “thy” and “thee”. These forms could be considered as expressive of positive emotions like love, passion and affection, which are used to mark the discourse of intimacy (Culpeper, J. 2002). Although Beatrice is also confessing her love, she makes constant use of the you-form, which could be seen as an indicator of high formality and respect in order to keep the situation serious. Suddenly, when Beatrice asks Benedick to kill Claudio, the situation becomes more serious. Beatrice changes her attitude when Benedick denies her request, she is so infuriated that she wants to leave, but Benedick keeps his closeness. Hence the use of the first name, “Beatrice” and “sweet Beatrice” as a terms of endearment when she is consistent in her idea to leave as a result of her wrath. This form of address is avoided by Beatrice, possibly to establish distance because she expected Benedick to fulfil her
...he other hand, Beatrice and Benedick are comedy-makers and Beatrice is not ruled by her father as Hero clearly is. It does take Don Pedro’s benevolent plot to bring Benedick and Beatrice together, however. A modern audience would prefer Beatrice to Hero as she is her own self and admirable. The relationships also differ because Benedick and Beatrice’s relationship slowly grew whereas Claudio and Hero’s relationship was love at first sight. Perhaps it was a little hasty as we see in Act 4 how their love turns sour.
... heart in the marketplace.” (A4; S1; L 315-321). When Hero was wrongly accused is when Beatrice showed this the most. She believed that because of what he had done, Claudio deserved to be dead. She wanted no bad deed to go unpunished and what she seen fit was for Benedick to challenge Claudio to a dule and she didn’t want Benedick to stop until he was dead.