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Analysis of William Shakespeare
William Shakespeare’s drama brief introduction
Analysis of William Shakespeare
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Brett Colvin Research Paper Eng 104 Much Ado About Nothing In Shakespeare's comedy “Much Ado About Nothing”. There are two major characters that intertwine and interact with each other throughout the play. In this essay I will analyze these two characters by their similarities and differences and by showing who they are individually and together and how their differing personalities come together to grow and find a love. And it's these same personalities that they find themselves out of love, only after falling into it. Then again back into each other's arms! Clearly these characters have a connection between them, but their are also differences that set them apart and differences that Shakespeare will point out through the use of his …show more content…
language and the characters reactions to things how the gender role was so much more played out in the times that this play was written than it is today. way in which we see Beatrice be more emotionally driven than Benedick is that her spoken reaction to being tricked into believing that Benedick is in love with her is much shorter than Benedick's own response.
Even though both characters proclaim that they must amend their ways and give up their pride, Beatrice's short response is full of emotion, even exclamation points, such as "Contempt, farewell!" (III.i.111). In contrast, Benedick's much longer speech shows us that he must spend more time reasoning his way into his new situation. Beatrice becomes convinced that she should requite Benedick's love simply by hearing Hero and Ursula praise Benedick, showing us that, despite her protests, Beatrice already thought highly of Benedick. Beatrice's quick acceptance of Benedick in her short little speech show us that she is very emotionally responsive. We especially see Beatrice's emotional responsiveness when she proclaims that she should love Benedick because others think he deserves it, as we see in the lines, "For others say thou dost deserve, and I / Believe it better than reportingly" (III.i.117-118).In contrast, Benedick takes a much longer time to reason through Beatrice's attributes. He must examine every merit both Claudio and Don Pedro said Beatrice has, as we see in his
lines: They say the lady is fair--'tis a truth, I can bear them witness; and virtuous--'tis so, I cannot reprove it; and wise, but for loving me ... " (II.iii.210-212). The line, "'tis a truth, I can bear them witness," particularly shows us that he is not only reasoning through to see if he agrees with their description of Beatrice, he is also examining whether or not he will be embarrassed by his own decision. We further see him reason through his emotions when he points out that he may be laughed at for changing his mind about love and marriage, but says it will be okay because everyone changes their minds with age, as we see in the lines: I may chance have some odd quirks ats of wit broken on me because I have railed so long against marriage. But doth not the appetite alter? (II.iii.214-216) All of the reasoning we see through this very long speech, in contrast to Beatrice's very short speech, shows us that Benedick is more inclined to use rational thought while Beatrice is more emotionally driven This is where I tie in for a brief period how Shakespeare made the characters different just based on their sex. Making Beatrice more emotional than her male counterpart.
“And when I lived, I was your other wife, And when you loved, you were my other husband(Shakespeare 60).” In the beginning of the play it was overwhelming, steeped in love at first sight between Hero and Claudio, until Don John’s evil-manner took a role in ruining the love between them. And because of this a conflict developed between them, but was resolved when their vigorous love for one another overcame the conflict. In Much Ado About Nothing by William Shakespeare, Hero serves as the foil character of Claudio because of Hero’s dignified, well-mannered, eminent reputation is illuminated through Claudio’s insecure, accusing, and doubtful weakness; thereby, interminably influencing the conflict in the plot.
The difference between Beatrice,Benedick,and the other two Claudio and Hero though is that, these two are very headstrong characters with a different outlook on love, but have very much love for one another. Benedick believes in just being a bachelor and spending the rest of his life messing with as many women as he pleases, well as for Beatrice she believes there is no man good enough and willing to show her the love she wants so she much rather be left alone. But the fact that they honestly want to believe what they say is what makes this get way more interesting. What they don’t know is that they are going to soon become curious trying to figure out what they truly feel for one
Benedick and Beatrice both benefit from the deceit that they encounter. At first, both are enemies in a battle of insults and wit, until they are each fooled into thinking that the other loves them. When Benedick hears that Beatrice is supposedly attracted to him, he thinks that it is “a gull, but that the white-bearded fellow speaks it: knavery cannot, sure, hide itself in such reverence” (111). Little does he know, Leonato, the "white-bearded fellow," is also in on the joke (111). Benedick starts to admire her when he is aware that Beatrice might actually be attracted to himself, as well. She is also astonished when she first hears that he loves her. However, when Beatrice comes to terms with their affection, she hopes "Benedick [will] love on... And [she] Believe it better than reportingly" (134). In other words, she falls in love with Benedick as soon as she believes that he, too, is fond of her. They each start to fall in love with one another under the pretense that other was hiding their affection from them. Now that they are both in love, they start to open up to each other and prove that the deception they endured was worth it in the end.
At the beginning, Benedick’s attitude is negative towards women in general. He swears he will never marry, as he is very critical of women and does not trust any of them not to cheat on him. He seems to oppose with Beatrice in a competition to outwit, outsmart, and out-insult each other. Obviously he has been in some sort of past relationship with Beatrice because when he meets her at the masked ball, she describes him as a selfish pig. We can infer that Benedick has some kind of deep feelings for her because after she insults him he is hurt and says, “Will your grace command me any service to the world’s end? I will go on the slightest errand now to the Antipodes that you can devise to send me on. I will fetch you a toothpick from the furthest inch of Asia . . . do you any embassage to the pigmies, rather than hold three words’ conference with this harpy” (II.i.229–235). This blatantly means that he does not wish to talk to her.
Beatrice and Benedick show their apparent distaste for each other right from the first scene. Beatrice mocks Benedick to the Governor of Messina, claiming that she always beats him in a battle of wits and the last time they crossed paths Benedict’s “five wits went halting off, and now is the whole man governed by one” (1,1,50). Clearly relishing resuming their ‘merry war’, Beatrice cuts Benedick down at the first opportunity, telling him “I wonder that you still will be talking, Signor Benedick, nobody marks you” (1,1,105). Incredulously, Benedick retorts, “what my dear lady distain! Are you yet living?” (1,1,95). So, the dynamic of the two is set and it goes on from there in the same vein. Yet, the reader, even at this early stage may ponder if the lady doth protest too much.
` Benedick and Beatrice hated each other at first. In the beginning of the play Beatrice makes a statement of “...will happily go to hell with Benedick.” This proves that Beatrice does not like Benedick, more hate. There is clearly tight tension in between them, and some background hatred as well. At the beginning of the play, Benedick and Beatrice had a hateful relationship.
Telling her gentlewomen that Benedick loves Beatrice is her secret and it just so happens that Beatrice overhears, because it was. all planned that she should overhear. In this scene, Hero is dominant. in the conversation and says whole paragraphs instead of a few words that she says sporadically throughout the play, like in Act 1 scene 1. where she only says one line in the whole scene, "My cousin means Signor Benedick of Padua. " Page 5, line 27.This is because she needs.
This can be seen during his conversation with Beatrice, after every one hears of Hero’s “infidelity”. In this scene, when Don John and Claudio were leaving, Benedick doesn’t follow them. Instead, he sticks around with Beatrice. His action in this scene is highly critical, as it shows that he considers his love for Beatrice more important than his Allegiance to his brothers, Don John and Claudio. This action is something Benedick from the beginning would never think of doing. While in the beginning, Benedick’s allegiance remained rooted to his brothers, it has now pledged allegiance to his lover, Beatrice. In this scene, Benedick is seen to have grown as a person. Instead of losing complete trust due to un-proven rumours like Don Pedro and Claudio, he is able to take in the situation more substantially. He further proves himself during his conversation with Beatrice. By telling Benedick to “Kill Claudio” (Shakespeare 4.1.288), “Beatrice asks for her newly-professed lover the utmost favor: to place his love for her above that of his long-established friendship with Claudio. The command shows that Beatrice and Benedick are now more serious than they were. Rather than jest about serious problems as they did at the play’s beginning, they are now engaged with them” (Smith 182). Although a bit reluctant in the beginning, Benedick decides to follow his lover’s orders, and challenges Claudio to a duel. From this point on, all of Benedick belongs to Beatrice, for “Love is his compass” (Horowitz 50). To Benedick, “Love is immediately the basis for decision over life itself…. [and] Benedick’s love for Beatrice must determine his [decisions]” (Horowitz 49). The fact that Benedick decided to challenge his long-time friend Claudio further proves how much he has changed as a person. To Benedick, Beatrice has now become more important than his fellow
With its entangled double plots and eloquent use of words, Much Ado About Nothing is a story that has the ability to entertain the masses both young and old. Shakespeare’s use of figurative language along with situation creates such vivid imagery for which carries the drama from beginning to end. For example, when we look at Act 1 Scene 1 of the play ...
We notice as the first few scenes take place that there is a large amount of witty repartee going on between them. "And a good soldier to a lady, but what is he for a lord? " Beatrice says this even before Benedick has arrived; giving the impression that he sleeps around with various different women, and he will not commit to anybody. This shows his lack of maturity.
Beatrice's courtship with Benedick greatly contrasts with the courtship of Hero and Claudio. Hero gladly and willingly submitted to marriage, and she accepted the role of the relatively powerless woman. In contrast Beatrice chose her submission after openly criticizing the institution of marriage.
...he other hand, Beatrice and Benedick are comedy-makers and Beatrice is not ruled by her father as Hero clearly is. It does take Don Pedro’s benevolent plot to bring Benedick and Beatrice together, however. A modern audience would prefer Beatrice to Hero as she is her own self and admirable. The relationships also differ because Benedick and Beatrice’s relationship slowly grew whereas Claudio and Hero’s relationship was love at first sight. Perhaps it was a little hasty as we see in Act 4 how their love turns sour.
... heart in the marketplace.” (A4; S1; L 315-321). When Hero was wrongly accused is when Beatrice showed this the most. She believed that because of what he had done, Claudio deserved to be dead. She wanted no bad deed to go unpunished and what she seen fit was for Benedick to challenge Claudio to a dule and she didn’t want Benedick to stop until he was dead.
After Benedick is lead to believe that Beatrice is in love with him. He says, “It seems her affections have their full bent. Love me? Why it must be requited!” Here, Benedick rants with a high pitched tone, portraying his abrupt confusion about the sudden news of Beatrice’s love for him. His voice springs up an octave as he says “Love me?” thus revealing to the audience that he was questioning himself whether or not he is in love. At the end of the monologue he exclaims, “No the world must be peopled!” in a deeper and more affirmative tone, expressing his confidence in his conclusion that Beatrice was in fact in love with him. His assurance of Beatrice's love for him after so little time revealed to the audience his self confidence and his absence of humility. The last example is in the last scene of the movie, Act 5, scene 4, when Benedick asks the friar to wed Beatrice and him after Claudio and Hero finished their wedding. After calling for Beatrice in front of a crowd that had constantly seen Beatrice and Benedick insulting each other, he says “Do you not love me?” He says this in a very low pitch tone, which sounded almost monotone, thus showing to the viewers his stubbornness for his character and his trouble with revealing and admitting to his soft side that he refused to show throughout the whole
Benedick addresses Beatrice in a close and affective manner using the forms “sweet Beatrice” and the pronouns “thy” and “thee”. These forms could be considered as expressive of positive emotions like love, passion and affection, which are used to mark the discourse of intimacy (Culpeper, J. 2002). Although Beatrice is also confessing her love, she makes constant use of the you-form, which could be seen as an indicator of high formality and respect in order to keep the situation serious. Suddenly, when Beatrice asks Benedick to kill Claudio, the situation becomes more serious. Beatrice changes her attitude when Benedick denies her request, she is so infuriated that she wants to leave, but Benedick keeps his closeness. Hence the use of the first name, “Beatrice” and “sweet Beatrice” as a terms of endearment when she is consistent in her idea to leave as a result of her wrath. This form of address is avoided by Beatrice, possibly to establish distance because she expected Benedick to fulfil her