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Socrates definition of love
John Donne as a metaphorical poet
John donne a valediction forbidding mourning critical analysis
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Recommended: Socrates definition of love
Even though they were centuries apart, both Aristotle and John Donne share the same opinion that “Love is composed of a single soul inhabiting two bodies.” Donne captures this beautiful idea of a spiritual love in a poem called Valediction: Forbidding Mourning, written for his wife before he left on a trip in 1611. In only nine stanzas, John Donne presents the ideals for true love; the forbidding mourning due to their physical separation through metaphors such as the “trepidation of the Spheres”, “expansion of gold thread”, and the “union of a compass”; and it will come to prove that True love is a spiritual love that will transcend any physical love. The poem opens up with using a comparison, that “As virtuous men pass mildly away...So let us melt, and make no noise”(1/5). Here John Donne is telling his beloved that there should be no mourning due to their separation, for this time apart will only ensure the relationship’s continuity. The virtuous man took more heed to his soul during his life, just like the poet and his beloved have a stronger spiritual love. In a time of death, which is the …show more content…
When they succeed in reaching their goal of eternal happiness, they will prove that they possess the rare gift of a true love. John Donne immortalized his love in only nine stanzas, but one could write pages and pages on the meaning behind these words and the fruits that spring forth. But the more words and the more precise one becomes when explaining the ideals of true love, the farther the reader is from experiencing the truth. This is why John Donne resorted to using metaphors and beautiful examples such as the “peaceful trepidation of the Spheres”, “expansion of gold thread”, and the “union of a compass, ” so that the readers maybe be able to better comprehend the love that John Donne and his wife
John Donne's view of love deviated greatly from the Medieval philosophy of courtly love, which had been expressed in poetry handed down from the sonnets of such poetic giants as Sidney and Petrarch. The general verse until then had focused greatly on the unrivalled importance of love in the context of the life of the poet (or his creation's voice). Until then, "love" had consisted mostly of an obsession with one woman, and an exploration of the feelings and situations that this caused in the narrator.
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
The Symposium, The Aeneid, and Confessions help demonstrate how the nature of love can be found in several places, whether it is in the mind, the body or the soul. These texts also provide with eye-opening views of love as they adjust our understanding of what love really is. By giving us reformed spectrum of love, one is able to engage in introspective thinking and determine if the things we love are truly worthy of our sentiment.
Love, in classical Greek literature, is commonly considered a prominent theme. Love, in present days, always appears in the categories of books, movies, music, etc. Interpreted differently by different people, Love turns into a multi-faceted being. In Plato’s work Symposium, Phaedrus, Pausania, Eryximachus, Aristophane and Agathon, each of them presents a speech to either praise or definite Love. Phaedrus first points out that Love is the primordial god; Pausanias brings the theme of “virtue” into the discussion and categorizes Love into “good” one or “bad” one; Eryximachus introduces the thought of “moderation’ and thinks that Love governs such fields as medicine and music; Aristophanes draws attention to the origin and purposes of Love; Agathon enunciates that the correct way to present an eulogy is first to praise its nature and gifts.
To begin with, when Mr. Donne first commences his poem, he uses the personification “Death, be not proud” (1). The author gives death the human characteristics of being “not proud.” The rest of the line continues as “though some have called you thee”. ” Death should not be prideful even if people think it is. John displays through this first line how he feels about death: he is too proud for his own good.
In A Valediction: Forbidding Mourning, Donne describes a most perfect and unchangeable love between two people. Throughout the poem he skillfully compares the love of the speaker and his lady to things that seem completely different to the love between them.
Love and religion are two of the most common topics of poetry. Many of Donne’s poems are on one of these two very different topics, his works are connected through the continuous use of devices such as allusion, metaphor, and pun; providing a bond for each poem, yet a different context for each one. “The Flea,” “Holy Sonnet VII,” and “A Hymn to God the Father” each have distinct themes, but find common ground by the use of common literary devices. “The Flea” is a carnal poem where the speaker tries to convince his lover to be inclined to him. “Holy Sonnet VII” and “A Hymn to God the Father” are religious poems that address apocalyptic visions and serve as a remembrance to God respectfully, while attending to mention the act of pardoning the speaker’s formerly committed wrongdoings
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
Many philosophers are well known for their stances or beliefs. One of the most well-known philosophers are Plato and Aristotle. Plato once being a pupil himself of Socrates found himself being a teacher to Aristotle. This is why both Plato and Aristotle cover most of the same issue topics and have direct contrasts on topics as well as similarities. Most of Plato and Aristotle comparisons can be found in their forms of “Problems of the universals” and Realism verse Idealism.
Donne develops this idea through the symbolism of the flea and the twisted imagery of the Trinity. He uses slant rhyme to depict the man’s slanted argument and stretched logic, which highlight the man’s crooked idea of what physical love is. Donne’s use of slant rhyme and hyperbole mock other poems that praise women with flowery language in an attempt to charm them into bed. In contrast, the speaker here uses crude arguments meant to woo this woman to sex with him.Renaissance carpe diem poems speak about enjoying physical love within one’s short-lived youth. “The Flea” touches on fleeting love too; the body with the blood of life and love may soon be squished. However, there are consequences which always entail physical love. These consequences might be the real
Greek philosophers Aristotle and Plato were two of the most influential and knowledgeable ancients in our history. Their contributions and dedication to science, language and politics are immensely valued centuries later. But while the two are highly praised for their works, they viewed several subjects entirely differently, particularly education practices, and human ethics and virtue.
John Donne's use of deep religious themes, unique poetic devices, and vivid imagery create a stunning and convicting poem. Donne's talents are on full display as he moves through each line with such beauty and simplicity. One can easily imagine his sorrow and pain as he penned the words of this poem and poured his heart into it. Donne's work reminds readers of the sorrow of sin, the necessity of forgiveness, and the hope of restoration. Although he focuses on anguish and sorrow, his message is truly one of joy and hope. All who take his words to heart find internal peace and rejoice in the mercy of their
Love has been expressed since the beginning of time; since Adam and Eve. Each culture expresses its love in its own special way. Though out history, though, it’s aspect has always been the same. Love has been a major characteristic of literature also. One of the most famous works in literary history is, Romeo and Juliet by William Shakespeare. This story deals with the love of a man and a woman who’s families have been sworn enemies. There love surpassed the hatred in which the families endured for generations. In the end they both ended up killing their selves, for one could not live without the other. This story is a perfect example of true love.
John Donne will not accept death as the finale, his religious conviction supports in the belief of eternal life proceeding death. Throughout the poem Donne’s main purpose was the personification of death, his use of figurative language gave death humanistic characteristics and made death vulnerable and unintimidating. The structure of three quatrains and a couplet for the poem allowed for easier understanding of the context because the layout and rhyme scheme helped the poem flow and also revealed the tones. The imagery of death described by Donne breaks down death’s pride and bravado, as well as shine an encouraging light past the process of dying, on to the hope of delivery to eternal life. Each element played a significant role in the interpretation of the paradox of the poem, that ultimately death is not the universal destroyer of life.