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Contrast in Characters The main men characters in “A Streetcar Named Desire” by Tennessee Williams and “Barn Burning” by William Faulkner are similar more than they are different. Stanley Kowalski from “A Streetcar Named Desire” is a man in his thirties. Abner Snopes from “Barn Burning” is a father of three children. Their lives are completely different but they are alike a lot. Both are violent, shows no remorse or feelings, and they are different because Abner is not considered a family man. First, the men from both stories are violent. It is what they love. Stanley hits his pregnant wife when he is drunk. “Stanley is forced, pinioned by the two men, into the bedroom. He nearly throws them off. Then all at once he subsides and is limp in their grasps” (2174). He beats her because he did not get his way. Abner is a cruel man who deals with everything with violence. He threatens and beats his family when they do not obey him. he is a tyrant. …show more content…
Next, they show no remorse for anything they do.
Abner Snopes intentionally steps in horse manure and tracks it through someone’s house and rubs it in on their expensive rug. He does not care and he never shows remorse throughout the story when he is a dictator to his family. Stanley hits his pregnant wife, rapes his sister-in-law, and locks the sister in law in a mental hospital. “She cries out and strikes at him with bottle top but catches her wrists…she moans. The bottle top falls. She sinks to her knees: he picks up her inert figure and carries her to bed” (2211). Stanley does not care what she wanted even though she threaten to hit him with the broken bottle, he still took her and raped
her. Finally, Abner and Stanley are different because Abner is not seen as a family man. Abner threatens his family, burns barns, and has no emotions. He is described as an animal instead of a human. He is known for thoughtless violence and destruction. While on the other hand, Stanley shown as a family man. Stella, Stanley’s wife, is sitting on the porch crying and holding her newborn baby. “Stella? [She sobs with in human abandon] …Now honey. Now, love. Now, now, love.” (2217). Stanley goes outside to try to comfort his wife while she is crying and holding their baby. Even though Stanley and Abner have two completely different lives they are similar men. They are both violent men who shows no remorse for anything they do. Abner is cruel and everyone can see it. While Stanley is shown as a family man even though he has done things that are not. It doesn’t matter how different someone’s life is from yours, they could be just like you in a different life style.
The bildungsroman ‘The Catcher in the Rye’ by J.D Salinger and the play ‘A Streetcar Named Desire’ by Tennessee Williams are both post-World War Two narratives which incorporate protagonists that challenge contemporary American attitudes. Blanche DuBois and Holden Caufield are quintessential examples of characters who subvert societal expectations, impositions and hegemony of America in the late 1940s and early 50s, the author and playwright have the plot revolve around these characters and their itinerant lifestyles as they literally and socially move from one milieu to another. Both Salinger and Williams use a plethora of literary devices such as symbolism, juxtaposition and imagery whether it is visual, auditory or olfactory to highlight
Although A Streetcar Named Desire, by Tennessee Williams, and A Raisin in the Sun, by Lorraine Hansberry, appear to be very different plays, there are some great similarities. Ruth, from A Raisin in the Sun, lives with her immediate family and her sister and mother-in-law in the Southside of Chicago. However, Stella, A Streetcar Named Desire, has left her family behind and moved to New Orleans. Although these two women come from very different backgrounds and are characters in very different plays, they have surprising similarities. Therefore, Ruth and Stella have similarities and differences in their overall lifestyles.
Beginning the short story one realizes Sarty can be characterized as a young shy boy who seems to be intimidated by his father. Immediately following Abner's first barn burning of the story, Sarty is convinced that his father's malignant actions are profoundly immoral, but he is also conscious that opposing Abner's actions would be a sense of betrayal. Sarty's belief in these two perspectives leads to his internal conflict throughout the entire short story; one choice commits acts of betrayal while the other leads to the participation in evil. Sarty's intimidation of his father combined with his internal conflict is demonstrated at the beginning of the story when he thought to himself "Enemy! Enemy!"(483) as the justice was contemplating interrogating Sarty. This thought leads the reader to believe that Abner Snopes has molded Sarty to act as a faithful family member, and not to declare any of Abner's negative actions. Sarty must keep himself from exclaiming the true actions of his father, because he knows the degree of their immorality.
Comparing A Streetcar Named Desire and Cat on a Hot Tin Roof In the game of life, a man is given the option to bluff, raise, or fold. He is dealt a hand created by the consequences of his choices or by outside forces beyond his control. It is a never ending cycle: choices made create more choices. Using diverse, complex characters simmering with passion and often a contradiction within themselves, Tennessee Williams examines the link between past and present created by man's choices in "A Streetcar Named Desire" and "Cat on a Hot Tin Roof. "
Tennessee Williams was one of the most important playwrights in the American literature. He is famous for works such as “The Glass Menagerie” (1944), “A Streetcar Named Desire” (1947) or “Cat on a Hot Tin Roof (1955)”. As John S. Bak claims: “Streetcar remains the most intriguing and the most frequently analyzed of Williams’ plays.” In the lines that follow I am going to analyze how the identity of Blanche DuBois, the female character of his play, “A Streetcar Named Desire”, is shaped.
Isn't it true the relationship between Stella and Stanley is praiseworthy, since it combines sexual attraction with compassion for the purpose of procreation? Isn't it true that as opposed to Stanley's normalcy in marriage, Blanche's dalliance in sexual perversion and overt efforts to break up Stanley and Stella's marriage is reprehensible? Isn't it true that Stella's faulty socialization resulting in signs of hysteria throughout the play meant that she probably would have ended her life in a mental hospital no matter whether the rape had occurred or not?
In the novel The Great Gatsby and the play A Streetcar Named Desire the main characters James Gatsby and Blanche Dubois have a lengthy search for love. Both characters go about their search in similar and different ways. The characters choose illusion over reality, but the way in which they go about it differs. Also in an attempt to impress, both characters try and “buy” love by using material possessions to attract people to them. Although Gatsby and Blanche devote a lot of their lives to finding true love, their searching leaves them unsuccessful.
He said “Pig-Polack-disgusting-vulgar-greasy…Remember what Heuy Long said-“Every Man is a King!” And I am the King around here, so don’t forget it! My place is cleared! You want me to clear your places?”(Williams131). This proves that Stanley has a violent and disrespectful character. He claims that he is the man of the house and no one else can take his place even temporarily. Every time his dominance is doubted by someone else he feels challenged and impulsive. Especially with women, he gives them no respect but expects their respect and shows a deep desire for control. This relates to the thesis because he talks and acts with women in a very violent way, which makes them emotionally hurt. This scene is also very ironic because Stanley states that he is not an animal and that he is a hundred percent perfect American but in reality he has an inhuman behavior and he is savage, which is portrayed in the way he talks, eats , and acts with
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
“Humankind cannot bear very much reality.” (T.S. Eliot) By constructing a comparative discussion, say to what extent you consider this to be useful in understanding The Great Gatsby and A Streetcar Named Desire.
Both William Shakespeare 's Othello and Tennessee William 's A Streetcar Named Desire are both theatre productions. Othello was written in 1603 and contains themes of betrayal and loyalty, whilst Streetcar was written in 1947 and both contain themes of social standing. Streetcar was intended to be received by an educated adult audience, whereas Othello was intended to be watched by a mixture of educated and uneducated adults. Both pieces possess a serious narrative tone, and were intended to entertain an audience whilst presenting the author 's themes and ideas.
Tragedy is when something is lost in a terrible manner. The tragedy of a character named Blanche is the eventual loss of her mind and of her reality. Events throughout the tragic play A Streetcar Named Desire are what lead to Blanche become adrift in the seas of dreams within her head. Along her path to becoming this way Blanche does not only suffer herself, but causes the suffering of others around her. The author of this play uses Blanche as an instrument to carry out the tragic vision of the play itself. You see tragedy within herself and the people she comes into contact with throughout the play.
There are 3 major themes in the play A Streetcar Named Desire, the first is the constant battle between fantasy and reality, second we have the relationship between sexuality and death, and lastly the dependence of men plays a major role in this book.
In the story Alice in Wonderland, the world of Wonderland represents the main antagonist Alice’s fantasy that is fueled by her desire of staying in the past and remaining a child. Ultimately, she fears the changes that come with becoming an adult; thus, she resists reality and embraces the lies of her fantasy of staying a child by staying in Wonderland. Furthermore, this is similar to how the main antagonist in A Streetcar Named Desire, Blanche DuBois, resists reality by lying to herself and everyone she knows because she also fears reality. Unlike Blanche, Alice soon realizes that by embracing her fantasies and desires she would be led down a path of destruction because fantasy and reality are incompatible. Likewise, Tennessee Williams covers the topic of the incompatibility of fantasy and reality in A Streetcar Named Desire by making the character Blanche DuBois, which represents fantasy, resist and have a conflict with the character Stanley Kowalski, which represents reality, because he wants to convey that it is natural to fear and resist reality and take solace in desire and fantasy.
In the novels Streetcar Named Desire, Macbeth, and Things Fall Apart, Blanche has fear of showing her true identity, Macbeth has fear of not having power, and Okonkwo has fear of becoming lazy; the characters act harshly to others and struggle with the society in order to run away from fear, but fear dominates them, leading to tragic events.