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Critically discuss the role of fate in Sophocles' play Oedipus rex
The theme of blindness in Oedipus the King by Sophocles
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One of the world’s timeless classical playwrights, Sophocles, has inspired thousands over several generations, making him one of the world’s greatest writers that is still appreciated today. Sophocles specialized in tragedies which depicted people of high status being made low through circumstance, which served as examples to common people as to what character traits will cause one’s downfall. In his play, Oedipus the King, communication method to the divine through Oedipus and the Oracle depicts that the hierarchy of divine information and its reception from the perspective of the common people is measured by the amount of good fortune or direct communication with the gods that occurs in a person’s life.
Born into a wealthy family, Sophocles
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Oedipus sends Creon, his brother-in-law, to Delphi “to learn what [Oedipus] might do or say to save [the] city.” . Meanwhile, Creon asks for the prophet of the gods, Tiresias, to speak to Oedipus while Creon is at Delphi, in case the gods were silent. Oedipus consulted Tiresias and decided that he, along with Creon, were in league to overthrow Oedipus by accusing him of the murder of the previous king. Oedipus begins to fall into madness and tries to have Creon executed due to Oedipus’ inability to accept the truth which later comes into full light. At the end, the prophecy is proven true, the queen commits suicide, and Oedipus willingly blinds himself. The story ends with the now-blind Oedipus being led out of the city to wander on the outskirts of the city until the end of his …show more content…
Oedipus was indirectly appointed by the gods through circumstance while the oracle was appointed directly by a god, which translated to the amount of knowledge they received and the reverence the people had towards each one
So far in the tragedy of Oedipus the King, Oedipus has blinded himself following Queen Jocasta’s act of suicide due to his realization the he has committed tremendous actions. The chorus and Oedipus both mention how there is suffering in the world and how Oedipus has suffered greatly. The cause for Oedipus’ suffering was the Greek god, Apollo, as Apollo did create the prophecy. Oedipus states his wrong-doing while the Chorus consoles him. Just as the Chorus continues to try to relieve Oedipus, the Creon arrives and speaks with Oedipus, trying to help him through these troubling times as well. While the translations of this passage differs in their wording, they do convey the same message of realizing Oedipus’ wrongdoings, suffering, and plans for the future of his life. Both the translations by Fagles and Sheppard differ greatly in their choice of wording while trying to convey the same meaning as the original tragedy, their words do matter and result in the effectiveness of their versions. The translation by Fagles is the victor of conveying meaning to Oedipus as he provides a stronger tone and his use of literary devices is more extensive than that of Sheppard.
Creon however does not become king. The power of kingship falls into the hands of Oedipus’s two sons, Eteocles and Polynices. In a fight over power Eteocles and Polynices die at each other’...
The suffering people of Thebes surrounded the priest’s palace. The priest had turned to king oedipus and when the king saw the crowd he was confused as to why they were there. He realized that a plagued had come to his city. The crops were dying and a lot of sicknesses everywhere. Oedipus had solved the riddle of the Sphinx so he is seen as a hero at the time, therefore, they wanted him to save Thebes. However, when the people of Thebes goes to him for an answer on the plague he does not know the problem. Therefore, Oedipus sends Creon who is his brother in law to go the the oracle of Delphi in order to find a way to end the plague. Creon found out the reason for the plague and all the citizens hear that it is the king’s pollution. The god Apollo sent for the plague and asks that the killer of the former king Lias be found then be put to exile. In order for the city to be rebuilt and the plague to end thy had to find the murderer. Since he had not known the killer of the former king, he had cursed the murderer and ended up cursing
The Conspirators. You will pay dearly for trying to put the blame on me” (Oedipus Tyrannus, 399-402). This damages his relationship with Creon, which may have something to do with Creon’s poor treatment of Oedipus in Oedipus at Colonus. As Oedipus himself describes it, Creon comes “not to take [Oedipus] home, but to dump me out on the frontier to protect Thebes from fighting a war against Athens” (Oedipus at Colonus, 783-786). Creon seeks not to help Oedipus, as he claims, but to use his divine power with no regard for Oedipus’s peace or happiness.
Oedipus’ anger causes him to kill the father he never knew and all the men in the entourage. Oedipus’ cannot control his temper and this personality flaw leads him to his fate. Another example of Oedipus’ presumptuous temperament is when he immediately assumes that Creon is trying to take his power from him. Creon sends Tiresias to Oedipus to help him solve the crime of the plague, and when Tiresias reveals that Oedipus must die in order to save the people of Thebes, Oedipus assumes Creon is trying to take his throne. Creon even tells Oedipus, “…if you think crude, mindless stubbornness such a gift, you’ve lost your sense of balance” (Meyer 1438).
In Oedipus, he wanted nothing more than to help Oedipus rid the city of whatever plague the gods were hurling at them. Creon goes to Apollo's shrine to find out why the gods are angry and then brings Tiresias to help Creon see what has the gods angry. Oedipus does not want to believe the truths Tiresias is telling him and falsely accuses Creon of plotting against him to become king of Thebes. Creon is so hurt by this that he tells the chorus, "This accusation against me by our ruler Oedipus, It's outrageous. (514)" By the end of the play, Creon tells Oedipus that "I'm always as good as my word; I don't speak before I think(1520)."
... child as well and couldn't live with out him and so she kills herself. Creon's reply is "Oh pity! All true, all true, and more than I can bear! Oh my wife my son!… It is right that it should be. I alone am guilty. I know it and say it. Lead me in quickly, friends. I have neither life nor substance. Lead me in." (Western Literature 711) The humanity is now showing through Oedipus and Creon and as leaders they both realize now what they have done and how they want to take everything back, but they can't. Therefore they live in their misery. Such catharsis that pours from the audience is unbearable. In brief, the actions and words of Oedipus and Creon can account for their poor leadership, but fate played the upper hand. Fate did not allow for Oedipus or Creon to rule long enough to have the experience to be considered wise, noble leaders who could face any situation.
As the truth is getting revealed: "… You, Oedipus, are the desecrator, the polluter of this land." Oedipus does not believe (his choice). He (Oedipus) start to accuse Creon of truing to take his powers away (king). And still want to reveal whole truth. After talking to Jocasta Oedipus faces that he in fact might killed the king Laius. " There was s herald leading a carriage drawn by horses and the man riding in the carriage … The driver pushed.
Continuing on his way, Oedipus found Thebes plagued by the Sphinx, who put a riddle to all passersby and destroyed those who could not answer. Oedipus solved the riddle, and the Sphinx killed herself. In reward, he received the throne of Thebes and the hand of the widowed queen, his mother, Jocasta. They had four children: Eteocles, Polyneices, Antigone, and Ismene. Later, when the truth became known, Jocasta committed suicide, and Oedipus, after blinding himself, went into exile, leaving his brother-in-law Creon as regent. The central theme in this work is that one cannot control his/her fate, whether the intentions are good or bad. Oedipus, the main character in this play is motivated to find the truth, and his intentions are good. The motivation is always followed by the intentions, just as the truth is followed by goodness. There are three critical parts to Oedipus's motivation. There is the prophecy, the realization, and the revelation. They will be discussed consecutively.
The ancient Greeks were fond believers of Fate. Fate, defined according to Webster’s, is “the principle or determining cause or will by which things in general are believed to come to be as they are or events to happen as the do.” The Greeks take on Fate was slightly modified. They believed that the gods determined Fate: “…fate, to which in a mysterious way the gods themselves were subject, was an impersonal force decreeing ultimate things only, and unconcerned with day by day affairs.” It was thought that these gods worked in subtle ways; this accounts for character flaws (called harmatia in Greek). Ancient Greeks thought the gods would alter a person’s character, in order for that person to suffer (or gain from) the appropriate outcome. Such was the case in Oedipus’s story.
In Ancient Greece the existence of gods and fate prevailed. In the Greek tragedy King Oedipus by the playwright Sophocles these topics are heavily involved. We receive a clear insight into their roles in the play such as they both control man's actions and that challenging their authority leads to a fall.
At the beginning of the play, Oedipus and the priest are having a conversation. Oedipus is the king of the land Thebes. In this conversation, the priest tells Oedipus that the people are dying due to a plague going around the town. The priest begs Oedipus to save all the people, so then Oedipus orders his brother-in-law, Creon to see how to stop the plague. Creon comes to the scene and tells Oedipus that he has to tell him important news. Creon asks Oedipus if he wants to tell him the news in front of all of the people. Oedipus answers with a yes, so then Creon tells him that the murderer of Laius (the king of Thebes before Oedipus) is from the city. Creon tells Oedipus that king Laius and his travellers were on their way to consult an oracle
Sophocles’ Oedipus is the tragedy of tragedies. An honorable king is deceived and manipulated by the gods to the point of his ruination. In the face of ugly consequences Oedipus pursues the truth for the good of his city, finally exiling himself to restore order. Sophocles establishes emotional attachment between the king and the audience, holding them in captivated sympathy as Oedipus draws near his catastrophic discovery. Oedipus draws the audience into a world between a rock and a hard place, where sacrifice must be made for the greater good.
This illustrates one of the qualities that make Oedipus an admirable leader. The rising action of this play occurred when Creon returned from the oracle with the news that the plague in Thebes will end when the murder of Laius, the King of Thebes before Oedipus, is found and driven out of Thebes. In some parts of the play Oedipus’ investigation of the murder of Laius has turned into an obsessive investigation into his own hidden past as he begins to suspect that he is the man responsible for King Laius death and the plague that has attacked Thebes. By his own free will, Oedipus pushed the oracle, the Shepard, Jocasta, Tiresias, and Creon to inform him regarding him about his origin. No matter how much other characters refused to inform him, Oedipus keeps moving onward. The falling action of this play occurred when Oedipus’ suspicion turned into reality. Through his investigation of the murder of Laius, Oedipus discovers that King Laius and Queen Jocasta of Thebes, where his birth parents, and the prophecy that was given to him when he was an infant. His strong desire for seeking the truth and knowledge has led Oedipus to his
Shortly thereafter Oedipus learns the truth. He gouges out his very own eyes when he sees that Jocasta killed herself. At this point his attitude towards Creon changes and he requests his presence. Creon automatically assumes the role as king. Oedipus tries to convince Creon to put him into exile, but Creon feels that he should check with the gods first.