Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Critical Analysis of James Joyce's "Araby
Critical analysis of araby by james joyce
What is the theme of araby of james joyce
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Critical Analysis of James Joyce's "Araby
Love often times is one of the strongest motivators. Love can inspire acts of extreme bravery, crush one’s heart, and can even force a person to move on and grow up. In this novel, Araby is a bazaar that conveyed an ill-assorted blend of pseudo-Eastern romanticism and blatant commercialism. For one shilling, as the advertisement put it, one could visit "Araby in Dublin" and at the same time aid the Jervis Street Hospital (Stone). What does love have to do with a foreign bazaar? In the short story a young boy secretly falls in love with a girl and promises to bring her a gift from Araby. In the end, he fails to bring her a gift and is heartbroken as he comes to a realization that all has and would have been in vain. Love, and more important, the lack of it, is one of the greatest motivators for one to come of age and transition into adulthood.
The story is written from the perspective of the boy and allows an extremely emotional perspective as his deeper feelings are revealed. The author, James Joyce, includes many details that reference his own past experiences and help relate the story to his own life. It is widely speculated that “Araby” is actually an autobiographical experience from Joyce’s early childhood. While Joyce never referred to the short story autobiographically, a number of connections can be made. For example, both the boy in “Araby” and James Joyce grew up on North Richmond Street. “North Richmond Street is blind, with a detached two-story house at the blind end, and down the street, as the opening paragraph informs us, the Christian Brothers’ school” (Stone). Also, many critics have related the boy’s aunt and uncle to Joyce’s parents as they have striking similarities such as his father’s drunkenness, irregular ...
... middle of paper ...
... is a very strange sensation to inexperienced youth to feel itself quite alone in the world, cut adrift from every connection, uncertain whether the port to which it is bound can be reached, and prevented by many impediments from returning to that it has quitted.” (Brontë). The boy may be temporarily hurt by the experience of realizing his own futility, but it will also inspire him to mature and become a better man.
Works Cited
Joyce, James. Dubliners.: Modern Library, 1969. Print.
Norris, Margot. "The Narrator's Blindness." Bloom's Literature. Facts On File, Inc. Web. 7 Mar. 2014
Russell, John. "From Style to Meaning in 'Araby.'" College English 28.2 (1966): 170-71. Print.
Stone, Harry. "'Araby' and the Writings of James Joyce." The Antioch Review 25.3 (1965): 375-410. Print.
Brontë, Charlotte. Jane Eyre: An Autobiography. Leipzig: Tauchnitz, 1850. Print.
Although Rivka Galchen’s “Wild Berry Blue” and James Joyce’s “Araby” have some differences, there even more similarities. The narrators, their journeys, and their conclusions at the end of their journeys are analogous. Both attempt to win over the object of their affection through a gift, and yet thorough the purchase of that gift they realize their folly in love. As Joyce wrote “Araby” in 1914, yet Galchen did not write “Wild Berry Blue” until nearly 100 years later, Galchen may have written “Wild Berry Blue” as a modern retelling of Joyce’s classic short story.
Doloff, Steven. "Rousseau and the confessions of 'Araby'.," James Joyce Quarterly, vol.33, (1996) : Winter, pp. 255(4). Joyce, James. Dubliners. (New York : Penguin, 1967).
The protagonist of Araby is a young boy who is infatuated with his friend Mangan 's sister. The setting, and the introduction of the this woman is nearly identical to that in A&P. Joyce 's narrator spends his time “lay[ing] on the floor in the front parlour watching [Magnan 's sister 's] door” (Joyce 182). Immediately from the outset of the story, Joyce has rendered the narrator as someone who frivolously awaits his female interest with no other motivation. The main character then finally encounters Magnan 's sister personally, where she tells him about a bazaar near town called Araby. Joyce 's protagonist is shocked when Magnan 's sister “addresse[s] the first words to [him]” (Joyce 183) as he has spent a plethora of time yearning for an interaction with her. Joyce has implemented the idea into Araby that males are inherently reliant on females. Interestingly, Joyce has incorporated another male character in his story that is presented as inferior to his female counterpart. The purpose of the narrator 's uncle in the story is to slow the main character from going to Araby. The Uncle comes home much later than expected, and is chastised my his wife: “Can 't you give him the money and let him go? You 'v kept him late enough as it
...the future to see that his life is not ruined by acts of immaturity. And, in “Araby”, we encounter another young man facing a crisis of the spirit who attempts to find a very limiting connection between his religious and his physical and emotional passions. In all of these stories, we encounter boys in the cusp of burgeoning manhood. What we are left with, in each, is the understanding that even if they can’t see the light at the end of the tunnel, we can. These stories bind all of us together in their universal messages…youth is something we get over, eventually, and in our own ways, but we cannot help get over it.
“Araby” tells the story of a young boy who romanticizes over his friend’s older sister. He spends a lot of time admiring the girl from a distance. When the girl finally talks to him, she reveals she cannot go to the bazaar taking place that weekend, he sees it as a chance to impress her. He tells her that he is going and will buy her something. The boy becomes overwhelmed by the opportunity to perform this chivalrous act for her, surely allowing him to win the affections of the girl. The night of the bazaar, he is forced to wait for his drunken uncle to return home to give him money to go. Unfortunately, this causes the boy to arrive at the bazaar as it is closing. Of the stalls that remained open, he visited one where the owner, and English woman, “seemed to have spoken to me out of a sense of duty” (Joyce 89) and he knows he will not be able to buy anything for her. He decides to just go home, realizing he is “a creature driven and derided with vanity” (Joyce 90). He is angry with himself and embarrassed as he...
Snart, Jason. "In Aid Of Teaching James Joyce's "Araby." Eureka Studies In Teaching Short Fiction 9.2 (2009): 89-101. Literary Reference Center Plus. Web. 5 Mar. 2014.
Although “Araby” is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce’s uses the boy in “Araby” to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
The short story “Araby” by James Joyce is told by what seems to be the first person point of view of a boy who lives just north of Dublin. As events unfold the boy struggles with dreams versus reality. From the descriptions of his street and neighbors who live close by, the reader gets an image of what the boy’s life is like. His love interest also plays an important role in his quest from boyhood to manhood. The final trip to the bazaar is what pushes him over the edge into a foreshadowed realization. The reader gets the impression that the narrator is the boy looking back on his epiphany as a matured man. The narrator of “Araby” looses his innocence because of the place he lives, his love interest, and his trip to the bazaar.
The theme of light and darkness is apparent throughout Joyce's Araby. The dark, sombre setting of the story creates a sense of hopelessness within the narrator, an unnamed young boy. The negative connotations associated with the city of Dublin are used to illustrate the narrator's state of hopelessness. It is only through his illusions that he is able to catch a glimpse of light amidst the darkness.
The visual and emblematic details established throughout the story are highly concentrated, with Araby culminating, largely, in the epiphany of the young unnamed narrator. To Joyce, an epiphany occurs at the instant when the essence of a character is revealed, when all the forces that endure and influence his life converge, and when we can, in that moment, comprehend and appreciate him. As follows, Araby is a story of an epiphany that is centered on a principal deception or failure, a fundamental imperfection that results in an ultimate realization of life, spirit, and disillusionment. The significance is exposed in the boy’s intellectual and emotional journey from first love to first dejection,
How the Setting Reinforces the Theme and Characters in Araby. The setting in "Araby" reinforces the theme and the characters by using imagery of light and darkness. The experiences of the boy in James Joyce's The "Araby" illustrates how people often expect more than ordinary reality can. provide and then feel disillusioned and disappointed.
The narrator in “Araby” is a young man who lives in an uninteresting area and dreary house in Dublin. The only seemingly exciting thing about the boy’s existence is the sister of his friend Mangum that he is hopelessly in love with; “…her name was like a summons to all my foolish blood.” (Joyce 2279) In an attempt to impress her and bring some color into his own gray life, he impulsively lies to her that he is planning on attending a bazaar called Arab. He also promises the gi...
In reading Hemingway's "Indian Camp" and Joyce's "Araby", about 2 young boy's not so ceremonial passage to life's coming of age. The protagonist Nick in "Indian Camp" witnessed in one night the joy of going on a journey to an unknown destination with his father and uncle Charlie. Later, Nick receives an expedited course in life and death. Joyce's "Araby" protagonist whis friends with Mangan but has a secret desirable infatuation with his sister. The young protagonist in this short story eventually come to terms with being deceived by a woman's beauty into doing something naively rash.
The narrator alienated himself from friends and family which caused loneliness and despair, being one of the first themes of the story. He developed a crush on Mangan's sister, who is somewhat older than the boys, however he never had the confidence to confess his inner-most feelings to her. Mentally, he began to drift away from his childlike games, and started having fantasies about Mangan's sister in his own isolation. He desperately wanted to share his feelings, however, he didn't know how to explain his "confused adoration." (Joyce 390). Later in the story, she asked him if he was going to Araby, the bazaar held in Dublin, and he replied, "If I go I will bring you something.' (Joyce 390). She was consumed in his thoughts, and all he could think about was the upcoming bazaar, and his latest desire. The boy's aunt and uncle forgot about the bazaar and didn't understand his need to go, which deepened the isolation he felt (Borey).
Pope, Deborah. "The Misprision of Vision: A Portrait of the Artist as a Young Man". James Joyce. vol.1. ed. Harold Bloom. New York: Chelsea House Publishers, 1986. 113-19.