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Character analysis of the chrysanthemums
Loneliness theme in literature
Essay on the chrysanthemums
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Part of aeach human’s experience is about learning who one they isare. The process of making oneself betterbettering yourself as a human being is known as coming of age. The definition of coming of age is to grow or become more mature. Elisa in the story “Chrysanthemums” does not come of age because she is distant from the people around her, can’t experience the world, and can’t control her emotions when a problem deals with her flowers. Living a distant life can have dire effects on a person which Elisa consistently displays in the story which acts as the first reason on why Elisa does not come of age. When Henry, Elissa’s husband, approaches Elissa, she nervously asks,“ Henry, who were those men you were talking to?” ( Steinback 2). Just by hearing the phrase, rReaders can tell something is not sitting right with her as if she were riddled with anxiety or fear. These characteristics in her voice are signs she is disconnected from the people around her. Elisa most likely does not receive much attention in her life from other people, and Henry appears to be Elisa’s only person to talk with. Without Henry, Elisa would truly be alone which would cause her to feel even more distress than she already does. Elissa may have abandonment issues which is why she tensed up when she saw Henry speak to the people from the meat company. Elisa’s self-alienation stops her from coming of …show more content…
Multiple examples of her insulting and being offended are reasons on how she feels distressed and the toll they take on her life. For all of these reasons, readers can vividly tell Elissa does not come of age because she is distant, trapped in her life, and finally can not control her emotions when it comes to her flowers. John Steinbeck did an excellent job of leaving traces of her distress throughout the book and having readers piece together her inability to mature from her natural
This essay of literary criticism is going to be on the Chrysanthemums written by John Steinbeck. This short story is considered to be one of the greatest short stories of all time. The author uses characterization to describe Elisa, she is a dynamic character. He shows us that she is a very lonely strong woman in the begging who wants to be loved. Who later changes because of this mysterious man. In this paper, I will prove that the author wanted to show Elisa as a dynamic character and how she changes through the story, from being strong and lonely in the begging, in the middle she because friendly talking to this man, and finally she gets all nice and dressed to go out
While Boyle describes Mrs. Ames as elegant, gentle, and quiet, Steinbeck gives to Elisa more strength. Her face was “lean and strong”, and her figure looked “blocked and heavy in her gardening costume”. Both women find their own ways to cover lack of happiness in their everyday lives. The astronomer’s wife is managing the house finding the silliest things to keep her busy: “…from the removal of the spot left there from dinner on the astronomer’s vest to the severe trashing of the mayonnaise for lunch”. Elisa spends her days in garden raising chrysanthemums “bigger than anybody around here.” The fact that these two women did not have any children can mislead us to the conclusion that they were both trying to satisfy the instincts they were probably having at the age of thirty-five. While this is the case with Elisa, the astronomer’s wife had different problem: the lack of communication with her husband and incapability to understand the world he was in.
The two short stories have different characters, plot and setting and yet they have a common ground in which human beings are deeply involved. In short, the setting of each work powerfully suggests a rather calm, dull and peaceful mood at a superficial level; however, the main characters are struggling from the uncontrollable passions and exploding desire at heart. First of all, in "The Chrysanthemums" the Salinas Valley is depicted as somewhat dull, like "a closed pot." In addition, its geographical setting represents an isolated atmosphere, and, furthermore, Elisa's actions of handling chrysanthemums can be translated into a static, inactive one. However, when it comes to her concealed passion, the whole picture in this piece can be interpreted in a different way. In fact, Elisa is portrayed as "over-eager, over-powerful" in a sharp contrast to the unanimated space in which she lives. On top of that, Elisa expresses her volition to explore uncharted worlds like the peddler who happens to visit her farm house. Also, it must be noted that, even though Elisa does not reveal her desire openly largely due to the authoritative patriarchal system, Elisa's interior motive is directed toward the violent, bloody prizefights. In other words, the imbalance between the relatively restricted setting and Elisa's vaulting desire to wander into the unknown territory is chiefly designed to strengthen the overall imagery of Elisa, whose drive to experience the violent outer world. At the same time, it can be inferred that appearance (setting) and reality (Elisa's human nature) are hard to understand.
According to the Quest Pattern, Lily, the antagonist in Sue Monk Kidd’s The Secret Life of Bees, comes of age quite elegantly. She has to face some harsh situations that set her journey in motion, acquire knowledge about her past and present, and find a reward during this journey. While Lily’s quest isn’t easy, she finds that “…nobody is perfect. [And] How you just have to close your eyes and breathe out and let the puzzle of the human heart be what it is.” (Kidd 285). To prove that she is coming of age, she follows the pattern, and manages to with a strong will, and a maturity that is generally unknown to others her age.
Within Steinbeck's story, "Chrysanthemums," the main character, Elisa Allen, is confronted with many instances of conflict. Steinbeck uses chrysanthemums to symbolize this conflict and Elisa's self-worth. By examining these points of conflict and the symbolism presented by the chrysanthemums, the meaning of the story can be better determined.
Elisa's unhappiness in her role as the wife of a cattle farmer is clear in her gardening. Through the authors detailed diction it is clear that gardening is her way of freeing herself from her suffocating environment. “The chrysanthemum stems seemed too small and easy for her energy” which is “over-eager” and “over-powerful” (Steinbeck 460). The intensity with which she gardens, “terrier fingers destroy[ing] such pests before they could get started” suggests more than simply a deep interest, but a form of escape completely submerging her self into the task (Steinbeck 460). It is possible that some...
Elisa Allen is a thirty-five-year-old woman who lives on a ranch in the Salinas Valley with her husband Henry. She is "lean and strong," and wears shapeless, functional clothes (Steinbeck 203). The couple has no children, no pets, no near neighbors, and Henry is busy doing chores on the ranch throughout the day. Elisa fills her hours by vigorously cleaning the ''hard-swept looking little house, with hard-polished windows,'' and by tending her flower garden (204). She has ''a gift'' for growing things, especially her chrysanthemums, and she is proud of it (204).
...and ready to be rediscovered again. Early in the story Henry offers Elisa to a dinner in town and half heartedly suggests going to a local fight. Elisa not keen of fights refuses. In retrospect to her inner ambitions Steinbeck tactfully portrays the message that the only way to follow “the bright direction” Elisa strongly wants is to be willing to fight for it. Nonetheless, don’t be fooled to believe any such inspirations to be acquired will come to you. But Elisa verily on the edge at the end of the story asks Henry about the fights and he suggests if she wants to go. She refuses, Steinbeck again symbolically suggesting she is unwilling to fight for what she wants. So her chrysanthemums will remain out of reach until she decides to do so.
Elisa Allen embodies the image of a simple woman eager to escape the confines of a gender defined role in society. Readers are introduced to Elisa as a 35 year old, strong woman living with her husband, Henry, on a ranch in Salinas Valley (Steinbeck 460). Elisa’s masculinity is highlighted from the attire she is wearing to the strength in her hands. Henry affirms that Elisa is capable in her endeavors when he states, “you’ve got a gift with things,” in regards to her garden (Steinbeck 460). Even though Elisa is delighted at Henry’s suggestion that she work in the orchard, the idea does not seem to get a second thought (Steinbeck 460). The idea of a woman working in the orchard is dismissed on the premise that the orchard is not a woman’s place. In Elisa’s account with the man in the wagon, her sexuality exudes in her graphic explanation of picking off the flower buds and being under the stars, to the point that she almost physically touches the man (Steinbeck 463). Her desire would go unsatisfied, as it would not be appropriate for her to act on her impulse. Elisa is searching for fulfillment in life but finds her role to be trivial. Intrigued by the idea of traveling, as the gentleman in the wagon does, she states, “It must be very nice. I wish women could do such things.” She is shot down as the man replies, “It ain’t the right kind of a life for a woman” (Steinbeck 464). This conversation clearly depicts the prevalent inequality of the sexes. Furthermore, once the man leaves in the caravan Elisa cements her urge for something more, looking out at the horizon whispering, “That’s a bright direction. There’s a glowing there” (Steinbeck 464-465).
This frustration is evident when Elisa is first introduced. Her figure is described as "blocked and heavy" because she is wearing heavy gloves, heavy shoes, a "man's black hat," and a big apron that hides her printed dress (Steinbeck 330). Her home has the masculine qualities of being "hard-swept" and hard-polished" (Steinbeck 330). Elisa is bored with her husband and with her life (McMahan 455). Obviously, Elisa is unhappy with the traditional female role and is attempti...
Elisa is at her strongest and most proud in the garden and becomes weak when placed in feminine positions such as going out to dinner with her husband. Steinbeck carefully narrates this woman’s frequent shifts between femininity and masculinity over a short period of time. In the opening of the story, Elisa is emasculated by the description of her clothing. She wears "a man’s black hat pulled low down over her eyes, clodhopper shoes, a figure print dress almost completely covered by a big corduroy apron." (paragraph 5).
Many readers who analyze Steinbeck's short story, "The Chrysanthemums", feel Elisa's flowers represent her repressed sexuality, and her anger and resentment towards men. Some even push the symbolism of the flowers, and Elisa's masculine actions, to suggest she is unable to establish a true relationship between herself and another. Her masculine traits and her chrysanthemums are enough to fulfill her entirely. This essay will discuss an opposing viewpoint. Instead, it will argue that Elisa's chrysanthemums, and her masculine qualities are natural manifestations of a male dominated world. Pertinent examples from "The Chrysanthemums" will be given in an attempt to illustrate that Elisa's character qualities, and gardening skills, are the survival traits she's adopted in order to survive, and keep her femininity and vulnerability in a man's world.
Coming of Age is when a character in a story goes through a life-changing event they learn a life lesson from. There are many types of books and short stories that are based on Coming of Age, "The Flowers" by Alice Walker is one of them. In the story the main character, Myop, is wandering through the woods. However, she later decides to shorten her walk, after she starts to feel uncomfortable and fearful, of her surroundings. Soon she decides later to find her way back home until she stumbles across something... a dead body. At first Myop was astonished of what she had uncovered . It was something she had never encountered before. After examining the body she began to realize that it was actually something very interesting. Seeing the lifeless
A more clear example of how Elisa feels can be better explained by Steinbeck's description of the where Elisa and Henry live. "The high gray-flannel fog of winter closed off the Salinas Valley from the sky and from all the rest of the world. On e...
The progressive of everyone's coming of age is different. When we're able to read upon someone else’s transition it could help us reflect on our transition. Throughout Purple Hibiscus, we can see Kambili and Jaja story of coming of age. When one can analyze another story we can adopt it to our influences and personas.