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Sparknotes hesiod's work of days
The nature of Greek comedy and tragedy
Lessons from hesiods works and days
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Laughing All the Way to Hades
The use of literature in society was deeply rooted in the ancient Greek culture. People would look at playwrights as more than human, using their words to cultivate stories and share their knowledge. The play The Frogs by Aristophanes, tells the journey of Dionysus and Xanthias travelling to Hades to find a playwright, Euripides, to save Athens from the destruction of the Peloponnesian War. Aristophanes tells this story through a use of comedy known as satire, while still covering the major problems of why Athens, and Greece, was collapsing. Stephen Colbert uses comedy in a similar way on his show The Colbert Report. While his quick comebacks and witty remarks create a sense of comedy and lightheartedness, he is still able to cover the issues the guest is presenting. The use of comedy in this way gives the reader/viewer an easier time grasping the material, while still
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having an underlying meaning. An example of this use of comedy in The Frogs, is when Dionysus and Xanthias encounter Heracles to find a path to Hades.
When they meet, Dionysus disguises himself as Heracles, in order to trick them into letting him into Hades. When Heracles sees him, he bursts into laughter, making fun of Dionysus for wearing such ridiculous clothing. The reader can see Aristophanes using comedy to mock another character, which makes it seem that Heracles is laughing at himself. This use of satire plays on the idea that everyone who is “above surface” are idiotic, giving the reason why Dionysus must travel to Hades to find people from the past to save their future. Another example of the use of comedy is when Dionysus and Xanthias continue to change clothing in order for Dionysus to avoid punishment. These actions can be seen as much more “slapstick” type comedy, something that the audience might have found funny if seen on stage. But while reading the play, it can be seen that there is a darker nature to the scene, showing what another would do to get out of his own
punishments. As for the use of comedy in the show The Colbert Report, Stephen Colbert uses it in a much similar way. When having guests onto the show, there is always a sense of satire when waiting for Stephen’s response. He uses it when debating with his guest, or even to make a situation less serious when things become too tense. All the while using comedy to reveal certain important issues on each subject. Ultimately, Stephen Colbert, much like Aristophanes, uses comedy to make it easier for the reader/viewer to consume the message that he is trying to convey. With such serious issues being raised, people might shy away from the material that gets too serious or too “close to home.” The way that they use comedy creates the easygoing feel of each show, or piece of work, giving the audience something to laugh about while discarding the information that is underneath the surface. There is a belief that some issues are never a laughing matter, but plays like The Frogs by Aristophanes, and shows like The Colbert Report starring Stephen Colbert, tell us otherwise. Sometimes comedy is the best way to share this type news. The effectiveness of satire in a serious setting, giving the audience something to laugh at, while still being provided a greater idea in the end. Some people might take it the wrong way, claiming that the material is too serious to be joking about. But everyone else will laugh at their own destruction, knowing that is was coming all along.
...ty since "things could happen in the real life of Athens which were virtually unthinkable in tragedy, and vice versa." Perhaps the safest assessment of Dionysus is that while not a direct opponent of the traditional ways, his presence, and especially his effect on other characters, serves to highlight many social norms. According to Bernad Knox, "From start to finish, Euripides was 'attempting to show citizens bred in the traditional views...that such conceptions of the gods should offend them.'" Perhaps we as readers will never fully understand the Dionysus that appears in this play, but a closing look at a remark of the Chorus may bring us a step closer to this understanding:
Aristophanes denounces the importance of the gods' influence on the actions of mortals. In the usual tragedy, the gods play an extremely important role towards the actions of the mortal characters. Through fear of the alternative and examples of the past, Athenians carried out their everyday lives under the guidance of the gods' wishes. Aristophanes challenges the audience, and Greek culture as a whole, by offering a different view on the answers and directions of life, than that of the gods. He denounces the parables and explanations to answers in life that involve the gods. Instead he explains that such things as the aerial whirlwind, and especially the clouds, are the reasoning behind all of natures actions. On the surface these comments were seen as a mockery and very humorous. Underlying this humor is a scary truth, most likely ignored by the congregations witnessing this play. How many times has a character in a tragedy been so willing to contradict the gods? Dominant characters like Creon and Prometheus have blatantly disobeyed the gods. The alternative explanations serve a hidden truth in the hearts of many of the Athenian people. This truth is always again repressed by the end of each play, tragedy or comedy; because their was too great of a fear to upset the higher beings.
William Shakespeare’s Romeo and Juliet is a tragic story about two lovers who are from two disputing families, and their eventual suicides. Shakespeare uses dramatic irony throughout the play to create tension for the audience and foreshadow the ending. Dramatic irony is when the words or actions of characters in a story have a different meaning to the reader than to the characters. This is because the reader knows something that the characters do not. Romeo and Juliet’s death could have been prevented if the characters in the story weren’t so ignorant of their situations, and often times the reader recognizes this.
In Act 2 scene 5 the mood is very lighthearted and is full of theatrical comedy, we find Sir Toby, Sir Andrew and their friend Fabian hidden away as they await Malvolio to stumble upon the letter supposedly written by Olivia. Even though they are hidden the audience can still see their reactions and hear their comments, which adds to the melodramatic aspect of the scene. The audience is anxious to see what unravels next as they know Maria purposely wrote the letter in order to fool Malvolio.
In the play "Oedipus the King" by Sophocles, the author presents us with several instances of dramatic irony. Dramatic irony occurs when the meaning of the situation is understood by the audience but not by the characters in the play. Dramatic irony plays an important part in "Oedipus the King", because it is used to describe Oedipus' character as arrogant and blind toward the truth. The audience is expected to understand Oedipus' history well before he does. In the first three episodes, Oedipus uses a lot of dramatic irony in his speeches.
Satire is a literary manner built on wit and humor with a critical attitude directed to human institutions and humanity. A successful satiric play will show certain truths about society and then try to improve upon them. Satire is meant to be constructive rather than destructive. Aristophanes uses satire in Lysistrata to convey many different themes such as war and peace, the struggles of power and class, and the life and death issues that are seen in war. Satire is successfully used and seen in Lysistrata by stereotyping women in general and then the different classes of women as well. Double entendres are seen throughout the play to help add humor to the play. Sex is used as humorous tool but only to covey a deeper theme that consists of war and peace and also of life and death.
The play was considered comic by the ancient Athenians because of its rhyming lyricism, its song and dance, its bawdy puns, but most of all because the notion and methods of female empowerment conceived in the play were perfectly ridiculous. Yet, as is the case in a number of Aristophanes’ plays, he has presented an intricate vision of genuine human crisis. In true, comic form Aristophanes superficially resolves the play’s conflicts celebrating the absurdity of dramatic communication. It is these loose threads that are most rife with tragedy for modern reader. By exploring an ancient perspective on female domesticity, male political and military power, rape, and efforts to maintain the integrity of the female body, we can liberate our modern dialogue.
Humor in William Shakespeare's Twelfth Night In Twelfth Night we see different types of humour. There is the witty
The plot of Oedipus Rex uses dramatic irony as a key narrative element. From beginning to the end, Sophocles expose the audience to irony. The result is both shocking and devastating for multiple main characters. Oedipus, for example, states the weight of the punishment Laius’ killer will face. This builds irony because Oedipus is Laius’ killer, but he does not realize it yet. As realization of Oedipus’ crime against the Greek gods begins to set in, so does the climax and resolution of the irony. Overall, Sophocles’ use of dramatic irony is integral to both the progress of the play and to its climax.
Sophocles makes use of many situations involving dramatic irony. In fact, the entire play could be said to be an example of dramatic irony. The audience becomes aware of Oedipus’ prophecy from the very beginning of the play. The reading from the Oracle stated that Oedipus was destined to murder his father and marry his mother. Although Oedipus is unaware of his fate, the reader knows the tragic future of the character. This use of dramatic irony allows the story to avoid the typical Greek tragedy structure and keep the reader intrigued as the events unfold.
century Greek comedy became extremely popular. " In addition to maintaining their comic touch, the plays also give an indirect but invaluable insight into Greeksociety in general and provide details on the workings of political institutions, legal systems, religious practices, education, and warfare in theHellenic world. " The people of Greece were able to attend these humorous plays and get the opportunity to see all of the issues and problems, that the society faced as whole. Greek comedy was a very influential form of theater, that was being performed in places all across ancient Greece. One of the earliest sources of comedy that was found is the poems of Arcchilochus (7th century BCE.) and Hipponax (6th century BCE), in which there was crude and highly explicit sexual humor in both of their poems. Another orgin, which was citied by Aristotle, is within the phallic songs, which were often sung at the Dionysiac fetsitvals. There are two phases to Greek comedy. The first phase of the show was the parados. Dring that time the chours, which would sometimes be up 20 or more, would enter into the theatron and perform a selection of dance routines and songs. " Dressed to impress, their outlandish costumes could represent anything from giant bees with huge stingers to knights riding another man in imitation of a horse or even a variety of kitchen utensils. In many cases the play was actually named after the Chorus, e.g., Aristophanes ' The
A tragedy is defined as beginning with a problem that affects everyone, i.e. the whole town or all the characters involved, the tragic hero must solve this problem and this results in his banishment or death [run-on sentence]. A comedy is defined as also beginning with a problem, but one of less significant importance. The characters try to solve the problem and the story ends with all the characters uniting in either a marriage of a party. Although these two genres are seen as being complete opposites of each other, through further analysis one can gather that though they are different certain similarities can also be seen.
Shakespearian comedies have some common characteristics which are found in The Tempest. The first characteristic of Shakespearian comedy is that there is a struggle of young lovers. They have to go through many adversaries to achieve their love. Miranda is a passive character and Ferdinand is also not the hero of the play. But they are the important couple of the play. Miranda is shown as a meek lady who is very faithful to her love when she says, “I am your wife, if you will marry me; / If not, I’ll die your maid” (III.i.83–84). Along with the struggle of the lovers, the protagonist also is shown going through several adversaries. The exile theme is one of the major themes in Shakespearian comedies. For example in Just like Prospero, in “As You Like It”, Duke Senior was exiled by Fredrick. Rosalind’s adverse journey starts from here. Rosalind is portrayed as a strong lady; hence she becomes the real hero of the play. But in The Tempest, Miranda’s character is portrayed as a weak person. Unlike Rosalind from As You Like It, Miranda is not the influential lady in the play.
Aristotle is one of the most important western philosophers in history that has influenced our society in many aspects. Many of Aristotle’s teachings have affected our world for many years and still continue to have such a big impact. Some of the subjects Aristotle has influenced include: logic, physics, government and poetry. Aristotle’s study of poetry mainly focused on the elements to a good tragedy. Some of his elements have been used in Greek tragedies and modern movies. The Greek play, Medea, and the modern movie, No Country for Old Men, use elements from Aristotle philosophy, while using similar and different techniques but both achieving an effective tragedy.
Shakespeare's comedies can be recognized in terms of plot, structure and characters. We can see that Shakespearean comedies follow the same structural pattern, a basic plot on which the play is based. For example, a key feature of all comedies is that they depend upon the resolution of their plots. However, Shakespeare's comedies are distinguishable, as some are classed as comic dramas and others as romantic comedies. In comic drama, there is usually a motif of a place where reality and the unreal merge, the roles of characters are reversed and identities are mistaken or lost. This place may take on the form of a feast or celebration, or it may be presented as a place segregated from the normal society, such as the wood in A Midsummer Night's Dream. When scenes are set in this place, the ordinary rules of life and society do not apply. There is always an experience of chaos, which must be resolved in order for the play to become a true comedy.