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The comedy of taming of the shrew
Comedy in taming of the shrew essay
Comedy in taming of the shrew essay
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There are many comedic devices that work to develop the plot in The Taming of the Shrew. They are used throughout the story. A lot of examples of comedic devices has been used throughout the different Acts. The examples through acts one through five will be shown and explain as we go. In act one Lucencio Tranio and Petruchio change themselves to servant and a music teacher to try and trick Kate and Bianca’s father so they can marry his daughters. These two men try to trick Baptista their father so they can marry Bianca and Kate. Through their disguises, Lucencio Tranio and Petruchio show us a comedic advice of mistaken and disguised identity to trick Baptista. In act two Petruchio meets Kate and they fight back and forth with each other.
He uses nice words and she uses mean bad words to him while they argue. She uses bad words because isn’t used to him talking friendly to her so she hit him but he says he will hit her back if she hits him. Here Petruchio and Kate are arguing back and forth. The comedic device used in this scene is Petruchio who is smart and with his smart language tries to get Kate into liking him. In act three act Kate is at the alter waiting to get married when Petruchio shows up late wearing bad clothes and riding a messed up old horse that was sick. Here the comedic device is a surprise plot twist. People didn’t expect Petruchio to show up to a wedding in bad messed up clothes riding a messed up horse that is sick just to embarrass Kate to get her to be full under his control and listen to everything he says. In act for Petruchio takes Kate home after the wedding. He has a plot that will make her want him and to get her to fully control her. First thing does is he argues that the food she has made is burned and throws it on the floor and says that Kate must only have the best so she goes to bed and sleeps with no food. Next thing he does is he argues the bed was made completely messed up and that it is not perfect for Kate to sleep in it. What Kate really wants is just food and a bed to sleep in but it was all part of Patricio’s plot to get her under his full control. The comedic device in this scene is love with a struggle. Kate tries to not listen to Petruchio but every day she does she goes without food or sleep she has no choice but to listen to him if she wants to eat or sleep. In act five Petruchio, Lucentio, Hortensio, Baptista, Bianca, Kate and another women get together to celebrate all the weddings. All the guys still think Petruchio failed in getting Kate to listen to him. They made a bet that out of all their wives which ever one comes first there would win. Each of them told their servant to get their wives but the servants one by one came back them and said their wives couldn’t come because they were busy, but when Petruchio sent his servant to get Kate she was the first to come back which shocked everyone. After that Kate and Petruchio went to bed happily together. The comedic device in this scene is unity and peace in the ending. Petruchio wanted to brag and show off his new wife and how he had got full control of her by throwing a party. All the husbands made bets to whoever’s wife would come first and Kate shocked them all by being the first to be there. So after Petruchio had finally gotten full control of Kate she was now allowed to be able to eat and sleep with him and the story ends with them as a successful couple united and with peace.
The Different Masks of the Characters in The Taming of the Shrew by William Shakespeare
Dorabella, like Eve, falls for the deception easily, but Fiordiligi, like Adam, is a bit more resilient but gives in when, Dorabella the Eve says it is harmless to Fiordiligi. Both of the women could not help themselves; the desire overcame the “love”. Deception is continuous in this play. Even Despina the maid is in disguise to help the men for her own desire of money. Don Alfonso was the one that urged, that tempted the two young men’s minds of whose “love” was more pure and faithful.
Examine the different ways in which Shakespeare presents the attitude towards marriage in the play, ‘The Taming of the Shrew.’
The second being through the actions. of characters and by their behaviour and the third by the incidents of the play. I will be there. Shakespeare uses characters like Mercutio and the Nurse to bring out the comical element of the play, and each character does this in a different way of doing things. & nbsp; One of Shakespeare's tools used to evoke humour is the mockery that is aimed at a particular character. Some of the funniest moments are when one character is sarcastic to another.
A long time ago, a drunken man fell asleep outside an alehouse. This man, Christopher Sly, was discovered by a mischievous lord who took him into his home. The witty lord then convinced Sly that he was a lord, as well. The lord then put on a play for him. The play, The Taming of the Shrew, was about the two young daughters of Baptista. The youngest daughter, Bianca, wished to wed but her father, Baptista, would not allow this until his eldest daughter, Katherina, was married. Under normal circumstances, it would be easy to find a husband for Katherina with all her beauty, but all her beauty was covered by her shrewd personality. By this time Bianca's suitors were growing very impatient, so they decide to team up and find a husband for Katherina. In jest they mentioned their plan to a friend, Petruchio, who surprisingly agreed to marry Katherina. All her beauty and wealth were enough for him. Katherina reluctantly was wed to Petruchio and she was taken to his home to be tamed. With Katherina out of the way, Bianca was now allowed to marry Lucentio, who offered her father the highest dowry for her. In the final scenes of the play, Katherina proves that she is tamed by winning an obedience contest at a dinner party. Katherina is now even more in accordance with her wifely duties than Bianca. A fare is a type of comedy based on a ridiculous situation. The Taming of the Shrew, an eminent example of a farce, is the first of three farces written by Shakespeare.
Using the same satirical techniques, he points out, a little more subtly, that servants, like women, are treated like less than people, when they are people just as good as everybody else. throughout the play we see instances of the mistreatment of servants, such as Vincentio beating Biondello, Petruchio abusing his entire staff, and Lucentio using Tranio as a pawn to help him win over a girl. Tranio even laments about this, saying, “Oh, sir, Lucentio slipped me like his greyhound, which runs himself and catches for his master.” Tranio is comparing himself to a dog to be used at Lucentio’s command in this quote, commenting on how Lucentio may treat him well, but he still does not value him as a person.
In the time of William Shakespeare where courtship and romance were often overshadowed by the need to marry for social betterment and to ensure inheritance, emerges a couple from Much Ado About Nothing, Hero and Claudio, who must not only grow as a couple, who faces deception and slander, but as individuals. Out of the couple, Claudio, a brave soldier respected by some of the highest ranked men during his time, Prince Don Pedro and the Governor of Messina, Leonato, has the most growing to do. Throughout the play, Claudio’s transformation from an immature, love-struck boy who believes gossip and allows himself to easily be manipulated is seen when he blossoms into a mature young man who admits to his mistakes and actually has the capacity to love the girl he has longed for.
In conclusion, Shakespeare does it again with Taming of the Shrew. On the surface, there is Kate who seems to be off the wall and kinda crazy but at the end of the play, you realize that by acting this way and learning “life’s little secrets,” she gets the life she always wanted.
Over the past 400 or so years since Shakespeare wrote _The Taming of the Shrew_, many writers, painters, musicians and directors have adapted and reformed this play of control and subjugation into timeless pieces of art. In _10 Things I Hate About You_ and Kiss Me Kate from two very different times in the twentieth century, and paintings of Katherina and Bianca from the late nineteenth century, the creators of these adaptations have chosen to focus on the role of the two main female characters in the play. The ideas surrounding these women have changed through the years, from Katherina and Bianca simply being young women who deviated from the norm of Shakespeare’s time to women who embody feminist ideals and stereotypes of the more modern world.
The Taming of the Shrew unravels to reveal a wild beastly Katharine lacking respect for her family, herself and others around her. Kate is a very outspoken and vulgar woman without respect to authority. Katharine, although depicted as a beautiful woman quickly becomes the talk of Padua. Kate has found that if she is loud and obnoxious she can have her way. She screams and grunts and pushes those who she does not get along with. The general character of Katharine seems to be that of a small child.
In The Taming of the Shrew, Shakespeare creates humour through his characters by creating false realities (as demonstrated by Petruchio’s behaviour and attire in the scene of his wedding) and by the use of subterfuge and mistaken identity (shown in the final scenes with the transformation of Kate and Bianca’s respective personas). He also uses irony quite extensively, especially towards the end of the play (as can be seen in the final ‘wager’ scene).
... between Petruchio and Kate is contrasted with the superficial properness of the relationship of bianca and lucentio.
Stephano and Trinculo further in the play in act 4 scene 1. As in act
The Taming of the Shrew, written by William Shakespeare, is historical proof that flirting and temptation, relating to the opposite sex, has been around since the earliest of times. Because males and females continue to interact, the complications in this play remain as relevant and humorous today as they did to Elizabethan audiences. This is a very fun play, full of comedy and sexual remarks. It's lasting impression imprints itself into the minds of its readers, for it is an unforgettable story of sex, flirting, and happiness. The Taming of the Shrew remains as relevant today because of its relation to the age-old story of the battle of the sexes and dynamics of marriage, as well as the woman's struggle with both of these.
Shakespeare has another example of illusion or disguise present in his induction. The Lord has his page dress as a woman, and his job is to play Sly’s wife, which we see in the induction when the Lord says, “go you to Barthol’mew my page / And see him dressed in all suits like a lady” (Induction 2.103-4). Bartholomew’s playing of a woman depicts an illusion because his appearance is meant to deceive Sly and the audience, specifically the playgoers. When reading the play he reader is aware that Sly’s wife is the Lord’s page dressed as a man, and “…we are comically aware that the “wife” is an imposter, a young page in disguise” (Bevington 2). However, we need to keep in perspective that when The Taming of the Shrew was performed in 1592, all