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Civil rights movement and music
Written assignment: john coltrane
Jazz and african american history
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Coltrane had always had a gift for music and he would constantly think of what was next to come in jazz. During Coltrane’s time working with Gillespie, he worked on what he called “sheets of sound” which is when he would try to play every note in every chord. This was tremendously hard to do and he challenged not only himself to do it, but members of his band as well. This is evident in one of his recordings called, “Giant Steps” (Jazzman). This is a sixteen-bar composition that Coltrane wrote himself and had practiced many times before the actual recording day. While Coltrane had time to practice this hard technique in “Giant Steps” his bandmates did not see the notes of the song until the day of the recording session. This was a bad decision …show more content…
This was Coltrane’s biggest selling albums and he earned two Grammy nominations due to its success. “A Love Supreme” was released in 1964 and is made up of four phases: “Acknowledgement,” “Resolution,” “Pursuance,” and “Psalms” (Azevedo). Coltrane’s Classical Quartet are featured on this record. This record includes modal harmony, chanting, as well as a deeply spiritual feel to it. While listening to the record I felt that it had a blues feel due to its religious aspect. There were three types of songs that contributed to the blues which were: field holler, work songs, and religious songs. Religious songs provided a positive outlook on life for slaves after slavery. the reason why I make this connection is because when “A Love Supreme” came out it was during the civil rights movement. The civil rights movement was in full swing and their main goal was to reach a sense of unity as well as citizen rights. They also wanted to stop racism, segregation, and discrimination against people of color. "During the year 1957," Coltrane wrote, I experienced by the grace of God, a spiritual awakening which …show more content…
At this time, in gratitude, I humbly asked to be given the means and privilege to make others happy through music. I feel that this has been granted through his grace. ALL PRAISE TO GOD” (Nevader 26). This quote was taken from an article written in 1982 titled, "John Coltrane: Music and Metaphysics." In it Coltrane explains how his spiritual awakening was something that allowed him to create music that would have a positive impact on the lives of his listeners. I strongly believe that John Coltrane did in fact have a major impact on the lives of many of his listeners, he overcame his addiction and became a man of God and in his appreciation of God’s miracle he created “A Love Supreme” and helped many during a time where faith was greatly needed. The fact that
60 seconds can haunt someone for life. Personally, I wish I could turn back the clock to that year, month, day and those 60 seconds, and live them completely differently. If I was able to do that, I would not be stuck at the bottom of the staircase. Regret does not move forward like the hands on a clock. Every unsure second lived will cause me to do something I later wish I could take back. Regret makes it hard to live life peacefully; life would be a lot easier if humans helped each other out, because if we did, we would not have a many regrets It makes me extremely uncomfortable when I am full of uncertainty because it makes me do things I later regret. I also over think and debate with myself over, and over, about the decision or action
... gospel singer, had he lived for six more months. Presley also revealed his spirituality through racial reconciliation. His appreciation for black and white southern gospel music was evident, and he even showcased black performers as his backup singers. In a concert song entitled “An American Trilogy,” Presley challenged southerners to transcend sentiments rooted in racism that dated back to the Civil war. Presley’s spirituality can be seen as a white working-class southern spirituality. Overall, Presley’s southern spirituality drastically influenced his music and his career embodied the southern movement toward using modern entertainment to reach all with the age-old message of the gospel.
Music can be traced back into human history to prehistoric eras. To this day archeologists uncover fragments of ancient instruments as well as tablets with carved lyrics buried alongside prominent leaders and highly influential people. This serves as a testament to the importance and power of music, as well as its influence in society. Over its many years of existence, music’s powerful invocation of feelings has allowed it to evolve and serve many purposes, one being inspiring change. American journalist and author Hunter S. Thompson once said, “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel.” This fuel is the very things that powers the influence of Rock ‘n’ Roll on American society, that author Glenn C. Altschuler writes about in his book, “All Shook Up – How Rock ‘n’ Roll Changed America.” Between 1945 and 1965 Rock ‘n’ Roll transformed American society and culture by helping to ease racial integration and launch a sexual revolution while most importantly developing an intergenerational identity.
The blues emerged as a distinct African-American musical form in the early twentieth century. It typically employed a twelve-bar framework and three-lined stanzas; its roots are based in early African-American songs, such as field hollers and work songs, and generally have a melancholy mood. The blues can be divided into many sub-genres, including Classical, Country, and Urban. The purpose of this paper is to focus on the careers of two of Classical blues most influential and legendary singers: Ma Rainey and Bessie Smith.
The African-American civil rights movement was a cruel time for the African American race to endure due to the harsh discrimination and segregation that they faced. This movement fought for the rights and the equality of African Americans in the United States. With all that was going on, African Americans turned to music for motivation, courage, inspiration and strength to overcome the difficult obstacles that they would soon face. “Non-violence marchers faced beating, hosing, burning, shooting, or jail with no defense other than their courage and songs” (Hast 45). “It's been a long, a long time coming/ But I know a change gonna come, oh yes it will” (Cooke, Sam. A Change Is Gonna Come). Music was their greatest hope for change in the near future and is the thing that kept them fighting for what they deserved. They came together with each other due to the lyrics of many different songs that kept the civil rights movement alive and known. Music painted a vision that they could picture and look forward to; it was a dream that they could fight for. “Music empowered African Americans to hold tight to their dream of racial equality” (Jeske). A genre of music that bought society together during this movement was folk.
Unlike the usual alto saxophone tone, Parker’s tone was more harsh with a more narrow vibrato, which he never really employed due to his rapid playing. His style of improvisation was his real claim to fame. Parker and his bop colleagues were known for playing pieces at really fast tempos, sometimes exceeding 300 beats per minute. Improvising over such quick tunes was already seemingly impossible, but Parker did it and he did it very well. At the first listen, it may appear as if he is just playing notes all over the place, but in an artistic manner. That is partially true. A look at his transcribed solos reveals that he used formulas in his improvisations, causing all the notes and rhythms and their articulation to have some sort of special relationship with one another. This is what makes Parker’s work so ingenious -- at the quickest tempos, he could effortlessly play long, thought out passages at the drop of a
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
Religion has been an important part of man’s life. Man has allowed religion to control and influence his life in many different ways, affecting both his behavior and his actions. So its not surprising that music, one of man’s earliest expressive forms, has also been influenced by religion. Religion has had an effect on man’s music all throughout history, from the early Egyptians to even now. So it is only natural that Western music should also have been affected by religion. Western music, and its development by composers, has been strongly influenced by the Christian religion, especially in the Medieval, Renaissance, and Baroque periods. The music in these periods laid the foundation for all the different types of music we enjoy today.
For example, the 1st song “A Good Man is Hard to Find” by Bessie Smith, who of which was nicknamed “Empress of the Blues” was a mainstream African-American female Blues singer. The 2nd song “When you’re smiling” by Louis Armstrong, King of Blues, was an African-American trumpeter, composer, singer, and an occasional actor. Furthermore, he was the most prominent figures in jazz. The final song “East of St.Louis Toodle-oo-” by Duke Ellington is, once again, an African-American composer, pianist, and bandleader of a jazz orchestra that lasted about 50 yrs. Additionally, he was known for his nickname “The King of Jazz”.
...erself expanded gospel’s exposure when she appeared twice on “The Tonight Show with Jay Leno.” Meanwhile, television producer Bobby Jones reaches four and a half million viewers each week with his BET program, “Gospel Explosion.” However, the test for Gospel music reflects one that all Christian musicians must wrestle with: Can Gospel continue to increase its fortune in the mainstream marketplace while still maintaining its spiritual base? Despite what you believe the answer to be, African American Religious music will continually evolve. Since Thomas Dorsey first stretched the boundaries to create gospel music, choirs, quartets, and power vocalists have been singing the same song, albeit in different styles and places. As African American religious music continues to grow beyond even Dorsey’s expectations, one can only hope that it will be embraced regardless of how it is labeled by everyone who needs to be reminded of the good news it represents.
With some other school friends, Coltrane helped organize a band at William Penn High School. He began to take music a little more seriously. He was able to play two instruments, started reading jazz magazines, and was practicing his instrument at all hours of the night. Students at school saw him as the biggest assett to the band and began asking him for advice (9).
African-American music is a vibrant art form that describes the difficult lives of African American people. This can be proven by examining slave music, which shows its listeners how the slaves felt when they were working, and gives us insight into the problems of slavery; the blues, which expresses the significant connection with American history, discusses what the American spirit looks like and teaches a great deal from the stories it tells; and hip-hop, which started on the streets and includes topics such as misogyny, sex, and black-on-black violence to reveal the reactions to the circumstances faced by modern African Americans. First is about the effect of slave music on American history and African American music. The slave music’s
...es of his music to consider how deeply occupied he was with the subject of dying. Through alot of meditation on this the true goal of our existence he had come to the conclusion that death is the "best and truest friend of mankind, that his image is not only no longer terrifying to me but is indeed very soothing and consoling. And I thank my God for graciously granting me the opportunity...of learning that death is the key which unlocks the door to our true happiness."
This book discusses the life of Glenn Gould who was a profound pianist known for his classical music, Peter Ostwald a late violinist who wrote “The Ecstasy and Tragedy of Genius of Glenn Gould” believed that Gould was extraordinary gifted and that his music gained much appreciation among the people in the community. He not only saw Gould as a genius but also as a companion who struggled to find peace in his life through the sound of music. Gould didn’t act like a normal child he isolated himself from others because he felt that others around him did not share the same passion for music. His father noticed when he was born that instead of crying, “Glenn always hum” (Ostwald, 1997). This showed that Glenn was born with a passion towards music from the very early stages of life. Gould formed behaviors of an ambivalent attachment style towards his mother and behaviors of a secure attachment towards his father this impacted his ability to form long lasting relationships with people during his childhood progressing into his adult years. (My thesis)
In the 20th century, its formal use came to be, during World War I and II musicians started to play music in hospitals to raise the moral of the people. These people had notable physical and emotional responses to music, which led the doctors and nurses to hire more musicians. (1) In its early stages of this therapy music was used to promote the well-being of the individuals, create a positive outlook on what had happened, to foster emotional expression and support, express what they were feeling, build personal relationships, interact socially, and support other forms of learning. Even though these people got better, there was not enough evidence that these people were healed by music.