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Problems with racism in literature
Comment on the character of desdemona in william shakespeare othello
Comment on the character of desdemona in william shakespeare othello
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Recommended: Problems with racism in literature
In the aftermath of the death of Desdemona by Othello, Emilia vehemently attacks
Othello for his wrongdoing. In act five scene two, Emilia says this to Othello: "O, the more angel she, And you the blacker devil!" (V.ii.129-131). Emilia is not only mad that the pure and immaculate Desdemona was killed, but is enraged that the devil (i.e. Othello), has slain an angel. This scene suggests that the word black was used as a metaphor for the devil and darkness since Othello killed Desdemona in the shadows. Emilia also sees Othello as a monster who cannot control is own anger (possibly due to his Moorish characteristics). Race in Othello is only used to propel more important themes in the play (e.g. love affairs). The racial thematics are not only
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The utilization of color imagery enhances the play, causing the audience to look past the words and search for a more profound understanding behind the scenes, besides race. In the realms of the play, the color black has always been used to create the mood for evil and deviousness, as we will see, since Iago is portrayed as satan and a trickster. Iago constructs most of his hellish plans in the dark of night to eventually influence the bestiality of Othello to protrude out and cause his demise. In the case of the devil, the color black is used to illustrate the vice and villainous nature of Satan. In act two, Iago assures Cassio that the best way he can get his job back, is to attract Desdemona, then Cassio is sent away. While Iago is alone on the stage, Iago asks the audience why he is evil, since his advice to Cassio is “honest” and free. Iago answers his question and then states, "When devils will the blackest sins put on, / They do suggest [tempt] at first with heavenly shows, / As I do now" (2.3.351-353). Iago knows that he is a hellish hypocrite, but he seems to be getting a laugh out of it since he is represented as …show more content…
7). The use of light in this context signifies not only Desdemona’s life as pure and innocent and but the goodness and moral status of the situation. When Othello says “putting out the light” he is killing the pure and innocent and bringing out the devil to send to hell. Thus, Othello is labeled as being a blackamoor or black devil for creating this lack of light, and unveiling the dark to illustrate his Turkish side to the audience. Othello once again uses light in a metaphorical way, stating: “if I quench thee, thou flaming minister/I can again thy former light restore/ should I repent me. But once put out thy light/Thou cunning'st pattern of excelling nature/I know not where is that Promethean heat/That can thy light relume.” (V.ii. 8-13 ) This suggests that if Othello were to extinguish his candle, he would be able to relight, if he regret his decision. But if Othello makes the choice to kill the innocent Desdemona, he knows he would not be able to bring her back. This also illustrates the fact that Othello could go to hell if he puts out the light (i.e. pure and immaculate Desdemona), and that killing Desdemona would create the darkness that Othello does not want to
Iago has been regarded as : “Shakespeare’s greatest villain”; shown by his ability to be both admired and despised for his manipulative and obsessive nature towards Othello and his relationship with Desdemona. In Act One, Iago can be seen to be admired for his work within the Venetian army and his want to warn Brabantio about the ‘evil’ Othello’s plans to ‘bewitch’ young Desdemona: “The Moor is of a free and open nature, That thinks men honest that but seem to be so....” Here, Iago is speaking within a soliloquy and is warning the audience that Othello has cruel intentions. Within the Jacobean era, the time of which the play was performed, attitudes towards black people were very negative and therefore, a white man would play the character
Ways that Iago Manipulates Othello in Act Three Scene Three in Othello by William Shakespeare Othello is a Shakespeare tragedy. I know this because of the convection’s used in the. For example, death, the main characters have good Christian values with a fatal flaw. Othello is a play about a black man.
The audience at this point know nothing of Othello that is gained by their own opinion, instead we are lead to believe from Iago’s race related description that Othello is a threatening and evil moor, whose beastial sexual appetite, conveyed by Iago’s cries to Brabantio, telling him that ‘an old black ram is tupping’ his ‘white ewe’ (1.1.89), is something of a rapist. Iago’s coarse animal related language conveys Iago’s feelings against Othello’s marriage in a much more pronounced way. The image of an ‘old black ram’ gives the audience nothing but negative images of Othello, especially when this ‘old black ram’ is being associated with the innocence of a ‘white ewe’. Iago then associates Othello with the image of ‘the devil’ (1.1.92) because of Othello’s colour, Iago warns Brabantio that he has ‘lost half [his] soul’ now that Desdemona is married to Othello. Iago here emphasises the biracial nature of the marriage, already showing his ability to manipulate people, in this case he is manipulating Brabantio, to believe in Iago’s own opinions and in theory to eliminate all thoughts that Brabantio might of had of his own about the marriage.
Iago suggested to Roderigo that Desdemona may have only been satisfying her curiosity by being with a black man. He says that Desdemona was getting bored with the sex from Othello and wanted something new (Shakespeare 2.1.282-283). She wanted someone more like herself, someone who was young and white, like Cassio (Shakespeare 2.1.280-281). Othello feared that this was true. When Iago told Othello that Desdemona was cheating on him with Cassio, Othello had no choice but to believe it. Iago’s lies made Othello so paranoid. Desdemona’s whiteness and Othello’s blackness made it easier for Iago to manipulate Othello. He made Othello so insecure and uncomfortable about his race that he took his own life and killed his wife. Othello’s blackness turns
The early modern definition of race very much differs from the current usage and definition of race today, according to Margo Hendricks, “the word race referred not to the linking of character with physical appearance, but to family and lineage” in addition to cultural customs. In Shakespeare’s Othello, Othello is esteemed for his military power; he is welcomed by Barbantio, and invited into his homes to tell of his adventures. Yet, in many instances the fact that he is a moor takes precedence over any military prowess he may possess. As a general in the Venetian Army, it is expected that utmost respect be shown at all times, yet this is not the case for Othello. Regardless of his acclaimed position of general in the Venetian military, the prejudices held by Iago and Barbantio outweigh his credentials as a civilized human being. His ally Barbantio questions his methods of getting Desdemona to marry him, and concludes that it had to be of some sort of Moorish witch craft or drug. Othello is also disrespected by Iago, a trusted confidant; his very essence is degraded and compared to that of a wild animal while Desdemona is seen as a pure white lamb, whom Othello has corrupted. Iago purposely uses the preconceived notions about Moors to convince others that his culture represents chaos, sexual immorality, and corruption. Iago also preys on Othello's jealousy to twist Othello’s emotions and convince him that Desdemona has been unfaithful.
The external pressures on Othello are partially due to his being black. Iago starts his scheming of destruction using Othellos color against him, when he beckons Barbanito to action. Iago – Even now, now, very now, an old black ram is tupping your white ewe. Arise! Arise! (1051) This prejudice may have damaged his self-esteem, where he believed he was unworthy of Desdemona. Iago drops doubt in his mind, Othello begs for the suspicious thoughts. Othello – “By heaven, I’ll know thy thoughts.’ (1087) This opens the door to Iago’s deceit. Iago – ‘O, beware my lord of jealousy!… which doth mock.’ (1087) Othello – ‘Farewell, Farewell,….. Set on thy wife to observe. Leave me, Iago.’ (1089) Here is where the splinter drives deeper. From this point, there is more falls of the seal the fate of poor Othello.
William Shakespeare’s Othello is a tragedy about revenge through jealousy and deception. Throughout the play, Iago is constantly pitting characters against each other in order to satiate his anger from being denied the promotion to lieutenant that Cassio was granted. As a catalyst for all the conflicts that arise during the play, Iago merely uncovers the underlying insecurities characters such as Othello, a notable war general in Venice, are struggling with. Animal imagery as well as the use of light and dark to differentiate between race is very prominent and is used to drive a wedge between the newlyweds, Othello and Desdemona. Although Othello is a highly accomplished and well respected war hero, the notion that Venetians, including Desdemona, are a superior race, prevents him from ever feeling truly secure in his marriage, ultimately leading to the demise of several people close to him, and finally himself.
Othello: The Moor of Venice is probably Shakespeare's most controversial play. Throughout this work, there is a clear theme of racism, a racism that has become commonplace in Venetian society which rejects the marriage of Othello and Desdemona as anathema. The text expresses racism throughout the play within the language transaction of the dialogue to question the societal ethos established by Othello, thereby making him nothing less than a cultural "other." Furthermore, the character of Desdemona is displayed as mad, or out of her wits, for marrying such an "other," and the audience sees her slip from an angelic state of purity to that of a tainted character. Also, the menacing Iago, a mastermind of deviant rhetoric, is able to play Othello and Desdemona against one another until their marriage fails, while at the same time destroying his adversary and friend, Cassio. Thus Iago has a specific agenda, not only to get back at Othello for choosing Cassio instead of him, but also to make Cassio the victim of his plan to destroy the forbidden marriage referred to by Brabantio as a "treason of the blood" (1.2.166-167). Essentially, Iago is a representative of the white race, a pre-Nazi figure who tries to inform the public of the impurity of Othello and Desdemona's marriage. He demonstrates how this miscegenation is threatening to the existing social order. Thus, through analysis of racism, the play represents the hatred possessed by mankind -- a hate so strong that society sees the mixing with an "other" to be a curse to humanity and a terrible threat to Aryan culture.
...I,iii,507) Before he kills Desdemona, he notes how white her skin is, describing it as "that whiter skin of hers than snow / and smooth as monumental alabaster." (V,ii,4-5) Othello, we know, has been driven to kill Desdemona by his jealousy. However, it is clear that his jealousy is inspired by the racial prejudice that is prevalent throughout the play.
References to black and white carry the most weight and contribute much to the actions of the characters; those colors often are used as a comment on race, on good and evil, on sexuality, or a combination of the three. The play does not proceed far into the first scene without a racial statement, where Iago informs Brabantio that Othello and Desdemona have run away together: “Even now, now, very now, an old black ram/ Is tupping your white ewe” (1.1.85-86). Iago refers to Othello as a “black ram” and to Desdemona as a “white ewe,” pointing out the differences in skin color (since Othello is a Moor). A ram, since it has horns, can also be symbolic of the devil; therefore, Iago makes Othello devil-like and racially different at the same time. Additionally, the color black is often seen as evil or bad, whereas white is seen as good and pure. Since the black ram is “tupping,” or mounting, the white ewe, Iago is making a reference to the sexual act of Othello, black, taking Desdemona's virginity, white and pure. Planting an image like this in Brabantio's mind causes him to react negatively towards the marriage, and because Othello is darker-skinned, it makes the situation worse....
The play, Othello, is certainly, in part, the tragedy of racism. Examples of racism are common throughout the dialog. This racism is directed toward Othello, a brave soldier from Africa and currently supreme commander of the Venetian army. Nearly every character uses a racial slur to insult Othello at one point in the play. Even Emilia sinks to the level of insulting Othello based on the color of his skin. The character that most commonly makes racist remarks in Othello is Iago. It is very apparent that Iago uses racism as a scapegoat to hate and blame Othello. Societal racism takes its toll on its victims. The effect of racism on Othello is quite evident and is one of the main causes for his insecurity about his marriage. However, Othello is not wholly the tragedy of racism. The theme of jealousy is also extremely important in Othello. Racism may play a large part in the tragedy, Othello, but it certainly does not adequately explain the entire play.
The satanic character of Iago is depicted well though different types or imagery. His sadist intend is depicted through suffocating imagery “I’ll pour pestilence into his(Othello’s) ear” (II iii 356) says Iago in a soliloquy in as he is outlining his malicious intent and nature. This continues throughout the play with lines such as “The Moor already changes with my poison” (III iii 322) and “Not poppy nor mandragora, | Nor all the drowsy syrups of the world shall medicine thee to that sweet sleep | Which thou did owdest yesterday” (III iii 327-30). His malicious character is likened to a snake through this imagery of poisons like a snake has and then Lodovico calls him a “Viper” (V ii 281) which indicates how Iago’s character is that of a snake, and in those times a snake was considered a creature of pure evil. The Machiavellian persona of Iago can also be seen through his use of reputation imagery to Cassio and Othello. To Cassio he says “Reputation is an idle and most false imposition” (II iii 267-8) and as a paradox, to Othello, he says reputation is everything to a man and he is nothing with out it. Iago is also likened very much, though imagery, to the Devil.
	Throughout the first act of the play, Othello is shown as many different characters depending on who is speaking. Iago complains of Othello's pride and "bombast circumstance" and is angered by the appointment of Cassio, an educated military theoretician of Florence to lieutenant, instead of himself. As Iago speaks to Brabantio about Othello, he uses the term "white ewe" to represent Desdemona, and "black ram" when referring to Othello. By using these terms, it shows that he is trying to give a bad impression of Othello when he is speaking to the royal family in Venice, because Othello is a Moor, or a Negro. Iago shows his black hatred for the Moor and his jealousy of Cassio in his first soliloquy and also reveals his evil intentions.
There are many references in the play to indicate that Othello was dark colored. The first image we, as a reader, are given of Othello is that of a black ram having sexual relations with Desdemona (1.1.89-90). Later on in the play, there are many other references to Othello's color and race. Desdemona's father, Brabantio, is appalled to learn that his daughter is having a relationship with a "sooty bosom" (2.3.27). Emilia refers to Othello as a black devil (5.2.132). Othello even calls himself black (3.3.265). Iago also...
Each point is explored further into Iago’s manipulation schemes and will analyze the nature of evil portrayed throughout the play. Shakespeare Othello was an act of many evil traits, including betrayal, manipulation and jealousy. Evil can be described as an act of someone who causes grievance, destruction, or impairment for one's own satisfaction; Iago, unquestionably, fits the description. Othello represented these traits through his character, Iago, as he reveals his true nature of evil by diminishing people's lives and becoming the downfall of many people around him. “Hell and night/ Must bring this monstrous birth to the world’s light” (I, iii, 394-396).