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How important is style in writing
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Humans have a reputation for wasting things: time, money, resources, and even words. When wasted words begin to distract from writing, it is called clutter. In “Clutter”, William Zinsser utilizes figurative language, ethical appeals, and arrangement to reveal the creep of cluttered language into writing and to persuade writers to avoid it.
Zinsser’s use of figurative language introduces the topic while revealing that clutter does more harm than good. He begins the essay by comparing clutter to parasitic plants, saying, “Fighting clutter is like fighting weeds- the writer is always slightly behind” (155). With the comparison, he draws the audience, students of all ages that write formally, into the essay and makes the connection that cluttered
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language is as bad as those plants are. He also persuades writers that they need to fight cluttered writing as he compares it to weeds that must be pulled up over and over again to allow plants to grow. Like the other plants, writing must be free of unnecessary language to flourish. This idea is continued when he adds that overly descriptive words “are all weeds that will smother what you write” (157). This strips students of the common misconception that more is always better by saying that clutter smothers writing, killing it rather than improving it. He reveals the truth, that it is sometimes better to leave words unwritten, which allows the audience to make changes in their own writing based on their newfound knowledge. Armed with this education, writers will avoid adding unnecessary description in their own essays. Figurative language shows readers that complicated and unnecessary language is problematic, thus persuading them to remove it from their writing to fix it. The ethical appeals further the development of why clutter is harmful and should be avoided.
Zinsser points out that “Clutter is the language of the Pentagon calling an invasion a ‘reinforced protective reaction strike’” (157). This shows how crafty wording can hide the truth and deceive readers. It displays the manipulation that governments can perform with a little change of phrasing, questioning the ethics of lying to the public. This leads the audience to consider how they have been deceived and show them why clutter is bad from the reader’s standpoint. Another example comes when Zinsser writes, “His message was ‘leave it to Al’ though what he actually said was, ‘We must push this to a lower decibel of public fixation.’”(157). This shows how selective wording can have an impact on public perception and how the government uses this fact to keep people in ignorance. Writers then see how they are being kept in the dark because they have fallen into the trap of permitting clutter to continue. Because their use of clutter justifies the government’s and they can see how it is used negatively, they resolve to stop using flowery, unnecessary language. They realize how serious clutter can be as a weapon and cut their own writing down for clarity and concision to take this weapon away. These real-life examples of ethically debatable clutter continue to reveal the damage of cluttered language and show students why it must be stopped, pushing them to avoid it in their
writing. The purposeful arrangement of examples of clutter shows readers how clutter came into language and how it can be removed. Initially, Zinsser uses parentheses to show examples of every-day usage of clutter, as in “They were saying ‘currently’ (‘all our operators are currently assisting other customers’)” (156). This shows writers how prevalent clutter is in common usage and teaches them to recognize it. By doing this, he gives them the first step to removing it from their own writing, making them more willing to put in the effort to do it. As he continues, he uses the parentheses to show examples of solutions, listing “‘assistance’ (help), ‘numerous’ (many), ‘facilitate’ (ease)” (157). This continues to help writers recognize unnecessary language, but also shows them how to resolve it. While the first round of parentheses gives examples of errors, the second gives corrections to these errors, in that order. This takes readers through the process of removing clutter, step-by-step, and encourages them to enact it on their own. Educating the audience on how to solve the problem makes it easier for them to fix it, thus motivating them to unclutter their writing. The solution is presented to them and students then go and enact the changes in their own writing. By arranging examples in a way that gives students the exact tools they need to remove clutter, Zinsser gives one last push to persuade writers to avoid unnecessary descriptors. With the use of figurative language, ethos, and arrangement, Zinsser shows exactly how common and threatening clutter is to persuade writers to take it out. Although it can be hard to conserve time, money, and resources, a little bit of work can ensure that words are the one thing that don’t go to waste.
“Unteaching the Five Paragraph Essay” by Marie Foley demonstrates how a five paragraph essay formula disturbs the thought process of the students and limits what they can write. A five paragraph essay is an introduction with the main idea, with three supporting topics showing the relationship to the main idea, and a conclusion summarizing the entire essay. Foley argues that this formula forces students to fill in the blank and meet a certain a word limit. She noted that this formula was intended for teachers in the education system to teach an overcrowded class how to write. While it is beneficial for the first-time students learning how to write. In the long run, this standard destroys any free style writing, new connections between a topic,
However, “The Coddling of the American Mind” is not an informative piece, as it is filled with opinions and methods of emotional persuasion towards the author's belief upon the topic. The rhetorical device pathos is abundant towards the end of the article where the author is dependent on negative connotations and emotionally captivating statements in order to convey the idea that students should be aware of the potential to be offended and accepting of it as a part of life. Lukianoff and Haidt's negative vocabulary can be seen through words such as “Blaming” and “catastrophizing”; these words are synonymous with overreacting or the inability to accept and negatively impact the opposing side's argument about student anxiety. Negative connotative vocabulary alongside statements directed towards the reader's emotions such as, “In June, a professor protecting himself with a pseudonym wrote an essay for Vox describing how gingerly he now has to teach. “I’m a Liberal Professor, and My Liberal Students Terrify Me,” the headline
While preparing for one of his college lectures, Dennis Baron, a professor and linguistics at the University of Illinois, began playing with the idea of how writing has changed the world we lived in and materials and tools we use in everyday life. This lecture slowly transitioned into “Should Everybody Write?” An article that has made many wonder if technology has made writing too easy for anyone to use or strengthens a writer's ability to learn and communicate their ideas. Baron uses rhetorical strategies in his article to portray to his audience his positive tone, the contrast and comparison of context and his logical purpose.
Over the years, writing has been used as an art form, allowing people to write their thoughts. Though, the most torrential puzzle of writing is the reasoning behind the words on a page. The logic behind any piece of literature falls into categories of wants and needs. There are three essays to which these categories are explained in further detail with more depth. Firstly, “Not So Deadly Sin” which focuses on the act of lying and exaggeration.
In the essay “From Ancient Greece to Iraq, the Power of Words in Wartime” by Robin Tolmach Lakoff, Lakoff discusses the fact that words are a tool as well when it comes to wars. She talks about the differences between our natural want and ability to kill things, and the mental training soldiers receive to make it easier for them. Lakoff talks about the practice of dehumanizing the “enemy” through nicknames that make us feel superior then our foes, and the repercussions of using this type of language. In the essay by George Orwell, “Politics and the English Language”, Orwell talks about the decay of the English language, especially in political writings. He discusses the fact that when it comes to writing, political being the main focus, it’s
Pipher writes of her experience reading Twyla Hansen’s article that “encourages land owners to plant slow-growing shade trees” (439). “After reading Hansen’s article,” Pipher states, “I bought a sycamore” (439). Along with personal experience in the specific example, Pipher uses allegory to convey the effect of writing using a much more corporeal and understandable example. By using allegory, Pipher’s concept of the significance of writing is “dumbed down” to make it quite clear and understandable to even the least educated
To understand the appeal of the title as a narrative hook, the reader should consider the context in which it was written. Charen’s essay was written at a post-9/11 time when security was on the minds of everyone in the United States. With the interest of the reader piqued, she uses the rest of her essay to attempt persuade readers to accept her argument, primarily through appeals to logos, and language targeted for a conservative audience. For example, she says “if then” statements like, XXX.
In Patricia Limerick’s article “Dancing with Professors”, she argues the problems that college students must face in the present regarding writing. Essays are daunting to most college students, and given the typical lengths of college papers, students are not motivated to write the assigned essays. One of the major arguments in Limerick’s article is how “It is, in truth, difficult to persuade students to write well when they find so few good examples in their assigned reading.” To college students, this argument is true with most of their ...
Bigelow 's film defines the pro-government style of Bush/Cheney era policies on the War on terror, which promote Dan’s torture of terrorist suspects as being effective in finding Bin Laden. Beatings, sexual humiliation, and other forms of torture define the militaristic style of information extraction, which Zero Dark Thirty promotes as being effective and ethical in the political culture of the 2000s and into the 2010s. In contrast to this pro-government view, Zwick presents a film as a cautionary tale about martial law and the increased militarism techniques of torture, which were deemed unacceptable in the late 1990s. This anti-government point of view illustrates the arrest of General Devereaux as a war criminal arrested by Agent Hubbard. However, both of these films project the War on Terrorism in American policy as being overtly militaristic in large-scale military operations and procedures to catch individuals in small terrorist cells. These are the similar and differing aspects of the pro-government and anti-government depictions of the War on Terror that have been examined in Zero Dark Thirty (2012) by Kathryn Bigelow and The Siege (1998) by Edward
Author, Joan Didion, in her essay, On Keeping a Notebook, expands the importance of keeping a notebook. Didion’s purpose is to elucidate why having and using a notebook is essential and give examples of how to keep one. She adopts a forthright and didactic tone in order to emphasize notebook keeping with her audience. Didion provides rhetorical question, flashbacks, and the use of pathos to support the purpose of writing her essay.
The two essays, Splintered Literacies and Writing in Sacred Spaces, both revolve around the inherent “why” of storytelling. Each addresses a different facet, with the former delving into how the types and varieties of writing we experience affect our identities. Meanwhile, the latter explores the idea of thought concretization. Humanity developed writing as a tool to capture the otherwise intangible. Whether belief or abstract concept, the act of putting something in writing creates a concreteness, trapping the thought in a jar like a firefly. The thoughts and ideas we manifest onto the page or into the air give life to our knowledge, perpetuating its’ existence.
Schakel, Peter J., and Jack Ridl. "Everyday Use." Approaching Literature: Writing Reading Thinking. Boston: Bedford/St. Martin's, 2008. 109-15. Print.
Any craftsman knows that you need the right tools to complete a project successfully. Similarly, people need the right language and usage to communicate in a positive way. How people write is often a problem because they don’t have the right tools, but a bigger problem occurs when a writer “is almost indifferent as to whether his words mean anything at all” (592). If a writer carries this mentality, why try to communicate in the first place? People need...
Ong, Walter. “Writing is a Technology that Restructures Thought.” Writing Material. Ed. Evelyn Tribble. New York. 2003. 315-335.
Another purpose for writing is to inform. Information is power. In today’s society people need a lot of information to perform, thus making information qui...