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Heart of darkness symbols and symbolism
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According to psychoanalytic psychology, humans connote light images with white, bright, clean, whereas darker counterparts link to murk and danger. Joseph Conrad thoroughly explores this phenomenon in Heart of Darkness, by way of Marlow’s journey through the nature of Africa as well as the nature of humans. Conrad’s dark and light are not hues or feelings- rather, they symbolize the divine wilderness of Africa and the cruel fluorescence of human rapacity and imperialism.
The African wild jungle is a vined, shady representation of the equally tangled and unexplored darkness of the human soul and psyche. Nearly a century after Conrad, psychologist Carl Jung toured Africa and expressed equally racist and eloquent ideas about it: “the journey from the heart of Africa became for me a kind of drama of the rebirth of light” (274). Likewise, Marlow experiences the dark continent and finds the darkness of the jungle to have a maddening effect on white Europeans, notably Fresleven and Kurtz. In this way, Heart of Darkness features the author’s own experiences: “he [Conrad] suffered psychological, spiritual, even metaphysical shock in the Congo, and his physical health was also damaged…” (Joseph Conrad). Still, the dark jungle burns bright with vitality “all that mysterious life of the wilderness that
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However, Kurtz’s character manifests as a fiend, superego and ego taken over by the id. This is shown in Kurtz’s unsteady postscript, ‘Exterminate all the brutes!’. Marlow describes the sentiment as “luminous and terrifying, like a flash of lightning in a serene sky”, establishing light with a very negative idea (Conrad 92). At that point, Kurtz is no longer a multitalented hero of the Congo, rather its power and profit hungry overlord. He is a formerly bright soul, rendered effete by the negative effects of
The most obvious contrast found in Heart of Darkness is between that of light and dark. In the beginning of the novel when the sun set upon London, the city began to light up yet the narrator describes the light as a "lurid glare under the stars" (Conrad 6). The lights from the city illuminated the Thames River. Because London is described as being light, the light then symbolizes civilization, or at least Conrad's view of civilization. Conrad's view of civilization is one of great despise. Civilization is a place where evil is ever present but ignored and people believe they know everything. The light is the knowledge that we have gained through exploration and the civilizing of places that have not yet been civilized. In contrast there is the darkness. Represented in the novel by Africa and the Congo River, the darkness is the evil that lurks in the unknown. The darkness is full of savages and cannibals. It is the uncivilized and uninhabited part of the world where people eat people and the savages lurk in the trees and in the darkness. Africa is the "heart of darkness," the place where man's inner evil is brought out in the open and is displayed through their thoughts and actions, such as those on Marlow's boat, letting the bullets fly into the jungle without reason or need.
In Heart of Darkness, cultural identity and the dominance of the European, white male is constructed and asserted through the constructions of the "other", that is the African natives and females, largely through language and setting. Thus, while claims of Conrad's forwardness in producing a text that critiques colonialism may be valid, Heart of Darkness is ultimately a product of it's time and therefore confirms the contextual notions of difference.
Kurtz is introduced as a respectable and powerful man because he is known for his wisdom and his nobility. His mission in the Congo is to save the natives from their barbaric way of life and make it more similar to the European, through colonization. He believes that in order for his plan to work he must present himself as a confident god-like leader “…must necessarily appear to them [savages] in the nature of supernatural beings – we approach them with the might as of a deity.” 1 In order to control the situation, the natives must relate to them, and trust them. However, as Kurtz gains more power over the natives he gets blinded by it, instead of civilizing the natives by stripping away their primitive ways, he dehumanizes them, and himself too. Kurtz does not understand how the natives live, and does not try to, therefore making him seem ignorant, which is ironic to the character he is known to be. He trusts in colonization, where the natives should mimic the European culture. His renowned success in the company; consequently convinces others that his actions are moral, however it creates a shadow that prevents...
Joseph Conrad uses his novella Heart of Darkness to critique the consequences of European imperialism in Africa. Conrad himself was a sailor for over twenty years and saw the sights of the Congo firsthand in his experiences. He observed the exploitation and mistreatment of the natives by the Europeans and was appalled. He uses his writings to criticize this practice and expose the harsh realities caused by European nations such as Belgium colonizing in Africa during the 19th century. Conrad also comments on race and gender in his writing. With the words and phrases that he uses, the reader begins to understand the European countries and the African countries as two separate worlds. Africa becomes synonymous as a place of bestiality and savagery
Zhao, Jiping. "The Tragedy of Kurtz--An Analysis of Kurtz in Heart of Darkness." Asian Social Science 4.6 (2008). Ccsenet. Web. 19 May 2014. .
Joseph Conrad's Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it, displayed by the domination, torture, exploitation and dehumanization of the African people. Conrad often emphasizes the idea of what is civilized versus what is primitive or savage. While reading the novel, the reader can picture how savage the Europeans seem. They are cruel and devious towards the very people they are supposed to be helping.
“ The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much.” (Conrad 65) So stated Marlow as though this was his justification for ravaging the Congo in his search for ivory. Joseph Conrad’s Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it as is evidenced by the domination, torture, exploitation and dehumanization of the African population. Heart of Darkness is indicative of the evil and greed in humanity as personified by Kurtz and Marlow.
"I don't want to bother you much with what happened to me personally,' [Conrad] began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would most like to hear" (Conrad, 9). Heart of Darkness, Joseph Conrad's best-known work, has been examined on many bases more than I can possibly list here, but including imperialism, colonialism, and racism. I would reason that all bases of analysis are perfectly acceptable through which to critique Conrad's novella, or any piece of writing. I would reason this, were some of these bases mainly, racism not taken to an extreme level. In arguing racism, many critics seem to take Heart of Darkness as Conrad's unwavering view on Africa, Africans, life, or whatever else one may please to take it as. I, therefore, propose that Heart of Darkness be taken for what it truly is: a work of fiction set in late 19th century Europe and Africa.
Heart of Darkness by Joseph Conrad is one of the most widely recognized and acclaimed novellas written. But with fame and recognition comes controversy, which is clearly demonstrated by the broad interpretations of the book. Many people believe Heart of Darkness is racist, while others believe the book is perfectly civil. Chinua Achebe, one of Africa's most renowned novelists, strongly believes that the book is dehumanizing and racist; I agree with him, to a certain extent. Three of the most prominent ways that Achebe discusses Conrad’s racism is by the way the African people are portrayed, the African culture, and the comparison of Europe to Africa.
In Joseph Conrad’s novella, The Heart of Darkness, Conrad uses doubling patterns of opposition such as light and darkness, or white and black, to display and further emphasize the deceptive nature of man within the story. However, Conrad unexpectedly creates an inversion of the traditional definitions of light and dark, creating a work that establishes a theme where not everything is as it seems. Conrad uses physical locations to show the contrast between the two. Through the actual characters of the story, almost every white man, with the exception of Marlow, is portrayed negatively through such imagery. C Through his inversion of the definitions of light and dark, Conrad effectively goes to show that the white men can, at times, be more savage than the natives.
In “An Image of Africa: Racism in Conrad's Heart of Darkness," Achebe takes note of the ways that Conrad degrades Africans by reducing their religious practices to misconceptions, belittling their complex geography to just a single mass of jungle, telling them to remain in their place, and taking away their capability of speaking. Achebe criticizes Joseph Conrad for his racist stereotypes towards the people of Africa. Achebe also sensibly labels these stereotypes and shows that Africa is, in fact, a rich land full of intelligent people who are, in fact, very human. Works Cited Achebe, Chinua. JSTOR.com - "The New York Times" Indiana University Press, 1978.
Educated people reading Conrad's novel should understand the differences between the past and the present, and be forgiving of his language. The deeper the expedition progressed into the center of the continent, the more isolation was felt by the crew. In a sense, Central Africa IS the antithesis of Western Europe -- it lacks not only the hectic urban structures but also the Social Darwinist attitudes of the time. It is in this remote environment that man must face his true self without any illusions, and the darkness of the human soul is apparent. The uncivilized environment may mock western civilization's refinement, but this is not derogatory towards the jungle, but rather an eye-opener to the European audience.
Achebe argues that the racist observed in the Heart of Darkness is expressed due to the western psychology or as Achebe states “desire,” this being to show Africa as an antithesis to Europe. He first states Conrad as “one of the great stylists of modern fiction.” [pg.1] He praises Conrad’s talents in writing but believes Conrad’s obvious racism has not been addressed. He later describes in more detail that Conrad’s “methods amount to no more than a steady, ponderous, fake-ritualistic repetition of two antithetical sentences.”
Joseph Conrad's novel Heart of Darkness portrays an image of Africa that is dark and inhuman. Not only does he describe the actual, physical continent of Africa as "so hopeless and so dark, so impenetrable to human thought, so pitiless to human weakness" (Conrad 94), as though the continent could neither breed nor support any true human life, but he also manages to depict Africans as though they are not worthy of the respect commonly due to the white man. At one point the main character, Marlow, describes one of the paths he follows: "Can't say I saw any road or any upkeep, unless the body of a middle-aged negro, with a bullet-hole in the forehead, upon which I absolutely stumbled three miles farther on, may be considered as a permanent improvement" (48). Conrad's description of Africa and Africans served to misinform the Western world, and went uncontested for many years.
Joseph Conrad’s novella, Heart of Darkness, was written in the year 1902, a time of modernist literature. Heart of Darkness talks about the problems with alienation and confusion as much as it does about imperialism. In the early 1900’s, the lifestyle in England veered towards the Victorian values. Conrad’s novella makes a bridge to connect the Victorian values with the ideas of modernism. Thus “it belongs to a period of change.”(Sardar) For example, the natives are following in the footsteps of their predecessors, following a life of tradition, and their ideas of life are constantly being attacked by people like Mr. Kurtz who think they are doing what is best, when in reality they are creating more confusion