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Claudius essays
Characterization of claudius
Two sides to claudius
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The portrait of Claudius as Jupiter is a marble statue that was made during the Roman Imperial period from 42-43 AD. It is currently on display at the Musei Vaticani in Rome as it stands as a larger than life-size portrait. The original location of this portrait was Olympia, Rome. Although we know that Claudius commissioned this portrait, the sculptor remains unknown. The purpose of this statue was to imply Claudius’ divine connection to Augustus and
After the defeat of Carthage and the Gaul the Roman generals began to vie for power. Even after the murder of Cesar was retaliated the fighting would not end. It was only after Anthony and Cleopatra were defeated that a certain peace settled over the Roman provinces. The man responsible for this peace is Octavian, who is later known as Augustus (Roman Empire, 2002). To honor his many achievements a statue of him was made after his death. Using the contrapposto pose, the all-around relief, various symbolic shapes Polykleitos, the artist of this statue, creates an inspiring image of the great
Claudius’s Decision to Invade Britain in AD43 as Motivated by a Desire to Emulate Julius Caesar
In regards to subject matter, both pieces of sculpture are of leaders, Mycerinus and Kha-merer-nebty II were the pharaoh and queen of Egypt around 2500 BCE., and Caesar Augustus was the Emperor of Rome from September 23, 63 BCE to August 19, 14 CE., shown in this work as a general from Primaport, Italy.
An Exploration of the Ways Shakespeare Presents the Character Claudius From Claudius’s first speech the audience gains the impression the character is political and educated. Shakespeare uses metaphorical language to emphasis this. Claudius’s first speech in the script is full of metaphorical language, and it shows a manipulating, persuasive character who can convince a kingdom that it was perfectly acceptable for him to marry his brother’s wife just a few weeks after his death. It is the language Shakespeare has chosen to give Claudius that can convince others that he is morally correct. He uses imagery of facial features to represent the kingdom as one body.
Claudius was a significant ruler of the early Roman imperial era. He reigned from AD 41-54. He was easily influenced by those with questionable agendas, such as his last two wives and his freedmen, yet his principate was deemed successful. His expansion of the empire, his new reforms and his control over the senate were all beneficial to the state and and his rule was one which paved the way for those who ruled after him.
In the Ancient Middle East, the Roman time periods brought about many different works of art. The Votive Statue of Gudea, an Ancient Near Eastern work, and the Augustus of Primaporta, a Roman work, are good representations of art from their respective time periods. The two works have many similarities and differences within their formal elements, iconography, and historical significance to the time periods in which they were crafted. The Votive Statue of Gudea and the Augustus of Primaporta have similar formal elements through their subjects and differ through their styles and size. The Votive Statue of Gudea is a statue of Gudea, a ruler in the Ancient Near East.
Publius (Gaius) Cornelius Tacitus was a Roman historian and senator who wrote several historical documents, including some discussing ancient Britain. In approximately 98 CE, Tacitus wrote a particular document called, “Galgacus: On Roman Imperialism,” which focused on a speech supposedly delivered by Galgacus, a Briton military leader. If Tacitus in fact did write this speech celebrating the Britons and calling them to fight for freedom, why would he use Galgacus’s name? Firstly, Tacitus was a Roman senator who witnessed imperialism’s negative impact so he imagined this speech to criticize the Roman Empire’s barbarism without incriminating himself. Secondly, this speech celebrates the Britons while demonizing the Romans, which again, would be dangerous to claim as one’s own. Finally, by being a historian, Tacitus was interested in recording the past, so through this speech, Tacitus preserves a history that would have been lost otherwise. Clearly, from the reasons behind using Galgacus’s name and the words he uses, Tacitus did write this speech, and an analysis of the work will show this. Analyzing the words Tacitus uses will also highlight his authorship, but they also provide readers with an insight into both societies.
Claudius letter to the Alexandrians was a valuable piece in Roman history that has given a personal insight into the social and political scene of Alexandria. Much has been said about the Jewish people of Alexandria, the most influential, as well as the most outspoken people in the community. Yet, the principal problem, which has provoked the publication of violent riots is the civic status that surrounds the Jewish people. While Claudius first discusses the statues, monuments, and temples that were given in his honor, he goes on to give his thoughts concerning the Jewish and Greek communities in Alexandria. From his decree we can infer that
When first looking at George Washington by Horatio Greenough first thought that came to mind was Roman Art! George Washington by Horatio Greenough is a unique piece looking much like many Roman sculptures you may have seen, but upon the statues shoulders dawns George Washington’s signature non-smiling, tightly clenched face. From the neck down you’d never think that this sculpture wasn’t created in the liking of our first president George Washington, but more that of a god like Jupiter. With his bare chest exposed and muscles chiseled, you’d think George Washington was a statue of a god if his face wasn’t so recognizable. With his face determined, brows lifted and his eyes always looking at you at whatever angle, this statue surely grabs your attention.
He discusses that Roman statues appear greatly similar to those of Ancient Greece, both in material and in style. The statues both from Greece and Roman Republic were made from slabs of marble and bronze. In both cultures, portraits were used as expressions of honor to both the living and the dead. They were often used in funerary spaces and sanctuaries. Stewart supports the same principle that the other critics have stated, that portraits and statues were used primarily by the wealthy and elite members of the republic. They decorated the public spaces of the people, as a reminder of leadership within the community and as a way to honor the authority’s power. Imperial portraits were used as a symbol of devotion and established the presence of a powerful empire, bringing the devotion towards the emperor
William Shakespeare’s Hamlet revolves around Hamlet’s quest to avenge his father’s murder. Claudius’ first speech as King at the beginning of Scene 2, Act 1 introduces the themes of hierarchy, incest and appearance versus reality and plays the crucial role of revealing Claudius’ character as part of the exposition. The audience is left skeptical after Horatio’s questioning of King Hamlet’s ghost in the first scene of the play. By placing Claudius’ pompous speech immediately after the frightening appearance of Hamlet’s ghost, Shakespeare contrasts the mournful atmosphere in Denmark to the fanfare at the palace and makes a statement about Claudius’ hypocrisy. Through diction, doubling and figurative language, Shakespeare reveals Claudius to be a self centered, hypocritical, manipulative and commanding politician.
“The serpent that did sting my father’s life / Now wears his crown.” (Hamlet 1.4.38-39). In the play Hamlet by William Shakespeare, the protagonist Claudius is an evil and cunning villain. Shortly after the king of Denmark dies rather suddenly his brother Claudius took over his position as king. Claudius married his wife and instantly gained access to all his wealth and power. There was no evidence to suggest that the king had died of anything other than natural causes except for what a ghost told his son Hamlet. The ghost of the king told Hamlet that he had been murdered and betrayed by his own brother Claudius, the one person that he trusted the most. Hamlet vowed to take his revenge on
King Claudius, as illustrated in Shakespeare’s Hamlet, displays both charm and eloquence. Claudius is an intelligent person and is able to deceive people into believing he is innocent and morally guided. He is adept at manipulating people in order to advance and maintain his own power and fails to show any remorse for his actions. Claudius utilizes his linguistic skills to portray himself as an innocent and prudent leader; however, upon further inspection his diction is a mere smoke screen that hides his manipulative and cunning nature.
William Shakespeare's Hamlet is a play that tells of a young man, Hamlet, who wanted revenge for the death of his father. After speaking with his father's spirit, Hamlet was led to believe that the person who murdered his father was his uncle, Claudius. Claudius kills his brother mainly because of jealousy, the crown, the queen and a hatred of his brother. Therefore Claudius is guilty of the murder of his brother.
Here, we will be looking at a rendition of the high marble statue of Augustus Caesar known as “Augustus of Prima Porta.” Originating from 1st Century A.D., it is said that there is a possibility that the original sculpture could have been of greek descent. Upon a general overview of the sculpture, one can see that Augustus fulfils a millitarial role of some kind. From his very stance to the garments portrayed on him, Augustus is draped in a decorative cuirass and a tunic, accompanied by a figure of Cupid clutching on to his right calf. After taking the general themes of the work into account, one can then began to start unraveling the many symbolic elements embedded into the sculpture that allude to godly themes. Starting from the crown of his head, the very chiselment and structure of his face gives the work a youthful element to it, even though some say that Augustus was around 40 years old. A recurring theme within Greek and Roman culture is the matter of godliness and immortality amongst idolized figures themselves. This idea is usually depicted by displaying powerful human being in a younger light. This