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How have zombie movies evolved over time essay
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I have determined that there are three different types of zombie movie. First, the movies that showcase the slow, but still startling zombies, like Night of the Living Dead. Night’s “zombies are slow, the humans just get themselves into trouble by reacting stupidly, or not paying enough attention to the problem.” (G.A. Romero) Next, films like Shaun of the Dead, which portray the sometimes amusing but still creepy zombies. And finally, movies like Day of the Dead (2008) which introduce the completely terrifying, gravity-defying zombies.
Night of the Living Dead presents zombies that move slowly but deliberately toward their ultimate objective which is filling their appetites for human flesh. Zombie movies of this type are the basis of all zombie films since. Night's zombies do not appear to have any thought processes, they are only driven by the smell of food and the search for food. The zombies also provide the blood and gore sought after by the horror genre when they do manage to catch their victims. This basic instinctual functioning is what makes them scary. “Zombies can overwhelm you even if they’re slow, if you make mistakes.” (G.A. Romero) The zombies in this type of movie dealing with the undead do not compare to others in speed or strength, but George Romero says himself that ”[in my] zombie movies zombies are just an annoyance it is humans who are the problem.” (fearnet.com)
Stepping up the creepiness scale a bit further, we come to the “class clown” of the zombie movie genre. Shaun of the Dead and Zombieland. Shaun of the Dead’s co-writer and star says, “[our movie] makes fun of how people react in the event of massive social upheaval.” (S. Pegg) These films, while still displaying zombies on the hunt for brai...
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...to find a zombie movie that is right up their alley. It doesn’t matter if the zombies are infected and showing superhuman abilities meant to terrify even the most stoic of us all, there will always be another seat in the theatre waiting to be filled by the next zombie fanatic. Movies can show the zombies running, walking, or even tripping and it will all fall back on the gore factor that is ever present in each zombie movie category.
Night of the Living Dead. director G.A. Romero. screenplay J.A. Russo, G.A. Romero. 1 Oct 1968. web
Shaun of the Dead. director E. Wright. screenplay S. Pegg, E. Wright. 24 Sept 2004. web
Day of the Dead. director G.A. Romero. screenplay G.A. Romero, J. Reddick. 8 Apr 2008. web
Zombieland. Director R. Fleisher. Screenplay R. Rheese, P. Wernick. 2 Oct 2009. Web.< www.imdb.com>
Torie Boschs “First eat all the lawyers” appeared in Slate october 2011. Her piece was to reach out to horror fans and to explain to them why zombies are a great monsters in current media. Zombie fanatics who read this short essay will love her vast knowledge of zombies while others who still do not understand why zombies are horribly terrifying can get behind her argument. Bosch explains that the current zombie craze has to do with our current society and how white-collar workers would be left defenceless in a world over run with a rampant horde of zombies. While blue-collar workers can flourish in this current state as they have more skills suited for survival. Boschs essay uses rhetorical devices such as ethos, foil and satire to make her
Both White Zombie and “Dead Men Walking in the Cane Fields” represent the early zombie and both of them embody Cohen’s first thesis “The Monster is a Cultural Body” Both the story and the film have zombies and both of these works make their zombies appear scary with dead like characteristics, however the real reason why they are scary is that, at the time, they tried to change society and that scared people. The people that liked society the way it was didn’t want another group to gain power or righ...
In the article "Movies that Rose from the Grave" by Max Brooks, he delves deeper into the reasoning of where, why, and when zombie horror flicks
Max Brooks explains in his article ‘’The Movies That Rose From The Grave’’ [2006], that zombies and the supernatural forces have impacted and have become popular in the world today. The first main idea that Brooks points out is the way society has changed the meaning and glimpse for the supernatural creatures like zombies causing them to become increasingly popular. To support this zombie movies have changed from darkness and mystery to violent and bloodier scenes therefore making them more prevailing. The second main idea that is discussed by Brooks is how the media has helped to increase the popularity of zombies, vampires, ghosts. Highlighted by the author particularity both ‘’resident evil,
James Parker essay “Our Zombies, Ourselves,” informs readers that the zombie has almost outranked the vampire, and why they’re so popular. This undead monster originated from a Caribbean folk nightmare and was adapted over time by, the Halperin brothers, William Seabrook and George Romero and numerous others. Much like the vampire, zombies owe their fame to the progressiveness of technology, allowing them to consistently invade various media forms. The zombie has infested countless tv shows, movies, video games, and books, throughout the 21st century. Zombies themselves are soulless corpses who were regurgitated back into the world of the living. This making them rejects from the underworld, this presents the zombie as rejected yet inexpungable. What makes the zombie so popular, however, is that symbolizes everything that is rejected by humanity. “Much can be made of him, because he makes so little of himself. He comes back, He comes back, feebly but unstoppably” (Parker). The zombie represents humanity itself as well as what is rejected by humanity. Much like individuals today, the zombie is burdened by life’s demands, converting to nothing but a rotting, groaning human shell that stumbles through life without a purpose. The zombie is symbolizer of the real world, and all things irrepressible, whereas the vampire is a symbol of an alternate world and all things
There were many differences in the films. For example in the white zombie movie, the zombies were working zombies. The mill owner would use voodoo to control the zombies. Also these zombies were not aggressive at all, humans can walk among and not be attacked. Contrast to the white zombies the zombies from the night of the living dead, these zombies were aggressive. Therefore night of the living dead zombies were very aggressive and would attack humans and
As said in the previous discussion regarding the second chapter of Better Off Dead: The Evolution of the Zombie as Post-Human, zombies and their culture are examined and broken down in order to understand their motives for the progression of zombies globally. Through different perspectives from individuals based around the world, the discussion of the zombie culture debates over the idea that zombies have not just evolved within the narratives that have brought them to life, but they have evolved in such a way that ultimately transforms the narrative itself. However, in this specific chapter, “They are not men.they are dead bodies!” : From Cannibal to Zombie and Back Again, Chera Kee breaks down the introduction of zombies into mainstream consciousness, and eventually cinema.
The zombie race is very different. It doesn't not have many abilities and is not advanced like humans. Their behavior patterns are different. They cannot stand cold or winter weather. Their behavior is very different and difficult to calculate. They usually stand around lingering and waiting to attack when they hear something. They follow noises.Some abilities that they do have is that they have excellent hearing and can walk but aren't blind.The also can smell human blood. Zombies are generally weak but don’t underestimate what they can do to a human.
George Romero's reinvention of the zombie in night of the Living Dead (1968) is clearly a critique of elements of the American society, and the film as a whole is easily twisted into a warped view on the 'American Dream'. Themes throughout Romero’s film, dealing with controversial topics during the time that the film was made, are still, to this day debated by critics and film historians. Themes of racism and war are defined within the movie, hidden underneath the idea of carnal, cannibalistic zombies and over the top heroes who, eventually, succumb to the reanimated; despite their every effort. These themes are colored over and painted to hide beneath subtle references to the typical American Dream during this time, and Romero does quite the good job at it too. This dream, whilst continuously changing in the everyday lives of modern Americans, can be loosely defined as a national ethos of the United States, or a set of ideals dealing with freedom and the opportunity for success - an upward social status that can be achieved through hard work and effort.
We crave horror movies simply for “the fun of it” in agreeing with Stephen King Why We Crave Horror movies. King gave multiple examples in his story as to why we crave horror movies and I can agree with just about each and every one of them. After watching a few horror movies for yourself, you will understand why it is easy to agree with King. If you have watched movies such as the 2004 movie Dawn of the Dead, The Purge, or The Conjuring you will also be able to relate to Chuck Klosterman My Zombie, Myself “Zombies are just so easy to kill.” Klostermans theory of zombies are extremely useful because it sheds insight on the difficult yet exciting problem of zombies in the real world. Klosterman’s argument that the repetition of modern life is
Zombies have become very popular due to their depictions of being easy to kill and being communal. Zombie apocalypses are also very relatable due to the fact that they are set in lives similar to our society and seem easy to overcome. Zombies, themselves, can be identified with because we see ourselves when we look at a zombie. Zombies drudge on through the same task of finding human flesh to consume every day just like we drag ourselves to either class or our job in order to sit through another boring lecture or perform the same menial task every day. Just like the zombie, R, in the book, Warm Bodies, said, “I am Dead, but it’s not so bad. I’ve learned to live with it,” we have learned to succumb to our daily routines and just live with
Natural Born Killers. Dir. Oliver Stone. With Woody Harrelson, Juliette Lewis, Tommy Lee Jones, and Robert Downy Jr. Warner Bros., 1994.
In Night of the Living Dead, the zombies were eventually eliminated. Or were they? Theorists argue that the monster’s elusiveness is due to its physical, psychological and social characteristics that cross the lines of classification. Human’s innate fear of the unknown is due to their inability to make a distinction or draw a clear conclusion. This is explained further in Jeffrey Cohen’s second thesis in “Monster Theory” that claims that; “the monster never escapes” (Cohen, 14). The zombie as a monster can never be destroyed completely and if it is, it leaves a remnant the make people feel uncertain of its destruction. Base on Cohen’s theory, the zombie’s different interpretation allows it to emerge in other forms (a faster, smarter zombie?)
In the article, “A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism” by Sarah Juliet Lauro and Karen Embry, the authors’ evaluate the idea of the zombie and its connection to capitalism and post-humanism. According to the authors, the zombie represents much more than just a fear, it represents a loss of oneself to many different things, primarily to a capitalist society. The authors have come to the conclusion that humans have a fear of what they cannot control, and that is why the zombie is so big in entertainment. We see zombies everywhere, in movies, books, tv shows, fundraisers, marathons, and so much more. They have been around for decades, but recently they have become very popular. The authors believe this is
I also love these movies for the butt-kicking leaders of the movie .The first horror movies I watched ever was Resident Evil It was playing in my parent’s room as I was walking through, probably doing some random 6 year old stuff. Then the movie caught my attention because it just started. There wasn’t much at first, especially at the time I didn't understand much in general; so I was about to leave the room. Then “bang” out of nowhere and zombies start popping out, and this one chick in the movie is kicking all the zombie butts. It’s pretty much movie about zombies that is like on steroids, and the main character, Alice, is immune to the virus; so then she uses that advantage and her fighting skills to save others from the apocalypse. Alice is just running and flying around everywhere blasting zombie guts everywhere. Those kind of scenes fire me up inside and makes my hype! King says that “ horror movies, like roller coasters, have always been the special province of the young” (King 358). It's very true that after a while you decline of horror movies are being watched by the increase of age pass 40. The movie The Final Destination, the fourth one in it’s series, just came out on DVD. My whole family was set to watch it; 20 minutes in the movie, just pass the catastrophic speedway death scene my parents said “ Nope, Nope