I’ve just finished the classic noir film “The Maltese Falcon”. PI Sam Spade is given what seemed to be a regular everyday investigation by a woman by the name of Ruth to find out what happened to her sister. The investigation turns into a tornado of accusations when Sam’s partner and the man that Ruth’s sister was with both get killed by an unknown suspect.
Set in a dark noir environment, the movie gives a very eerie feeling of impending doom. Private investigator Sam Spade has a lot on his plate when his partner is killed on the job and the police start pointing fingers at him. Sam decided to get to the bottom of this himself and does some of his own investigating. He later finds out that the woman who he thought was named Ruth Wonderly is actually named Brigid
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O'Shaughnessy, who is the real murderer.
Brigid killed Floyd Thursby because they both were looking for the maltese falcon which is a one of a kind statue worth a lot of money. Sam gets contacted by a man who is known by the alias of “fat man” who is also looking for the falcon. Fat man believes that Sam has the falcon and offers him a large amount of money for it. Sam gets into a whole mess of trouble when he is knocked out with what is I’m assuming some type of poison of sedative after a meeting with fat man. At the time Sam didn’t have the falcon but later in the movie a man who had been shot takes his last steps into Sam’s office, carrying a large item wrapped in newspaper and packaging, inside was the maltese falcon. He meets up with fat man and his goons to try to negotiate the trade, the money for the falcon. They finally make the trade, but when fat man checks the authenticity of the treasure, it turned out to be a fraud and the real one was out there somewhere. At that point fat man and his goons scurry out of Sam’s apartment to go carry on with their search. Sam soon realizes that it was Brigid who
had committed the murders. Brigid pleaded with Sam, attempting to guilt him to keep him from turning her in. She proceeded to go off on Sam about how he never loved her and she was just a ploy. When the police got to Sam’s residence, Sam told them the whole story about Brigid, she’s put in handcuffs and walked to the elevator and that’s where the movie ends. From this movie, I learned that the right thing should always be done. Even when the circumstances are chaotic. Sam had the chance to have a lot of money and love, but he did the right thing and turned them both down. No price can pay for a guilty conscience. This film is rated PG, although it may appropriate for a vast amount of people, I wouldn’t recommend it to a crowd without a mature mind. I’m 18 years old and it still almost sent me to dreamland. I could imagine a 10 year old boy wouldn’t understand a single thing going on in the whole movie. So an older crowd would definitely appreciate it more than the youngsters.
The genre film noir has some classical elements that make these films easily identifiable. These elements are displayed in the prototypical film noir, Billy Wilder’s Double Indemnity. These elements include being filmed in black and white, a morally ambiguous protagonist, and a prominent darkness. However, the most striking part of a film noir is the femme fatale, a woman who craves independence through sexual and economic liberation. In his film, Chinatown, Roman Polanski uses many of the classic elements of a film noir, however he twists many of them to reflect the time period. This is particularly evident in his depiction of his “femme fatale,” Evelyn Mulwray.
The main protagonist of the film, Scotty Smalls, is introduced as a straight-A, friendless young boy who has just moved into a new neighborhood in new state. While
The film begins with Joseph, an Irish farmer, being removed from his land because he cannot pay rent. While mourning the death of his father he seeks revenge on the landlord who took his family’s land. This is where he runs into Shannon, a privileged
While there are many different ways to classify a Neo-noir film, Roman Polanski’s, Chinatown captures many. The 1974 movie consists of many of these elements, including both thematic and stylistic devices. One of the main themes of neo-noir film that is constant throughout the film is the deceptive plot that questions the viewers’ ideas and perceptions of what is actually happening in the film. Every scene of Chinatown leads to a twist or another turn that challenges the practicability of the film’s reality. All of the never-ending surprises and revelations lead up to the significant themes the movie is trying to convey in the conclusion of the film.
Saving Private Ryan Saving Private Ryan portrays the experiences of the mysterious Captain John Miller and his army ranger Squad. The story accurately depicts what could have happened to a comparable unit mission shown to have actually existed. No Saving Private Ryan character ever existed. Furthermore, it is unlikely that Saving Private Ryan’s mission ever would have been ordered. The mission shown is improbable because the United States Army sole survivor policy “is applicable only in peacetime.”
The character I chose to analyze on is Brigid O’Shaughnessy from the Maltese Falcon novel. Brigid is the main female character and her part in the story she is caught up in a murder mystery of a private investigator Miles Archer and the search for a priceless artifact known as the Maltese Falcon. Brigid went to Spade and Archer’s office under the name of Miss. Wonderly. She convinces Archer to track her boyfriend Thursby in the belief that Thursby is cheating on her, but Spade on the other hand does not believe her but he still sort of apply through her demands because he “believe her money”. After Archer’s death Brigid turns to the main protagonist Sam Spade, as there are evil and murderous men in town and they could kill her for a priceless artifact called the Maltese Falcon. However, it turns out that Brigid is a
The Pacific coast port city of San Francisco, California provides a distinctively mysterious backdrop in Dashiell Hammett’s The Maltese Falcon. Unlike many other detective stories that are anchored in well-known metropolises such as Los Angeles or New York City, Hammett opted to place the events of his text in the lesser-known, yet similarly exotic cultural confines of San Francisco. Hammett used his own intricate knowledge of the San Francisco Bay Area - coupled with details collected during a stint as a detective for the now defunct Pinkerton Agency - to craft a distinctive brand of detective fiction that thrived on such an original setting (Paul 93). By examining the setting of 1920’s San Francisco in The Maltese Falcon, it becomes apparent that one of Hammett’s literary strengths was his exceptional ability to intertwine non-fictional places with a fictional plot and characters in order to produce a logical and exceedingly believable detective mystery.
The cinematic techniques and postproduction actions can make or break a film. The two films showed in class so far are nearly polar opposites, both showing how a director can achieve or fail to achieve the status of “normal” story telling. The epitome of “normal” story telling and film noir, The Maltese Falcon directed by John Huston in 1941, shows how to use camera angles and post production techniques to keep the viewers engaged and on the edge of their seat. On the other hand, Freaks directed by Tod Browning in 1932, is considered a textbook example of how to make a movie confusing for an audience to follow. Both of these films clearly exhibit different cinematic techniques and postproduction edits, that make can either
The main character in the film is Andy Dufrain a banker who gets wrongly sent to jail for killing his wife after finding out she was "banging" another man. During the film Andy is the centre of many scenes of hope and despair. Many things happen to Andy including being raped several times. In one scene the hope meter hits rock bottom during Andy's first night a new inmate is killed.
The film chronicles the histories of three fathers, and manages to relates and link their events and situations. First is Mitchell Stephens and his relationship with his drug-addict daughter. Second is Sam, and the secret affair he is having with his young daughter Nicole. He is somewhat of a narcissistic character because of his preoccupation with himself and pleasing himself, and his lack of empathy throughout the film for the others in the town. Third is Billy, who loves his two children so much that he follows behind the school bus every day waving at them. Billy is also having an affair with a married woman who owns the town’s only motel. On the exterior the town is an average place with good people just living their lives. But, beneath all the small town simplicity is a web of lies and secrets, some which must be dealt with in the face of this tragedy.
It’s a dark and rainy night. Our hero is hiding behind a wall with a revolver in hand. A crack of light, illuminates half of his face. He’s shaking nervously because he only has one bullet left. He turns the corner, and a sudden gunshot hits our hero. Who shot him? None other than his partner, who’s secretly in love with the very same dame that our hero fell for. You can consider this an example of a classic film noir ending. Film noir is a term used in cinema to describe a visually styled crime drama. Where did it come from? What are the key elements in a film noir? Why did this kind of cinema emerge when it did? What affect did it have in the film world? And finally, where is film noir now?
The film opens with mass in a Boston Catholic church where two Irish American twin brothers Connor and Murphy pray while a sermon is read. As the preacher begins his homily the brothers approach the altar and kiss the feet of a crucifix. As they depart the priest reminds the congregation that they should fear not just evil but all the indifference of good men. Connor and Murphy work at a local meatpacking plant and while celebrating St. Patrick’s day in a neighborhood bar three Russian “soldiers” enter and order everyone to leave as their organization has decided to evict the pub. As a bar brawl ensues and the twin brothers embarrass the Russian soldiers the two brother’s later resolve to rid Boston of evil men with the help of their friend and former mob package boy. The brothers accidentally kill mafia thugs turn themselves in and are released as heroes. Trading in valuables and weapons stolen from the mobsters and with the use Connor’s knowledge of Russian they try to locate a meeting between Russian syndicate bosses at a local hotel. In a city where the mob has completely taken over two fraternal twin brothers try and rid the city of crime and restore its cultural values and norms by stealing from the rich and giving to the poor. Culture effects the
Mineral Springs police department, which consists of nine men, decides to lend the two detectives any resources they need concerning the murder. They basically follow a couple of bum leads, play a few rounds of golf, and soak up the peace and quiet of their surroundings.
The Maltese Falcon and Sherlock, A Study In Pink are indeed very different detective films. The Maltese Falcon came out in 1941 in the classic black and white. The use of rotary phones, elaborate fur scarves, classic fedoras and oversized trench coats dated the film to the fullest degree. Sherlock a BBC series that commenced airing in 2010, made use of special effects, it truly was a modernized film. In contrast to the rotary phones, the characters in Sherlock utilized cellphones and had the internet to aid in solving mysteries. In addition, to the obvious visible differences between the films, the characters, Sam Spade and Sherlock Holmes had many distinctive qualities.
This is a movie about a professional killer, or "Cleaner", named Léon played by Jean Reno, and his unlikely interaction with a 12-year old girl, Mathilda played by Natalie Portman. Mathilda's family is murdered by corrupt Drug Enforcement Agents (DEA) lead by Agent Stansfield played by Gary Oldman. Agent Stansfield, is portrayed as a drug addict, mentally unstable and an overtly violent and corrupt law enforcement team leader.