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Literature poverty essay
Essay on social class in the united states of america
Literature poverty essay
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The House of the Spirits and Uncle Vanya are two famous international literary works written within a century of each other. Despite the differences in time periods of which the two works were written, they both seem to convey the literary theme of class struggle between the poor lower class and the rich upper class elites. Both elaborate on the feelings of resentment and regret as a result of the hardships of life around them as demonstrated through hidden historical connections, literary devices such as parables and themes, and love reminiscences. Since the beginning of civilization, class struggle has existed not only as a result of economic conditions but societal conditions as well (Thirteen Notes on Class Struggle for Discussion). Many civilizations such as the ancient Romans have had a division of classes based on economic standing that affected how high or low one's position was in society. In the same manner, The House of the Spirits showcases the division between the poor lower class peasants, residents of Tres Marias, and the upper class elites, Esteban Trueba, known as the aristocracy. The division between the classes could be compared to the institution of American Slavery in which the upper class owned all the land, had all the wealth, and controlled everything concerning social and economic life while the slaves were uneducated, hungry, and did all the work on the land (Slavery in America). The quote, “Férula reminded him that on their mother's side they were heir to the noblest and most highborn surname of the viceroyalty of Lima. Trueba had simply been a regrettable accident in the life of Doña Ester, who was destined to marry someone of her own class, but she had fallen hopelessly in love with that good-for-not... ... middle of paper ... ...o be a message in literary works but can also be interpreted as a true event in society. It is a reality seen today that is not often peaceful due to the heavy burden of longstanding tradition and an unwillingness to adopt optimism as demonstrated in House of the Spirits. Owing to the unwillingness of the conservative patrons to accept change, bloody conflicts such as the military coup consisting of the killing of the Socialist president and the kidnapping, rape, and torture of Alba de Satigny often occurred. America today is believed to be drifting towards a society that is becoming dominated by a class-based system. There is no denying that there is a distinct separation between the upper, middle, lower, and downright poor classes in America. Unfortunately, it can only be hoped that individuals in reality learn from the messages that are presented in novels.
Social class has always been a controversial issue in America. This idea, that individuals are defined by their wealth, is explored by Jeannette Walls in her memoir, The Glass Castle. Walls shows, through a manifold of personal anecdotes, how growing up in a dysfunctional household with financially inept parents affected her and her siblings. Growing up in this environment, Jeannette was exposed to a very different perception of the world around her than those of higher social status. However, despite the constant hardships she faced, Walls makes it clear that a lower social status does not define an individual as inferior to those in a higher class.
The upper class lives far above the poor, causing the lower class to feel shame which then stimulates the desire to achieve equality and happiness which the American dream promises. The narrator, Esperanza, admits that when looking at the homes on the hill, "I am ashamed--all of us staring out the window like the hungry. I am tired of looking at what we can`t have." She feels self-conscious not only for her lack of money and house, but also because her family looks at these houses with such longing that their expressions are comparable to "the hungry." Since she feels that her family's income and means exists beyond the starving class, she does not want to look at the houses with an appearance of hunger. She feels ashamed for belonging to the lower class who can only look and admire the houses but cannot own them. Ezperanza no longer feels content with looking at the houses because she wants her own yet knows that at the moment, she cannot have it. In addition, Esperanza notes that "People who live on hills sleep so close to the stars they forget those of us who live too much on earth." The upper class lives on a metaphorical hill, near the stars and heavens because society raises up those with money. Because society places the wealthy on a pedestal or "hill" they become unaware of anyone other than those who live leisurely lives. They do not see the poor who struggle and work through the everyday hardships life throws at them. According to Esperanza, the poor live "too much on earth" signifying that they have experienced too many trials and tribulations yet have not spent anytime amongst the stars.
Within Isabel Allende’s The House of the Spirits Marxism is a significant theme and the
The dawn of the 20th century was met with an unprecedented catastrophe: an international technological war. Such a horrible conflict perhaps threatened the roots of the American Dream! Yet, most do not realize how pivotal the following years were. Post war prosperity caused a fabulous age for America: the “roaring twenties”. But it also was an era where materialism took the nation by storm, rooting itself into daily life. Wealth became a measure of success and a facade for social status. This “Marxist materialism” threatened the traditional American Dream of self-reliance and individuality far even more than the war a decade before. As it morphed into materialistic visions (owning a beautiful house and car), victims of the change blindly chased the new aspiration; one such victim was Jay Gatsby in The Great Gatsby. As his self-earned luxury and riches clashed with love, crippling consequences and disasters occur. F. Scott Fitzgerald’s The Great Gatsby delves into an era of materialism, exploring how capitalism can become the face of social life and ultimately cloud the American Dream.
Classes in colonial Latin America are most commonly viewed by social standing or by ones wealth. The different levels of classes had their honor to defend. Social expectations needed to be defended. The family within a class also had a certain honor to defend. Any actions that would defile a family member would defile the honor of the family. The status of the family within the class would be on the line.
Marxist criticism leaves society thinking that dominant classes overpower social order. However, its goal is to present ideas of changing social realities, so future generations will know all people are important and equal. During the Victorian period, a Governess was faced with contradictory burdens leaving them uneasy with status imbalance. The governess is uncomfortable with the fact that she could be similar to the servants/ghosts, because she still feels that she is above them socially. Her desire to break out of the class structure, yet her inability to do so, shows her dependence on the structure. From her first moments at Bly or the “castle of romance”, she instantly feels the conflict between her emotional...
According to Raymond Williams, “In a class society, all beliefs are founded on class position, and the systems of belief of all classes …” (Rice and Waugh 122). His work titled, Marxism and Literature expounded on the conflict between social classes to bridge the political ideals of Marxism with the implicit comments rendered through the text of a novel. “For the practical links,” he states “between ‘ideas’ and ‘theories’ and the ‘production of real life’ are all in this material social process of signification itself” (133). Williams asserts that a Marxist approach to literature introduces a cross-cultural universality, ensuingly adding a timeless value to text by connecting creative and artistic processes with the material products that result. Like Williams, Don DeLillo calls attention to the economic and material relations behind universal abstractions such as aesthetics, love, and death. DeLillo’s White Noise brings modern-day capitalist societies’ incessant lifestyle disparity between active consumerists and those without the means to the forefront of the story’s plot. DeLillo’s setting uses a life altering man-made disaster in the suburban small-town of Blacksmith to shed light on the class conflict between the middle class (bourgeoisie) and the working poor (proletariat). After a tank car is punctured, an ominous cloud begins to loom over Jack Gladney and his family. No longer a feathery plume or a black billowing cloud, but the airborne toxic event—an event that even after its conclusion Jack cannot escape the prophecy of his encroaching death. Through a Marxist reading of the characterization of Jack Gladney, a middle-aged suburban college professor, it is clear that the overarching obsession with death operates as an...
The symbols that encompass the novel underscore the theme that the American Dream, corrupt and unjust, eventually concludes in anguish. Money, greed, and lust overtake everything in their lives to the point of nothing else being of importance. The characters in this novel lost themselves to a fruitless dream that eventually brought and end to the “holocaust” that embodied their lives (162).
The American Dream seems almost non-existent to those who haven’t already achieved it. Every character in the novel has moments of feeling happy and endures a moment where they believe that they are about to achieve their dreams. Naturally everyone dreams of being a better person, having better things and in 1920’s America, the scheme of getting rich is quick. However, each character had their dreams crushed in the novel mainly because of social and economic situations and their dream of happiness becomes a ‘dead dream’ leading them back to their ‘shallow lives’ or no life at all.
"Out of the rack and ruin of our gangster death,The rape and rot of graft, and stealth, and lies,We, the people, must redeemThe land, the mines, the plants, the rivers.The mountains and the endless plain—All, all the stretch of these great green states—And make America again!” The free America is actually not free, the words on the constitution are just words. The dream has fade away. All these hard working people, all of their bloods and tears had really make the 1 percent of the American’s American dream came true. The reality is such a chaos for the narrator. he has suffered so much from this reality, so he now wants to share his idea to all the readers and try to wake them up, this is not the America that want, this is not the society they want. The American dream does not exist.
In the 1920’s, people lived life however they felt like. Coming off a colossal war, many of the citizens believed they had this right. Examining humanity during this time period shows that groups of people fell into a hierarchy. By living life recklessly the high society class hurts others along the way. The people in the Valley of Ashes have lost all optimism. And the middle class which is portrayed as straightforward hard workers is left with self pride. After further social examination, the ranking of humans is purely based upon their wealth and status; breaking down into three classes of people. A high class made of money; a lower class in desperation … And a middle class is that the only societal group to have balance between work and play.
In the early 1900s, the American South had very distinctive social classes: African Americans, poor white farmers, townspeople, and wealthy aristocrats. This class system is reflected in William Faulkner’s novel, As I Lay Dying, where the Bundrens a poor, white family, are on a quest to bury their now deceased wife and mother, Addie in the town of Jefferson. Taking a Marxist criticism approach to As I Lay Dying, readers notice how Faulkner’s use of characterization reveals how country folk are looked down upon by the wealthy, upper class townspeople.
The "American Dream" supposedly allows everyone to climb the "social/economic ladder," if they wish to do so. Anyone that works hard is supposed to be able to move to a higher class. However, society often prevents social mobility. Social classes dictate who moves to a higher class and who does not. In the late eighteenth and early nineteenth centuries, this issue was especially prevalent. The rigidity of classes was often an underlying theme in many novels during this time period. For example, The Age of Innocence and The Great Gatsby both feature the exclusive nature of social classes as a motif. In both The Age of Innocence and The Great Gatsby, the rigidity of social classes and the desire for social mobility leads to the downfall of several
While venturing through the world of “A Tale of Two Cities” there are many practices seen throughout the book that would be unheard of in society and politics today. The book, written by the famous English author Charles Dickens, explains the story of people from both France and England and what part they took in the French Revolution. Some of these people, the aristocrats, were against the revolution because they wanted to maintain the form of government where they ruled over the people. If the revolutionaries won, the aristocrats would lose both their power and their wealth. This tension between people and clear class definition is a perfect example of how far both society and