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Antigone ismene character analysis
Reading on antigone the character
Reading on antigone the character
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Throughout the course of human events, unjust laws have been enacted causing members of society to infringe upon them. In Bradbury’s Fahrenheit 451 and Sophocles’ Antigone, such acts of civil disobediences are prevalent. In Fahrenheit 451, Guy Montag, a firefighter, lives in a book-banning society where his profession calls for him to start fires to burn books, rather than extinguish any flames. When Montag realizes his unhappiness in his life, he violates numerous laws hoping to transform society from its current state. In Antigone, the protagonist Antigone also breaks an unfavorable law that forbids the burial of her brother Polyneices, an alleged traitor, which ultimately leads to her own demise. Both Montag and Antigone commit powerful …show more content…
acts of civil disobedience; however, Montag’s motive is to revolutionize society, ending his discontent while the drive of Antigone is to honor her brother’s death out of love and from respect of the gods’ divine law. Both Antigone and Montage preform infractions against unfavorable and unfair laws. The protagonist Antigone violates Kreon’s law, which forbids Polyneices’ burial on the pain of death, to uphold the honor of the gods’ divine law, which states that every human is to have an honored burial. When King Kreon first decrees that Polyneices “will have no rituals, no mourners/ [and] will be left unburied so men may see him,” Antigone responds to her sister, Ismene, that “I will bury him [Polyneicies] myself/ and my crime will be my devotion,” conveying her stolid position to defy the king’s edict (Sophocles 240-1, 88-91). She also justifies her decision to bury her brother and break her uncle’s law by the fact that she will be honoring “the principles which the gods themselves honor” (Sophocles 97). Similarly, the protagonist Guy Montag infringes multiple laws and social conventions in his authoritarian society. At first, Montag’s acts of civil disobedience were minor as he “crushed the book with wild devotion…to his chest…and plunged the book back under his arm…[and] rushed out,” stealing it to add to his collection of almost twenty books from the back of the grille of the air-conditioning system” (Bradbury 41,69). However, these acts become more bold as Montag sneaks into a fellow fireman’s, Mr. Black’s, house and plants “the books in the kitchen”, “phone[s] the alarm”, and waits for the fireman to “burn Mr. Black’s house” (Bradbury 131-2). In addition, Montag also does not follow social conventions as he “walked out of the house into the rain” to go out on a walk and to properly think; he even “tilted his head back in the rain…and opened his mouth,” an act that would label someone as strange in his society (Bradbury 25, 28). The rebels from both texts each preform infractions against laws they personally believe are unjust. Though both of the rebels infringe unjust laws, Montag’s intention, in particular, is to revolutionize society, thus ending his discontent. After meeting a young girl, Clarisse, Montag realizes he is unhappy with his current state in life as he “recognize[s]… the true state of affairs” and discovers that “he wore his happiness like a mask and the girl [Clarisse] had run off across…with it” (Bradbury 16). In addition, Montag says, “I don’t know anything any more,” indicating that everything that has anchored him to reality and happiness is slipping away. When Clarisse rubs a dandelion under his chin, Montag realizes that he “is not in love with anyone,” revealing his discontent with even his personal relationship with his wife, Mildred. Alina Gerall and Blake Hobby, a pair of highly acclaimed writers, also corroborate his dissatisfaction by conveying that “His faith in the system fails, and he is forced to confront his own discontent,” meaning, Guy Montag has no choice but to act upon his misery. Consequent to realizing his unhappiness, Montag attempts to transform society by breaking many laws. One of the many extralegal actions Montag makes is when he conspires with Faber, an old professor, to drastically reform society by “print[ing] extra books and arrang[ing] to have them hidden in firemen’s houses all over the country…[and] turn[ing] in an alarm” (Bradbury 88). Not only does Montag’s plan show his willingness to take violent measures, but it also shows his strong motivation to eradicate the enforcers of his unjust society. His plan to eradicate the enforcers of his authoritarian society, notably Captain Beatty, is implemented when he “shot one continuous pulse of liquid fire on him,” and watched as the Captain was slowly charred to death (Bradbury 121). Montag’s final and most important act to revolutionize society is when he (armed with the knowledge of the Book of Ecclesiastes) allies with intellectuals of a passive organization whose purpose is “to keep the knowledge [books]…intact and safe… [until] the war’s over… [so] the books can be written again” (Bradbury 155). Again, Gerall and Hobby both agree that Montag combats social ills and revolutionizes society by “refus[ing] to uphold the rule of law, stops staring fires and burning books, and memoriz[ing] works of literature. Doing so, he works to preserve human culture”. In order to transform society, Montag preforms revolutionizing acts of civil disobedience. Antigone also preforms powerful acts of civil disobedience; however, it is done with an alternative motive: to honor her brother’s death and divine law out of love.
Antigone decides to betray Kreon’s law in order to honor the gods and their greater law. She says “you [Kreon], who are human/to violate the lawful traditions/the gods have not written merely, but made infallible,” defending her decision to bury the out-casted Polyneices because the law that prohibits it was not proclaimed by Zeus. When Kreon asks Antigone why she honors Eteokles (her other brother who also dies in the battle in Thebes) and Polyneices equally, she responds “Death is a god/who wants his laws obeyed,” corroborating the motive of why she upheld divine law over Kreon’s law (Sophocles 41). Even Haimon, Kreon’s own son and Antigone’s betrothed, supports Antigone by saying “the gods implant intelligence in humans/…that is the supreme one” (Sophocles 48). However, Antigone’s superior motive in giving Polyneices an honorable death is love. While conferring her plan with her sister, Ismene, Antigone tells her “He’s my brother an yours too/ and whether you will or not, I’ll stand by him,” indicating her love to her brother (Sophocles 22). In addition, Antigone is most direct with her intentions when she says “I am different. I love my brother/and I’m going to go bury him, now” (Sophocles 24). After Kreon asks Antigone why she dared to break his law, knowing the repercussions, she expresses that “if I had left my own brother stay unburied/I would have suffered all the pain I do not feel now,” further denoting her unwavering devotion to Polyneices even during her own conviction. Richard Emil Braun, an highly praised writer, also believes Antigone’s primary motive to bury her brother was love, as he says “The second burial of Polyneices shows that Antigone…did the deed, and not for money, but for love…Antigone was prompted by her love to fulfill a religious duty.” Civil disobedience to Antigone is
intimate because breaking a law for her, ensures safety and closure for her brother after death. Antigone and Montag are insurgents who commit acts of civil disobedience against laws they feel to be wrongful. Montag’s intentions is to transform society to bring himself content while Antigone’s motive is to honor her brother with her devotion and to uphold the gods’ superior law. Though both protagonists have different motivations for their infractions against the law, they both consequently end up fulfilling their intentions, as many revolutionists in history have done. These brave men and women of history break cruel, unwarranted laws that help them remain true to their core beliefs and change society for the better. As Martin Luther King Jr. once said “One has not only a legal, but a moral responsibility to obey just laws. Conversely, one has a moral responsibility to disobey unjust laws.”
In Fahrenheit 451 The government does not tolerate any violations of its rules, especially reading. When Montag is caught reading he is forced into a cruel and unusual punishment by Beatty,”Not with kerosene and a match, but piecework, with a flamethrower. Your house, your clean-up.”(Bradbury 109). This retaliation of going against the government is very harsh by making Montag burn down his whole house with everything in it because he chose to read.
Once Montag witnesses the unethical extent that the firemen would go through to destroy the existence of books, he realizes how corrupt and unjust the societal rules were. “He looked with dismay at the floor. ‘We burned an old woman with her books” (47).
Antigone sought to do what she perceived to be right and just, and had no fear of consequences nor no desire to try to negotiate or protest. Antigone simply did her part of doing what she in her mind felt was right even though it was against what she was strictly forbidden to do. Antigone used these tactics differently from Dr. Martin Luther King. Jr. Antigone says to her sister Ismene “To me it’s fine to die performing such a deed” (Antigone 22). The “deed” Antigone is discussing is the deed that was forbidden by Kreon. Antigone truly believes in civil disobedience of directly disobeying in order to fight for justice for her dead brother. Antigone also exclaims “What I shall suffer will be far less dire than dying from an ignoble death” (Antigone 24). To Antigone, honoring the Greek gods, her brother, and her family is more important than following an unjust rule. Antigone believes that dying from the consequences of civil disobedience is far more worth dying for than dying without having ever fought for a cause. When addressing Kreon, Antigone discusses that she in face knew of his proclamation but felt that honoring her brother, and the laws of the Greek gods was more important than standing idle to her brother being unjustly forgotten and watching his life not be honored after his death. She says that death for her punishment was a profit because she was doing
This made her sound increasingly emotional and sarcastic in the way she spoke to him, which made him less inclined to show mercy. Antigone, a defiant young woman, buried her brother with the sole purpose of doing what was just and moral. However, her decision caused an upheaval of problems as Kreon condemned her to death, and her sister Ismene was suffering now because she was going to lose yet another sibling. Antigone knew death was going to be an end result as she stated that, “You be as you think best, but I shall bury him.
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
“…a mere mortal, could override the gods, the great unwritten, unshakable traditions…These laws I was not about to break them… and face retribution of the gods.”(505-513) This provides a basis for Antigone’s hubris, her belief in God, standing for what is right, defying man’s rule. As the play progresses Antigone’s hubris becomes more apparent as she claims, “Give me glory! What greater could I win than to give my own brother a decent burial?”(562-563). This pride in committing a moral and God-willed deed reaches a point where Antigone thinks that it is
At the start of Antigone, the new king Creon has declared the law that while Antigone’s brother Eteocles will be buried with honor for his defense of Thebes, however the other brother, Polynices will be left to rot in the field of battle for helping lead the siege of the city. Antigone discusses with her sister Ismene that she shall go and pay respects to her now dead brother, and give him the burial that she feels that he deserves. Her sister tries to persuade her otherwise, but Antigone claims she is going to follow her determined fate, not the law of ...
Like her parents, Antigone defies a powerful authority. Unlike her parents though, that authority is not of the gods, but rather of a person who thinks he is a god: Creon, Antigone's uncle, great-uncle, and king. He proclaims that the body of Polyneices, Antigone's brother who fought against Thebes in war, would be left to rot unburied on the field, “He must be left unwept, unsepulchered, a vulture's prize....” (ANTIGONE, Antigone, 192). Antigone, enraged by the injustice done to her family, defies Creon's direct order and buries her brother.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
“No, I believe it. I know that you will fail. There is something in the universe--I don 't know, some spirit, some principle--that you will never overcome" (Orwell 269-70). Winton had explained this O’Brein after getting caught committing multiple crimes by the Party. Winton emphasized that the Party will fail. Failure will occur by the power of something in the universe, something Winston is unsure of but believes in. He believes there is some spirit, some principle that the Party will never overcome. “1984” by George Orwell and “Little Brother” by Cory Doctorow, both disprove Winton’s claim concerning some principle or spirit that the Party will never overcome.
Having already been through public disgrace, when her own father, Oedipus found out that he was to fulfill a prophecy; he would kill his father and marry his mother, and this caused Antigone to be full of resentment toward her city. Both of her brothers die in a battle and, Creon, the king of Thebes forbids the burial of one of her brothers, Polynices. This must have driven Antigone to follow her moral law. Considering the love she had for her family as well as her God, she felt that you react upon morals not upon the laws of man. That morale law was to honor her brother and give him the respectful and proper burial that he deserved just as her other brother was given. The love she had for her family was the only thing she had left to honor. Ismene, Antigone’s sister was more fearful of the king’s law then the way her heart was leading her. Her values were slightly distorted.
In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of Greece as it is an unspoken law of the Gods. Antigone goes to bury her brother so his afterlife will be better. She does it in spite of the law that Creon has made. “It is the dead, not the living, who make the longest demands” (192) She tries to explain to her sister, Ismene, that they must bury Polyneices, but even that close relationship has trouble because of the law. Ismene is unwilling to suffer the consequences of the law, to save her brother’s soul “Forgive me but I am helpless: I must yield to those in authority” (192) Even the two sisters who have just lost both of their brothers have different views on the matter. One will not stray from the law and what is deemed right by their king, while the other will accept any punishment, even death just to do what she believes is right.
Antigone’s decision to bury Polyneices even though Kreon’s law forbade her from doing so was fueled by her determination to follow the law of the Gods rather than the law of Kreon (Sophocles 21). This illustrates the importance of determination as a trait in Antigone. Without this determination trait, Antigone would have not had the courage to rise against the laws of Kreon and follow the fate of the gods. This type of determination as a trait in Antigone’s character lead her to stand up against Kreon’s law as well as her death at the end of the
Elizabeth Bobrick’s Sophocles’ Antigone and the Self-Isolation of the Tragic Hero declares “the heroic code may be summarized as follows: I protect my philoi—a term that includes family, kin, loved ones, and loyal community members—and they honor me. To hate my friend is to hate me. To help my enemy is to harm me. Being dishonored by my philoi is the equivalent of death. I will either kill them, or myself, or both.” This can explain Antigone’s excessive desire to bury her brother and even further be supported in lines 25-28 when Antigone challenges her sister’s loyalty. Aristotle himself said that a tragic hero should be neither better nor worse normally than a normal person. With that being said Antigone’s sister, Ismene, was in the same position as her. Originally invoking a sense of naturalism this changes with Ismene’s refusal to help bury their brother. The lack of support for Antigone’s plan leaves her no choice, but distances herself from her sister who obviously doesn’t share the same family loyalty beliefs as her (Lines 77-81). Ismene later in the play tries to claim some guilt in order to help Antigone’s cause. Yet again, Antigone refused to allow her sister to assume any punishment for her crime. Sophocles, Peter Meineck, Paul Woodruff’s Theban plays acknowledges Antigone would rather be dead with her brother than alive with a husband (Line 55-58). This is
Antigone respects her blood relations, and she is driven by this to oppose the laws created by Kreon. Even though she recognizes the sin in which Oidipous bequeaths upon his kin, she refuses to abandon her brother is determined to "not be caught betraying him" (Sophocles, 58). Kreon's man made laws cannot "keep [her] from [her] own," and in this she accepts the blood line of her doomed oikos. Furthermore, Antigone justifies herself by honoring her brother above other relationships that she is capable of producing. Antigone states that she "would never have assumed this burden...if it had been [her] children or [her] husband who had died...no more brothers could ever be born- This was the law by which [she] honored [Polyneikes] above all others" (966-77). Using this reasoning, the death of Antigone’s brother means extinction of the blood line and proper burial is still needed, even if it the traitor was Eteokles. Antigone's breach of nomos is a necessary one, for the dead cannot be revived and must be honored, especially those that en...