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Postmodernism literary critiques
Postmodernist theory in literature
Postmodernist theory in literature
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Chuck Klosterman uses the show Saved by the Bell to illustrate the image of something having more importance than the actual object. Saved by the Bell was an unrealistic 90’s show about the lives of a group of high school kids. The characters would go through experiences and “learn lessons” about life throughout each season. The viewers could stare at Saved by the Bell mindlessly yet have it become a major part of their lives because it was simply easy to watch and understand (Klosterman 138). Klosterman uses postmodernism to manifest why reality is not real through his real life situations and examples displaying how Saved by the Bell altered the reality of its’ viewers. Klosterman highlights his own experience of postmodernism to show …show more content…
“I could watch Saved by the bell without caring and still have it become a major part of my life” (Kosterman, 138). Watching Saved by the Bell did not expand Klostermans knowledge; it was there for him to stare at and pay mindless attention to. (138). “I would watch Saved by the Bell the same way all high school kids watch morning television, which is to say I stared at it with the same thoughtless intensity I displayed when watching the dryer” (Klosterman, 138). Although he claims that staring at Saved by the Bell relates to watching the dryer, it still became a major part of his life. There was no hidden meaning behind each episode, therefore it was easy to understand and watch religiously without thinking deeply. Saved by the Bell had no actual meaning therefore the image of people watching this show was seemingly more …show more content…
He explains that there are numerous characters from different backgrounds and personalities but each of them are somewhat the same. “The writers of Saved by the Bell always seemed to suggest that most adolescents are exactly the same and exist solely as props for the popular kids, which was probably true at most American high schools in the 1980’s” (Klosterman, 140). Post modernism changes views of reality. Although Saved by the Bell is extremely unrealistic, it somehow still relates to most high schools in the 90’s. Watching this show made people expect their lives to relate, which in turn changed the way they viewed what was real and true. For example, Zack, a popular kid on the show who gets all the ladies and basically gets anything he wants could appeal to real life kids around the same age, and unconsciously make them actually act like him. High school is a time for kids to find themselves and mature, therefore watching Saved by the Bell’s unrealistic characters distorts the idea of
In the article “TV’s Callous Neglect of Working- Class America” written by Noel Murray explains the modern day TV shows un-relatable plots to Americans today. Murray describes how shows in the ‘50s through the ‘90s were relatable to Americans and how they lived their lives. The TV shows then were able to get such great reviews because the jobs the actors had in the shows were average money making jobs. The characters are meticulously when it came to how they used the money they earned. However, as the years have passed, the shows that are on today are not as relatable to Americans. The shows express the fantasy, perfect life that everyone strives to have, but in reality, it is not possible for every family. The programs on today do not convey the difficulties that average Americans face each day, causing the shows to become more and more relatable to average TV viewers.
In Justin Pearson's memoir, From the Graveyard of the arousal Industry, he recounts the events that occured from his early years of adolesence to the latter years of his adulthood telling the story of his unforgiving and candid life. Set in the late 1970s "Punk" rock era, From the Graveyard of the Arousal Industry offers a valuable perspective about the role culture takes in our lives, how we interact with it and how it differs from ideology.
In the mid-1900s, the Unites States was rapidly changing from the introduction of a new standard of technology. The television had become the dominant form of entertainment. This seemingly simple thing quickly impacted the average American’s lifestyle and culture by creating new standards for the average household. New, intimidating concepts came about, and they began embedding themselves into American culture. It became clear to some people that some of these ideas could give rise to new social problems, which it did. Sixty- five years ago, in a library basement, a man named Ray Bradbury wrote a book called Fahrenheit 451, which was able to accurately predict social problems that would occur because he saw that Americans are addicted to gaining quick rewards and new technology, and also obsessed with wanting to feel content with their lives.
Steven Johnson wrote an article for the New York Times in which he argues that back in the days, television shows use to have a very simple plot which was easy to follow without too much attention. It was just an other way to sit back and relax. However, throughout the years, viewers grew tired of this situation and demanded more complex plot lines with multiple story lines that related to recent news topics. He takes the example of the television show “24”. “24” is known for being the first show which its plot occurs in “real-time”, it is also known for not censuring the violence of its topics. It is a drastic change from what Johnson states as an example “Starsky and Hutch” where basically each episodes was only a repetition of the last one. Johnson also believes that there is a misconception of the mass culture nowadays where people think the television viewer wants dumb shows which in response makes them dumber. Johnson does not agree, for him, television shows such as “24” are “nutritional”. He also states that sm...
The word sitcom is short for Situation Comedy. A good sitcom story idea places the star (or supporting character) into a situation in need of a resolution, which will cause the character to respond in unexpected, exaggerated, and hugely sidesplitting ways (Rannow, pg. 13). A comedy now days are different from how they were in the 1960's and 1970's though. Today directors use sexual content and foul language to make people laugh and do not usually have a purpose or point to get across to the audience with each show. In earlier comedy, such as The Brady Bunch, Director Jack Arnold tried have a lesson learned in each episode while still maintaining a sense of humor, minus the foul language and sexual content. Although the show is not extremely funny to most people it is still a classic show that deserves to be remembered.
It is of no surprise to anyone that people in general, particularly Americans, tend to be overly-enticed by materialistic things and ridiculous ideals, placing more emphasis on them than things of sentiment. In “On Dumpster Diving,” author Lars Eighner develops on his experiences as a homeless man not in an attempt to defend the art of Dumpster diving, but instead to build upon the idea that a majority of people spend too much time and money on things that will not matter in a few years—they should instead focus on things that will never lose their value. Throughout the essay, he is attempting to persuade his audience that they should change their regular way of thinking and let go of materialistic things in order to live a better, more sound, and overall healthier life. To develop this purpose, Eighner utilizes juxtaposition, exemplification, and definition.
This essay will examine my thoughts and those of David Sterrit on the critically acclaimed television show The Honeymooners. First, I will talk about the Honeymooners and it’s setting in postwar America. Secondly, the social and cultural issues the series portrayed. Next, would be the psychological perspective and the aesthetics of the show. Finally, the essay would conclude with my thoughts on how the Honeymooners were impacted by these aspects, but also how the show managed to leave a legacy in television today.
In the essay “Everything Now” Signs of Life in the USA: Readings on Popular Culture for Writers, author Steve McKevitt blames our unhappiness on having everything we need and want, given to us now. While his writing is compelling, he changes his main point as his conclusion doesn’t match his introduction. He uses “want versus need” (145) as a main point, but doesn’t agree what needs or wants are, and uses a psychological theory that is criticized for being simplistic and incomplete. McKevitt’s use of humor later in the essay doesn’t fit with the subject of the article and comes across almost satirical. Ultimately, this essay is ineffective because the author’s main point is inconsistent and poorly conveyed.
In sociology symbolic interactionism explains the individual in a society and their interactions with others and through that it can explain social order and change. This theory was compiled from the teachings of George Herbert Mead in the early 20th century. Mead believed that the development of the individual was a social process. People are subjected to change based on their interactions with other people, objects or events and they assign meaning to things in order to decide how to act. This perspective depends on the symbolic meaning that people depend on in the process of social interaction. This paper will examine the movie “The Blind Side” through the symbolic interaction perspective.
That 70’s show is about Eric Forman and his teenage friends and also is family members that live in Point Place Wisconsin through the time period of 1976-1979. The biggest surprise about the series is that despite it being only a three year time frame it managed to run for eight seasons that was seen on Fox from 1998 to 2006 which became the networks second longest running live action sitcom only trailing the show married with children. Despite the fact that the show wasn’t really based in the 70’s the production of the show did a good job to make it seem like they lived in the 70’s with cars, music etc… It’s kind of weird that the show was named “that 70’s show” when it didn’t officially take place during the 70’s.
In the first chapter of Amusing Ourselves To Death , Neil Postman's major premise is how the rise of television media and the decline of print media is shaping the quality of information we receive.Postman describes how the medium controls the message, he uses examples which include the use of clocks, smoke signals, the alphabet, and glasses.Postman says a society that generally uses smoke signals is not likely to talk about philosophy because it would take to long and be too difficult. Postman also describes the way television changes peoples way of thinking; a fat person will not look good on TV and would less likely be elected President. On the other hand someones body is not important as their ideas when they are expressing them through the radio or print. On TV, visual imagery reigns. Therefore the form of TV works against the content of philosophy. Postman shows how the clock has changed. Postman describes how time was a product of nature measured by the sun and seasons. Now, time is measured by a machine using minutes and seconds. The clock changed us into time-watchers, then time-savers, and finally time-servers. Thus, changing the metaphor for time changed how we view time itself.
...sized advertisements that mysteriously came to life. In a Godzilla-esque fashion, a fifty-foot "Big Boy" figure, along with many others, went on a destructive rampage. Needless to say this phenomena became a media event in Springfield. When little intelligent Lisa Simpson went to try and find out how to stop this senseless destruction, she found out that the only way to kill the fifty-foot advertisements was to not pay attention to them. By having such power we prove that we are in control of our moral evolution, for better or worse. Although we don't want to be puppets to the media, it is impossible to escape from its existence. Even though MTV and other television programming is in the business of making money off of us, the consumers, it is possible to enjoy the entertainment aspects of television for virtually nothing; and still be smart in the process.
One of the first example of conformity that is in the book, is a scene when Kathy, the narrator, is recalling a time when Tommy was constantly being pranked and bullied by other students just to see his reactions. “ I thought sooner or later someone would start saying it had gone too far, but it just kept on, and no one said anything”( Ishiguro 15). This statement by Kathy is ironic and out of place because she is the only person who feels
John Frow, in his criticism of White Noise, rightfully focuses on television as the defining medium of the Simulacra in DeLillo's America. Television, of course, by definition is a copy; it is a broadcast of something that has been filmed; it is viewed in millions of homes worldwide, each television flickering the same image into the sub-conscious eye. Frow presents a close reading of a speech Murray gives to his students:
Life is a very valuable asset, but when lived on someone else’s terms its nothing but a compromise. The seemingly perfect image of Utopia which combines happiness and honesty with purity, very often leads in forming a dystopian environment. The shrewd discrepancy of Utopia is presented in both the novel ‘The Giver’ by Lois Lowry and the film ‘The Truman Show’ directed by Peter Weir. Both stories depict a perfect community, perfect people, perfect life, perfect world, and a perfect lie. These perfect worlds may appear to shield its inhabitants from evil and on the other hand appear to give individuals no rights of their own. By comparing and contrasting the novel ‘The Giver’ and the film ‘The Truman Show’, it can be derived that both the main characters become anti-utopian to expose the seedy underbelly of their Utopian environment which constructs a delusional image of reality, seizes the pleasures in their lives and portrays a loss of freedom.