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Feminism in the chrysanthemums
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The animals in Yellow Wallpaper, Chrysanthemums, and Boys and Girls represents the characters and their characteristics. In Yellow Wallpaper John’s wife has postpartum depression. John is her physician but he doesn’t let her go out or do anything. She sits in a room that she hates and eventually escapes. Chrysanthemums is about a girl named Elisa and she loves to grow chrysanthemums. She meets this guy who is on the road all the time and he lives off of fixing broken pots and pans. Boys and Girls is about a family whose father takes the foxes fur and sells it for calendars. They get two horses named Mack and Flora who are going to potentially be used as horse meat. They don’t kill them instantly because at the time they had too much meat so they used them on the fields although Mack is lazy. They eventually kill both …show more content…
Mack and Flora. In Yellow Wallpaper, the geese represents John’s wife. In Chrysanthemums, the donkey represents the guy in the wagon. In Boys and Girls, they have names of all the foxes.The father, the narrator, and Laird name the foxes. Also in Boys and Girls, Mack and Flora represent Laird and the narrator. In Yellow Wallpaper, the geese represents John’s wife. My main idea and thesis supports this statement because John is showing her love. “Then he took me in his arms and called me a blessed little goose ,and said he would he would go down cellar, if I wished, and have it whitewashed into the bargain.” (pg.649 paragraph 17) In Chrysanthemums, the donkey represents the guy in the wagon.My main idea and thesis supports this because the guy is tired and is on the road all the time.
He also gets dinner by fixing old pots and pans they potentially would have thrown away. The donkey also represents the wagon being old and making noises. “A squeak of wheels and plod of hoofs came from the road. Elisa looked up. The country road ran along the dense bank of willows and cottonwoods that bordered the river, and up this road came a curious vehicle, curiously drawn. It was an old spring-wagon, with a round canvas top on it like the cover of a prairie schooner. It was drawn by an old bay horse and a little grey-and-white burro. A big stubble-bearded man sat between the cover flaps and drove the crawling team. Underneath the wagon, between the hind wheels, a lean and rangy mongrel dog walked sedately. Words were painted on the canvas in clumsy, crooked letters. "Pots, pans, knives, scissors, lawn mowers, Fixed." Two rows of articles, and the triumphantly definitive "Fixed" below. The black paint had run down in little sharp points beneath each letter.” (page 2, paragraph
8) In Boys and Girls, they have names of all the foxes.The father, the narrator, and Laird name the foxes.They have names but she specifically said she does not classify them as pets. The foxes only get named if they survive the first years pelting. The father named four of them and he called each one Prince,Bob,Wally,and Betty. The Narrator named also named four and she named Star,Turk, Maureen, or Diana. Laird named three, he named one Maude after this girl that was hired when he was younger. He named another Harold after a kid he went to school with. He named the last one Mexico but nobody really knows why. “ Naming them did not make pets out of them,or anything like it.” (page 3, paragraph 2) Also in Boys and Girls, Mack and Flora represent Laird and the narrator. Mack represents Laird because Laird was easy to handle and lazy just like mack, Flora on the other hand represents the girl because she symbolizes freedom. “Mack was slow and easy to handle. Flora was given to fits of violent alarm, veering at cars and even at other horses, but we loved her speed and high-stepping, her general air of gallantry and abandon.” (page 5, paragraph 2) In Yellow Wallpaper, Chrysanthemums, and Boys and Girls the animals represent the characters and their characteristics.In Yellow Wallpaper, the geese represents John’s wife. In Chrysanthemums, the donkey represents the guy in the wagon. In Boys and Girls, they have names of all the foxes.The father, the narrator, and Laird name the foxes. Also in Boys and Girls, Mack and Flora represent Laird and the narrator.
... Their attitude and tone is something that can be contrasted in the two stories.
The story written by John Steinbeck called “The Chrysanthemums” could be named “The Story of an Afternoon” because of the time range it took the tragedy to occur is around the time of a few hours. John Steinbeck’s “The Chrysanthemums” is similar to Kate Chopin’s “The Story of an Hour” in the sense of tragic, irony, happening to women in a small amount of time. In both stories women are bamboozled by men, they become misguided and gain a desire. Aiming to achieve the desire causes them to see a false reality and in ruination.
The wallpaper symbolizes the trapped narrator and the structure of the tradition. Also, Elisa’s chrysanthemums are discarded and the narrator’s feelings are disowned which portrays the rejection of women. Elisa ends up “crying weakly like an old woman” and settles for wine (233). The narrator’s actions lead to her husband fainting “but he did, and right across my path by the wall, so that I had to creep over him every time” (447). The narrator is insane and causes faintness in her husband, hoping that she now has an escape. To conclude, John Steinbecks “The Chrysanthemums” and Charloette Perkins “The Yellow Wallpaper” show two different outcomes mainly arisen due to being trapped inside an isolated house or a garden and having a limited life under a husband's control.
As the narrator’s mental state changes so does the way she perceives things around the house. The most prominent example of this is the imagery of the wallpaper and the way the narrator’s opinion on the wallpaper slowly changes throughout the story; this directly reflects what is happening within the narrator’s mind. At the beginning of the story the narrator describes the wallpaper as “Repellent...revolting... a smoldering unclean yellow” (Gilman 377). As the story continues the narrator starts to become obsessed with the wallpaper and her opinion of it has completely changed than that of hers from the beginning. Symbolism plays a big part in “The Yellow Wallpaper” too. This short story has a multitude of symbols hidden in it but there are specific ones that stand out the most. The recurrence of the wallpaper definitely makes it a symbol. An interesting interpretation is that the wallpaper represents women, in the sense that the 18th century woman was considered almost decorative and that is exactly what the purpose of wallpaper is. Another prominent symbol that runs parallel with the wallpaper, are the women the narrator would see in the wallpaper. The women appear trapped behind bars in the paper and one could argue that the women the narrator sees represents all women of her time, continuously trapped in their gender
In Sir Gawain and the Green Knight and the Lais of Marie de France, the authors use animals as metaphors for human actions, and as characters. By analyzing the use of these animals, we are able to explore the meaning the authors were trying to communicate through specific scenes. The Book of Beasts, a translation by T.H. White (1984 ed.), provides a medieval standpoint when analyzing the use of animals in the Lais and in Gawain.
The wagon expressed how the family relationship was in the story. In the story the wagon on moving day was broken and hard to use when they moved from the country and also wants to connected the broken wagon to the broken relationships between the family. “The boy could remember-the battered stove, the broken beds and chairs, the clock inlaid with mother-of-pearl, which would not run, stopped at some fourteen minutes past two o 'clock of a dead and forgotten day and time, which had been his mother 's dowry (Faulkner 227)” explains the condition of the wagon and with the condition of the wagon creates some conflict during the beginning of the text. In the story, “The wagon went on, the store with its quiet crowd of grimly watching men dropped behind; a curve in the road hid it. Forever he thought. Maybe he 's done satisfied now, now that he has ... stopping himself, not to say it aloud even to himself. His mother 's hand touched his shoulder (Faulkner 228) explains the conflict that happen with the wagon and the effect it had on the family. According to Hans H. Skei ‘s Article “The description of the wagon, loaded with the family’s belongings, with two hulking sisters and a crying mother, is indicative of what sort of life Ab Snopes has created for the family from which he expects total loyalty
The traditional role of women in the American society has transformed as society has trended towards sexual equality. In the past women were expected to be submissive to the man and were looked upon as homemakers rather then providers. Modern day women enjoy the freedom of individuality and are considered as capable as men in many regards. John Steinbeck’s short story, “The Chrysanthemums,” portrays a woman’s struggle with accepting her life and role as a female (459). Through the protagonist-female character, Elisa Allen, and the symbolism of chrysanthemums, Steinbeck displays the gender roles that define past generations of women’s lives in the United States.
Most women have a sense of freedom and independence from their male counterparts, but they will not reach out away from their sheltered lives with a male to a new challenge or a new life. Women whom breakout of the their molds made by their significant other take a chance with life and try to become the independent woman others dream about at night. On the Allen’s farm, chrysanthemums flourish, but does Elisa Allen flourish with them? With tender care, the flowers grow heartily and healthily, though the one who tends them is not so satisfied with her rooting in life. In “Chrysanthemums,” John Steinbeck portrays Elisa Allen as a stereotypical female, yearning to bloom like the flowers she harvests.
In this comparative essay, I shall be analysing Lawrence’s Odour of Chrysanthemums and Joyce’s A Painful Case (Dubliners), identifying and highlighting similarities, but also examining the divergences. I will be scrutinizing the elegantly intertwined fibres which are the symbols and motifs of both stories, in search of intersections, moments of parallelism and detachments.
History has been troubled many times by the combats created by the controversy between science and religion. In John Wyndham’s The Chrysalids, children live in a theocracy where the image of God is strongly enforced and anything opposing the religion would be cast away. Therefore, these quarrels between fact and fiction must have reshaped today’s society. Cultures with powerful views and being scared of any difference like in The Chrysalids have greatly affected humanity and culture, and these habits will linger eternally.
In The Yellow Wallpaper, a short story by Charlotte Gilman, there are many symbols within the text that one can construe a myriad of ways. One of the most prominent and perhaps the most important symbol is the titled yellow wallpaper. To the main character, Jane, the wallpaper is at first a nuisance, then an obsession, and finally
The yellow wallpaper being the most significant and obvious symbol which underlie societies attempts regarding women in the late 19th century, gives the reader an eye opening view to the repression women were under and still are in todays society. The main character writing in her notebook symbolizes a sense of stability in an oppressed life. Lastly, the isolated room, gave sense of symbolizing a safe haven for the narrator or even imprisonment. The symbols exposed in "The Yellow Wallpaper" give the short story a stronger essential meaning and a sense that the narrator was not entirely insane, however a women who found her individuality in something as horrid as the yellow wallpaper. In short, the yellow wallpaper mirrors the makeover of a woman’s identity which is triggered by a corrupt social structure that stops woman from being their true
The Yellow Wallpaper” which is symbolic of the protagonist’s emotional state. The house is located far from the road and three miles from town which indicates that there would be little interaction with outsiders. In addition, it is surrounded by hedges, gardens, and a body of water that make the house difficult to access. The protagonist even claims the house may be haunted and describes the abandoned surrounding cottages and many locks giving the setting a sinister atmosphere.
The first example of an element of fiction used in The Yellow Wallpaper is symbolism. One symbol is the room. There is are bars on the windows to make the reader feel that the narrator is more than likely staying in psychiatric holding room than a room where she can get over her anxious condition. In most sanitariums, there are bars on the windows. The narrator’s husband went against her wishes to stay in the room downstairs with open windows and a view of the garden and put her in a barred prison cell contributing to the theme freedom and confinement. The second symbol is the bed. The bed is big, chained, and nailed to the floor. The reader could say the bed symbolizes sexual repression because a bed is where it happened during the 1900s and with a bed of such large size being nailed and chained down can represent sexual repression.
For my project I decided to create and laser cut several objects in order to portray the answer to the essential questions I chose in relation to Purple Hibiscus. I wanted to focus on the relationship between Papa and Kambili, especially on Papa’s end because of how strict he is and the punishments he places when he is not obeyed. I started by asking a broad question on whether or not Papa’s expression of love really was love. This leads into the next object I cut out which was Papa using a whip implying he was beating someone. Papa’s way of showing love was very obscure as he rarely showed his love for his children, but rather beat and destroyed his children physically and mentally, in addition to showing glimpses of love which his children strived to have