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Music influence on pop culture
Music influence on pop culture
Music influence on pop culture
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Christo had once said “The work of art is a scream of freedom.” Christo is a sculptor who had worked with his wife until her death in 2009. Christo had financed all of his projects himself. He had raised money by selling small paintings he had created. But his main works of art were giant wrappings of different things. His favorite wrappings were buildings or places seen everday by people. By wrapping these places he was giving them a new identity. Christo has undertaken many projects. One of the most well known was of the wrapping of the Reichstag in Berlin. They used thick woven polypropylene fabric with an aluminum surface which was 1,076,390 sq feet.
Also used 9.7 miles of rope. They only used recyclable materials as is the same for most other projects. For a period of two weeks the silvery fabric shaped by the blue ropes created a splendid flow of vertical folds highlighting the features and proportions of the imposing structure. Which revealed the essence of the Reichstag. The wrapping of the Reichstag was created by 90 professional climbers and 120 installation workers. Even with all the workers on this project it took 24 years to complete. Another project created by Christo is the Matsaba Project which is currently still under renovations. The matsaba is being created in a place called Abu Dhabi and it had started being worked on in 1977. When completed it will be the largest sculpture in the World.
The Matsaba istself is an ancient familiar shape to the people of that region. Christo is using over 410,000 multi colored barrels to form a mosaic of bright sparkling colors, and it echoes Islamic culture. The sculpture will be 492 feet hight 738 feet deep at a 60 degree angle and 984 wide at the vertical walls. On the top o...
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...texture which is a thing that Christo like to use in his creations . Christo had made almost hundreds of these paintings before he had met his wife Jeanne Claude.
Which he had met when her mother had hired him to do a portrait of he. Jeanne had thought of his paintings as “different” but she had learned to love them and helped him create much bigger ones in the future such as wrapping of the Reichstag. The reason that Christo said he liked to wrap bigger things was because lets say every day you walk past a certain park. You know where it is and that is there you sometimes even notice different people. But if asked to draw sai park you would not have any idea how to draw it in detail. So Christo wraps things in order to give them a new identity and let people try to remember how it looks and gives them a reason to try and look at everyday things you see in Detail.
Masaccio used a technique called linear perspective. This technique allowed Italian artists to measure space so that all the objects in the painting are in proportion to each other. In this painting, Jesus is put intimately close to the scene by using linear perspective. An illusionistic hole is painted into the painted wall and this makes his portrayal more believable. Masaccio also used the technique of tonal modeling which created believable, almost sculptural figures proportionally related to one another to occupy that space. Both of these techniques helps to create good proportions and make the painting more realistic. Another technique that he uses is stage modeling. This means that the holy trinity is meant to be viewed from below and at a distance, like actors on a stage before an audience. In particular, this approach is based on a more human- centered view, locating a single spectator that is standing at a particular spot. In this painting, Jesus is the focus of the painting. In contrast, the Annunciation panel (from the Merode Triptych), which was painted by Robert Campin uses other techniques that greatly change the way the painting is
The ‘Green Tara 14th century’ is a metal sculpture which is about 10 inches tall and 6 inches wide. It is very precisely detailed with the clothes, head piece, earings, necklaces and other types of jewellery all intricately carved. The
With the number of people losing faith in Catholicism during the Protestant Reformation, the Roman Catholic Church needed to find a way to reaffirm the catholic faith in people, and because many of the people during this time were illiterate, the church needed a universal method of communication. Art, being a media that only need to be seen in order to be understood, was used to portray very direct, passionate and realistic, mostly religious scenes that could be understood by anyone regardless of literacy of social status. In order to accomplish this, Gentileschi does not paint idealized figures, like that of the earlier renaissance paintings, instead the subjects are simple, more full figured and dressed in simple garments which appealed to even the most common people. Painted with chiaroscuro adds grandeur to the piece and this coupled with foreshortening creates a sense of movement and energy which rounded out the illusion that makes the viewer feel as if they are in the very same room witness to the act.
...t would help bring into understandable light the mystery of the Church’s teachings. Finally, achievements in re-creating human emotion would ensure the painting’s, and therefore the Church’s teachings would leave an indelible mark on all of its viewers.
The artists of the Baroque had a remarkably different style than artists of the Renaissance due to their different approach to form, space, and composition. This extreme differentiation in style resulted in a very different treatment of narrative. Perhaps this drastic stylistic difference between the Renaissance and Baroque in their treatment of form, space, and composition and how these characteristics effect the narrative of a painting cannot be seen more than in comparing Perugino’s Christ Delivering the Keys of the Kingdom to St. Peter from the Early Renaissance to Caravaggio’s Conversion of St. Paul from the Baroque.Perugino was one of the greatest masters of the Early Renaissance whose style ischaracterized by the Renaissance ideals of purity, simplicity, and exceptional symmetry of composition. His approach to form in Christ Delivering the Keys of the Kingdom to St.Peter was very linear. He outlined all the figures with a black line giving them a sense of stability, permanence, and power in their environment, but restricting the figures’ sense of movement. In fact, the figures seem to not move at all, but rather are merely locked at a specific moment in time by their rigid outline. Perugino’s approach to the figures’themselves is extremely humanistic and classical. He shines light on the figures in a clear, even way, keeping with the rational and uncluttered meaning of the work. His figures are all locked in a contrapposto pose engaging in intellectual conversation with their neighbor, giving a strong sense of classical rationality. The figures are repeated over and over such as this to convey a rational response and to show the viewer clarity. Perugino’s approach to space was also very rational and simple. He organizes space along three simple planes: foreground, middle ground, and background. Christ and Saint Peter occupy the center foreground and solemn choruses of saints and citizens occupy the rest of the foreground. The middle distance is filled with miscellaneous figures, which complement the front group, emphasizing its density and order, by their scattered arrangement. Buildings from the Renaissance and triumphal arches from Roman antiquity occupy the background, reinforcing the overall classical message to the
The ability to create a picture of The Annunciation in one’s mind is a key factor in understanding the analysis of the work. Francisco de Zurbaran approaches the painting with a naturalistic style. The painting features a room in which a woman – like angel is seen at the left kneeling on the ground before the Virgin Mary. The figure of Mary is placed between a chair and a small wooden table draped with a green cloth. Mary disregards an open Bible on the table, as she appears solemn while staring at the floor. Floating above the two main figures in the upper left side of the painting are cherubs resting on a bed of clouds. They happily gaze down at Mary with eyes from Heaven.
In the Wallach Gallery exhibition of Anna Hyatt Huntington’s sculpture (1876-1973), the viewer gets to discover different versions of the emblematic figure that is Joan of Arc, from small bronze medals, to much bigger works of art. A digital replication of the initial statue that was unveiled at Riverside Drive and 93rd Street in December 1915 is also available the public in the gallery. The success of the Joan of Arc – or The Maid of Orleans’s depictions results from the symbol that she fosters in European and American culture: a French medieval patriotic heroine who received visions directly from God and who was told to help France combat the English domination and who died burned at the stake, as a martyr.
Benedetti claims LACMA harbors over 1,700 different Islamic artworks (4). Most of them are collected from the ...
Jacques Louis David began his career as a patriot championing the start of a new Revolution and urging others to devote their lives unto death for their cause. His own friend gave his life for the Revolution and David memorialized him on canvas. However when the time came for David to commit his own life for the cause he desired peace. David when released from prison wished he never had left his studio. Because of David we have visualize and sympathize with the French Revolution from the viewpoint of patriots, martyrs, and conciliators.
The turmoil began early for this young woman. At age six, she was stricken with polio, which left her walking with a limp. From the beginning Kahlo did not intend to become an artist. She was attending school at The Preparatoria (Preparatory) to become a famous doctor (Frida Kahlo n.d.). It was on September 17, 1925 that the most pivotal moment in her life occurred. Kahlo was on her way home from school when she became involved in a tragic bus accident. She was discovered by her boyfriend at the time, Alejandro Gomez Avais. Her slender body had been pierced by a hand rail (Lucie-Smith 1999). Many, including doctors, thought she wouldn’t make it. She proved wrong after surviving various surgeries. For a year she was put in bed to recuperate. The accident left her with a broken back, broken pelvis, and a crushed leg. During her recuperation she taught herself she taught herself to paint by studying Italian Renaissance (Frida Kahlo n.d.). She began painting portraits of family members and still life from her bed.
One of the ways he did this was by crafting a lot of works: “The world remained so full of his works, that it may be affirmed right truly that no craftsmen ever worked more than he did.” (377) Vasari praises Donatello’s various works throughout the biography. The collection of works that Vasari mentions, suggests that Donatello was more than just a sculptor because he produced and sold many designs. This was similar to a baker or merchant in Renaissance Florence that was constantly selling his or her own product to others. Furthermore, Donatello’s many works were studied and praised by future Renaissance artists. One of the most influential and well known is Michelangelo Buonarroti. At the end of the biography, Vasari leaves the reader with an intriguing quote by Don Vincenzo Borghini that Borghini stated in a book where he collected drawings from esteemed artists. Borghini states that “Either the spirit of Donato works in Buonarroto, or that of Buonarotto began by working in Donato.” (378). Donatello also had other students such as Bertoldo who “he left all his work to be completed by” (377). Donatello inspired and had other students work under him and taught them his craft. Therefore, Donatello inspired Michelangelo and other artists that became famous and excellent artists in their own right. This shows that Donatello left a lasting
... the way that the artwork is resembled in the religious background of the gospel but reconstructed in to a celebrating impression. Throughout the fresco painting it depicts the myth of the Christ’s three fold temptations relating back to the article that “distinction between fresco and panel painting is sharp, and that painters are seen as competitors amongst themselves discriminating also, between the difference in genuine attempts in being better then the other.” Baxandall, “Conditions of Trade,” 26. in relation, the painting concerns the painter’s conscious response to picture trade, and the non-isolation in pictorial interests.
He wanted to create something that display the acronyms of Christian Art by using a triptych which can display different works of art that either can fold shut, or open to display the images in the panel. By using oil painting as his sort, he painted on the wooden panel by resembling each work piece as a symbolism to convey the holiness that presented in everyday subjects. Even though he learned the teaching of the Franciscan Order from the monks who interpreted the Bible in terms that their listeners understood and corresponded with the biblical reference, their approach was to keep the religious conventions and formalities to a minimum. Since Campin had to create something that was ordeal but wasn’t constricted to settle in that subject, instead of having halos hovering over the objects in the painting; he exaggerated his painting in a domestic setting that viewed the room along with the objects in a wide perspective. So naturalistic that each object represented different entities for the purpose of the setting with Virgin Mary sitting and Arch Angel
The travel website, Taj Mahal, illustrates the origins of this monument. It was constructed to serve as a memorial and tomb for Mumtaz Mahal, the deceased wife of the emperor Shah Jahan (Taj Mahal, 2008). Before her death, while birthing Shah Jahan’s fourteenth child, she requested Jahan build a monument to honor her as stated by the Taj Mahal website (Taj Mahal, 2008). In 1631, construction began, and was finally completed twenty-two years later (Taj Mahal, 2008). Twenty-two thousand workers labored in constructing the monument bringing materials by elephant from many parts of Asia (Taj Mahal, 2008). The web site Islamic Architecture lists the Iranian architect Ustad Ahmed Lahwari as the key designer of the structure; however other architects played prominent roles in the monument’s design (Organization, 1995-2003).Over time, the esti...
Burj khalifa is known to be the world’s tallest building in the world. The development and the construction of the Burj Khalifa project began in the year 2004 and the external part was completed in the year 2009. The building is generally made up of concrete because it is a strong and lasting material that can withstand all types of weather conditions. The building is established in city of Dubai and was opened in the year 2010 and renowned as Downtown Dubai. The project was purposely developed by the government so that they could expand their investment and diversify its efforts on oil producing economy. The government of Dubai decided to formulate this project so that it would make Dubai recognized by the world. The project developed