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An Analysis of Book of the City of Ladies
Like many medieval writers, Christine de Pizan constructs her work, Book of the City of Ladies, as “dream-visions” with several allegoric figures (613). Three characters, Lady Reason, Lady Rectitude, and Lady Justice all address the dark outlook the author has on men and encourage her to build a city of women. Christine often confronts the male dominated culture of the Middle Ages in her writings. She gives a woman’s perspective on biblical and classical text depictions of women throughout history. The publishing of Book of the City of Ladies takes a great amount of bravery from Christine as the perspective of the book by someone living in the medieval time period is bold, empowering and some might say disruptive. Typically, women in the Middle Ages were under educated and stay in the home to care for children and support their husbands. The contrasting feelings of empowerment and distress are parallel to present-day outlooks on Book of the City of Ladies however;
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today’s feminist approach is much different than Christine’s. The meaning of this work varies from the perspective of women and men of the Middle Ages.
During the medieval period, women were often labeled as inferior to men. Putting forth a woman’s virtues, honoring chastity, and being a woman of God is what the women strove for during the time of Christine’s publication. However, this text was undoubtedly shocking for both genders as a one of the first feminist texts. Because Christine de Pizan is the first women to be paid for her writings, her male audience is sure to feel afflicted over the idea that some of the first published writings by women are deprecating to men. The women of the medieval period feel empowered and relieved to have support by someone with the same insights. However, it is obvious that Christine relates the strong religious culture of the time back to both genders by suggesting, “Praise God for not having the worst and [women] should strive to moderate their vices and pacify them [men]”
(619). This work is related to present-day society because women are still commonly objectified and are also seen as inferior, especially in religious and business settings. However, in the 20th century, the definition of feminism has an aggressive connotation. Today, feminists are more active during demonstrations or speak outs over topics of body positivity, rape, and violence against women. In the Book of the City of Ladies, Christine starts out by recognizing misogyny in writings like, the Romance of the Rose, for example. Afterward, she stands up for the idea that women can succeed without a man by their side. However, in the end, Christine clearly reverts back to the idea that women need a partner by stating that being independent may not be a good idea on page 619. Christine de Pizan’s writing would not line up with todays feminist ideologies because of her regression in the end. Feminists today do not accept the idea of “abuse” or “serving” to any gender. In conclusion, readers of Book of the City of Ladies, should not look at the text through the eyes of modern day society but rather through the eyes of women in from the medieval period. Christine de Pizan should be respected and acknowledged today as a pre curser for future feminist ideologies. The ending may be seen as a deterrent from her audacious act of publishing a controversial text. Although, Christine does not debate anti-feminists as harshly as someone would in the 20th century, it is clear that her intentions are to empower women through her writing.
Christine De Pizan’s work in The Book of The City of Ladies pioneers a new genre of feminist literature that exposes a time period from the perspective of its female population. Due to this, De Pizan justifiably earns the title of a revolutionary author. However, to say that De Pizan revolutionized the conditions of women in the medieval ages and onward is an overstatement. In her book, De Pizan critiques sexist arguments in order to defend women against misogyny. The change that De Pizan presented in medieval culture was gradual because she was attempting to amend people’s perspectives on women rather than offer any institutional rectifications. She worked to establish that women can be just as mighty as men, and thus, they are not innately inferior. However, her goal was not to ensure that women have equal access to exercise and pursue their virtuous roles. Therefore, if observed
Marie de France’s “Lanval” is a brilliantly witty and captivating narrative poem—one illustrating a knight’s unyielding honor and loyalty to his king as well as his enduring chivalric devotion to the woman he loves. Written in the twelfth century, amidst a time when women were looked down upon and considered useless and unnecessary, Marie’s portrayal of a knight needing to be rescued by his female lover breathes comic irony into this otherwise misogynistic and antifeminist world. In addition to this cleverly depicted romance, a further literary work, Geoffrey Chaucer’s early fifteenth century “The Wife of Bath’s Tale,” extends its own explicitly satirical outlook
She showcases a variety of different scenarios, standards, and occupations that women were subjected to at the time. This helps the readers to see the difficulties women of that time period had to overcome to secure what little rights they were able. The oppression of working class women did not just affect those said individuals, but in turn, males, children, and other upper class females. Stansell’s ability to look beyond the normal subject matter permits her to capture the inimitable atmosphere surrounding the struggle of an assorted group of women to find their footing within the society of a nation that was facing its own struggle of independent and prominence. Thus, giving City of Women a fascinating edge against other books of a similar
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
Thiebaux, Marcelle. The Writings of Medieval Women: An Anthology. New York: Garland Publishing. 1994. Print.
Both Castiglione’s The Courtier and Christine de Pizan’s The Treasure of the City of Ladies advise women in the proper way to behave and conduct their lives, but do so aimed towards both a different audience and in different ways. The Treasure of the City of Ladies takes the approach of appealing to a broader range of women and addressing a wider array of subjects. In contrast, The Courtier is aimed mainly towards men and occasionally towards women, and always those of high status. The reasons behind these differences trace back not just to the execution of the books but to the different genders of the authors and the motivating factors behind the writing of them. When comparing both works to one another, The Treasure
Voaden, Rosalynn. God's Words, Women's Voices: The Discernment of Spirits in the Writing of Late-Medieval Women Visionaries. York, UK: York Medieval Press, 1999.
4. Judith L. Kellogg, “Le Livre de la cite des dames: Reconfiguring Knowledge and Reimagining Gendered Space” in Christine de Pizan: A Casebook edited by Barbra K. Altman and Deborah L. McGrady, New York: Routledge, 2003.
visit the just and exhort them to do what is right, to give to each
“Culture does not make people. People make culture” said Chimamanda Ngozi Adichie, a Nigerian writer and educator, in a presentation on feminism in a TedTalk. The culture in which Sir Gawain and the Green Knight was written was misogynistic and it shows in the writing of the poem. Medieval cultural misogyny manifests itself in multiple ways in SGGK. This paper will examine the negative relationships between Sir Gawain and the Green Knight and gender by discussing: the representation of female characters, gendered violence, and Christianity in the Middle Ages.
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
When I observe literature works of Medieval and Renaissance period, a man success is determine by the roles of women. I heard a famous quote say "behind a great man there is a amazing woman". As I examine literature works, in the Medieval time of "Sir Gawain and Green Knight "and the Renaissance period of The Faerie Queene of Book I. We have two extraordinary Christian like figures Sir Gawain and Red Crosse who represent Christianity in their respectably time period . Both men endured several tests and have sinned against God. While these men were in the mist of their downfall, they had significant woman who guided them along way to find Christ again. I will view the roles of women like Lady Bertilak of Sir Gawain and Una of the Red Crosse
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.
Question 1: Describe the responsibilities, roles, and aspirations of women in the passages of Christine de Pisan, Margret Patson, Alberti, and Martin Luther.
Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.