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Reflections on the revolution in france edmund burke online
Chivalry is alive essay
Chivalry is alive essay
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Chivalry in Edmund Burke's Reflections on the Revolution in France
...But the age of chivalry is gone...
Amidst a wealth of metaphors and apocalyptic maxims, this line is perhaps the most memorable from Edmund Burke's Reflections on the Revolution in France. He masterfully employs the concept of chivalry to express his anti-revolutionary sentiment, and he dramatically connects it to images of land, sex, birth and money to express the widespread disorder that accompanies a loss of chivalry. Nowhere is this idea more explicit than in the following passage:
...–But the age of chivalry is gone. —That of sophisters, oeconomists,
and calculators, has succeeded and the glory of Europe is extinguished for
ever. Never, never more, shall we behold that generous loyalty to rank
and sex, that proud submission, that dignified obedience, that subordination
of the heart, which kept alive, even in servitude itself, the spirit of an exalted
freedom. The unbought grace of life, the cheap defence of nations, the nurse
of manly sentiment and heroic enterprize is gone! It is gone, that sensibility
of principle, that chastity of honour, which felt a stain like a wound, which
inspired courage while it mitigated ferocity, which ennobled whatever it
touched, and under which vice itself lost half its evil by losing all its grossness...
(Mellor and Matlack, 16).
To fully understand this passage, one must recognize Burke's rhetorical strategy as well as his choice of words beginning with the "age of chivalry" line. First, instead of declaring that this age of chivalry is "dead," he merely asserts that it is "gone." The temporality of this word is important as it sustains potential for chivalry to return. Burke l...
... middle of paper ...
...rals and sentiments, no longer mix or when one takes over the other, as evinced by the French Revolution. Burke makes it explicitly clear that this divorce endangers order in all realms of life. And though the revolution does not exemplify a tragi-comedy, perhaps Burke's writing does. If his society heeds his forewarning and renews chivalry instead of adopting the infant-spirit of rebellion, it will avoid imminent tragedy and end happily in the comedic marriage of reason and emotion.
Bibliography of Works Cited
Brown, Lesley, ed. The New Shorter Oxford English Dictionary on Historical Principles. Oxford: Clarendon Press, 1993.
Holman, C. and William Harmon, eds. A Handbook to Literature. New York: MacMillan Publishing, 1986.
Mellor, Anne K. and Richard E. Matlack, eds. British Literature: 1780-1830. Fort Worth; Harcourt Brace College Publishers, 1996.
Ward & Trent, et al. The Cambridge History of English and American Literature. New York: G.P. Putnam’s Sons, 1907–21; New York: Bartleby.com, 2000
Harmon, William, William Flint Thrall, Addison Hibbard, and C. Hugh Holman. A Handbook to Literature. 11th ed. Upper Saddle River, NJ: Pearson Prentice Hall, 2009. Print.
Burke, Edmund (the Right Honourable), “Reflections on the Revolution in France” from The Works of the Right Honourable Edmund Burke from Project Gutenberg: http://www.gutenberg.org/ebooks/15679, Vol. III/12, No. 04/22, Pp. 1-15, Public Domain, 2009
This edition of the Chivalry is a result of a reissue of the original edition and is photographically reduced by one-fifth. Though not a fault of Keen’s literary style, this reduction does make reading text much more difficult to accomplish, no matter one’s age. This reduction also sometimes makes the many black and white illustrations, a helpful addition of Keen’s, blurred and reduces their effectiveness in aiding the reader. Overall, however, Chivalry excellently communicates Keen’s belief of the practical importance of chivalric ideals and institutions and results in an enduring work with the “last word” on chivalry.
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Ward & Trent, et al. The Cambridge History of English and American Literature. New York: G.P. Putnam's Sons, 1907-21; New York: Bartleby.com, 2000 http://www.bartleby.com/215/0816.html
Chivalry, in its most all-encompassing definition, can be described as “a form of behavior knights and nobles would have liked to imaged they followed, both based on and reflected in the epics and romances, a form of behavior which took armed and mounted combat as one of its key elements.” This definition opens many doors as to a true depiction of chivalry; however it is efficient at enabling discussion of chivalry from almost every medieval source. It is jus...