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The ideal of knighthood
Chivalry in literature
The ideal of knighthood
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This was my second and final English class in Georgia Tech and even from the first day, I knew this was unlike any English class I had ever taken, inside or outside Georgia Tech. Due to my experience in my previous English 1101 class, I was already familiar with the WOVEN modes of media; Written, Oral, Visual, Electronic and Non-Verbal. One thing that wasn't familiar about this class was its theme, Knights, Paladins and Codes of Conduct: Chivalry from King Arthur to Captain America. Before I took this, when I would hear the word, chivalry, what would usually come to mind is the romanticized definition of the word tied strictly to courtesy and "being a gentleman". This class showed me the true definition of chivalry, a code of conduct pertaining …show more content…
The true defining quality of chivalry is very subjective, almost every writer has a different quality pertaining to their text; such as spirituality in Sir Thomas Malory's Le Morte D’Arthur, valor in battle in Charny's A Knight's Own Book of Chivalry, selflessness and a good heart in Captain America: The First Avenger etc. We went through several supplementary texts and resources. What really interested me in the resources was the range and diversity; from a chivalric novel published all the way back in the 15th century to a 21st century comic book movie. This diversity and range in chosen texts exemplified how chivalry has evolved and changed with the passing time. The class went took a very in depth and sectioned look at all of the resources and covered a considerable amount of work while still adequately paying a delicate attention to detail to each topic. I really did not expect this workload from an English class but this class managed to surprise me. This class helped me to build on my skills in content organization, proper utilization of my chosen media and taught me how to design properly create and execute an …show more content…
This class gave me an opportunity to further develop my skills in adapting my artifact to fit the confines of my chosen media and also using its features to complement my argument. The second and third artifact utilized an electronic blog and a website, respectively. They both allowed me to integrate pictures, videos and other forms of media. I was able to implement video scenes from YouTube in the Modern Chivalry website to support my argument. Proper utilization of the chosen media is integral to conveying an argument, media can either add or take away to your argument; the inclusion of extraneous material is detrimental to the success of your argument as it distracts readers from focusing on the remaining content and often causes confusion to readers when a connection cannot be established between the textual content and the videos and graphics; a problem I encountered in my second artifact as some pictures had no bearing to the
The code of Chivalry can be described as a brave, loyal, courteous, distinguished courage or ability that is admired for their brave and noble qualities. Chivalry is a system of ethical ideals that arose from feudalism and had its highest development in the 12th and 13th centenry.(Columbia ElectronicEncyclopedia).Respect is an essential part of chivalry. The code of chivalry is a set of rules followed by the knights during the middle ages. The evolution of heroic and chivalry code has changed over time beginning from the Middle ages to now. The three stories Sir Gawain and the Green Knight, Lanval and Beowulf illustrate what it takes to be considered a chivalrous knight.
There was never an authentic code of chivalry as such, yet there were qualities idealized as chivalric such as bravery. Bravery was shown through satire during the film as King Arthur and his knights would run into many things that would exemplify their bravery and they retreat or fall back. One example would be when King Arthur and his knights go through the forest and run into the knights of “Ni.” The Knights of “Ni” would back King Arthur and his knights down by using the term “Ni” and force them to find shrubbery to move forward. King Arthur and his Knights would then go get the shrubby to come back for the Knights to say they are no longer the Knights of “Ni” and that King Arthur needs to find another shrubbery. King Arthur and his knights would not knowingly use the word “it” to back the Knights of “Ni” down so they could follow on with their quest to find the Holy
In the movie A Knight’s Tale the two main knights were William Thatcher and Count Adhemar. They both showed chivalry and courtly love, but not correctly. More of chivalry was followed more and the right way. The movie is very loosely based on Geoffrey Chaucer’s book Canterbury Tales. His father always wanted him the change his stars so he would not live in poor life forever. Even though both knights were good, William was better because he followed chivalry, courtly love, and prowess in battle.
Thomas Malory’s Le Morte D’arthur, T.H. White’s Once and Future King, and George Romero’s Knightriders encompass the evolution of the Arthurian tale from Malory’s time to the 1980s. Through this time many things have changed and these changes can be seen within the differences between each work. While there are many prominent differences chivalry or the knightly code is one of the main forces that tie these tales together. Malory reworks many of his sources to bring attention to the grand fellowship of Arthur’s Round Table and the chivalry that holds the knights together. Malory idealizes the power of chivalry and gives a great importance to it throughout his text. Unlike Malory, White does not idealize chivalry, but he does see the good and honorable aspects of chivalry. From Sprague Kurth’s article, “Conclusion,” it is clear to see that White gives his text an anti-war stance and shows chivalry and the controlling moral compass of Arthur’s knights. Chivalry is once again idealized in George Romero’s Knightriders the situations within the film are modernized but the emotions and illusions remain the same. T.H. White is directly referenced within the film and Malory’s idealization of the glory of chivalry can once again be seen. In my essay, I will show how chivalry is used in all the texts above as a bonding agent between all Arthurian knights. As Arthur’s knights honor and respect chivalry they remain as one cohesive group, but once they begin to abandon chivalry the Round Table begins to crumble and chaos ensues.
There is a form of pure love and authentic chivalry that permeates throughout the Arthurian legends. Elements of loyalty and valor accompany these concepts, and all are equally represented in Chretien de Troyes' The Knight of the Cart, or more commonly known as Lancelot, the original text that portrayed the adulterous affair between Lancelot, a knight in Arthur’s court, and Arthur’s queen, Guinevere. In a similar style to the aithed (Kibler 112)—or Celtic tale of abduction —Chretien crafts a time enduring legend in which in our knight of the cart, Lancelot embarks on a romantic and chivalric quest in search of the queen, for Meleagant has taken her as prisoner to his otherworldly realm of Gorre. Along this journey, Lancelot encounters a myriad of perhaps unbearable tests and tribulations, yet he never fails to rise above these trials and continue on in his pursuit for his great love. However, all the adventures Lancelot endures all stem from one fleeting moment comprised of great sin, the instance where Lancelot hesitates for two steps before climbing into the cart that permanently shames all who ride within it.
This edition of the Chivalry is a result of a reissue of the original edition and is photographically reduced by one-fifth. Though not a fault of Keen’s literary style, this reduction does make reading text much more difficult to accomplish, no matter one’s age. This reduction also sometimes makes the many black and white illustrations, a helpful addition of Keen’s, blurred and reduces their effectiveness in aiding the reader. Overall, however, Chivalry excellently communicates Keen’s belief of the practical importance of chivalric ideals and institutions and results in an enduring work with the “last word” on chivalry.
For centuries, the Arthurian legend has captivated an untold number of readers. What is it about Camelot that draws us into its complex code of chivalry and amusingly brute anecdotes? Human nature, as one can surmise from antiquated literature, has still not changed in the least—we still experience the boons and pitfalls of love, joy, envy, lust and sorrow. This certainly explains why the tantrums of Malory’s jealous Queen Guinevere strike chords of familiarity and even evoke an empathetic chuckle. Yet it fails to explain why a certain well-respected knight would receive such acclaim after delivering a ruthless and fatal blow to an innocent man’s head simply for the use of his cart. A closer glimpse into the saga of Le Morte D’Arthur reveals one possible answer to the question of the legend’s continuing appeal. The lapse of a few centuries since the last time a Western political entity has expressly defined, enforced and lived by a multi-tiered code of behavior (one that accommodates pride to Christianity) makes the motivation behind the misadventures of the knights of the Round Table downright fascinating to the modern reader. This mysterious motivator—honor—is a dominant theme in Sir Thomas Malory’s work and easily claims paramount importance above all other Arthurian virtues.
In his Canterbury Tales, Chaucer fully explicates the cultural standard known as curteisye through satire. In the fourteenth century curteisye embodied sophistication and an education in French international culture. The legends of chilvalric knights, conversing in the language of courtly love, matured during this later medieval period. Chaucer himself matured in the King's Court, and he reveled in his cultural status, but he also retained an anecdotal humor about curteisye. One must only peruse his Tales to discern these sentiments. In the General Prologue, he meticulously describes the Prioress, satirically examining her impeccable table manners. In the Miller's Tale Chaucer juxtaposes courtly love with animalistic lust, and in various other instances he mentions curteisye, or at least alludes to it, with characteristic Chaucerian irony. These numerous references provide the reader with a remarkably rich image of the culture and class structure of late fourteenth century England.
For my second example, I looked to Sir Gawain. The story of the Green Knight is seeped with instances of chivalry, and honorable men. “Always keep one’s word of honor,” was an obvious code for this particular story. Not only did Sir Gawain show respect for the codes of chivalry by serving his king, exhibiting courage, and fighting with honor; he kept his words of honor that had been spoken with the Green Knight. Although he was distracted in his course, he kept the appointed new year challenge with the knight. Not a perfect instance of chivalry, yet his example leads nicely into my next character assessment.
Le’ Morte d’ Arthur is a medieval romaunce by Sir Thomas Malory about King Arthur, Camelot and the Knights of the Round Table, violence plays a very crucial part in the story. Many different kinds of violence occur in this set of stories, some of which are very ordered and fine, like jousting, and also disordered violence like war. The worst type of violence though is when people use violence to get vengeance, which is a major theme, because many of these knights are mad at others. While many of the knights in the book are concerned with getting revenge, these actions and the search for vengeance are often futile and almost always end badly.
Chivalry was a big part of this fourteenth century and it was embodied throughout the men of king Arthurs round table. In General, Chivalry was a set of religious values and moral goals that medieval knights
Malory's Le Morte D’Arthur isn't known to be classic just because of Arthur-but rather the themes of family, love, revenge, identity, loyalty and betrayal. As King, Arthur is put in many situations that test the people he surrounds himself with. Therefore, betrayal has become a reoccurring theme. Throughout the novel, people are seen betraying each other. Betrayal has become familiar in a way to the members of the round table, ultimately leading to it's demise. The acts of betrayal occur in various forms, whether it be through adultery or just going behind the other person's back. Regardless of how it happens it brings about serious disorder for all involved.
Closely associated to the romance tradition are two idealized standards of behavior, especially for knights: courage and chivalry. The protagonist within many medieval romances proved their worth by going on quests, as many a knights went in those times, thus returning with great tales of their travels and deeds. Many modern people think of chivalry as referring to a man's gallant treatment of women, and although that sense is derived from the medieval chivalric ideal, chivalry could be seen as more than that. Knights were expected to be brave, loyal, and honorable-sent to protect the weak, be noble to...
The stories on The Canterbury Tales by Geoffrey Chaucer often undermine societal hierarchies at the time. The tales Chaucer tells highlight aspects of authority that would otherwise never be questioned. In “The Miller’s Tale”, the notion of a clear useful economic hierarchy is challenged. Chaucer critiques chivalry in “The Knight’s Tale,” testing the value of the authority it provides. In “The Friar’s Tale”, Chaucer questions the benevolence of the church and its position hierarchy. By giving archetypal characters the freedom to act in opposition to their hierarchical roles, Chaucer calls the nature of authority into question.
Many tales of courtly love are also tales of chivalry. Chivalry began to develop in the eleventh and twelfth centuries, and since then, chivalric literature has existed as one of the main sites of human rights and social criticism (Wollock 266). In chivalric theory, an honorable knight gives respect to others in all matters of action and of speech (267). Chaucer describes the knight in The Canterbury Tales by saying, “He nevere yet no vileynye ne sayde / in al his lyf unto no maner wight. / He was verray, parfit gentil knyght” (Chaucer 70-72). While Chaucer’s knight is not a true example of courtly love, for Chaucer assigns the Squire that trait, he does possess the qualities of chivalry, which allow him to present a story of courtly love in his tale.