Chicago The Musical Analysis

1039 Words3 Pages
bulb-icon

Recommended: Musical concert review

Matt Quinlan
Professor Thompson
Live Performance Review
April 21, 2017
Chicago The Musical On Friday April 21, I attended Chicago, a musical performed in Griswold Theatre at American International College. The performance started at 7 p.m and I arrived at approximately 6:45 p.m. This was the first time I had ever attended a live musical performance and the first thing I noticed upon walking into the lobby of the theatre was the excitement. The audience had a buzz among it, making it very apparent that everyone was looking forward to seeing the actors hard work pay off on the stage. Chicago is a two act musical taking place in the 1920’s where characters Roxie Hart and Velma Kelly have both committed the crime of murder. The plot …show more content…

Roxie thought she had gotten away with the murder when she convinced her foolish husband Amos that a burglar had murdered Fred Casely, but the truth ends up coming out and Roxie is convicted. This is where the song “Funny Honey” is performed in reference to Amos. From here Velma and Roxie find themselves in the same section of the local jail and the song “Cell Block Tango” is performed. The area of the jail they are in is run by Matron “Mama” Morton who is corrupt. This is where we heard the song “When You’re Good To Mama”. From the beginning Velma and Roxie were not fans of each other because Roxie is attempting to steal Velma’s lawyer Billy Flynn. This is where we see “A Tap Dance” performed to impress Billy. Billy then performs what is known as his anthem, “All I Care About Is Love” to the girls in the prison. Billy decides to take Roxie’s case and changes her story for columnist Mary Sunshine. This is where the song “A Little Bit Of Good”. Billy turns Roxie’s press conference into a type of ventriloquist act where Roxie is mouthing the words and Billy is spinning a different story with his words. This is shown through the song “We Both

Show More
Related

  • Chicago Jazz As A Cultural History Summary

    1709 Words  | 4 Pages

    William Howland Kenney provides an in depth look at the Chicago jazz as a cultural movement that shaped the 1920’s. His new interpretation of the Chicago Jazz life reveals the role of race, cultural, and politics in the growth of this new musical style. This in depth look focuses on the rise of jazz from 1904 until its end in 1930. This book covers a lot of areas in Jazz that were fundamental in its development. My overall impression is that this book is well written, it is expansive in its overview of jazz. Kenney is knowledgeable in this area of cultural history, and his book is well researched. The purpose of this book is to

    Read More

  • Showboat: A Revolutionary Production

    1767 Words  | 4 Pages

    Kislan, Richard. The Musical: A Look at the American Musical Theater. New Jersey: Prentice-Hall, 1980. 84, 110, 116-121, 125-127, 128, 134, 163, 195, 201, 209. Print.

    Read More

  • Biography of Irving Berlin

    1097 Words  | 3 Pages

    Kenrick, John. Musical Theatre A History. New York: The Continuum International Publishing Group, 2008. Print.

    Read More

  • The History of Chicago’s Broadway

    1374 Words  | 3 Pages

    The theatres in Chicago have a very vast and interesting history. Starting in the 1920’s, it has been around for a long time. Stephen Schwartz once said “I've heard it said that people come into our lives for a reason bringing something we must learn and we are led to those who help us most to grow if we let them and we help them in return”(goodreads.com). Broadway can help teach people morales. Broadway is one of the most exciting parts of downtown Chicago. Broadway in Chicago is undoubtedly less recognized then what it should be due to its talent and national status.

    Read More

  • Concert Critique

    597 Words  | 2 Pages

    On Tuesday, October 17, 2017, I attended a musical concert. This was the first time I had ever been to a concert and did not play. The concert was not what I expected. I assumed I was going to a symphony that featured a soloist clarinet; however, upon arrival I quickly realized that my previous assumptions were false. My experience was sort of a rollercoaster. One minute I was down and almost asleep; next I was laughing; then I was up and intrigued.

    Read More

  • The Impact Of Theater In The 1920's Theater

    1329 Words  | 3 Pages

    ...ver to see if she is ok she says she if fine but she hopes the fall did not hurt the baby. This creates buzz instantly keeping Roxie’s fame safe. Once the trial come Roxie takes the stand and steals Velma’s trial act. By this time Velma comes in the court with Roxie’s diary that has fake entries and a deal of freedom is she testifies. At the end of the trial both Roxie and Velma are set free and end up working in show business as performer’s together (Chicago).

    Read More

  • Ethnography of Performance

    681 Words  | 2 Pages

    During a musical performance many elements to be looked are not easily recognized by the average critic. A musical performance has multiple interactions taking place between the music, text, performers, audience, and space that all can contribute to a great performance. Overwhelming majority of the audience does not realize so much can be looked at during a single performance. At a performance by the University of Maryland Marching Band I was able to analyze the Musical Sound, Contexts of the Performance, and Interpretation of the Performance.

    Read More

  • Jazz Showcase

    1023 Words  | 3 Pages

    The audience, for the most part, seemed to be made up of college students attending for the same reasons as myself. However, there were some audience members who are part of older age groups in the audience. They were there only seeking a good performance and a great time. These older age group audience members were located mostly in the center section of the theatre seated in the first few rows. The dress was more casual among the students but dressier for the older people. Some people were in jeans and a T-shirt, including myself, while some wore nice clothes. The audience rewarded each soloist with a warm ovation of applause after their turn was finished. This led me to believe the audience enjoyed the performance and was very respectable to the performers.

    Read More

  • Essay About Urinetown

    932 Words  | 2 Pages

    On a cold, brisk Tuesday night, I attended the musical called Urinetown by Mark Hollmann and Greg Kotis. Urinetown was held in Rowand-Johnson Hall, at the Marian Gallaway Theatre. As I quickly walked in the entrance, I noticed that people were wearing casual attire. I gave the usher my ticket and walked to my seat. This time my seat was located up at the front so I had a great view of the stage. This particular theatre is my favorite, it is very open and you can see from every seat. This musical is known to be a musical comedy which deals with different themes, unique text, and extraordinary technical elements.

    Read More

  • Concert Review: The Chicago Symphony Orchestra

    537 Words  | 2 Pages

    I have been to many different concerts throughout my life but this year I experienced two exceptionally unique ___ that I had never seen before. The first one was a spectacular chamber recital that took place at the Chicago Symphony Orchestra performed by pianist Yefim Bronfman and violist-violinist Pinchas Zukerman. The program included Schubert's Violin Sonatina No. 2 in A Minor, Beethoven's Violin Sonata No. 7 in C Minor, and Brahms’ Viola Sonata No. 1 in F Minor. The second was a performance by the notable quartet “Anonymous 4” presented by the Universality of Chicago at the Rockefeller Memorial Chapel. The program included a series of medieval French motets from the 13th Century French polyphony, taken from the Montpellier Codex. The two performances were extremely different in nature and but at the same time very similar in what they were trying to achieve. For instance, while the first concert consisted entirely of an instrumental performance, the other was exclusively vocal. However, both were able to bring to life great examples of iconic artists from our past. I left both c...

    Read More

  • LACMA Concert

    1292 Words  | 3 Pages

    ...xcited to have this experience. Part of the drama of the concert at first is felt when the musicians come in and sit down and begin tuning up their instruments. I would not be able to comment on the performance of the orchestra. During the performance, I seen the audience were moving with the music, but I felt like that everyone seems knows more music than what I learned throughout this semester. After I went home and did some of the research on these music I finally understand why these people like to attend the orchestra concerto, it was because that every piece of music has a history behind it. The Los Angeles audience seemed to me to be people who know music and who will listen to something new in a respectful way. All the same, when the more familiar sounds of the last piece were heard, I could feel a little sense of relaxation and fun coming into the room.

    Read More

  • The Los Angeles Philharmonic Classical Music Concert Report

    574 Words  | 2 Pages

    I attended the Los Angeles Philharmonic classical music concert at the Walt Disney Concert Hall on Friday 29 November 2013. The classical concert started at 8:00pm to the enjoyment of the huge audience that had been waiting for this amazing music extravaganza. Classical music concerts always offer magnificent entertainment and the audience in this concert was expectant to derive such entertainment or more. In attendance were Christian Zacharias who was the conductor and Martin Chalifour who was the LA Phil commanding Principal Concertmaster and Bach violin player. In readiness for the concert, I enjoyed a special dinner prepared for the audience. More specifically, LA Phil staffer introduced us to the evening classical concert amidst cheers from the audience. It was such a refreshing and joyous feeling to be part of this audience.

    Read More

  • Analysis Of The Twelfth Night And A Streetcar Named Desire

    714 Words  | 2 Pages

    These strong drama and dramedy plots are structured around two strong dramatic women who emphasise the importance of character to act as a vessel through which a drama can be represented in a variety of settings. In both, 1940s New Orleans set A Streetcar Named Desire and the Illyria-based Twelfth Night, the plot is centred around a woman hiding her identity, in A Streetcar Named Desire Blanche is the catalyst for the plot as is Viola for Twelfth Night, though women in very different times, they are similar in their affect on the audience but differ in how they deal with loss.

    Read More

  • Musical Theatre Essay

    1096 Words  | 3 Pages

    Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding

    Read More

  • Descriptive Essay On My First Concert

    895 Words  | 2 Pages

    Then audience members who were perfect strangers who were screaming loudest would turn to each other with knowing glances and smile because they were sharing the same excitement and connecting with one another over their love of this man’s music. There was no pushing or shoving to get closer to the stage – it wasn’t that kind of crowd. Instead, there was mutual respect for one another’s space within the confines of the too-small venue. Nobody wanted to be the person who ruined it for someone else. It was this respect that made the audience members’ connections with one another that much stronger – we were all here to listen to this wonderful man’s music and see his performance – and, of course, we were here to enjoy it.

    Read More

More about Chicago The Musical Analysis

Open Document