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Colonialism in africa and its impact
Colonialism in africa and its impact
Colonialism in africa and its impact
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Cheikh Hamidou Kane's L'aventure ambiguë Samba Diallo is the victim of forces beyond his control'. Discuss this view of the protagonist of L'aventure ambiguë. In L'aventure ambiguë, the colonization of Senegal by the French have led to different and often conflicting views from different characters, clashes of different cultures and practices of religion, as well as the education that was provided by the Diallobé and from the new foreign schools. These few examples are useful in explaining the term victim', i.e. what he is a victim of, and later on how these forces may have influenced him over the course of the story. To simplify this essay, my essay will be focused mainly on Westernisation' and 'Africanism', as I believe that all these factors come under those headings.
In the first segment of his film series, Different but Equal, Basil Davidson sets out to disprove the fictitious and degrading assumptions about African civilization made by various Western scholars and explorers. Whether it is the notion that Africans are “savage and crude in nature” or the presumed inability of Africans to advance technologically, these stereotypes are damaging to the image and history of Africa. Although European Renaissance art depicts the races of white and black in equal dignity, there was a drastic shift of European attitudes toward Africa that placed Africans in a much lower standing than people of any other culture. The continent of Africa quickly became ravished by the inhuman slave trade and any traditional civilization
Danticat begins her essay with a tragic and bitter tone. She tells of the first people who were murdered when the Spaniards came to Haiti including Queen Anacaona, an Arawak Indian who ruled over the western part of the island. With bitterness she states, “Anacaona was one of their first victims. She was raped and killed and her village pillaged” (137).
“Segu is a garden where cunning grows. Segu is built on treachery. Speak of Segu outside Segu, but do not speak of Segu in Segu” (Conde 3). These are the symbolic opening words to the novel Segu by Maryse Conde. The kingdom of Segu in the eighteenth and nineteenth century represents the rise and fall of many kingdoms in the pre-colonial Africa. Therefore, Segu indirectly represents the enduring struggles, triumphs, and defeats of people who are of African decent in numerous countries around the world. There are three major historical concepts that are the focus of this book. One is the spread of the Islamic religion. Another is the slave trade, and the last is the new trade in the nineteenth century and the coming of new ideas from Europe (legitimate commerce). However, Segu does not simply explain these circumstances externally, but rather with a re-enactment that tells a story of the state of affairs on a personal level, along with the political one. By doing this, the book actually unfolds many deceitful explanations for the decline of West African countries in the eighteenth and nineteenth century.
In the novel Segu, Maryse Conde beautifully constructs personal and in depth images of African history through the use of four main characters that depict the struggles and importance of family in what is now present day Mali. These four characters and also brothers, by the names of Tiekoro, Siga, Naba, and Malobali are faced with a world changing around their beloved city of Bambara with new customs of the Islamic religion and the developing ideas of European commerce and slave trade. These new expansions in Africa become stepping stones for the Troare brothers to face head on and they have brought both victory and heartache for them and their family. These four characters are centralized throughout this novel because they provide the reader with an inside account of what life is like during a time where traditional Africa begins to change due to the forceful injection of conquering settlers and religions. This creates a split between family members, a mixing of cultures, and the loss of one’s traditions in the Bambara society which is a reflection of the (WHAT ARE SOME CHANGES) changes that occur in societies across the world.
After a journey into the dark history of Europe and Africa with Sven Lindqvist, I found myself shocked. It’s earth shattering. Ideas and historical events are presented through a journal/proposal of his unique view on racism. Lindqvist raises questions as to where racism was spurred and why what happened in late 1800’s and early 1900’s lead to the holocaust. Including religion, personal human values, advanced warfare and even societies’ impact as a whole. His travels through the Sahara and Africa in the early chapters show a more current day view of society over seas. The description of the desolate continent and harsh conditions paints a picture of what previous civilization lived through. He explains that part of the reason he has traveled to the desert is to feel the space all around him, a definite emptiness if you will. As his travels progress he introduces his own family life that pertains to the human emotion, which is also a big focus point in this book. Childhood beatings over taking the lord’s name in vain, dropped calls from his daughter that leave him torn and sad. He does an excellent job on taking the reader on a personal journey with him through his current day traveling and even his early life. Linking these personal experiences and tying in histories misconceptions of “right and wrong” is what makes this book so valuable. Lindqvist gives a relevant and educated answer to the question of how racism became such a terrible tribulation in all parts of the world.
...spoke a Spanish Creole. This made a clear distinction between the two and made it easy for the government to identify the difference. The reader sees how such themes of Birth and Death show so prominently throughout the characters that one must focus on how birth and deaths affect the concept of the individual relating to their own Negritude. It is culture, not skin tones but rather the beliefs and values that each country be it Haiti or Dominican Republic relate to. Danticat’s novel helps us understand the strengths and limits that Rene Depestre states in The Birth of Caribbean Civilisation “there is a progressive ‘negritude’ that expounds the need to rise above all the alienations of man . . . and there is “an irrational reactionary and mystic version of ‘negritude’ which serves . . . as a cultural base for neo-colonialist penetration into our countries” (244).
French occupation of Haiti began in the mid seventeenth century. For the next century and a half, the people of Haiti were forced to abandon their livelihoods and instead take up residence on namely sugar, indigo or cacao plantations in order to generate exports for the French market. Conditions on these plantations were often so cruel and oppressive that the common cause of death was exhaustion. No longer able to yield to the terms of their exploitation, Haitians participated in a string of slave revolts, the most prominent of which was led by Toussaint Louverture from 1791, which paved the road for Haitian emancipation. This essay will advance the idea that colonialism has impeded the political stability of Haiti during the nineteenth century, particularly from when Haiti formally declared independence in 1804. It will cover how issues such as; despotism, conflicting economic institutions, the militarization of the political system and racial supremacy, have negatively affected nineteenth century Haitian politics. Moreover, it will also elaborate on how these issues are, in effect, actually insidious derivatives of French rule during pre-independent Haiti.
In the story of “Desiree’s Baby” by Kate Chopin, there are many literary themes that can be analyzed such as love, racism, gender inequality, and miscegenation. What this analysis will focus on is primarily on the central male character, Armand Aubigny, and on his views towards racism. More specifically, what this essay will aim to prove is that Armand Aubigny looked down upon the African race to the point where he hated them. One of the biggest driving points to aid this idea is how his family name shaped his behavior and actions according to the societal normalities of his time period. Another important aspect that will be considered is his very relationship towards his slaves in how he treated them cruelly even to the point where he is described as “having the spirit of Satan” (Chopin 3). In addition to this, the reader will also see Armand’s negative reaction to being aware of the implications of his son and wife having mixed blood in where he practically disowns them. With all this culminating to Armand finding out the ugly truth that the race he had treated so horribly is actually a part of his very own blood as well.
In Black Skin, White Masks, Frantz Fanon looks at the effects of both racism and the process of colonization on the colonized. Even though Fanon’s work targets a French audience, it holds a universal message which is significant to anyone who is exposed to racism and/or colonialism whether they are the oppressor or the oppressed. While Black Skins, White Masks was written over half a century ago, is Fanon’s work still relevant today? In this short paper I will look at some of the themes of racism, colonization and the complex relationships they create among various groups as well as the inner turmoil which may be created within the subjugated group.
While Collins does a succinct job of examining the economic and political factors that heightened colonization, he fails to hone in on the mental warfare that was an essential tool in creating African division and ultimately European conquest. Not only was the systematic dehumanization tactics crippling for the African society, but also, the system of racial hierarchy created the division essential for European success. The spillover effects of colonialism imparted detrimental affects on the African psyche, ultimately causing many, like Shanu, to, “become victims to the white man’s greed.”
Sometimes reading fiction not only makes us pleasure but also brings many knowledge about history and philosophy of life. ‘The Guest’ by the French writer Albert Camus is a short story and reflects the political situation in French North Africa in 1950s. According to this story, we know the issues between the France and the Arab in Algeria, and the protagonist, Daru, refuses to take sides in the colonial conflict in Algeria. This is not a boring story, because Camus uses a suspenseful way to show the character, conflicts and symbol and irony.
Glissant begins his book with the section entitled The Open Boat, which explores the profound effect that the Middle Passage had on the African slaves brought to the Caribbean. While noting the many injustices African slaves faced on these ships, Glissant illustrates how this experience formed a collective between the slaves, something that could not be replicated under any other circumstance. In the three abysses Glissant presents, there are moves to create a process of understanding unseen in the world; first through the abyss of the ship, then the abyss of the depths of the sea, and lastly the abyss of the expanse of the sea. All of these abysses seek to destabilize the identity of individuals and form a strong collective sense of interconnectedness. Glissant continues the Caribbean exposition in a later section titled Closed Place, Open Word, which examines the plantation system as “one of the focal points for the development of present-day modes of Relation” (Glissant 65). By exploring the means of European domination and resistance to it, particularly through literary production and cross-cultural interaction, Glissant’s relational identity further establishes itself within the Caribbean context. Lastly in two sections entitled The Black Beach and The Burning
At the same time, the nature of European interest in Africa changed dramatically.************* Frantz Fanon’s 1959 book, A Dying Colonialism, offers an interesting look on the Algerian War of Independence. In spite of its often gruelling subject matter, this book remains strangely optimistic. As the title suggest, Fanon is describing the end of a system. It is important to note that Fanon is not arguing that colonialism has indeed ended already, but rather that the end is coming soon. Simply put his book is a convincing argument for how colonialism is in decline. How there cannot be a future that sees Algeria under colonial rule. How “colonialism has definitely lost out in Algeria” (Fanon,: 31). Fanon saw how the French had already lost the battle for controlling the Algerian psychology. They had lost the battle for ideas. In light of the work of Antonio Gramsci, they were not able to exercise hegemony in Algeria. They for instance tried to convince Algerian women that they were being oppressed (Fanon: 38). By doing this they hoped to gain power over men whilst simultaneously destroying Algerian culture (Fanon: 38). This was clearly an instance of what Gayatri Spivak refers to as the phenomenon of “white men saving brown women from brown men” (Fanon: 33). Fanon sees this attempt by the French as an absolute failure. Even though they do indeed use the rhetoric that is so
Having done the above analysis on my favourite text, “Anowa” by Ama Ataa Aidoo, I realise that my like for the text have heightened because the analysis of Anowa has given me a deeper understanding of Africa’s colonialism. I now know what actually led to our colonialisation (the betrayal) and how it began(the bond of 1844) through the personal lives of Anowa and Kofi.