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Influence of charles dickens work
Contribution of Charles Dickens in the field of literature
Contribution of Charles Dickens in the field of literature
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The use of a variety of language to convey a message within a novel is essential, and some authors, such as Charles Dickens, holds true to this usage. He completes his message in “Tale of Two Cities” by using elements of satire, irony in his chapter titles, and the extended use of juxtaposition throughout the novel. The first literary device that he uses well is the use of satire to prove an underlying message. When he describes the system that the Monseigneur had when he had his chocolates as “his four men of their burdens and taken his chocolate” and he could not have no more or no less men to take his chocolates (Dickens 109). Dickens makes fun of the aristocracy in France by displaying Monseigneur in this manner saying that they have too
Charles Dickens’ characters in A Tale of Two Cities highlight themes in the book, and symbolize groups of people in the French Revolution, human characteristics, and emotions, sometimes through foils. Themes are the main ideas or underlying meanings in literary works; symbolism is when the author uses objects, people, or actions to represent something that is different from its literal definition. A character that displays the qualities that contrast with another character for the purpose of highlighting the other character’s traits is called a foil. A Tale of Two Cities main characters Lucie, Doctor Manette, Miss Pross and Madame Defarge, and Charles Darnay and Sydney Carton all show themes and symbols.
Charles Dickens writes this book explaining the French Revolution, in which the social and economic systems in France had huge changes and the French monarchy collapsed. This causes high taxes, unfair laws, and the poor being mistreated. Charles Dickens shows that cruelty of other people will lead to a revolution and in addition to the revolution more cruelty will occur. He explores the idea of justice and violence through the use of ambiguous characters with positive and negative qualities, meaning that they have to different sides to them; for example, Charles Darnay, Sydney Carton, and Dr. Manette. Throughout the story of A Tale of Two Cities, Charles dickens uses ambiguous characters to shows how violence and cruelty can be stopped through the power of true sacrifice.
To support a major theme of this novel, scarecrows and birds of fine song and feather, wine and knitting, all represent the theme of man’s inhumanity toward his fellow man. The Revolution was a tragically devastating time full of senseless and meaningless violence, deception of neighbors as well as treason towards the government, and blissful ignorance of the surroundings. Many scenes and dialogue from this novel point out what contributed to make the revolution a period of intense political destruction. In A Tale of Two Cities, Charles Dickens includes many themes pertaining to the French Revolution and the moralities and immoralities that goes with violence, betrayal, and ignorance, by using many different types of symbolism.
Power can allow one to make decisions for others than will benefit them, but too much power can cause one to become corrupt. In the novel, A Tale of Two Cities, the author, Charles Dickens, views power as a way in which corruption arises. Throughout the novel, Dickens speaks about three characters who starts to abuse their power as time passes in the novel. Dickens portrays the characters of the Monseigneur, the Marquis of Evermonde, and the revolutionaries as characters who goes through a change as a result of power.
In A Tale of Two Cities, Charles Dickens’ choice of sentimental expression had an excellent effect on the readers’ responses to the characters. The use of exaggerated sentimentality helped create a clear picture of the story’s issues in the readers’ minds; it gave a feel for the spirit of the times, and made it easier to understand the characters’ points of view. It was this very sentimentality that Dickens strived to achieve.
Have you ever witnessed or participated in an act of mob mentality? Many people without realizing it take part in a form of mob mentality, whether it is at a sporting event, concert, or even a protest or riot; these are all forms of mob mentality. The term “mob mentality” is usually something negative, where large groups of people deindivduate themselves. People lose control and are pressured to fit in with what the rest of the crowd is doing. In the book, A Tale of Two Cities, by Charles Dickens, mob mentality has a big impact on the plot. A Tale of Two Cities, shows how mob mentality ties in with history repeating itself, portraying manslaughter and homicide, and also depicting riots.
Primarily used in satire is the literary device, irony, which is often displayed in both Swift’s essay and Voltaire’s novella; it is used to convey the duplicity of certain ...
Throughout A Tale of Two Cities, Charles Dickens repeats a number of symbols and motifs. By employing these two literary devices throughout the duration of the story, Dickens is working to emphasize the importance of these specific components of the story. Motifs and symbols represent repeating ideas that help the reader to understand, as well as highlight the author’s central idea. Dickens employs the usage of symbols and motifs, such that by using both he adds a layer of significance and deeper meaning to actions, people, as well as objects. Additionally, by using symbols and motifs, Dickens is able to create a story in which both the characters, and the plot are interwoven.
On the surface, Jonathan Swift’s Gulliver's Travels appears to be a travel log, made to chronicle the adventures of a man, Lemuel Gulliver, on the four most incredible voyages imaginable. Primarily, however, Gulliver's Travels is a work of satire. "Gulliver is neither a fully developed character nor even an altogether distinguishable persona; rather, he is a satiric device enabling Swift to score satirical points" (Rodino 124). Indeed, whereas the work begins with more specific satire, attacking perhaps one political machine or aimed at one particular custom in each instance, it finishes with "the most savage onslaught on humanity ever written," satirizing the whole of the human condition. (Murry 3). In order to convey this satire, Gulliver is taken on four adventures, driven by fate, a restless spirit, and the pen of Swift. Gulliver's first journey takes him to the Land of Lilliput, where he finds himself a giant among six inch tall beings. His next journey brings him to Brobdingnag, where his situation is reversed: now he is the midget in a land of giants. His third journey leads him to Laputa, the floating island, inhabited by strange (although similarly sized) beings who derive their whole culture from music and mathematics. Gulliver's fourth and final journey places him in the land of the Houyhnhnm, a society of intelligent, reasoning horses. As Swift leads Gulliver on these four fantastical journeys, Gulliver's perceptions of himself and the people and things around him change, giving Swift ample opportunity to inject into the story both irony and satire of the England of his day and of the human condition.
Mob mentality is the idea that when a big group of people are together they loose their sense of individualism and moral constraints to follow blindly what they are told. During the French Revolution mobs were highly prevalent as many of the population were starving, poor, and angry. In A Tale of Two Cities the author, Charles Dickens criticizes mobs by showing how dangerous they can be in many scenes.
In society today, all people determine their lifestyle, personality and overall character by both positive and negative traits that they hold. Sydney Carton in Charles Dickens’ A Tale of Two Cities was a drunken lawyer who had an extremely low self-esteem. He possessed many negative characteristics which he used in a positive way. Carton drastically changed his life and became a new man. Sydney is not the man he first appeared to be.
Dickens is often held to be among the greatest writers of the Victorian Age. Nonetheless, why are his works still relevant nearly two centuries later? One reason for this is clearly shown in Dickens’ A Tale of Two Cities. In the novel, he uses imagery to sway the readers’ sympathies. He may kindle empathy for the revolutionary peasants one moment and inspire feeling for the imprisoned aristocrats the next, making the book a more multi-sided work. Dickens uses imagery throughout the novel to manipulate the reader’s compassion in the peasants’ favor, in the nobles defense, and even for the book’s main villainess, Madame Defarge.
History has not only been important in our lives today, but it has also impacted the classic literature that we read. Charles Dickens has used history as an element of success in many of his works. This has been one of the keys to achievement in his career. Even though it may seem like it, Phillip Allingham lets us know that A Tale of Two Cities is not a history of the French Revolution. This is because no actual people from the time appear in the book (Allingham). Dickens has many different reasons for using the component of history in his novel. John Forster, a historian, tells us that one of these reasons is to advance the plot and to strengthen our understanding of the novel (27). Charles Dickens understood these strategies and could use them to his advantage.
In conclusion, by amplifying his ideas throughout his book by utilizing popular Victorian beliefs as the center of mockery, Dickens wishes to contribute his ideas to society through his writing. Within Oliver twist, he uses irony and sarcasm, in addition to a constant sardonic tone to uncover the reality of life in the Victorian era, such as the idea of Social Darwinism and the environmental conditions of the time. Overall, Dickens has a stimulating method to share his ideas with audience, and exposes serious issues meticulously using this variety of literary devices. With his unorthodox beliefs during the Victorian era, Charles Dickens uses literary devices, such as irony and sarcasm to contrast the reality of what was truly occurring in England
In the 1830s, as the capitalist system had established and consolidated in Europe, the drawbacks of the capitalist society appeared, and the class contradictions also sharpened day by day. The capitalist mode of production "has left no other nexus between man and man than naked self-interest, than calloused `cash payment'. It has drowned out the most heavenly ecstasies of religious fervor, of chivalrous enthusiasm, of philistine sentimentalism, in the icy water of egotistical calculation. It has resolved personal worth into exchange value, and in place of the numberless indefeasible chartered freedoms, has set up that single, unconscionable freedom --- Free Trade. In one word, for exploitation, veiled by religious and political illusions, it has substituted naked, shameless, direct, brutal exploitation."(Marx, Engels 1972: 253). Additionally, the development of natural science and the victory in objecting to the religion and idealism struggle of materialism impelled the writers to break the traditional concept and illusion, and to watch the world and research the social realistic problems with the relatively objective even scientific eyes, so that Realism replaced Romanism to become the principal school of European literary circles. Since at that time the realistic literature was good at ferreting out to capitalist society and criticism, Maxim Gorky called it as "the criticized realism"(Gorky 1978: 110-111).