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How is the romanticism influence charles baudelaire
Franz kafka a modernist
Kafka metamorphosis and modernism
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Charles Baudelaire a French poet has become well-known for his obsession with death and sex, distressed works, and his unconventional, yet reflective writing style. Charles is known as the father of modernism because of how he paved the way for a new genre of writing with anti-romantic ideas, modernist views and his creation of symbolism. Charles’s work with modernism influenced a whole generation of writers and among them was Franz Kafka. After learning about Charles Baudelaire and reading Kafka’s works it’s obvious that Baudelaire’s modernistic philosophies has influenced Kafka in more ways than one.
April 9th, 1821 Charles Baudelaire was born in Paris, France. He was the son of Joseph-Francois Baudelaire and Caroline Archimbaut Dufays. Charles’s father was about thirty years older than Charles’ mother and died when Charles was just six years old. It was his father, Francois, who introduced Charles to the arts, because he was avid painter and poet himself (Burton 2).The loss of his father at such a young age was what initiated the extremely close relationship Charles had with his mother. In 1827, the following year after Joseph’s death, Caroline married Lieutenant Colonel Jacques Aupick. The marriage of Charles’s mother to Jacques extremely troubled Charles (Burton 2). This was a life changing experience for Charles because he was no longer the primary focus of his mother and later in his adulthood it became evident in his writing how it deeply affected him.
In 1832, shortly after the marriage, Charles’s family moved to Lyon where he was sent to a military boarding school. Charles was said to be very inconsistent in his studies, at times hardworking, at other times uninspired to do work. Charles was described as a gifted stude...
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...he needs of society are egotistical, however still fascinating. Gregor also later thinks about how his pride at the beginning was so great because of how his parents leaned on him for supporting his family and how it faded once his parents began to expect him to care for the family and as a result he became a recluse.
Charles Baudelaire and Franz Kafka were exceptional writers who both had family troubles that profoundly affected their writing. They were both extreme revisers, hesitantly giving their work and they were both men who looked at the world and noticed that problems that surround them. They were isolated and thoughtful who took time to watch what was happening around them and let it inspire their work. Without Charles Baudelaire and his eccentric yet contemplative style the world would never has been introduced to the many wonderful works of Kafka.
Gregor is obviously trapped by his external appearance. His physical limitations deepen his feeling of futility. His external appearance mimics his internal feelings, as he now feels helpless by not being able to physically carry out his responsibilities.
Caemmerer, H. Paul. The Life of Pierre Charles L'Enfant. New York: Da Capo Press, 1950.
Regarding these two stories of hope and desolation, it is very importent to throw the biography of their creators which are no less popular as their books. Combining the events of both Borges' and Kafka's life in the post world war I era, the stories provide a grim picture of the world but there lies an element of hope that is gradually realized in the end. Characters in Kafka’s story go through life changing events which alter their whole outlook in the system that governs them, some moved, some very hopeful. The protagonist in Borges’ story has a profound experience with a mythical object that changes his outlook on life.
Gregor’s father demotes societal views of himself by his actions. Gregor’s father depends on Gregor for the income for the family. When Gregor morphs into a bug, Mr. Samsa reluctantly becomes the sole provider for his family. Getting a ...
He overheard his father speaking to his mother and sister about their financial status. As well as, how his father has been using the money he had saved from his business. Like any caring child, Gregor did not ask or question his father, just aided with no remarks. Even after his family started changing towards him, he only worried about cooperating financially in order to avoid any stress or family destruction. He slowly came to the conclusion that he will always be a bug, and because of that he isolates himself.
In “A Hunger”, “The Penal Colony”, and Metamorphosis by Franz Kafka, Kafka succeeded in showing his individuals as obsessed with their profession; however their obsession caused their doom because society asks so much from an individual, only so much can be done. However, regardless of that, these individuals choose their work over themselves, and not even bad health or death can stop them. Because society places immures pressure on Kafka’s work obsessed character, they neglect their well-being and cause their own downfall.
There are many parallels and differences between Franz Kafka’s “The Metamorphosis” and "A Hunger Artist". Kafka portrays these differences and similarities very effectively through his utilization of elements such as transformation, dehumanization, and dedication to work. Through his works, Kafka communicates with the reader in such a way that almost provokes and challenges one’s imagination and creativity.
As writers, neither Franz Kafka nor Flannery O’Connor received sincere approval from their parents concerning their art. While this fact in no way hampered their desire or ability to create beautifully haunting work, there is evidence that it left bitter feelings. In his letter to his father, Kafka states: “you struck a better blow when you aimed at my writing, and hit, unknowingly, all that went with it. . . but my writing dealt with you, I lamented there only what I could not lament on your breast.”
Kafka’s shows the shifting in the structural dynamics when Gregor’s new formation changes the attitudes from supportive to neglect when his needs affect their wants, needs and lifestyle. Gregor’s sense of duty to family was his main propriety towards his family. Even though he loathed his job as a travelling salesman, his devotion to financially clear his parent’s debt and care for his sister Grete was more important. He dreamt of fleeing the tightly coiled grip from his parent’s hands, but his loyalty was a pertinent family duty. To Gregor, this was what family was all about.
Politzer, Heinz. Franz Kafka: Parable and Paradox. Ithaca, New York: Cornell University Press, 1962, Pp. 37-41.
Kafka felt that “the powerful, self-righteous, and totally unselfconscious personality of his father had stamped him with an ineradicable conviction of his own inferiority and guilt” (Sokel 1). He felt the only way to ever be successful was to “find a spot on the world’s map that his father’s enormous shadow had not reached—and that spot was literature” (Sokel 1).... ... middle of paper ... ...
Stephens, J. “Franz Kafka’s personal life reflected in the Metamorphosis” The Kafka Project. 1999-2002. 13 November 2002. .
Pawel, Ernst. A Nightmare of Reason: A Life of Franz Kafka. 2nd ed. New York: Farrar, Straus, & Giroux, 1984.
Franz Kafka always had a strong background in literature and writing. Pursuing a career in law, Kafka put his writing skills to good use, but he always had a knack and passion for writing literature such as short stories, poetry and full novels more than working his actual job. By the age of 27, Kafka attended a play put on by a Yiddish theatre troupe performing in Prague. With the lack of money the troupe had, they became stranded in the town, where Kafka gained his interest in Yiddish theatre (Gray, 301). With the stranding of this troupe, critics believed this to be what led to the influence of most of Kafka’s later writings. This is believed due to the evidence of a journal found after Kafka’s death. These journals kept records of performances he attended, plot synopses, character analysis, descriptions of staging and critiques of the performances (Gray, 301). Kafka also had a journal filled with vignettes about specific productions, along with brief reflections on the theater and the production (Puchner, 177). We first see Kafka showin...
... relations, and ever present illnesses that impacted kafka’s work most dramatically. Without this man and all of his influences, the world would be without a great insight: insight into the mind of someone different--Kafka.