"Dry September" by William Faulkner is a story about Minnie Cooper, a lonely and unhappy woman, who accuses a black man, Will Mayes, of rape. The story happens in rural South, where racism against black people is wide spread in the society. A group of hard-core bigots, led by ruthless John McLendon, decides to punish Will Mayes, without even bothering to check whether Minnie's claim is true. The only opposition to their plan comes from a barber Henry Hawkshaw, who believes that they should try to "find out the truth first" (339). In their hatred, they accuse him of being a "damn niggerlover" (339) and proceed with their plan regardless. In attempt to change their minds, Henry joins them, as they leave to find Will. Upon finding him, Will tries to reason with the mob, but they handcuff him anyway and take him into the deserted forest. Henry suddenly decides to leave the car and does this by jumping out of it, for McLendon would not stop the car for him. As he slowly walks back into the town he hides when the mob was on their way back, upon executing Will Mayes. Next day Minnie's friends took her out to town for an evening walk and a movie. Everybody is curious about her and she is in the center of attention. During the movie, while watching all the young couples in the theater and realizing the consequences of her frustrations and lies, she starts laughing hysterically and has a nervous breakdown. The author emphasizes that human tendency for self-deception has a good breeding ground within the racist society and one of its consequences is a loss of innocent human lives. The main character of this story is Minnie Cooper, a middle aged white woman, who is single and lives with her invalid mother and old aunt. We lear... ... middle of paper ... ...hares this position with another man, Henry Hawkshaw, who is in a conflict with the same society. Henry, however, is taking part in this conflict as a white man and therefore stays alive, but it does not diminish the symbolical role of his character. The conflict of Will Mayes and Henry Hawkshaw against the society is vivid in their dealings with sole representative of this society, John McLendon. The conflict between the society he represents and Will is solved through Will's death, while Henry's conflict remains unsolved, because he is unable to go until the end. Besides representing a faithful soldier of his society, McLendon also participates in another external conflict, a man versus self, for we learn that he is deeply frustrated and disturbed man, unable to cope with his inner ghosts in a reasonable manner, therefore this conflict also remains unsolved.
Miss Hancock, her personality and beliefs were contrasted entirely by her character foil, Charlotte’s mother, “this civilized, this clean, this disciplined woman.” All through Charlotte’s life, her mother dictated her every move. A “small child [was] a terrible test to that cool and orderly spirit.” Her mother was “lovely to look at, with her dark-blond hair, her flawless figure, her smooth hands. She never acted frazzled or rushed or angry, and her forehead was unmarked by age lines or worry. Even her appearance differed greatly to Miss Hancock, who she described as,” overdone, too much enthusiasm. Flamboyant. Orange hair.” The discrepancy between the characters couldn’t escape Charlotte’s writing, her metaphors. Her seemingly perfect mother was “a flawless, modern building, created of glass and the smoothest of pale concrete. Inside are business offices furnished with beige carpets and gleaming chromium. In every room there are machines – computers, typewriters, intricate copiers. They are buzzing and clicking way, absorbing and spitting out information with the speed of sound. Downstairs, at ground level, people walk in and out, tracking mud and dirt over the steel-grey tiles, marring the cool perfection of the building. There are no comfortable chairs in the lobby.” By description, her mother is fully based on ideals and manners, aloof, running her life with “sure and perfect control.” Miss
First, the story takes place in the 1900s on Tol and Miss Minnie’s farm. They have crops, gardens, and livestock, and are avid in what they do (Half-Pint of Old Darling 124).
Further, throughout the book, Sadie and Bessie continuously reminds the reader of the strong influence family life had on their entire lives. Their father and mother were college educated and their father was the first black Episcopal priest and vice principal at St. Augustine Co...
The story is set in a rural community in turn-of-the century Iowa. This time-frame is one where women did not have the freedom they have today, but were instead seen as wives, cooks and housekeepers. This is the basis for Minnie’s isolation, her place in the society of the day. This is also compounded by Minnie’s husband, John Wright, who makes her more isolated than many other women of the time. We see that Minnie is isolated from love. Her husband is not an affectionate man and she has no children. In the story, we are told that after her marriage her only friend was “solitude.”
Minnie Foster was once described as the belle of the ball. To look at her tonight for the first time you could see why. She carried herself with both an air of confidence and modesty at the same time. Her small eyes dominated her face. They did not look directly at you anymore though. Still, they seemed all knowing and experienced as if they were able to see and know secrets about you that you wish no one knew. Her slender peaked nose was no match for the full lips she had, lips that never uttered a sound and which have become as pale as her knuckles. Her lips were pierced shut protecting the thoughts in her head from falling out one by one to the hard flooring.
“I am a large, big boned woman with rough, man-working hands” Mama describes of herself in the short story Everyday Use by Alice Walker. Mama, who additionally takes the role of narrator, is a lady who comes from a wealth of heritage and tough roots. She is never vain, never boastful and most certainly never selfish. She speaks only of her two daughters who she cares deeply for. She analyzes the way she has raised them and how much she has cared too much or too little for them, yet most of all how much they value their family. Mama never speaks of herself, other than one paragraph where she describes what she does. “My fat keeps me hot in zero weather. I can work outside all day, breaking ice to get water for washing” (Walker, 60). She does not need to tell readers who she is, for her descriptions of what she does and how her family interacts, denotes all the reader needs to know. Although Mama narrates this story rather bleakly, she gives readers a sense of love and sense of her inner strength to continue heritage through “Everyday Use”.
Mrs. Hale feels a natural responsibility to defend and protect Minnie Foster Wright through her connection as a fellow woman and housewife. Upon her introduction to Minnie through her home, Mrs. Hale finds an immediate connection. She understands Minnie’s life as a homemaker and a farmer’s wife and is quick to defend her when her skills as a wife and woman come into question. When the men recognize Minnie’s lackluster cleaning of kitchen towels Mrs. Hale retorts “[m]en’s hands aren’t as clean as they might be” (Glaspell 160). She asserts her loyalty to Minnie and notes that men are not always perfect or without blame, without “clean hands”. As a woman, Mrs. Hale easily sees herself in Minnie’s place and comes to her defense as if she were defending herself. It is easier to share her loyalty with a woman so much like her than it is to be loyal to men that act superior and do not understand the challenges of being a housewife. The men find a woman’s chores as petty, nothing but “trifles” (Glaspell 160).Scholar Karen Stein argues that it is these commonalities that create the responsibility of everywoman to defend one another (Ortiz 165). Mrs. Hale sees herself in every...
Having been raised in the south has allowed her to believe that she must be catered to as a woman no matter how old she gets. The grandmother constantly refers to herself as a lady and has made herself a priority in her sons life and has a difficult time being considerate of other peoples feelings. At the beginning of the story she tries to convince her son Bailey to change the destination of their planned vacation to where she would like to go. In order for grandma to go see her old house in Tennessee she must convince Bailey that his family may be in danger after a
The narrator, Twyla, begins by recalling the time she spent with her friend, Roberta, at the St. Bonaventure orphanage. From the beginning of the story, the only fact that is confirmed by the author is that Twyla and Roberta are of a different race, saying, “they looked like salt and pepper” (Morrison, 2254). They were eight-years old. In the beginning of the story, Twyla says, “My mother danced all night and Roberta’s was sick.” This line sets the tone of the story from the start. This quote begins to separate the two girls i...
Flannery O’Connor is a Southern author that writes about very violent and strange stories. O’Connor establishes a much need style of writing that capture reader feeling and emotions. This paper will identify some of the author’s hidden emotion and state of imagination to keep the reader on edge. This story is clearly more about the grandmother start from the beginning to end expressing her point of view. The grandmothers discuss her role and religious experience when she meets the Misfits. I think all critics will focus on the grandmother to identify all problems and to have a religious connection with God.
Glaspell authored this feminist short story, now considered a classic and studied in many institutions of higher education, in 1917, a story that underwent reawakening in the 1970s (Hedges). As the investigation of Mr. Wright’s murder takes the sheriff of Dickson County, neighbor Mr. Hale, and their wives to the Wright farm, the story “confines itself to the narrow space of Minnie’s kitchen--- the limited and limiting space of her female sphere. Within that small space are revealed all of the dimensions of the loneliness that is her mute message” (Hedges). It is evident through Glaspell’s writing that Minnie Wright feels distress from being trapped in the confines of her kitchen with no telephone and no outreach to the world outside her husband’s farm. Mrs. Wright being quarantined to her own home every day--- a common occurrence in housewives of ...
Her parents meet at a social gathering in town and where married shortly thereafter. Marie’s name was chosen by her grandmother and mother, “because they loved to read the list was quite long with much debate over each name.” If she was a boy her name would have been Francis, so she is very happy to have born a girl. Marie’s great uncle was a physician and delivered her in the local hospital. Her mother, was a housewife, as was the norm in those days and her father ran his own business. Her mother was very close with her parents, two brothers, and two sisters. When her grandmother was diagnosed with asthma the family had to move. In those days a warm and dry climate was recommended, Arizona was the chosen state. Because her grandma could never quite leave home, KY, the family made many trips between the states. These trips back and forth dominated Marie’s childhood with her uncles and aunts being her childhood playmates.
Caroline lacks involvement in her children’s upbringing. After hearing Benjamin cry, Caroline, questions, “Cant I even be sick in peace. Do I have to get up out of bed […] with two grown negroes to take care of him” (59...
Through the crime committed by Minnie Wright, three women grow together and establish that justice for all is deeper than finding the culprit. Justice occurs in all things, in hiding the clues by Mrs. Hale and Mrs. Peters, in the quiet dignity they both have by helping their friend, and by proving that women are capable of anything they are determined to accomplish.
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...