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Drama performance analysis
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The characters within the three plays, although are not completely developed for the audience, are definitely not the average stereotypical characters that can be depicted in literature. For example, Carla, in “Beauty”, can be assumed as the stereotypical ‘prima-donna hot chick’. However, as the play continues on, the audience is provided with a more developed character, as they discover that Carla wishes that she wasn’t all beauty, but rather someone with a personality that can attract different people, for long-term relationships. Overall, a ten-minute play can never fully develope a certain character. There is so much that goes into a character's background, intentions, and dialogue, that it would be impossible to completely develop one …show more content…
Although the ages of each character is not specified, the audience can assume what general age each character is. For instance, in “Beauty”, Carla speaks about how she is able to get dates in bars and is even proposed to over the phone. This allows the audience to assume that she is in her twenties. However, if it was stated that Carla was in her early teens, the idea that she was able to drink in bars and ‘freely date’ can be considered unacceptable for her age. Additionally, in “Zombie Love”, viewers would find it utterly disgusting to find that perhaps a young, adolescent, girl/boy were to fall in love with a zombie, and then tell said zombie lover to kill their best friend. Finally, the psychiatric interview that Lamb underwent, in the “Applicant”, was terrifying. Had it been stated that Lamb was an elder, about the age of 80, the interview would be increasingly horrific. All in all, the gender or race of an actor that is portraying a certain part doesn't really affect the outcome of the play. However, the age difference between the dialogue and the actor can create a drastic change on how the audience view …show more content…
Perhaps in normal plays the setting can be described in further detail, however, in ten-minute plays, the setting can be kept to a minimal. Overall, if any of each of the play's settings needs to be discussed in more detail, it would need to be “Zombie Love”. In “Zombie Love” it’s depicted that the characters are in, what society claims as the zombie apocalypse. However, there isn’t a significant amount of information detailing why the zombie apocalypse, isn’t an apocalypse. For instance, why can the zombie talk? How is the rest of the world, other than the bench and
The characters address the audience; the fast movement from scene to scene juxtaposing past and present and prevents us from identifying with particular characters, forcing us to assess their points of view; there are few characters who fail to repel us, as they display truly human complexity and fallibility. That fallibility is usually associated with greed and a ruthless disregard for the needs of others. Emotional needs are rarely acknowledged by those most concerned with taking what they maintain is theirs, and this confusion of feeling and finance contributes to the play's ultimate bleak mood.
Lala, Sunny and Peachy are just a few of the characters that were cast in the play. Be assured, however, that all the others were also suitably cast for their roles in the production. Thus, making the character selection only one of the key elements in the production’s success.
The play also highlights the position of women in Elizabethan times. At the beginning of Act One we are introduced to Sampson and Gregory who are servants of the Capulet's and they are in the market place of Verona. They are messing around joking to each other and in the process puns are used such as collier, choler and collar. In the time this play was shown, this would have being considered very funny to the audience.
The play “Beauty” by Jane Martin is about two drastically different friends realizing they are not so different after all. Carla, the beautiful friend, tells Bethany, the smart friend, about the trouble of being beautiful. Bethany wants to be like Carla and even thinks she would enjoy the “problems” of beauty. She only expresses her true feelings because she has the opportunity to have what Carla does. Bethany had found a lamp containing a genie and had one wish remaining.
The plays, A Streetcar Named Desire and A View from the Bridge, focus on the theme of domination of the female characters through the writer’s habit of literacy techniques such as imagery and realism to add the typical tragedy that follows in both plays – where the main character dies at the end and each playwright uses their own method to manipulate their point of view or opinion of the play’s plot to the audience members.
Throughout the plays, the reader can visualize how men dismiss women as trivial and treat them like property, even though the lifestyles they are living in are very much in contrast. The playwrights, each in their own way, are addressing the issues that have negatively impacted the identity of women in society.
Zombies have become very popular due to their depictions of being easy to kill and being communal. Zombie apocalypses are also very relatable due to the fact that they are set in lives similar to our society and seem easy to overcome. Zombies, themselves, can be identified with because we see ourselves when we look at a zombie. Zombies drudge on through the same task of finding human flesh to consume every day just like we drag ourselves to either class or our job in order to sit through another boring lecture or perform the same menial task every day. Just like the zombie, R, in the book, Warm Bodies, said, “I am Dead, but it’s not so bad. I’ve learned to live with it,” we have learned to succumb to our daily routines and just live with
changing attitudes toward life and the other characters in the play, particularly the women; and his reflection on the
The next component in a tragedy is character. Character development is very important when performing or writing a play. It gives the audience an emotional connection with the main characters in the play. Today this component is used in modern day television shows to establish a constant audience. In Medea the only character developed is Mede...
In this play, the men and women characters are separated even from their first entrance onto the stage. To the intuitive reader (or playgoer), the gender differences are immediately apparent when the men walk confidently into the room and over to the heater while the women timidly creep only through the door and stand huddled together. This separation between genders becomes more apparent when the characters proceed in investigating the murder. The men focus on means while the women focus on motive: action vs. emotion. While the men...
...n the play are tragically the ones who suffer the most. Due to the way they were viewed and treated at the time of the play they were basically helpless. Desdemona was made to stand by and watch as the relationship with her beloved husband Othello deteriorated. She was the first to die but the most innocent. Emilia got caught between respecting her husband and being loyal to her mistress. Sadly she made the choice to follow the wrong person but was able to redeem herself in the end only to be stabbed in the back by Iago. Bianca is a victim of circumstance and unknowingly involved because of her love for Cassio. I believe that Shakespeare wrote this play to illustrate the injustices done to women during his time, among other political messages that are entwined into the plot.
Neely, Carol Thomas. “Shakespeare’s Women: Historical Facts and Dramatic Representations.” Shakespeare’s Personality. Ed. Norman N. Holland, Sidney Homan, and Bernard J. Paris. Berkeley: University of California Press, 1989. 116-134.
In each of his plays the women are the same, with their own little quirks, but overall they all portray a woman that isn't totally fitting to the elizabethan stereotype. Shakespeare was clearly way ahead of his time as a writer. The uncommon characteristics that he gave his women, perfectly describe women today.
Women in the Elizabethan era were subservient to men. They were expected to conform to the societies expectations while obeying the significant male figures in their lives. High-born women were often portrayed “possessions” to be shared between fathers and husbands. In several cases, they were socially restricted and unable to explore the world around them without chaperones. The women were mainly expected to act as loving caretakers to those in their families. In William Shakespeare’s play Macbeth, however, the female figures in the play both promote the idea of unbridled feminine sexuality but also promote the female ideals of being loving caretakers. The dramatic technique Shakespeare uses to characterize his female figure in the play are the setting, the character’s dialogue and what the other characters say about them, especially behind their backs. The three main female characters that endorse but also contradict the archetypes of women are the tyrannical Lady Macbeth, the loving Lady Macduff and lastly the mysterious weird sisters.
The play, The Merchant of Venice drastically altered the perception of women during the time as Shakespeare makes women during the Italian Renaissance appear independent and intellectual, such as the beautiful Portia and the young Jessica. This play shows that women are not only beautiful people to look at but also powerful and intelligent individuals. The characteristics of the women in this play show the possibilities of equality between men and