“A collection of fictional stories … of cultural myths and songs” this is the definition of folklore, and from these stories we get a multitude of myths and speculation of what happens to us when we die. They range from just disappearing into nothingness to becoming a higher being or going into a higher plain of existence. There are ideas however, of a life on this earth after we die for those who have committed crimes or have not been buried properly, we become the other, the supernatural or ultimately the undead. The most common of the undead is the vampire. One of the most known vampires from literature is Bram Stoker’s Dracula (1897) who is portrayed as a blood thirty, emotionless monster, which is the idea most often portrayed in folklore. …show more content…
The vampire seen in ‘Dracula’ is much closer to the original European folklore vampire of a blood drinking, coffin dwelling creature , the description of “demoniac furry” shows the origins of vampires and the creatures of darkness aspect. This description contrasts the description of Lestat in ‘Interview with the Vampire’, “radiant”, radiant is more associated with goodness and God rather than Hell and demons as “demonic” implies. The new vampire of Interview with the Vampire is seen in other modern texts, such as in Twilight, although many of the traits are exaggerated, they don’t drink human blood and live together as a family . In Dracula, Jonathan stays at someone’s house and in the morning, they say “Denn die Todten reiten Schnell. (For the dead travel fast.)” They are warning him of the dangers that he will face as he is in Transylvania, the home of the Romanian vampire. There are different ideas about how they are created and how they live their undead lives. They range of the beautiful creatures who seduce their victims to zombie looking beings who attack. The main difference when looking at the folklore in literature is considering when the book was written and where, so you can understand and see the central context it was written in. The Asian and the European vampire are …show more content…
The Gothic style is based on the idea of power, it can quite often also be explicit due to the idea of sexual power . The power in Dracula is shown when Jonathan’s “eyes would not open” due to the presence of the female vampires, they had so much power that they cause his eyes not to open. The gothic style is shown in Dracula with the “dark castle” castles are a common motif in gothic literature as they allow the reader’s imagination to run wild, they also create an in allusion of mystery and a sense of the unknown. Stoker also talks about the “frowning walls” this use of personification makes the walls seem more alive and more human, unlike the monster that lives inside. Likewise, in Interview with the Vampire, there is a section of the book where the vampires go to Europe, and one of the first things Louis comments on is that “the Mediterranean was black,” he was expecting blue and colour but is met with black, this shows that even the water is a part of the gothic narrative, however this chapter does take place at night so that could be the
In a world with ghosts, monsters, demons, and ghouls, there is one being that resonates in everyone’s mind. The idea of these creatures can be found in almost every culture on the planet in one form or another. They prey on the weak and they feast on the blood of their victims. They are compared to a fox for being quick and cunning, but also rather seductive in their nature. With their unholy existence one can only describe them as almost demonic. So what is this horrid creature? Well it is none other than the vampire, a creature as old as time itself. Throughout history there have been many different variations of the vampire, each with their own unique abilities. But one cannot help but mention
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Dracula, a gothic novel by Bram Stoker, prominently displays three gothic motifs -- the supernatural, entrapment, and nightmares. Throughout the entirety of the novel, the main characters were being harmed or attempting to destroy the vampire, Count Dracula. Without this supernatural character there would not have been a plot line to the story. Count Dracula makes his victims feel physically entrapped as well as entrapped in their own mind. The characters in the novel that had direct interaction with Dracula seem to confuse reality with nightmares, making it hard for them to understand what was happening to them. Without these three main gothic motifs Dracula would not portray the same message.
The purpose of Dracula’s physical description is to place him against humanity and see how he stacks up. He has various features which obviously make him a vampire, such as a set of sharp teeth. But there are other peculiarities to his description which mark him as being an outsider. For instance, when Jonathon Harker, and by extension the reader, first meets Dracula, he describes him as being “a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot” (Stoker 15). At this point, he is a regular looking man, or at least normal enough that nothing elicits a reaction in Jonathon. Later, however, the aberrant constitution of Dracula co...
First a major difference is sunlight does not affect the vampires in Twilight. The only thing the sun does to them is making them glow like glitter is on them. In Dracula the vampires are very weak when they get into the sun. Next big difference that you usually do not see in vampires is in Twilight they show up in pictures and mirrors. In Dracula it is shown when Jonathan was shaving that Dracula could not be seen in the mirror (29-30). The final difference between Dracula and Twilight is Holy items do not harm the vampires in Twilight. In Dracula however the items either burn the vampires, they just do not go near them. They usually just try to find an alternate solution around the object. This is shown when Draula used the wolf from the zoo to break the window open to get inside to suck on Lucy’s blood
In chapter 23, Professor Van Helsing mentions that Count Dracula was in life a “wonderful man,” a soldier, and a statesman, (Stoker, 1897/2001, pp.289). Although Stoker in his original book does not clarify how count Dracula became a vampire, there are references in the text that suggest it was the result of necromancy. In chapter 18, Van Helsing reveals that the Count was a student of alchemy, necromancy, and the occult (Stoker, 1897/2001). He further mentions that Dracula attended the “Scholomance,” a mystical school in the mountains, where the students are tutored by the devil himself (Stoker, 1897/2001; pp. 231). This point is taken further by Montague Summers (as quoted in Laycock, 2009, pp.19-20), through his words- “The vampire is believed to be one who has devoted himself during his life to the practice of Black Magic…”. These references in the book and interpretation in the Laycock’s work, lead to the conclusion that the Vampire-Dracula was the result of his deeds and practices during his lifetime. On the other hand, Cullen was the son of a pastor, who hunted monsters like “…witches, werewolves… vampires” (Meyers, 2005, pp. 331). When the pastor grew old, Cullen assumed the mantle of the monster slayer. Unfortunately, during a hunt, he was bitten by an old vampire he was chasing. After his transformation, Cullen, repulsed by what he had become,
In the novel, Dracula, Bram Stoker puts together a variety of characters with several characteristics that are unique and somewhat alike in many ways. One way that some of the characters are similar is that they show signs of being a degenerate. A degenerate is a person who has sunk below a former or normal condition and lost normal or higher qualities. These people most likely have mentally and sometimes physically become deteriorated to the point where they no longer can think and function as a normal person would. Two characters in the novel that stand out as degenerates are Dracula and Renfield. Both are degenerates in their own ways and also have characteristics that are in some ways the same. They follow most of the traits that degenerates contain and portray it throughout the novel.
Bram Stoker’s Dracula can be compared to F.W Murnau’s, 1922 film Nosferatu, due to the similarities in characters, plot, and the myth of vampires. The novel is a horror story of Dracula’s attempt to find new blood and spread the undead curse. Throughout the novel Dracula is challenged by a group of men in order to defeat the curse, destroy the undead, and enjoy their lives with a new sense of freedom. However in Nosferatu, Count Orlock’s attempt to obtain woman’s blood leads to sacrifice and death. These stories follow such similar outlines, such as slightly changing the names of characters, that the movie was charged with copyright, and every copy was destroyed. Fortunately, some copies made it secretly into the U.S, where the movie was not
Count Dracula has been the frontrunner for the modern day vampire lore and legends since being printed back in 1897, pop culture took the vampire traits from Bram Stoker’s Dracula and twisted them. In modern portrayals of vampire lore, each author chooses an original aspect from Stoker but then creates a little bit of their own lore in the process. Count Dracula appears to be a walking corpse from the pale and gaunt visual aesthetics to the coolness of his undead skin (Stoker). In some cultures, the vampire is able to transform from the body of a human being to that of a fellow creature of the night, a bat. In the novel Dracula more than one town was easily visualized through the detailed descriptions throughout the novel, thus
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre;
Ever since Bram Stoker wrote his entrancing novel people have been adapting it, and the story is one of the most reproduced ideas in history. Each innovation of the novel influences the story for the creators own purpose, and in doing so generates another version of Dracula. Count Dracula has become an infamous character in history, and has been captured in many different mediums, such as the Japanese anime and manga series Vampire Hunter D, which follows Draculas son D in his adventures (Kikuchi). However, one of the adaptations that endures in modern minds is the 1992 film by Francis Ford Coppola, Bram Stoker's Dracula. This version of Dracula was meant to be loyal to the novel, but it diverged from the original in many ways.
The biggest difference is the fact that unlike in the earlier vampire tales, modern vampires are perceived as inhumanly attractive. Afterall, Dracula is described as a “tall old man, clean shaven save for a long white mustache, and clad in black from head to foot, without a single speck of color about him anywhere.” (Dracula, 42). Whereas in Twilight, “Everyone of them was chalky pale… They all had very dark eyes despite the range in their hair...were all, devastatingly, inhumanly beautiful.” (Twilight, 18-19). Another dissimilarity is that Dracula does not have a reflection. While Jonathan Harker may be unable to see the Count in his mirror, in Twilight, Edward shows up in pictures and has a reflection. Lastly, another major difference between the two kinds of vampires lies in their sleeping habits. Twilight vampires do not sleep in coffins, in fact, they do not sleep at all. But in Dracula, Jonathan discovers the count sleeping in a
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.
In the book, Dracula by Bram Stoker there are many characters that display qualities of good verse evil. The Count Dracula is a mysterious character who appears as an odd gentleman but the longer the story goes on Dracula shows his true self. Dracula started infiltrating the lives of anyone who crossed his path and he was not stopping his destruction of others’ lives. Many people were affect by Dracula’s actions but there were two people that Dracula caused an impact on during his rampage. Dracula is an evil, cunning, and selfish character who harms the life of a young man and ruins the future of an innocent woman.
The “Otherness” Dracula possesses reinforces our own norms and beliefs through his transgression that separates him from society and the polarity to Western norms and ideals makes him an effective device for extorting revulsion and horror. Stoker’s novel employs Gothic tradition, providing “the principle embodiments and evocations of cultural anxieties” from which the very Gothic mood and horror is produced, establishing the baseline used to distinguish the modern vampires, as part of vampire mythology within the Gothic (Botting Aftergothic 280). Differences Between Dracula and Twilight The similarities between the two novels are namely Gothic imagery and theme, but the Gothic mood predominates in Dracula over Twilight and it is this difference that makes Twilight not belong in the vampire canon. Horror is the element that Dracula possesses that Edward does not, and it is crucial in the interplay between transgression and limit.