The Character Brett Ashley in Ernest Hemingway’s The Sun Also Rises
There is a common perception among casual readers--who hasn't heard it voiced?--that Ernest Hemingway did not respect women. The purpose of this essay is to examine one work in such a way as to challenge these heinous assumptions. Hemingway's persona will be left alone. What will be examined is the role of women, as evidenced by Brett Ashley in The Sun Also Rises, and what, if anything, it reveals in the way of settling this account of Hemingway as misogynist.
Brett Ashley enjoys a unique position of power in the novel--in today's vernacular, she "wears the pants" in all her relationships. The feminist perspective, no doubt, will find this true, but rapidly move to the conclusion that Brett Ashley's power over men is Hemingway's means of showing what a bitch she is. I'd like to suggest another possibility. Despite Brett's many faults, she is worth loving, and Jake Barnes does just that. Again, the feminist may say, yes he loves her, but as an idol, a doll, a figure admired from afar, as if eternally suspended on a pedestal. I consent that Jake is guilty of this habit, yet; he is always there for her, no matter the pain it inflicts on his self-worth.
At the end of the book, when Jake thinks the coast is clear, and he's gathering himself at San Sabastian after much revelry in Pamplona, Brett sends a telegram:
COULD YOU COME TO HOTEL MONTANA MADRID
AM RATHER IN TROUBLE BRETT. (238)
Brett has ditched her intended husband Michael, her lover Robert Cohn, and her number one supporter Jake Barnes, in order to do what? To satisfy herself with a nineteen year old hero of the bull ring. To assuage her fears of aging. For wasn't it pleasant dear, to be ...
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...it, and respond accordingly.
Hemingway's gift of these characters says to the reader, "Embrace life." That message comes from one who loves people, even when they insist on games and head-trips and violence. Jake is a hero because he grabs the bull by the horns (I know, I know). He could be a pitiful mess of a man, but he is not. He is chivalrous, smart, and well-adjusted. He hurts, and has second thoughts, but he is quick to joke about it. The characters in the novel that show signs of male chauvinism are whipped about by events, and are in no way intended to be admired. Hemingway was no sexist. On the contrary, his work championed the woman's cause, and in Brett Ashley he has given readers a heroine, hell-bent on liberation.
Work Cited
Hemingway, Ernest. The Sun Also Rises. New York: Charles Scribner's Sons, 1926. Reissued by Collier Books, 1986.
Masculinity Gone Awry: Hemingway’s Robert Cohn in The Sun Also Rises From the beginning, Robert Cohn’s name defines himself－he is essentially a conehead in a society where concealing insecurities and projecting masculinity is paramount. Although he tries in vain to act stereotypically male, Cohn’s submissive attitude and romantic beliefs ultimately do little to cover up the pitiful truth; he is nothing more than a degenerate shadow of masculinity, doomed for isolation by society. In the incriminating eyes of people around him, Cohn is a picture-perfect representation of a failure as a man. Through Cohn, Hemingway delineates not only the complications of attaining virility, but also the reveal of another “lost” generation within the Lost Generation:
Sisario, Peter. "A Study of the Allusions in Bradbury's "Fahrenheit 451"" The English Journal Feb 59.2 (1970): 201+. JSTOR. Web. 20 Apr. 2014.
Bradbury, Ray. The Martian Chronicles: The Grand Master Edition. New York: Bantam Spectra, 1977. EPUB file.
Stephen King was born in Maine in 1947. His father abandoned him when he was 2 years old. His mother and brother was all he ever knew. Him and his brother were raised in Fort Wayne, Indiana where his father lived at the time. He was also raised in Connecticut too. His mother decided to move them back to Maine for their own good. There he got a job at Kitchens of Pineland. A kitchen of Pineland was by a mentally challenged hospital. He went to a Durham grammar school then attended Libson High School. In 1966, He graduated. At University of Maine of Orana, he was a sophomore that wrote for The Maine Campus, the school’s newspaper. He became a member of the Student Senate in Student politician. He also attended an Anti-war movement. In 1970, he graduated. His examination was a 4-F on grounds of high blood pressure, limited vision, flat feet, and punctured eardrums. From his examinations, he got a diploma to be a full time teacher.
Eller, E. Edward. “Fahrenheit 451.” 1998. Exploring Novels. Ed. Ray Bradbury. Detroit: Gale, 2004. 3-4
“Bradbury’s prose style helped raise credibility of science fiction.” Southland Times, The 13 June 2012: 09. Newspaper Source Plus. Web. 13 Feb 2014.
Hemingway's characters in the story represent the stereotypical male and female in the real world, to some extent. The American is the typical masculine, testosterone-crazed male who just ...
Ernest Hemingway’s The Sun Also Rises is an interesting piece of literature that has been analyzed and reviewed by many scholars throughout the years. Something that is often brought to attention are the gender roles. In The Sun Also Rises, Hemingway makes a stronger woman and a more feminine man, this is something that had not yet been seen in literature. A few authors had made female and male characters in their novels that were different than the norm, but none to the extreme of Hemmingway. In Hemingway’s novel, his female character, Brett, does not care about obeying the societal gender role set forth for her during the time period she lives.
In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1208-1209. Hemingway, Ernest. A.
One of the major technological advancements in Bradbury’s Fahrenheit 451 is the development of robots. The Mechanical Hound, a fierce creature that seems to have powers greater than human ones, “represent[s] the whole technological society for Montag” (Kerr). This creature was created to catch criminals a...
Taking everything into account, a future society, depicted by Bradbury, is alarming and differs much from our one. Such things like feelings, socialising, appreciation and communication are vanishing from their lives. These creatures are changing into dull, hollow zombies. The relationships inside the couples are a burden. Along with, nothing seems worth while. Ray Bradbury’s Fahrenheit 451 is a genius work to make people ponder over the future.
This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be in conflict with everyone, in his mind he has to stand alone in his views in order to set himself apart as king. Before he took to the throne Creon took advice from the prophet Tiresias who had so often had been his spiritual and moral compass, and yet in this matter concerning Antigone he will take advice from no one, not from the elders of Thebes, or even his own son Haemon.
Stuart. Death of a Criminal. 20 April 1999. Justice For All. 19 April 2001. www.prodeathpenalty.com.
Through the characters' dialogue, Hemingway explores the emptiness generated by pleasure-seeking actions. Throughout the beginning of the story, Hemingway describes the trivial topics that the two characters discuss. The debate about the life-changing issue of the woman's ...
... notice bradbury uses “mechanical hound”, its goes to show that technology has performed so many actions, but without human emotion. Rather technology is taking the life out of existence of human essence.